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Lili Reinhart on Feeling ‘Insecure’ About Her Body Image on the Set of 'Riverdale'


Since making her debut as Betty Cooper in 2017, Lili Reinhart has used her following to increase awareness about body image and mental health—including her own struggles. So when a Riverdale fan recently asked the actress on Twitter what it’s like belonging to one of TV’s most “chiseled” casts, Reinhart’s answer was an honest reflection on how the show has impacted her body image.

In a tweet that has since been deleted, a Riverdale fan pressed Reinhart to address her role among her “chiseled” co-stars. Reinhart responded, explaining that acting on Riverdale has made her feel “intimidated” and “insecure” in her own skin.

“Actually, not everyone on this show is perfectly chiseled. And even I feel intimidated by the physique of my surrounding cast mates sometimes when I have to do bra/underwear scenes,” she said. “I’ve felt very insecure due to the expectation that people have for women on tv, what they should look like.”

But Reinhart is trying her best to leave those expectations behind her. She continued, “I have come to terms with my body and that I’m not the kind of person you would see walking on a runway during fashion week. I have bigger boobs, I have cellulite on my thighs/butt, and my stomach sticks out rather than curves in.”

In a profession where women’s bodies are often scrutinized, Reinhart added that she’s felt even more insecure in recent months due to weight gain caused by her depression. But not everyone has the same body shape or size—and Reinhart’s hoping she can remind fans of that despite her “daily” struggles with body image.

“This is still something I struggle with on a daily basis,” she wrote, “and it doesn’t help when I’m being compared to other women. I have gained weight due to depression the last two months and I’ve felt very insecure about it. But I did a recent bra and underwear scene and felt it was my obligation to be strong and show confidence in myself, looking as I do. And I want other young women to see my body on tv and feel comfort in the fact that I’m not a size 0. And I’m not a perfect hourglass shape.”

Hours later, Reinhart spoke out again when online commenters insinuated the experiences she shared about her body image weren’t authentic. “How sad is it that I come forward about my insecurities and people have the audacity to tell me that my feelings aren’t valid,” she tweeted. “People like this, the ones who leave these ignorant comments, are the reason why people don’t speak out and end up struggling alone.”

She elaborated about the post again on her Instagram stories. “Imagine telling someone that their feelings are irrelevant and they should be quiet based on what you deem to be acceptable or not. Can’t relate,” she wrote.

@lilireinhart

It’s going to take more than a few Internet trolls to silence Reinhart. From her appearance at Glamour‘s Women of the Year Summit in 2018 to her recent CoverGirl campaign, she’s used her time in the spotlight to address difficult-to-discuss issues like acne, body image, and anxiety. The reason? She wants to make those conversations more positive for future generations, including her own children.

“I think about when I have kids in the future,” Reinhart said in her Glamour WOTY Summit speech. “Will my daughter be self-conscious about gaining weight? Will she feel the need to explain her body or justify it to anyone as it changes? Will she feel that same need that I do now—to apologize to her peers and say, ‘My body doesn’t usually look like this,’ or ‘I’m just a little heavier than usual right now’? How utterly ridiculous is it that we even think about explaining the nature of our bodies to other people?”

Fans can expect to hear even more honestly from Reinhart when her debut poetry collection, Swimming Lessons, arrives in May.



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This Video of Jennifer Aniston Surprising Fans on the ‘Friends’ Set Is So Good


Friends fanatics, I have a dream scenario for you: Imagine you’re visiting the set of Central Perk on the Warner Bros. lot in Burbank, California, and Jennifer Aniston pops up and surprises you. Well, this exact thing happened to a group of lucky fans this past week.

Here’s what happened: Aniston was guest-hosting The Ellen DeGeneres Show, which films on the same lot as Friends did, and decided to take a break and pop by her old stomping grounds. You see, fans can now actually tour the set of Central Perk, so Aniston decided to hide behind that iconic couch you know and love and give some visitors the scare of a lifetime. A good scare, obviously.

“The set is actually still here [on the Warner Bros. lot],” Aniston says in the clip. “It’s part of the Warner Bros. studio tour. So I thought, While I’m here, I’ll go take a visit.”

Watch the hilarious video for yourself, below. There is a lot of screaming involved.

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Don’t think this means a Friends reunion is happening soon, though. While Jennifer Aniston and several of the cast members have expressed interest in getting back together, nothing is on the books yet. A nonscripted reunion special was in the works at HBO Max (a new streaming service that will soon house all of Friends), but that’s been put on pause for now.

HBO Max chief creative officer Kevin Reilly told the Television Critics Association last week, per Deadline, “There is interest all around, and yet we can’t get the interests all alighted to push the button on it.” He said the reunion, for now, is “just a maybe.”

Hopefully something comes together. But if nothing happens, at least now we can hold on to the dream that one of the “friends” might surprise us on the Warner Bros. lot should we ever visit.



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Tina Fey and Amy Poehler Set to Host 2021 Golden Globes


Here’s some good news that will have you forgetting about Ricky Gervais’s scorched-earth monologue from this year’s Golden Globes and eagerly counting down the days until next year’s telecast.

NBC announced that our favorite comedy duo, Tina Fey and Amy Poehler, will be teaming up again to host the 2021 Golden Globes.

“NBC has long been the home to two of the funniest people on the planet—Tina Fey and Amy Poehler—and we didn’t want to wait any longer to share the great news that they’ll be hosting the Globes once again,” Paul Telegdy, Chairman of NBC Entertainment, shared in a statement during the 2020 TCA winter press tour on Saturday, January 11.

The pair, who worked on Saturday Night Live together, as well as starred in films including Sisters, Mean Girls, and Netflix’s Wine Country, co-hosted the award show three years in a row, from 2013 to 2015, and were widely praised for their amazing chemistry, witty jokes and unforgettable monologues. (Who can forget that Amal and George Clooney joke? Epic.)

In 2015, Fey and Poehler claimed it would be the last time they hosted. But a public plea to get them back seems to have worked.

“There’s no denying that Tina and Amy’s comedic chemistry is infectious,” Lorenzo Soria, President of the HFPA, said. “We can’t wait to see the dynamic duo return to the Golden Globes stage.”

While Fey wasn’t in attendance at this year’s awards show, Poehler was a presenter alongside Taylor Swift. The duo are taking over from five-time host Gervais, who vowed during the show he would not be returning. Fey has previously won two Golden Globes for 30 Rock and Saturday Night Live while Poehler won a Golden Globe in 2014 for Parks and Recreation.

The date for the 78th annual Golden Globes has yet to be announced.



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Saoirse Ronan Did the Most Jo March Thing Ever on the ‘Little Women’ Set


Saoirse Ronan being cast as Jo March in Greta Gerwig’s remake of Little Women is a stroke of brilliance, to be sure. But now Ronan is revealing just how much she shares in common with the Louisa May Alcott protagonist.

In a new joint cover story with Timothée Chalamet for Entertainment Weekly to promote the film, Ronan discussed her deep connection with Jo and revealed the interesting ways she channeled the headstrong heroine during rehearsals and filming. “Jo’s ethos is ‘Everything everyone else is doing, I’m going to do the opposite,’” she tells Entertainment Weekly. “[I had] to try things that I’d never tried before. Be a bit messier with a performance.” This included ignoring the specific instructions—“Don’t shake hands! Don’t gesticulate with your arms!”—from an etiquette instructor that Gerwig had set up for the cast.

“I felt like I had tapped into something I’d never gotten the opportunity to tap into before, or I just didn’t have the guts to tap into myself,” Ronan says. “Finding that was just amazing.”

Naturally, people are already counting down until the film’s release date on Christmas Day. Gerwig, who also worked with Ronan and Chalamet in Ladybird, wrote and directed the project. “The two of us, it’s a relationship I have with no other director,” Ronan says of Gerwig. “She makes me feel like I can try anything.”

Rounding out the cast are Emma Watson, Florence Pugh, and Eliza Scanlen as Jo’s sisters (Meg, Amy, and Beth, respectively).

But even with such a variety of interesting female roles available in the story, Ronan says she knew from the beginning that she was meant to be Jo. “When Louisa [May Alcott, the author] describes Jo, it felt like someone describing me physically,” she says. “Sort of gangly and stubborn and very straightforward, and went for what she wanted.”



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Hannah Brown Just Set the Record Straight on Her Feelings for Tyler Cameron


Hannah Brown has had a whirlwind week. The finale of her season of The Bachelorette finally aired and revealed that she gave her final rose to contestant Jed Wyatt—only to find out later he hadn’t been honest about his past relationships. She promptly called off their engagement and told host Chris Harrison that, while she wouldn’t mind rekindling things with Tyler Cameron, she’s focusing on herself at the moment.

On Wednesday, July 31, Brown opened up even more about her Bachelorette experience on Instagram. In a tenderly written post, she thanked her fans for their support and encouragement as her story went public. “I opened my heart to love, and shared that experience with millions,” she wrote. “I’ve had my fair share of ups and downs and as painful as it has been at times, I wouldn’t change it one bit. Did I make choices that hurt my heart? Absolutely. Have I become stronger through that hurt? You bet. I realized how strong of a woman I am, and how resilient I can be.”

She continued, “My love story might not have been the one I would have initially written for myself; however, falling more in love with the woman I am at the end of this journey is something I’ll always look back on fondly. This is not my ending; it’s just my beginning.”

And for those who are still wondering what’s going on with Cameron, Brown set the record straight on that. “Yes, the drink is happening. No, you’re not invited,” she wrote. “I’m really appreciative that Tyler has always had my back and supported me through all my decisions. He constantly encourages me to lean into the strong woman that I am. He’s a really good man, and I’m going to be his biggest fan in whatever makes him the most happy.”

See Brown’s full post for yourself, above.



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California Is Set to Become the First State to Pass a Hair Discrimination Ban


The first time I realized how much my hair had an impact on how others saw me, I was interviewing for my first real adult job. My friends and family helped me run through the checklist women—especially black women—have to be extra cognizant of about their appearance: What would I wear? How should I do my nails? My makeup? And the most crucial, how should I do my hair? I change my hair all the time, and it didn’t occur to me that the way I wore it could make or break my chances of getting hired. Or worse, if I decide to later change it, could potentially get me fired.

So when I told my mom I wanted to get box braids, I could see the concern in her eyes. She didn’t think braids would be a good first impression and warned me they could be viewed as “unprofessional.” I couldn’t blame her, though. That had forever been her reality. To her—to so many of us—looking “professional” meant looking more “mainstream,” which meant wearing your hair straight. This all, of course, was really just a coded way of saying look more white.

I showed up to that interview in a glue-in weave, despite the fact it was a black-owned company. After I got the job, I promised myself I’d never alter the way I look to get hired again. I later landed my dream job wearing box braids.

It’s a decision not unique to me, but solely unique to black women. We are routinely discriminated against for wearing our hair the way it grows out of our scalps or in styles endemic to our culture. There’s no reason box braids or twists should be viewed any differently from a ponytail or bouncy blowout, and yet, we’re reprimanded by managers for looking too “urban” or “unkempt”—like Destiny Tompkins, who was pulled aside by her (white, female) district manager at a New York Banana Republic in 2017 for wearing box braids. She was so “uncomfortable” and “overwhelmed” she chose not to finish her shift.

The list goes on: In 2010, Chastity Jones said she was let go from an Alabama insurance claims–processing company for wearing her hair in dreadlocks. The courts at the time ruled it wasn’t racial discrimination because hair wasn’t an “immutable” (i.e. unchangeable) characteristic. Or take Rachel Sakabo, an experienced employee at New York’s prestigious St. Regis hotel, who claimed she was let go in 2013 after being told she wasn’t a “good fit” with the brand’s “culture,” a decision she’d attributed to her locs.

These are just the viral stories. A recent study from Dove found that black women are 50 percent more likely to be sent home or to know a black woman who has been sent home from work because of her hair. And that’s if she even gets the job.

“During my first months at a major news network, one of the managers wanted to speak with the new hires to see where we saw ourselves growing within the company,” says Blake, 23. “At the time, my hair was in a perm rod set, so it was big and curly.” She told the manager she eventually wanted to be on-air, to which the manager responded: “That comes with a lot of responsibility. Your hair always has to be done and always in the same style. If you’ve ever taken a look at our anchors, they keep their hair clean and sleek.”

Offended, yet brand-new to the company, Blake felt helpless. “I wanted to speak up. How dare she imply my natural hair was somehow the opposite of ‘done’ and ‘clean?’ says Blake. But afraid she’d be painted as “the combative black woman,” she felt silenced.



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