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American Horror Story Season 10: Everything We Know So Far


It may not be spooky szn yet, but American Horror Story season 10 news is beginning to surface. Ryan Murphy—who must be insanely busy with his Netflix deal—has just delivered the first glimpse at his latest horror story…and let me tell you, it’s promising.

Here’s everything we know so far:

It’s happening! But you already knew that. After season nine—an ode to ’80s slasher films—aired, the FX anthology series was greenlit through season 13. At the Television Critics Association winter press tour, FX Networks chairman John Landgraf announced the news and called AHS creators Murphy and Brad Falchuk “the undisputed masters of horror TV, having created the anthological limited series with American Horror Story and sustaining its success for nearly a decade as FX’s highest-rated series.”

There will be 10 episodes. As usual.

The cast list has been posted. First things first: Sarah Paulson returns! Now that that’s out of the way, enjoy this Instagram post from Ryan Murphy announcing who’s back (and who’s new) for season 10.

Here’s the full list (so far?):

  • Kathy Bates
  • Macaulay Culkin
  • Leslie Grossman
  • Billie Lourd
  • Sarah Paulson
  • Evan Peters
  • Adina Porter
  • Lily Rabe
  • Angelica Ross
  • Finn Wittrock

Exciting returns include Bates, Paulson, and Peters, who were deeply missed in season nine. Notably missing are Emma Roberts and Jessica Lange, two major players in the franchise.

But it’s the addition of Culkin in that number-two slot which may prove to be the most interesting choice. While his brother, Kieran Culkin, is killing it on Succession, the Home Alone child star has slowly been making his way back into the public eye.

“I enjoy acting. I enjoy being on set,” Culkin said in a recent Esquire cover story. “I don’t enjoy a lot of the other things that come around it. What’s a good analogy? The Shawshank Redemption. The way he gets out of prison is to crawl through a tube of s—, you know? It feels like to get to that kind of freedom, I’d have to crawl through a tube of s—. And you know what? I’ve built a really nice prison for myself. It’s soft. It’s sweet. It smells nice. You know? It’s plush.”

We don’t know what it will be about…yet. Fan theories aside, all we really have to go on is Murphy’s beachy Instagram post to the tune of Orville Peck’s “Dead of Night.” So what could the ocean have to do with season 10? I’m going to go all-in right now and say mermaids. But you know, the creepy siren kind that lure sailors to their deaths. I would watch the hell out of that.

Keep checking back for more updates on American Horror Story season 10.



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Gwyneth Paltrow on the Story Behind That Goop Vagina Candle


Gwyneth Paltrow has finally let the world in on how, exactly, Goop came to sell a candle that launched a thousand headlines thanks to its very unique name: This Smells Like My Vagina.

The actor turned wellness guru explained the whole story to Jimmy Kimmel—and no, she doesn’t actually think it smells like her vagina. “It started as a funny joke,” she said of the $75 candle.

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“So Douglas Little, who is the owner of Heretic Perfume, we’re very close friends and we’ve worked together a lot. He does all of our fragrances for us, and one day we were smelling different fragrances and I was joking around and I smelled something and I said…,” she said, as she gestured to the name of the candle. “As a joke. But then I was like, wouldn’t that be cool if somebody actually had the guts to do that?”

She continued, “What a punk rock feminist statement to have that on your table. And then he made it. I thought he just made me one, as a joke, but then the next thing I knew, it was on my website.”

“So they didn’t do any testing or anything like that?” Kimmel joked. “Because it smells nice. It smells a little bit masculine actually. Kinda woody, I don’t know.”

“Well, it’s not really supposed to smell like a vagina,” she explained. “You know, I think a lot of women have grown up with a certain degree of shame or embarrassment around this part. So we’re kind of like, yo!”

When asked whether there would be a candle for men, Paltrow told the story of a Canadian candle company that made one called This Smells Like My Balls and said, “It was 25% more expensive than this because of the wage gap.”

Apparently, Elton John bought up a bunch of the Goop version, but they’re back in stock after selling out, if you’d like one of your own.

Watch the full interview with Paltrow below.

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She Was Assaulted by a Drunk Man. Now the CEO of Absolut Vodka Is Telling Her Story.


Mukherjee sees it as her job—and the job of the brands she leads—to help people understand the truth: that perpetrators are the ones responsible for sex crimes. After she was attacked as a child, she told no one what happened. “Like with any victim, you’re so scared,” she says. Then, when she was a young teenager, her mother died—she was hit by a drunk driver. As an adult she was in an abusive relationship, in which alcohol, she thinks, had a part. After she broke it off, she started volunteering with other survivors and saw that her experience wasn’t unusual. “Seeing the role of alcohol play into the abuse of other women and other victims as well, it’s just unacceptable,” she says. “And so for me to have this opportunity as a CEO to be able to start this conversation, that’s my responsibility as a leader.”

The company developed their ads with RAINN (Rape, Abuse and Incest National Network) and will partner with the organization throughout the campaign and onwards. On Valentine’s Day, Absolut will donate $1 to RAINN for every share and retweet their campaign gets. Mukherjee has also signed on to join RAINN’s national board. She plans to continue working with RAINN and campaigning for consent long beyond the initial ad rollout.

“Perpetrators out there are abusing alcohol and using it as a weapon, and it needs to stop,” she says. “That’s the dialogue we want to create. Everyone’s been talking about ‘drinking responsibly’ forever. But now let’s put our money where our mouth is.”

“This is the first time there’s been a real partnership that involves a lot of public messaging and working together over the long term,” says Scott Berkowitz, founder and CEO of RAINN. “They’ve made clear that they want this to be a long-term relationship. Our mission is very straightforward: it’s to reduce the numbers of sexual assaults in the country and I think their involvement is going to help us in that work.”

For some, the partnership might come as a surprise. But for Mukherjee, it’s just the natural, more ambitious expression of her values. Mukherjee spent years working with Chetna, a non-profit organization dedicated to helping South Asian women who experience domestic violence, as well as volunteering with other nonprofits that support survivors of abuse and violence. In separate conversations, she and Berkowitz used almost identical language to explain that drinkers should be held accountable for their behavior: Responsible drinking means “drinking in a way that allows you to make decisions rationally, like knowing that you should not get behind the wheel of a car,” they both say. In other words: Drinking isn’t an excuse for crime. And sex crimes aren’t an exception.

That’s not a message that’s come from an alcohol company before. It’s not even a message that’s come from mainstream culture.

“There is less moral culpability attached to the defendant who is legally intoxicated,” wrote Judge Aaron Persky, in his decision to sentence Brock Turner to just six months in county jail, though Turner had been found guilty of sexually assaulting an unconscious woman, Chanel Miller.

“College Women: Stop Getting Drunk,” read the headline of a Slate article by Emily Yoffe in 2013. “When [women] render themselves defenseless, terrible things can be done to them,” she wrote.

Perhaps Jed Rubenfeld, a professor at Yale, put it the most clearly, in Yale Law Journal in 2013. “Is it so clear unconscious sex should be criminal?” he asked.

These comments crystalized a belief most people have heard from college administrations, respected newspaper columnists, and parents and authority figures—that drinking makes you vulnerable to sexual assault. If you drink, especially if you’re a woman who drinks, you’re at least partially responsible for your assault.



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Hailey Baldwin Responds to Fans Saying Her Latest Instagram Story Is Selena Gomez Shade


Selena Gomez’s new song, “Lose You to Love Me,” has been out for less than 24 hours, and there is already so much drama surrounding it. As soon as it dropped, fans speculated that the lyrics were about Gomez’s ex-boyfriend Justin Bieber, who is now married to Hailey Baldwin. Then Baldwin posted a screenshot of the single “I’ll Kill You” by Summer Walker and Jhené Aiko to her Instagram Stories, and people speculated this was in response to Gomez’s new music. Now Baldwin is slamming those rumors and asking people to “please stop with this nonsense.”

On its official Instagram account, celebrity-gossip outlet Just Jared posted about Baldwin’s “I’ll Kill You” photo and wrote that fans believe it was a “pointed response” to Gomez’s “Lose You to Love Me.” Baldwin wrote back directly but deleted her comment shortly after. But Just Jared has a screenshot over on its website, and it shows that Baldwin wrote simply, “Please stop with this nonsense. There is no ‘response.’ This is complete BS.”

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This isn’t the first time that the gossip mill has piled up on Selena Gomez, Justin Bieber, and Hailey Baldwin. Bieber wrote a message on Instagram earlier this year after fans accused him of marrying Baldwin “to get back at Selena.” “I absolutely loved Selena she will always hold a place in my heart, but I am head over heals in love with my wife and she is absolutely the BEST THING that has happened to me period,” he said.

Gomez didn’t address who or what her new song is about when she shared it. She only alluded to a break she’s taken from public life to focus on her mental health by thanking fans for their support and encouragement. “Thank you all for standing by my side through the highs and lows. I couldn’t do it without you all and I can’t wait to start my next adventure with you. ‘Lose You To Love Me’ is out now,” she wrote on Twitter.





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The Story Behind Hustlers' Most Iconic Looks


“For Ramona, I looked to a lot of the Victoria’s Secret Angels from the time. I was also looking at Rachel Zoe, Victoria Beckham—women who were creating brands and had a visual identity early on in the 2000s. I liked that there’s an financially aspirational quality to Ramona, and I thought she’d be looking at these women who are starting businesses. Kimora Lee Simmons was a major influence for that character as well.”

“Of course, it’s difficult to not look to Jennifer Lopez herself for style inspiration. I mean, she’s doing now what she did then, which is pushing the envelope, inspiring new trends, and wearing really fashion-forward pieces. It’s the way she’s always been. And so when you look at a time that was just 10 years ago, she was dominating the red carpet. She was trendsetting, creating a need for these it bags and changing the shape of denim that women wanted. So it’s impossible to look at the period and not consider the effect she’s had on it. You can’t really say Ramona wouldn’t be looking at Jennifer as an inspiration.”

Destiny (Constance Wu) has the biggest fashion evolution…

Cardi B and Constance Wu in Hustlers
Courtesy of STXfilms

“For Destiny, I looked to Tila Tequila, Nicole Richie, Brittany Murphy, girls like that.”

“I hope what’s apparent in the film is that as their bank accounts soar, you recognize that their color palettes change slightly and their handbags change with the amount of money they’re carrying inside of them. For Destiny, specifically, it was important that we understand that as we meet her in the beginning she’s trying to find herself a little bit. Her identity isn’t as crystal clear as Ramona. I wanted it to feel like as time goes on she’s able to refine a bit. She’s able to clean up some of her influences, so she’s not as all over the place as she is when we first meet her. She becomes a bit more put together over the course of the film.”

Diamond (Cardi B) had one of Travers’s favorite looks…

“I was quite proud of the look that Cardi comes out in. Not the one that you see with the pasties—that’s, of course, something I love—but I really like the scene where Destiny gives Diamond the lap dance. In my mind, it was sort of a bizarre mid-2000s noir film. You know, we have two of the most globally recognized women in this scene, and I wanted to treat Cardi’s entrance a bit like a film noir where you don’t really get to see her eyes. There’s a sort of wonderful reveal of that character done in the doorway. Of course, the difference is that in movies past you’re using glamorous fedoras; in my movie, we’re using a Von Dutch baby pink trucker cap. But I hope that the point lands.”



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American Horror Story: 1984 Is a Brilliant Tribute to Your Favorite '80s Scary Movies


I’ll admit, I was hesitant going into this season of American Horror Story (official name AHS: 1984). For one, it’s the first installment without Sarah Paulson in a main role. Paulson has been a mainstay for the franchise for years and always able to carry each season through any weaker moments. Who could possibly fill those shoes? Besides that, this season’s theme—’80s-era summer camp—is one fans have been hoping to see for years, which means expectations were high. So I went into the premiere last night feeling skeptical.

The good news: This season is good. And scary—like, actually scary.

You see, this isn’t something AHS has been known for lately. Last year’s Apocalypse had only a few frights, and 2017’s Cult was more political commentary than anything. AHS: 1984 marks a creepy return to form for the franchise, packed with classic scares and familiar tropes, which is absolutely a positive thing. Nothing about AHS: 1984 is particularly original, and that’s the point. It’s an homage to iconic slasher films like Friday the 13th and Halloween, and spotting these references is part of the season’s appeal.

The story centers on a group of Los Angeles twenty-somethings (Emma Roberts, Billie Lourd, Cody Fern, and Gus Kenworthy) who escape the city for the summer to be counselors at the recently reopened Camp Redwood, the site of a 1970s massacre. The serial killer, Mr. Jingles, was arrested and sent to a mental institution. But, surprise surprise, he escapes right as the counselors arrive and has his sights set on them.

Billie Lourd in American Horror Story: 1984.

Copyright 2019, FX Networks. All rights reserved.

Mr. Jingles is a perfect mixture of Jason Voorhees and Michael Myers with elements of Freddy Kreuger. As for Camp Redwood, it’s ripped straight from the script of the first Friday the 13th movie. The pilot establishes the framework of a horror story you’ve seen many times before but never gets old. The key players are all there: a timid ingénue (Roberts), the oafish jock (Kenworthy), the oblivious wild child (Lourd). The pop-out scares are abundant, and the chase scenes play out like a choreographed dance. At one point, Roberts’ character, Brooke, is running from who she thinks is Mr. Jingles, and her movements feel almost musical—every trip, slip, and scream was molded by the horror greats of decades past. It’s brilliant.

Of course, creator Ryan Murphy’s touch is all over this. The actual story is tired and true, sure, but he subverts it in a way only he can. Tone-wise, the show is a delightful blend of Scream Queens and the fifth AHS season, Hotel. One minute, you’re unnerved; the next, Gus Kenworthy takes his shirt off and cheekily demands everyone to “check out his bod.” Creepy dialogue about Mr. Jingles is immediately followed by the arrival of Camp Redwood’s activities counselor, Trevor Kirchner (Matthew Morrison), who swigs beer and makes bad sex jokes. The transition between horror and humor on 1984 is frequent and abrupt, which is what we’ve come to love and expect from a Murphy production.



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