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Katy Perry Says ‘There’s a Lot of Friction' Between Her and Fiancé Orlando Bloom


Katy Perry and Orlando Bloom have a lot going on these days. The couple just announced they’re expecting their first child, by way of Perry’s latest music video for “Never Worn White.” They’ve also been planning their wedding and juggling two high-profile and extremely busy careers.

Like with any other couple, all that stress can cause tension—but that’s not necessarily a bad thing. “I have consciously or unconsciously picked a partner that makes sure I keep evolving into the best version of myself,” she said during a recent On Air with Ryan Seacrest interview. “There’s a lot of friction between my partner and I, but that friction breeds something beautiful. It can breed a lot of light.”

“It’s just one of those relationships,” she continued. “I don’t know about anyone else that’s listening whatever kind of relationship they’ve had—and I’ve had many—but it’s like we basically, we get down to the mat and come back up every time.”

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As long as everyone’s communicating and working through any issues, it sounds like there’s nothing to be worried about with these two lovebirds. Bloom proposed to Perry during a Bachelor-worthy helicopter ride on Valentine’s Day 2019. “It was really sweet,” she said at the time. Bloom even arranged to have their family and friends ready to celebrate as they landed.

Mike Owen/ICC/Getty Images

Since breaking the news of her pregnancy, Perry stepped out in public for the first on March 7—without having to hide her baby bump with a large purse. She was rehearsing for a performance at the ICC Women’s T20 World Cup 2020 Final in Melbourne, Australia.

So, why was the “Never Worn White” video was the right moment to make the big announcement? “Honestly, I was getting way too fat to hide it, so I was like, ‘Well, I think this song would be a great reveal! Let’s start there,” she said on Sirius XM Hits 1, per Billboard. “And that’s how I communicate things—I communicate through music.”



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Clare Crawley Is the Next Bachelorette—and People Have a Lot of Thoughts


And the next Bachelorette is … Clare Crawley.

After weeks of speculation by fans, ABC made it official this morning during an announcement on Good Morning America. Crawley said she found out she was the pick over the weekend. “The most important thing is I want a man that will take off his armor,” she said on GMA. “I want a man who is strong, who will take off the body armor, open himself up and be vulnerable. I think that is some serious strength right there.” She says she isn’t looking for one type “physically” but more someone who “goes out of his way for her” because “it’s about me now.”

At 38, Crawley is older than a lot of Bachelorettes and says she has often dated younger men—but wonders if they’re ready for her age. “I feel so much younger at heart than my actual age. I’m proud of my age, I just feel younger,” she said.

There are still two episodes left of Peter Weber’s season of The Bachelor, so we don’t yet know who he ends up with—or whether or not it’s even a contestant on the show. Rumors have swirled that the pilot is in a relationship with one of the show’s producers. Typically ABC announces the name of the long-running franchise’s next star after the finale of the previous season, but they’re shaking things up this season.

Clare Crawley first appeared on Juan Pablo’s season of The Bachelor in 2014. “I lost respect for you,” she told him as she walked away from him on the show. She also appeared on seasons one and two of Bachelor in Paradise, where she failed to find someone. In 2018, she appeared on The Bachelor: Winter Games, and she got engaged to Benoit Beauséjour-Savard—though they eventually split.

Bachelor Nation took to Twitter to react to the news.

The premiere date for Crawley’s season of The Bachelorette has not yet been announced.



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Katy Perry Says She and Taylor Swift 'Text a Lot’ Since Ending Six-Year Feud


Katy Perry and Taylor Swift may not be BFFs, but things are getting better.

Perry just opened up about how their relationship has changed now that their infamous six-year feud has come to an end. In a new interview with Australia’s Stellar magazine, the “Never Really Over” singer offered some candid insight into her newfound friendship with the pop star, admitting that while they’re not “very close,” due to their busy schedules, they do “text a lot.”

“Well, we don’t have a very close relationship because we are very busy, but we text a lot,” she admitted in the interview. Still, Perry took a moment to praise the Lover hitmaker’s “self-awareness” and “vulnerability” in her Netflix documentary, Miss Americana, in which Swift opened up about struggling with an eating disorder, politics, and her sexual assault trial.

“I was impressed by her documentary because I saw some self-awareness starting to happen and I saw a lot of vulnerability,” the American Idol judge said. “I was really excited for her to be able to show that to the world: that things aren’t perfect, they don’t have to be and it’s more beautiful when they aren’t.”

The pair’s bad blood officially came to an end last year when Perry made a surprise appearance in Swift’s “You Need to Calm Down” music video. The cameo was tough for Perry to be a part of, but she explained that fans needed to see they had truly put their feud to bed.

“Even though it was difficult, it was important to make that appearance in the music video because people want people to look up to. We wanted it to be an example of unity,” she said. “Forgiveness is important. It’s so powerful. If you can forgive your enemy, that’s amazing. As difficult as it is!”

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This past July, Perry detailed how she and Swift made up in an interview with Kyle and Jackie O, confirming that she’s the one who extended an olive branch first—literally.

“It was a process. I sent her a literal olive branch and a note apologizing for my part in all of it when she started her Reputation tour,” she explained. “We started talking a little bit and…trusting each other. Because it’s about trusting.”

From there, the two buried the hatchet, deciding they wanted to be “a symbol of redemption and forgiveness.” It’s safe to say they have accomplished that goal. You truly love to see it.



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Kim Kardashian Gets Haircut in a Parking Lot From Chris Appleton — Photo


There is little Kim Kardashian won’t do when it comes to maintaining her aesthetic, and as it turns out, that includes getting a spontaneous haircut in the middle of a parking lot in Hollywood.

The KKW Beauty founder posted a series of Instagram Stories on Wednesday, October 30, in which she showed up to stylist Chris Appleton’s gym for a quick split-end fix. In the first clip, Kardashian says, “Okay, so what do you do when you need a haircut mid-drive? You call Chris at the gym and he borrows scissors from the gym and we’re in a random apartment complex parking lot in Hollywood.” Appleton then chimes in with, “No one would believe it.”

In the following clips, Kardashian explains that she had Appleton cut it shorter earlier this week and jokes that she’s been “putting him through hell” since. Nonetheless, you can see the British hairstylist smiling and laughing along with her as he works his magic. “You gotta get it right,” he says in her Instagram clips. Once Appleton is finished, Kardashian shows off her fresh haircut, which features long, shiny layers and lots of volume.

Naturally, Appleton shared the hilarious hair moment with his fans, too. He posted a video of the scenario to his own Instagram with the cheeky caption, “Hair 911 on Hollywood Blvd with @kimkardashian.” In response, fans praised him with comments like, “Only an icon could make this happen and it look this good?!?! ????” and “Just goes to show, it ain’t the scissors but rather who’s wielding them!”

Leave it to Kardashian to get an impromptu cut in a parking lot and walk away looking like she just left a five-star salon. We can’t say we’re not impressed.





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For Caroline Hirsch, Running a Comedy Empire Requires a Lot of Coffee


Overnight, Carolines had national attention. Hirsch started booking more then-unknown talent, like Seinfeld, Sandra Bernhard, and Billy Crystal. She found other ways to bring people in, too, convincing editors at The Daily News and The New York Post to come write about this burgeoning comedy scene. Business was booming; within a few years, the club had outgrown its Chelsea space. They moved to a new venue in the South Street Seaport in 1987. But in 1992, after outgrowing even that space, Carolines moved into its current Times Square location.

Hirsch describes her role at the time as…”everything.”

“I’d be on the phone with the agencies, I’d be paying the bills, writing checks…I did everything,” she says. “It was the best way to learn. We didn’t even have Google then. [People say,] ‘Oh my God, how did you live without Google?’ You just had to figure it out.”

Hirsch with Jerry Seinfeld.Courtesy of Caroline Hirsch

When I ask Hirsch if there was anyone to guide her or offer advice, she gives an adamant no. “I had no mentor. I’ll tell you right now, there was never a mentor,” she says. “Never, OK? Never. No one helped. No one really helped. I had to figure it out on my own.”

She’s not so much resentful as proud. And forget not having a mentor to show her the ropes—Hirsch also was without female peers. She tells me she could count on one hand the women she worked with during that time, though she didn’t realize how unique she was in the moment. “We were just onto something so new,” she explains. “I never went through this industry thinking, ‘Oh, poor me—the woman.’ I just took it for granted that I could do whatever the guys did. And I’d do it better.”

Now, almost four decades later, Hirsch has tracked the ebbs and flows in the business, surviving each new trend and turn of tide. When Comedy Central launched in 1991, for example, it transformed the business. “[Channels like Comedy Central and Ha!] were just getting developed when they saw what was really happening at Carolines, because we had so many people come in,” Hirsch says. “They used to always be there looking at the talent.”

And in 2019, Carolines on Broadway continues to be an incubator for new talent, booking with a sixth sense for what will resonate outside the traditional stand-up act—YouTube stars, podcast hosts, influencers like Jonathan Van Ness and the like. Even in that diverse roster, Hirsch insists that the best talent has one thing in common.



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It's Just Hair, But When You're a Trans Woman, a Ponytail Can Mean a Whole Lot More


When I was in kindergarten—and very much in the closet as transgender—I had begun to crave a ponytail like I saw on many of the girls in my class. I’m well aware that for many girls and women, the ponytail is a “bare-minimum” style, often for lazy days, but the girls I saw in my class emulated the women I saw on television who were strong, confident, and successful. I thought they were cool, and I understood immediately I could never have one.

Even at six, I knew better. I was raised in deeply conservative Texas, in a world with firmly cemented gender roles. I was a boy and I had better keep to “boy things.” The bouncy ponytail of my dreams? Not a boy thing.

In 1999, when I was 12, the U.S. Women’s National Team won their second World Cup, and Mia Hamm became a personal icon. For weeks, I dreamed of what it would be like to have the freedom to sport a ponytail like Hamm. By then, I was fully aware of a desire within me to be a girl, but I kept it buried in the back of my brain, suppressed whenever possible. Still, it sometimes crept up, summoned by the most mundane signifiers of female-ness. Mia Hamm was confident and beautiful and successful, and although I had no sense of what “womanhood” meant to me, I couldn’t help but feel like her hair represented all the things I was missing. I wanted an authentic life. I wanted to feel confident. I wanted a ponytail.

The author

Courtesy Charlotte Clymer

I got through high school by pushing these thoughts down deep and leaning into whatever “male” things I could stomach. I played football. I engaged in some sort of half-hearted male performance when I interacted with relatives, including one who told me to “stop listening to faggot music” and was deeply upset after I purchased a scented lotion from Bath & Body Works. I joined the military—and even went into the infantry, which at the time coincidentally excluded women.

I did the things I was told a “male person” should do, believing I’d eventually be cleansed of this painful longing. Instead, the facade exacerbated my depression and anxiety. I went to therapy for years had numerous uncomfortable conversations, and came out as a trans woman in late 2017. It is the best choice I’ve ever made. It saved me.

But it took my hair took a lot longer to catch up with the new me. I’d grown accustomed to army-issue crewcuts, which grow out fast. It didn’t occur to me immediately that the hair I’d dreamed of would take years to come in, and I didn’t feel confident enough to wear a wig. So I had to wait it out, for over a year, fiddling with my hair after a shower to see if it was long enough yet and consistently bummed when it wasn’t quite there.

I hadn’t tried putting my hair up in months when one evening in late July, I absentmindedly grabbed a hair tie off my shelf and made a go of it. After some awkward handling and smoothing of rogue strands, I adjusted the band high on the back of my head and turned toward the mirror. I don’t know how to adequately articulate the combination of happiness and relief that I felt in that moment. It’s just hair, I thought. But then I glimpsed the waves, how the strands bundled together so beautifully. I couldn’t help it. I got emotional.

Here I stood on a summer night; with a life my six-year-old self wouldn’t have dared to imagine. I’m 32 now and old enough to admit my anxiety over seemingly trivial things. I think some part of me was worried this thing I’d wanted for more than 25 years would look terrible once I finally got it. I’m pleased to report: It was perfect.



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