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It's Just Hair, But When You're a Trans Woman, a Ponytail Can Mean a Whole Lot More


When I was in kindergarten—and very much in the closet as transgender—I had begun to crave a ponytail like I saw on many of the girls in my class. I’m well aware that for many girls and women, the ponytail is a “bare-minimum” style, often for lazy days, but the girls I saw in my class emulated the women I saw on television who were strong, confident, and successful. I thought they were cool, and I understood immediately I could never have one.

Even at six, I knew better. I was raised in deeply conservative Texas, in a world with firmly cemented gender roles. I was a boy and I had better keep to “boy things.” The bouncy ponytail of my dreams? Not a boy thing.

In 1999, when I was 12, the U.S. Women’s National Team won their second World Cup, and Mia Hamm became a personal icon. For weeks, I dreamed of what it would be like to have the freedom to sport a ponytail like Hamm. By then, I was fully aware of a desire within me to be a girl, but I kept it buried in the back of my brain, suppressed whenever possible. Still, it sometimes crept up, summoned by the most mundane signifiers of female-ness. Mia Hamm was confident and beautiful and successful, and although I had no sense of what “womanhood” meant to me, I couldn’t help but feel like her hair represented all the things I was missing. I wanted an authentic life. I wanted to feel confident. I wanted a ponytail.

The author

Courtesy Charlotte Clymer

I got through high school by pushing these thoughts down deep and leaning into whatever “male” things I could stomach. I played football. I engaged in some sort of half-hearted male performance when I interacted with relatives, including one who told me to “stop listening to faggot music” and was deeply upset after I purchased a scented lotion from Bath & Body Works. I joined the military—and even went into the infantry, which at the time coincidentally excluded women.

I did the things I was told a “male person” should do, believing I’d eventually be cleansed of this painful longing. Instead, the facade exacerbated my depression and anxiety. I went to therapy for years had numerous uncomfortable conversations, and came out as a trans woman in late 2017. It is the best choice I’ve ever made. It saved me.

But it took my hair took a lot longer to catch up with the new me. I’d grown accustomed to army-issue crewcuts, which grow out fast. It didn’t occur to me immediately that the hair I’d dreamed of would take years to come in, and I didn’t feel confident enough to wear a wig. So I had to wait it out, for over a year, fiddling with my hair after a shower to see if it was long enough yet and consistently bummed when it wasn’t quite there.

I hadn’t tried putting my hair up in months when one evening in late July, I absentmindedly grabbed a hair tie off my shelf and made a go of it. After some awkward handling and smoothing of rogue strands, I adjusted the band high on the back of my head and turned toward the mirror. I don’t know how to adequately articulate the combination of happiness and relief that I felt in that moment. It’s just hair, I thought. But then I glimpsed the waves, how the strands bundled together so beautifully. I couldn’t help it. I got emotional.

Here I stood on a summer night; with a life my six-year-old self wouldn’t have dared to imagine. I’m 32 now and old enough to admit my anxiety over seemingly trivial things. I think some part of me was worried this thing I’d wanted for more than 25 years would look terrible once I finally got it. I’m pleased to report: It was perfect.



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Miss Universe Is Making History with the Pageant's First Openly Trans Contestant


When Angela Ponce takes the stage during this year’s Miss Universe pageant—all tan lithe limbs and radiant blowout in a hot pink bikini—it’s easy to see why she’s favored to win the competition, currently underway in Thailand. Tall, blonde, soft-spoken and impeccably glamorous, she’s a walking archetype of what you might imagine one Donald J. Trump envisioning as the perfect pageant queen. (He owned Miss Universe from 1996 to 2015.) But Ponce, who currently holds the title of Miss Spain 2018, is much more representative of the pageant’s future than its past—she’s the first openly transgender woman to ever compete for the crown.

Ponce during the swimwear portion of the preliminary Miss Universe competition in Bangkok.

Amorn Pitayanant

The very fact of Ponce’s candidacy is historic. Being on the world stage as an openly transgender woman in a role that’s traditionally been held up as the the ultimate embodiment of womanhood is damn impressive (and overdue). “It’s important that people can see you to feel that they have a positive reference,” Ponce says. “It’s important that people see women like me to know that the ideas they may have about transgender people aren’t always true.”

But Ponce isn’t interested in simply being a silent symbol. She’s taking advantage of her moment on the global stage to speak out about the issue of gender identity—specifically, the rights of transgender adults and minors to be able to define their correct gender on official forms of ID. “It’s about [fighting for] the right to be,” she says. “It would diminish bullying and prejudice and the pain that society puts on us, unintentionally, for not knowing more about being transgender.”

The thing is, these simple semantics matter. The right to be addressed and identified correctly, would have made a big difference for Ponce growing up, she says, citing the total sense of vulnerability and rejection she felt when her childhood doctor continued to refer to her by her previous (male) name.

That brings us, inevitably, to Donald Trump, whose long history with the Miss Universe pageant, and of making disparaging comments about transgender individuals, loom large over our conversation. Earlier this year, the Trump administration signaled it would attempt to roll back civil rights protections of transgender individuals under federal law—effectively erasing the estimated 1.4 million adults who identify as trans in the U.S. In Trump’s view, gender is an unchangeable fact defined by the genitalia you are born with.

Angela Ponce in white flamenco dress.

Ponce onstage representing Spain during the National Costume Show.

Amorn Pitayanant

Despite this—or likely, let’s be honest, because of it—Ponce says she’d love the chance to sit down with President Trump. “I really don’t know what might cross his mind…but I would like to have a conversation one human being to another and try to explain to him that the rights I am fighting for are simply the rights of every human being,” she says. “I would try to make him feel in his heart the importance of understanding other people. And I would try to help him understand with the position that he’s in, he could help save lives.”

In a pageant that’s already had a cringe-worthy controversy, Ponce’s platform of understanding and equality might be why some reports have her favored to win the crown. “I’m working very hard to win and I would be very proud to achieve that,” she says, “not only for my country nor for myself but for all the people whose situation in the world could change if they called my name.” With her historic role and fight to be seen, Ponce has already proved that trans people are a minority that can’t be ignored—or erased.

The Miss Universe pageant will air live December 16 at 7:00 P.M. ET on FOX.



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Scarlett Johansson Withdraws From "Rub and Tug" After Criticism of Her Casting as a Trans Man


Scarlett Johansson has withdrawn from the film Rub and Tug following widespread criticism of her casting as a transgender man, Dante “Tex” Gill. The actor announced the news on Friday in a statement to Out Magazine:

“In light of recent ethical questions raised surrounding my casting as Dante Tex Gill, I have decided to respectfully withdraw my participation in the project,” she said. “Our cultural understanding of transgender people continues to advance, and I’ve learned a lot from the community since making my first statement about my casting and realize it was insensitive. I have great admiration and love for the trans community and am grateful that the conversation regarding inclusivity in Hollywood continues.”

“According to GLAAD, LGBTQ+ characters dropped 40% in 2017 from the previous year, with no representation of trans characters in any major studio release,” she continued. “While I would have loved the opportunity to bring Dante’s story and transition to life, I understand why many feel he should be portrayed by a transgender person, and I am thankful that this casting debate, albeit controversial, has sparked a larger conversation about diversity and representation in film. I believe that all artists should be considered equally and fairly. My production company, These Pictures, actively pursues projects that both entertain and push boundaries. We look forward to working with every community to bring these most poignant and important stories to audiences worldwide.”

Johansson’s words are a significant departure from her previous statement. In the wake of the immense backlash against the news of her casting, she originally shifted attention to other cisgender actors who have portrayed transgender characters. “Tell them that they can be directed to Jeffrey Tambor, Jared Leto, and Felicity Huffman’s reps for comment,” she said simply, via a rep, to Bustle.

Previously, Johansson’s casting was heavily criticized by many, including trans actors Trace Lysette, who stars in Transparent, and Jamie Clayton, who stars in Sense8.

“Oh word?? So you can continue to play us but we can’t play y’all? Hollywood is so f*cked… I wouldn’t be as upset if I was getting in the same rooms as Jennifer Lawrence and Scarlett for cis roles, but we know that’s not the case. A mess,” Lysette wrote on Twitter. “And not only do you play us and steal our narrative and our opportunity,” she added, “but you pat yourselves on the back with trophies and accolades for mimicking what we have lived… so twisted. I’m so done…”

Clayton chimed in with the same criticism. “Actors who are trans never even get to audition FOR ANYTHING OTHER THAN ROLES OF TRANS CHARACTERS,” she tweeted. “THATS THE REAL ISSUE. WE CANT EVEN GET IN THE ROOM. Cast actors WHO ARE TRANS as NON TRANS CHARACTERS. I DARE YOU #RupertSanders @NewRegency #ScarlettJohansson”

Johansson was previously criticized for playing a whitewashed version of a Japanese character in Ghost in the Shell, which was also directed by Rupert Sanders, the director of Rub and Tug. It is unclear who will be replacing her in Rub and Tug, and whether the film will cast a transgender man.

Related: Scarlett Johansson Called Out James Franco for Wearing a Time’s Up Pin





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Rihanna Refuses to Use Trans Models As ‘Convenient Marketing Tools’ for Fenty Beauty


Rihanna’s Fenty Beauty campaign is one of the most diverse campaigns we’ve seen this year. In fact, it’s one of the most diverse campaigns we’ve seen, ever. While it was a long time coming, at this point, it’s clear that Rihanna’s commitment to casting a spectrum of people has paid off—both in terms of how well Fenty products have sold (like crazy), and in how much it means for people to see themselves represented as beautiful. But as one fan recently pointed out, one of the identities not represented in Fenty’s campaigns thus far is trans women.

After the fan suggested that Rihanna change that for future campaigns, she responded in her typically transparent style and walked us through her thought process. On Instagram, she wrote, “I’ve had the pleasure of working with many gifted trans women throughout the years, but I don’t go around doing trans castings! Just like I don’t do straight non trans women castings! I respect all women, and whether they’re trans or not is none of my business!”

She continued: “It’s personal and some trans women are more comfortable being open about it than others, so I have to respect that as a woman myself! I don’t think it’s fair that a trans woman, or man, be used as a convenient marketing tool! Too often do I see companies doing this to trans and black women alike! There’s always just that one spot in the campaign for the token ‘we look mad diverse’ girl/guy! It’s sad!”

It’s undeniable that tokenism is still an issue in advertising—let alone if folks outside the young, thin, cis, straight, Eurocentric “norm” are represented at all. That’s been changing for the better recently though, with makeup brands like CoverGirl, Sephora, and Glossier including people of all kinds. We’ve still got a ways to go, obviously, until diverse castings are no longer news, but the recent campaigns have been a step in the right direction. Given how integral Fenty Beauty has been to furthering that conversation, we’d guess it’s only a matter of time until everyone ends up in the Fenty fold. No one knows the workings of Rihanna’s mind, of course, but herself. But from what we’ve seen, she’s got our back.

Related Stories:
See Rihanna’s Fenty Beauty Stunna Lip Paint on 7 Women
Make Up For Ever Reminded Fans of Its Shade Range, Rihanna Noticed
We Tried Fenty Beauty’s Highlighter, and It Live Up to the Hype



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How Mainstream Porn Is Finally Making Room for Trans Performers


Grooby is one of the largest and most popular producers of transgender porn in the world. Since 1996, it’s been creating and marketing adult entertainment featuring trans women, starting with its flagship site, Shemale Yum, and followed by Ladyboy-Ladyboy, Black Shemale Hardcore, Shemale Pornstar, and over two dozen others. Since 1996, the company owned by Steven Grooby has been creating and marketing adult entertainment featuring trans women. It began with flagship site Shemale Yum, which was followed by Ladyboy-Ladyboy, Black Shemale Hardcore, Shemale Pornstar, and over two dozen others. But as awareness of trans issues has gained traction broadly, and small producers and outspoken activists within the porn industry have advocated for more respectful and realistic representation, Grooby was faced with a problem: Should it change its successful branding to reflect less derogatory terminology? If it took terms like “shemale” and “tranny” out of its site names, search terms, and film titles, would it lose its market share to other companies that were willing to keep using words that upset performers, but beckoned consumers?

“In terms of SEO, words like ‘shemale’ and ‘tranny’ are searched exponentially higher than other terms” for transgender content in porn, says Kristel Penn, Marketing and Editorial Director at Grooby. “Our product was reaching those looking for it without diluting the results of those looking for non-adult services.” But sensibilities were changing, and the pressure to abandon outdated and damaging terminology for transgender people was growing everywhere—but especially in the porn community.

And it was about time.

PHOTO: Albert L. Ortega/Getty Images

Trans activist and performer Venus Lux

Trans pornography has always been a small segment of the overall porn industry in America—Penn says “it has a minute market share in the adult industry overall”—but it’s always been popular within that niche. Viewership for the genre has increased steadily since the 1990s, and exploded in the past half decade. Searches for the word “transgender” have gone up by nearly 300 percent over the past three years on Pornhub alone, according to research the company compiled specifically for this article. And trans porn is bankable. In 2015, Adam Grayson of production company Evil Empire told IBT that trans porn was his most popular genre. “In terms of revenue per scene or movie? Hands down, without a question,” he said. “Nothing even touches it. And we sell it at a price premium…because we can get it.” Fans of trans erotica are extremely loyal, as there’s relatively little content available to them that fills their needs.

But despite the money that trans performers have made for producers, their work has been mired in cringe-worthy epithets, reductive stereotypes, and predictable (and often offensively non-representative) scenes for decades. Models had long been at the mercy of producers and marketers more concerned with making a buck than representing performers with dignity—part of the reason it’s been such a long, slow climb to respectability.

Transsexual performers were named on the so-called “Cambria List,” which discouraged the creation of pornography the included elements considered obscene by federal prosecutors back in 2001 (in anticipation of the conservative George W. Bush years). Also on the list? Bondage, interracial sex, and facial cumshots. But where most of these elements have become common in porn over the past sixteen years, trans porn remained somewhat sequestered in its own corner of the industry. There weren’t many producers who were willing to take the chance, and those who did were worried about pushing the envelope too far.

“There was this centralized model, where there’s [a few] porn companies that hire trans people, and they’re each run by one guy who decides how it’s supposed to look,” says Tobi Hill-Meyer, a trans-positive porn director and the editor of Nerve Endings, a collection of trans-centric erotic comics. “Everything becomes really cookie-cutter, because they make something and it works, and then they don’t want to do anything else.”

Hill-Meyer remembers the first time she got hired by a mainstream trans porn studio as a performer. She was to shoot a 30-minute masturbation scene. “They literally had me scripted out by the minute,” she recalls. “I didn’t get to make decisions about what would be erotic. Someone else made the decisions and told me what I should be doing. And of course, that someone else making the decision was following the direction of one of those twelve rich, white, cisgender guys who ran everything.”

These same decision-makers wanted to film what their viewers—other cisgender men—wanted to see trans women do. It may come as a surprise to some that the majority of pornography featuring trans women is consumed by cisgender men who identify as heterosexual. But it’s a truth well-known among porn industry insiders. Pornhub reports that men are 63 percent more likely to search for transgender-related pornography, and xHamster says a full 87.5 percent of their searches for the word “shemale” are from men. “There’s the basic general rule that mainstream porn is always marketed to men,” says Tobi Hill-Meyer. And what those male viewers have learned to expect from trans porn, it seems, is trans women with erect penises who penetrate their partners—whether that’s what most trans women want to do in their real lives or not.

In most mainstream trans porn, says RS, a queer, nonbinary, trans, femme porn performer, “It’s clear that the sex is not for [the performers]; it’s for someone else. It’s for the male gaze, it’s for that viewer who just wants to see these things.” Though viewership for trans female porn has been diversifying—Kristel Penn of Grooby reports that they’ve seen an influx of trans-identifying viewers, and Kelly Pierce says that she’s been gaining female cam viewers recently—most trans porn is still made by male directors or producers, with other men in mind.

Kelly Piece_transporn

PHOTO: @mrskellypierce

Kelly Pierce

“Men, when they see a beautiful trans woman and like what she’s got downstairs, they think that the trans woman thinks just like they do,” says Kelly Pierce, a former porn performer who now performs via webcam. “A lot of porn viewership likes trans women on top [penetrating a partner]. So they’re putting trans women into sexual activities that they might not normally do. You have to use your penis, for instance. But the majority of trans women don’t want their penises touched. The majority don’t want to do anything with their penis.”

And while it may be lucrative to make porn that plays into viewers’ fantasies, it can be detrimental for performers whose gender identity is tied up with body dysmorphia. Many trans women in the porn industry—and sex work more generally—enter the industry to fund their physical transitions. They plan to purchase breast implants, facial surgery, or sexual reassignment surgery—often referred to as “bottom surgery”—with their earnings. But that puts trans female performers into a bind: “I know a lot of trans women who are stuck with the duality of wanting to have bottom surgery,” says RS, “but not being able to because their source of income depends on them having [a penis].”

A lot of trans porn used to (and still does) revolve around the element of surprise. In many cases, the “downstairs,” as Kelly Pierce calls it, is revealed partway through the scene, and treated at first with horror…then as a taboo turn-on. “It’s erotic for everyone because there’s so much taboo,” says RS, “but that kind of situation can be extremely unfair for a trans feminine person. It often is. A lot of assault comes from that kind of setting.”

Violent assault isn’t just a scary campfire story for trans women, either. Although recent strides in transgender acceptance, like Laverne Cox’s advocacy, Caitlin Jenner’s headline-grabbing comments, and Amazon’s barrier-breaking drama Transparent have drawn public attention to transgender issues, they’ve also increased trans exposure to violence. Crimes against trans people—especially trans women of color—are at an all-time high in America. There were 22 reported homicides against transgender individuals in the United States in 2016—a record high. And so far 2017 has seen 18.

In such dire circumstances, some proponents of transgender rights hope that more responsible representation in adult entertainment could serve an educational purpose for the general public. “People are naturally ignorant when it comes to sexuality and gender identity, because there is a lack of education,” says Venus Lux, an outspoken trans activist and winner of the 2016 AVN Award for Transgender Performer of the Year. “It’s not like they encounter transgender people on the streets to be able to ask them questions.” That leaves many cisgender individuals with few options when they’re curious about transgenderism. If they search for the word “trans” online, they’re likely to find porn, which may be their first and sometimes only experience with trans people.

Performer and director Dana Vespoli, who works with TransSensual, a trans-positive production company, says that it’s not just about educating cisgender people: Many trans people are learning about themselves through porn, too. “I think about young people in parts of the United States like the South, the Midwest, that are realizing they’re trans,” says Vespoli. “If they’re going and accessing [porn], I want them to see themselves represented in a way that’s nuanced and shown in a positive light.”

Vespoli is far from the only pornographer who feels that way. After decades of being treated as little more than a sideshow, the trans porn genre is starting to demand more recognition and dignity—and making its own internal changes to get the ball rolling. A great example is the evolution of the Tranny Awards, an online competition that Grooby began in 2007. “At the time, there was a lack of trans representation at the major adult award shows,” says Penn. “It was meant to be an informal online competition,” but it was so well received that it quickly evolved into a one-night event at a nightclub, then into its current iteration as a three-day convention and stage show. But as the Tranny Awards gained renown, so did their unfortunate choice of monikers.

Miran_TEA_AltomicVisuals.jpg

PHOTO: Alan Tom/Altomic Visuals

Miran, accepting an award

PHOTO: Alan Tom/Altomic Visuals

Natalie Chen (R)

Potential sponsors were leery of attaching themselves to the word “tranny,” and activists vocally denounced the name. Performers from both the mainstream and indie sides of the porn industry agitated for the awards show that ostensibly was made to “honor” them to change its name to something that sounded honorable, rather than derogatory. In 2014, Grooby, at last, made the switch to “the Transgender Erotica Awards.”

By the time the TEAs were rebranded, the company had already been promoting properties with the words “shemale” and “ladyboy” for nearly two decades. But Grooby had seen the writing on the wall: Trans activists, porn performers, and even lots of people in the general public wanted change. So Grooby decided to start a rebranding process across many of its properties. “We do understand why this terminology has been an issue with folks and ultimately we want to do right by our performers and fans. Our intention has always been to show respect to our performers,” says Penn.

After years of careful planning, Grooby officially renamed its flagship site—formerly Shemale Yum—GroobyGirls.com on August 15, 2017. “The site has been around for twenty years and is our most established brand,” says Penn. It’s a huge move, and Grooby isn’t going to stop. “Our remaining sites and future DVDs will be rebranded in the months ahead,” Penn declares.

This dramatic move is only a part of a trend in adult entertainment toward treating transgender performers with more respect on camera, in marketing, and on red carpets. Back in 2013, for instance, the “Oscars of Porn”—the AVN Awards—first allowed trans performers to present and receive awards onstage during the annual awards ceremony, and to walk the red carpet beforehand.

Part of presenting trans performers with dignity means partnering them with more diverse scene partners. Trans people have just as many sexual orientations as cisgender people, but until the past few years, trans feminine performers were almost always paired with men in their scenes. There’s a growing body of trans porn content from a number of studios with similar pairings. “It’s blowing people’s minds,” says Lux, “because lesbian porn in that capacity is changing.”

Later this month, one of the industry’s leading production companies, Wicked Pictures, will release its star performer jessica drake’s showcase film, jessica drake Is Wicked, which will feature drake in a fourway all-female orgy with three trans partners. “We had a level of integration of trans [performers] within Wicked Pictures productions, which has never been done in its twenty-five-year history of operation,” says Venus Lux, who is one of the women in the scene. This film follows on the heels of Real Fucking Girls, a Grooby film about trans women in lesbian relationships from 2016. “The movie swept all three major adult award shows,” says Kristel Penn—a first for a transgender film.

PHOTO: Alan Tom/Altomic Visuals

The cast of ‘Real F*cking Girls’ (from left: Aubrey Kate, Mona Wales, Natassia Dreams, Kelli Lox) accepting the Best DVD Award at the Transgender Erotic Awards show.

Of course, trans women aren’t the only transgender folks that the general public could stand to learn more about through porn—there’s a growing field of trans male performers in the wings. Buck Angel, a trans advocate who rose to fame in the early 2000s has made porn for over a decade, pioneered sex toys for trans men, and traveled the world as an advocate for trans acceptance. His latest pornographic outing, Buck Angel Superstar, is a big-budget, dramatic feature film based on his life. Dana Vespoli, who directed it, is hopeful that Buck Angel Superstar will do well with female audiences—or any audience. “I want to shoot more and have more representation of FTM performers,” she says.

“Pornography reaches many people,” Angel says via e-mail. “[Trans people] have become more visible in porn, but I would say that this is more with trans women. Trans men still seem to be under-represented.”

Finding the audience for trans men in porn has been a sticking point for decades, but experimentation is finally starting to get under way. “Sometimes you have to see something visually before you imagine it as an option for yourself—and how better to do that than show big-name gay porn stars having sex with trans men and loving it?” says Cyd St. Vincent, founder of the company Bonus Hole Boys, which St. Vincent describes as “the first gay porn website featuring trans guys.” The formula seems to be working. “Hundreds of people write to me telling me they didn’t even know trans men existed, and that our porn was their first exposure!”

And, though the focus on gay men as an audience is gaining traction, trans male performer Viktor Belmont reports, “I’m a gay porn performer, but my fan base is women.” St. Vincent, too, says, “The majority of our fans are gay men…but we have a huge following of women, as well.”

It seems that trans men in porn appeal to multiple demographics, many of whom aren’t even being marketed to yet. According to Pornhub, there’s a wide-open audience that’s just starting to consider the possibilities, particularly when it comes to trans men.

BuckAngel_Getty

PHOTO: Chris Weeks/Getty Images

Buck Angel

“The number one [transgender]-related search is ‘FTM’ (female to male)” by a large margin, according to Pornhub’s findings. The site hosts a vast amount of content featuring trans women (much of it labeled “shemale,” unfortunately), but there’s simply less trans male content to go around, and it seems that people are hungry to find more.

But porn featuring trans men is susceptible to the same tropes and stagnation as the trans female porn that’s been on the market for decades. “People really like to cast trans men in a sort of ‘genital reveal’ sort of way that can feel sort of trope-y,” says Viktor Belmont. “I would never yuck anyone’s yum, but in a porn if that’s the only storyline going on, it can feel a little repetitive and stale.”

Luckily, there’s a robust group of small, independent porn companies creating work that depicts trans people in myriad ways that reflect their authentic desires and sexualities—and they’ve been doing it for a while. The inclusivity and authenticity of indie, queer, feminist porn has long been an incubator for change within the more mainstream side of the industry, especially when it comes to trans representation. Tobi Hill-Meyer, for instance, gained traction nearly a decade ago as the first visibly transgender woman to perform for Crash Pad Series, Pink & White Productions’ flagship series, which hires performers of many gender identities. Trouble Films, a company launched by Courtney Trouble in 2003 as NoFauxxx.com, was giving trans men screen time before Buck Angel even landed his first major performing contract.

And the contemporary landscape of indie porn is more diverse than ever. Performer RS has worked with a number of small independent companies, including AORTA Films, which allows performers to explore their various trans, nonbinary, and other gender nonconforming identities.

Foxhouse Films, created by performance artist and adult performer Alyx Fox, allows its “multigendered and polysexual” performers to explore their sexualities regardless of their gender identities, and encourages trans, nonbinary, cisgender, and genderqueer performers alike to enact their desires on camera. “We try to capture authentic sex,” says Fox. “It’s easier for us to work from performer desires and what they want to do…It has to be something they are excited about.”

And performers themselves are starting to also create porn, thus taking the means of production into their own hands. In these days of online piracy, says Tobi Hill-Meyer, “The big companies are making less money, and the tools of being able to produce your own porn are getting super accessible.” Hill-Meyer has created several documentary porn films about trans women herself, to much acclaim, and she’s seeing more trans individuals create their own work all the time. “That additional accessibility is radically shifting the possibilities for people who don’t want to do what the twelve wealthy, cis, white guys want them to do.”

PHOTO: @viktorbelmont

Viktor Belmont

Webcamming, too, is offering an outlet for trans performers to express themselves sexually on camera—on their own terms. Kelly Pierce has been performing exclusively on cam (sometimes with her husband) for the past six years, and she loves it. “I’m just really thrilled that I can control my career, finally. And I can be myself!…My cam fans get to see me on a more regular basis, whereas in porn, they just see you as a fantasy, and they don’t see you as a person.”

As trans visibility increases—for better or worse, under the Trump administration’s conservative policies—the general public is growing more aware and more curious. “What’s happening,” says Alyx Fox, “is there are a lot of people who are having an evolving moment of consciousness. I think people are starting to have sexual desires that are more fluid and identities that are more fluid.”

The porn industry, from the biggest and most established companies down to individual cam performers, is finally getting ready to meet these viewers’ needs. And the best way for consumers to ensure this evolution keeps going?

Kristel Penn at Grooby—who’s creating a safe and respectful place for trans women to perform in mainstream pornography—pleads: “To those reading this, please, please, please pay for your porn.”

“By paying us and supporting our projects,” says Viktor Belmont, “we can keep creating media for you to enjoy!”

Lynsey G. is a veteran porn journalist and author of the book Watching Porn: And Other Confessions of an Adult Entertainment Journalist. As part of our Summer of Sex, she’ll be taking a look at the ways pornography informs and subverts social issues. Her installments on mainstream porn and race, can be found here, and her installment on ageism can be found here.

Lead image: Stocksy



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