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The Big Bang Theory Season 12, Episode 19 Recap: Amy Is Feeling the Pressure of the Nobel


Nobel Watch 2019 continued on The Big Bang Theory this week as Amy and Sheldon were forced to do damage control following their outburst (well, Amy’s) in front of laureates, peers, and imposters (Pemberton and Campbell, for those keeping track). It’s no Game of Thrones cliffhanger, but it’ll do, especially since we’re down to the last five episodes. Shamy has to win the Nobel eventually, right?

If it’s going to happen, President Siebert and Ms. Davis (Oscar winner Regina King, praise be) tell Sheldon and Amy that they’re going to have to run a near flawless campaign the rest of the way. That means keeping their mouth shut and not throwing accusations at anyone. “The science world is a small community. People talk,” Siebert says. The only thing to do is lay low and cancel all further speaking engagements.

But then, as if Sheldon and Amy don’t already know this (I mean, why do you think Amy had her outburst?), Ms. Davis says that “winning the Nobel is very important to us, and not just the university. Dr. Fowler, you would only be the fourth woman to win a Nobel prize in physics.” I have trouble believing that Amy isn’t aware of this, but apparently it’s news to her. Ms. Davis piles on the pressure by also pointing out that a win for Amy would be inspirational to an entire generation of young women. Hey, Ms. Davis and President Siebert, here’s a news flash: Why don’t you tell that to the fellow Nobel winners voting for them? Amy already knows she has to be on her best behavior, so what’s this added pressure going to do?

Well, for the sake of the next 18 minutes of the episode, it drives the story forward. Amy is so overwhelmed by potentially being only the fourth woman to win a Nobel in physics that she goes through an entire stick of antiperspirant in an hour. Leonard—clearly worried about the amount of sweat that Amy is producing—suggests that she and Sheldon (who’s also panicking) self-soothe in a sensory deprivation tank.

Michael Yarish/Warner Bros. Entertainment

Shamy decides that self-care can’t be that bad and end up soaking in a tank that looks more like the egg-shaped vessel that Lady Gaga rode in on at the 2011 Grammys than anything else. I’m claustrophobic just looking at it.

Anyway, while Amy’s inside the vessel she sees an image of Ms. Davis talking to her and reiterating the dismal stats of female Nobel winners. That’s followed by images of young women blaming Amy for ruining their chances to win a Nobel. “I was going to be a scientist, but since you lost, I’m just going to have to give makeup tutorials on YouTube!” says one young woman. “Thanks for letting us down,” says another. “You’re such a disappointment!” adds someone else. Maybe this should be the punishment for all the parents involved in Operation Varsity Blues, but what on earth did Amy do to deserve this?

When the hour is up, Sheldon is calm as can be while Amy panics and calls herself a failure.

That afternoon, Amy’s more anxious than ever. She tells Sheldon it was bad enough when she was letting the two of them down; now if she doesn’t win the Nobel she’ll be letting all women down. Sheldon doesn’t know what to do except to Google “what to do when someone’s freaking out.” It says a walk can be calming, so Sheldon does that. It’s rude, but funny.

When he gets back, Amy is still upset so Sheldon asks Leonard and Penny for some advice. Leonard says the only thing he can do is just be there for Amy, but Sheldon doesn’t seem to know what that means. Penny points out that Amy’s always taking care of him, so perhaps that’s why it’s so hard with the roles being reversed. I don’t agree. Even though Sheldon will always think about Sheldon, he’s grown a lot in this area over the last few years. He knows what to do. The whole thing is kind of been there, done that.



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Game of Thrones Season 8 Episode 1 Recap: The Women Were Absolutely Savage


Game of Thrones returned last night for its season eight premiere, and so much went down: a long-awaited reunion between Jon Snow and Arya. And Sansa and Tyrion. And Yara and Theon. The list drags on. But, overwhelmingly, last night’s episode was about women. More specifically, women and their fatal glances and savage quips. If a female lead was on screen Sunday night, she was whittling us down to splinters without doing much at all. Between Daenerys Targaryen, Sansa and Arya, the ever-resilient Yara Greyjoy, and little Lyanna Mormont, I could barely go 10 seconds without involuntarily shouting “Step on me, mom!” at the TV.

I know “glances” might not sound like the most important takeaway from last night’s episode of Game of Thrones, but please understand that I’m gay. Glancing is the official mating call of queer women—and all queer women know the mammoth power a single female leer can hold. So, yeah, there were a lot of intoxicating women glaring at each other on Game of Thrones, and that’s what I cared the most about—I’m not sorry. In a show that doesn’t feature much explicitly queer female content, I have to make up for it in my mind. White Walkers are coming, yeah yeah, sure sure. But also, hear me out: glowering.

HBO

When Daenerys finally met Sansa last night, which Twitter loved, glances were had. Sansa wanted her brother to be fair to Northeners, who named him King before he bent the knee to Daenerys, so she was chilly toward the Dragon Queen. And I know I was supposed to be like, “Oh no, Sansa doesn’t like Daenerys,” but all I could think about was how badly I wanted either woman to fillet me with a single scowl. During one particularly frigid standoff, Sansa jeered, “What do dragons eat, anyway?,” to which Daenerys replied, “Whatever they want.”

The roasts were on full display last night too. When the women weren’t leering, they were dropping hot fire on their male counterparts. Sansa made a major dig at Tyrion when she said, “I used to think you were the cleverest man alive,” and if you know and love Tyrion, then you know how personal that remark is. When Arya reunited with Jon, her opening line was “You used to be taller.”

Then Euron Greyjoy propositioned Cersei (for the thousandth time), and she said, “You want a whore, buy one. You want a queen, earn her”—which is iffy feminism in that it’s…uhh, not feminist, yet I still wanted Cersei to shove me off a castle wall. Lady Lyanna Mormont, who always keeps us humble, reprimanded Jon Snow upon his return to the North: She spat, “You left Winterfell a king and came back a—I’m not sure what you are now. A lord? Nothing at all?” And this chick can glare. Basically, everyone in Winterfell was shaking—and not just from the winter.

The first episode of season eight was jam-packed with reunions and character nostalgia, but it was slow overall. They’re definitely laying groundwork for the final five episodes and gearing up for the big fight between the living and the dead, which apparently will be the longest battle scene in the show’s history. Still, I was fully sated by the season premiere.

Lena Headey as Cersei on HBO's Game of Thrones
HBO

Last season—season seven—was spilling over with powerful moments from the female leads, and if last night’s episode is any indication, we have so much to look forward to from these women. Plot-wise, of course I want to see Daenerys make the Iron Throne her bitch. I want to see Arya fucking flay Cersei. But mostly I’m looking forward to more devastating glances that cut through me like Valyrian steel, and way more shady quips from the women of Game of Thrones. Sic your dragons on me, Daenerys!

Jill Gutowitz is a writer and comedian in Los Angeles. Follow her on Twitter @jillboard.





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‘This Is Us’ Season 3, Episode 18 Recap: Let's Talk About All the Major Reveals in the Season Finale


Caution: Spoilers for the This Is Us season three finale ahead.

The brains behind This Is Us promised a memorable season three finale, and they absolutely delivered. The episode was gut-wrenching and surprising—especially those last five minutes, which were jam-packed with new information. Seriously, my head is still spinning.

But let’s not get ahead of ourselves. Before we introduce new drama, let’s talk about how the season’s biggest storylines wrapped. After a tense fight last week about how their new jobs are affecting their marriage, Randall and Beth reached a resolution: They’re moving to Philadelphia. Randall will stay on board as a city councilman, and Beth has decided to start her own dance studio in the area. Those who thought these two were headed for divorce can breathe a sigh of relief. “We don’t work when we’re apart,” Beth says to Randall toward the end of the episode. “But together we set the world on fire.”

Unfortunately, Kevin and Zoe’s future isn’t as bright. After spending the afternoon babysitting Beth and Randall’s daughters, Zoe realized Kevin truly does want children—even if he won’t admit it. So she ends things, and their last conversation is pretty heartbreaking. “You should be a dad,” she says. “Kevin, you should raise 500 perfectly symmetrical kids. You’ll be amazing at it. And I want you to have that. I want you to have everything you want. But I don’t want that.”

Meanwhile, it’s good news for Kate and Toby: They can take Baby Jack home. He’s breathing on his own, and the doctors seem optimistic about his health. But there might be some potential friction with Rebecca, who’s moving to Los Angeles with Miguel to help Kate with the baby. They had a minor tiff at the hospital—which was resolved—but I have a feeling Kate’s not going to respond well to Rebecca’s hands-on (grand)mothering.

This all led to those aforementioned last five minutes, which were some of the most illuminating in the show’s history. That’s when everything people will be talking about tomorrow happened. Questions were answered. Mysteries were solved. But in true This Is Us fashion, we were also left with several cliffhangers. Let’s go over the biggest moments right now:

If you’ll recall, Randall wasn’t wearing a wedding ring in the flash-forward from last year, which led many people to think he and Beth were dunzo. But rejoice, “R&B” shippers: The couple is still very much together, as evidenced by the kiss Beth gives Randall in this new flash-forward, and the giant wedding ring on her finger.

NBC

This implies, at least, that he and Zoe never get back together. (She’s quite firm in her desire to not have children.) So does this mean Kevin and Sophie found their way back to each other? They did have that coffee date a few episodes back. Granted, Sophie was engaged to someone else then, but I wouldn’t put it past This Is Us to reunite these two. Of course, it’s also possible Kevin just met someone new, but that’s boring so moving on.

He’s nowhere to be found in the future, when the entire family is gathered at Kevin’s house to visit a clearly-sick Rebecca. So either he passed away, he and Rebecca broke up, or he’s just running late to the house. My money’s on the third. It wouldn’t be the first time This Is Us gave viewers premature heart attacks.

The last time we saw Jack’s very-much-alive brother was in the middle of season three, when he iced out the Pearsons after they tried to help him get sober. But he appears in the flash-forward healthy, clean-cut, and sitting by Rebecca’s side. At some point between the present and future, he obviously mended the fence with his family. And picked up a shaving kit!



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'This Is Us' Season 3, Episode 17 Recap: We Need to Talk About Beth


Last night’s This Is Us was painful, to say the least. After several episodes of tip-toeing around each other, Beth (Susan Kelechi Watson) and Randall (Sterling K. Brown) finally had an honest conversation about what’s straining their marriage. Those keeping up with season three saw this coming: Beth’s new gig as a dance teacher is clashing with Randall’s city councilman duties, and their family is paying the price. In a bold move, Randall asked Beth to quit her job to ease their home life, but she refused. And that, she explained, is why their relationship isn’t working.

“For the past 20 years, I have stood by your side through every whim, every pipe dream, every flight of fancy that you can think of,” she said to Randall in yesterday’s episode. “For the first time I have a flight of fancy, something that I want, and still it becomes about you.”

I called this exact thing out in November, and last night only strengthened my viewpoint. The episode explored Randall and Beth’s entire relationship history, and it shed light on a trend: Beth constantly making sacrifices for Randall. In college, she flat-out told him to stop calling her when they first met, but he persisted…and she bent. In 2016, when all Beth wanted was a night away for herself, Randall guilted her into staying home. In recent episodes, the compromising has become more extreme. When Randall decided to buy his biological father’s old apartment building, Beth went along with it. When he wanted to run for city councilman, she went along with it.

Now, Beth is the one who’s found her passion, and she’s refusing to let it go. “We made a promise to one another that we would never get lost in each other, and I broke that promise. And you let me,” she says at one point.

NBC

Beth isn’t perfect, of course. During their fight, she made an insensitive comment about Randall’s anxiety attacks that isn’t OK on any level. It’s ultimately what caused him to walk out, leaving the state of their marriage unknown to viewers. But I’m still siding with Beth, because she’s dealing with something I’ve seen many women, both fictional and real, experience. How often do men in the public space quit their jobs or stifle their passions to support the women in their lives?

This doesn’t mean Randall is bad guy. He’s progressive, he’s smart, and there’s no doubt he loves and respects his wife. But our culture’s insistence that women be selfless is so strong, it can affect even the most liberal couples.

Take Madonna, who four years ago admitted she felt “incarcerated” during her marriage to director Guy Ritchie, which lasted from 2000 to 2008. “I did find myself sometimes in a state of conflict,” she told The Sun. “There were many times when I wanted to express myself as an artist in ways that I don’t think my ex-husband felt comfortable with.”

Or how about The Wife, which has shades of Beth and Randall’s situation. The 2018 film centers on Joan (Glenn Close), a woman constantly living in the shadow of her vain, self-absorbed husband, Joseph (Jonathan Pryce ), despite the fact she’s the brains behind his success. Women have historically been the ones to compromise, to put their dreams on hold, to dim their shines—all for the sake of preserving the fragile male ego. In my opinion, this is what Beth’s had to do with Randall for years.

Susan Kelechi Watson and Sterling K. Brown on This Is Us
NBC

And here’s the kicker: Randall didn’t even have evidence to refute Beth’s claims. He just scoffed at her account of their relationship and called it “revisionist history.” When Beth later asked Randall to admit he thinks his job is more important than hers, he said, “I will not be bullied into saying something even more awful to you.” Read that response carefully. It’s padded language: At no point did he say Beth was wrong or that their jobs carried equal weight. To me, this further confirms Beth’s perspective on their marriage is true.



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The Bachelor Season 23, Episode 11 Recap: Will Colton and Cassie End Up Together?


Let’s get right into The Bachelor recap, because there’s so much to discuss. Spoilers ahead, obviously.

Aside from a brief montage of the season’s biggest moments, tonight’s episode picks up with Colton’s famed fence jump. It’s hard to tell what’s going on, it’s so dark and the cameras are so shaky. It’s The Blair Witch Project—but instead of a Maryland witch exacting her revenge upon hapless campers, it’s Chris Harrison running around the Portuguese countryside yelling, “Colton?”

“Colton?”

“Colton!”

A van full of producers drives up. They’re on the case, giving play-by-play walkie talkie updates. It’s like Live PD, but instead of brave police men and women arresting criminals it’s a producer saying, “I think we should go back and look in the brush more?”

“It’s 11:40 at night!” Chris Harrison tells someone on the phone. At first I think maybe he’s complaining that it’s past his bedtime—those roses can’t hand themselves out—but then he adds that they’ll have to call the police if Colton doesn’t turn up in another 20 or 30 minutes.

Ooh, maybe this really is Live PD.

Never mind, the producers in the van found Colton walking on the side of the road. “Are you okay?” a producer asks as she grabs his arm to get him out of the way of an oncoming car. “Don’t touch me,” he snipes back. “No, I’m not okay.”

When Chris—out of breathe, aw—catches up with Colton, the Bachelor says he’s “done with this shit.” Chris, correctly, is like, Sir, you can’t just walk to the airport. At least get in the car. Colton repeats that he’s done with the whole thing. Done done. When he finally gets in the car, Colton cries because he’s been “reminded enough times” that he’s “not enough.”

“Every time I put myself out there I get rejected,” he says. Um, tell that to Tia. Or, I don’t know, all the women you’ve dumped this season. You want the one woman who rejected you—it doesn’t take a full 40-minute therapy session to figure that one out.

The next morning, Chris Harrison checks in with Colton. “Last night was wild,” he jokes. Colton says he needed time alone, because “any time something good happens to me, or for me, it’s followed by something bad.” (Again, can we get Tia’s thoughts on this?)

He thinks Cassie left because she’s confused about him still dating two other women, so he needs to fix that. “Do you really think that’s what it is?” Chris asks, correctly. “What if the bottom line is she’s just not that into you?”

Colton is all, Nahhh, she loves me. She’s just too scared to admit it. Sure, Colton. Sure.

Time to break up with Tayshia, I guess. He shows up at her room and makes her just sit there, confused, while he sighs and looks at the ground. “You’re incredible,” he finally says, before dropping the bomb that he loves Cassie. She replies with a pursed lip and a simple “mmhmm” that says it all. “Can we talk without all these cameras?” she asks. They go into her room, but the mics stay on. (Thank God. The inevitable closed-door-microphone-on conversation scene is always a highlight on any reality show.) Nothing too juicy though—they just cry. At one point, Colton opens the door just wide enough to allow the cameras to see him hugging her goodbye.

When we return from commercial, Tayshia’s in the studio with Chris looking ab-so-lutely fantastic. She says it hurt to hear he was in love with Cassie, but she knows it must have been hard for him to admit that. Chris points out that she was mainly taking care of him during the breakup, when it’s usually the other way around. “I know that I deserve a lot,” she says. If Colton loves someone else, well, that’s his journey.

When Colton joins her on stage, Tayshia asks what was missing. He says it’s not really something missing in their relationship, but rather what he had with Cassie. “I just wish the best for you,” she says. “I hope you’re happy.”



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‘The Big Bang Theory’ Season 12, Episode 17 Recap: Are Sheldon and Amy Ready to Have Kids?


The Big Bang Theory has only seven episodes to go before the show wraps up its 12-year run. While there are a few things I don’t expect to be resolved—Penny’s maiden name, or the elevator being fixed—there are some storylines that have a good chance of happening before we say goodbye: Namely, Amy and Sheldon becoming parents. No, Shamy fans, nothing has been confirmed…yet. But it’s been established on Young Sheldon that they have kids eventually. (In the season-one finale, adult Sheldon says, via narration, that he often drew up relationship contracts for his roommates, his wife, and “even with my own children.”)

And on tonight’s episode of Big Bang—titled “The Conference Valuation”—we see the first big step toward that actually happening. Howard is in charge of the kids, Michael and Halley, while Bernadette is out of town, so Amy uses the opportunity to get Sheldon more comfortable around children. She shows him a book on experiments to do with kids (no way to write that without it sounding weird, right?), which leads to a weekend of fun Sheldon didn’t know was possible before.

The episode seemed like it was setting up a reveal at the end—I thought once Sheldon came around to enjoying the little “scampers,” Amy would announce she’s pregnant. For example, take this exchange while Amy and Sheldon are in bed:

Sheldon: Spending time with Michael and Halley today made me think about our future children….

Amy: [Playing dumb.] What an unforeseen development. What are you thinking?

Sheldon: Well, either five sets of triplets or three sets of quintuplets. [Pauses.] You know what, it doesn’t matter, as long as they’re healthy. And divisible by three.

Amy: That’s a lot of babies, Sheldon.

Sheldon: Well, only for humans. For frogs it’s just a drop in the bucket.

Amy: Sorry I’m not a frog.

Sheldon: Aww, don’t feel bad, Amy, you’re good enough for me.

Instead of an announcement, though, the episode faded to black and the credits rolled. What gives? “An announcement did not happen,” executive producer and showrunner Steve Holland tells Glamour with a laugh. “But we know they do eventually have kids. I can’t answer this exactly, but I will say that having that revealed on Young Sheldon was a big moment for our series. I think it’s part of our journey to end Sheldon in a spot where that future is possible.”

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Holland wasn’t able to say anything more than that, though he was a bit more open about his plans for Penny—especially after she turned down what appeared to be a major offer from a rival pharmaceutical company. “I don’t want to tease too much, other than to say this show has always been a positive show about people who love each other,” Holland says. “We want to honor that in the finale. We don’t want to give fans every happy moment they want, but we love these characters and want the best for them.”

For the time being, Holland says he loves to find any reason to group Kaley Cuoco, Mayim Bialik, or Melissa Rauch in a scene together. “Whether it was the Dungeons and Dragons episode, or tonight with Melissa and Kaley at the conference, it’s great. They are so funny together; anytime we can pair them in a scene, we do.” Those scenes were also fulfilling for another reason, as it shows Penny thriving in a career she didn’t envision for herself. “For her to find this job that she’s actually good at and enjoys is important for us,” Holland says. “I like watching her grow in a career that she’s starting to like.”



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