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Tina Fey and Amy Poehler Set to Host 2021 Golden Globes


Here’s some good news that will have you forgetting about Ricky Gervais’s scorched-earth monologue from this year’s Golden Globes and eagerly counting down the days until next year’s telecast.

NBC announced that our favorite comedy duo, Tina Fey and Amy Poehler, will be teaming up again to host the 2021 Golden Globes.

“NBC has long been the home to two of the funniest people on the planet—Tina Fey and Amy Poehler—and we didn’t want to wait any longer to share the great news that they’ll be hosting the Globes once again,” Paul Telegdy, Chairman of NBC Entertainment, shared in a statement during the 2020 TCA winter press tour on Saturday, January 11.

The pair, who worked on Saturday Night Live together, as well as starred in films including Sisters, Mean Girls, and Netflix’s Wine Country, co-hosted the award show three years in a row, from 2013 to 2015, and were widely praised for their amazing chemistry, witty jokes and unforgettable monologues. (Who can forget that Amal and George Clooney joke? Epic.)

In 2015, Fey and Poehler claimed it would be the last time they hosted. But a public plea to get them back seems to have worked.

“There’s no denying that Tina and Amy’s comedic chemistry is infectious,” Lorenzo Soria, President of the HFPA, said. “We can’t wait to see the dynamic duo return to the Golden Globes stage.”

While Fey wasn’t in attendance at this year’s awards show, Poehler was a presenter alongside Taylor Swift. The duo are taking over from five-time host Gervais, who vowed during the show he would not be returning. Fey has previously won two Golden Globes for 30 Rock and Saturday Night Live while Poehler won a Golden Globe in 2014 for Parks and Recreation.

The date for the 78th annual Golden Globes has yet to be announced.



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Tina Fey, Amy Poehler, and Maya Rudolph Didn't Host the Oscars, But They Should Have


For the first time in thirty years, the Oscars went forward without a host. There was much speculation about what the award ceremony would be like without a traditional emcee, but turns out it was handled: Three legends—Tina Fey, Maya Rudolph, and Amy Poehler—were brought out to set the tone for the evening.

Taking the stage early in the show, Fey joked right away that the three were definitely, 100 percent not the evening’s hosts. “We are not your hosts, but we’re going to stand here a little too long so that the people who get USA TODAY tomorrow will think we hosted.”

This lead to all of us watching at home to wonder the same question: Why the hell weren’t they hosting the Oscars? One viewer even tweeted, “Maya Rudolph, Tina Fey and Amy Poehler should never be at an awards show not hosting it.”

Fey, Rudolph, and Poehler have been slaying the game together since they were all co-stars on Saturday Night Live. (Their famous “mom jeans” sketch from the show is worth a revisit, if you somehow haven’t seen it.) And it’s not like these women don’t have experience—Fey and Poehler have hosted the Golden Globes together multiple times, starting in 2013. Last year, after Rudolph presented at the Oscars alongside Tiffany Haddish, Twitter lead a campaign for the two of them to host the 2019 show together.

Imagine a world where we got more than just three quick minutes of Fey, Rudolph, and Poehler’s banter? Even better, what if that included a few incredible cameos from Haddish? Hello, ratings gold.

Instead, they revealed that they were simply on stage to present the Best Supporting Actress award—no surprise hosting twist here. The three then spoke out about how women always offer a supporting role in their work. While that included joking that they support each other’s boobs (because, of course) and that Rudolph dubs Fey’s lines overseas, their message rang true. After The Oscars suffered from a series of controversies leading up the ceremony—including the removal of original host Kevin Hart—these women still showed up and supported the Oscars, helping the show put its best food forward. Because that’s what women do.

So next year, give us what we all want.





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Michelle Obama Dancing With Tina Knowles Lawson at Beyoncé's Concert Is Everything


A World Cup win for France wasn’t the only thing the country was celebrating over the weekend: Michelle Obama reunited with Tina Knowles Lawson in Paris on Sunday night (July 16) during Beyoncé’s concert. Yup: All three of these powerhouse women ended up in the same room—well, if a concert stadium counts as a room. Lawson and Obama occupied the front row of Beyoncé and Jay-Z’s On the Run II concert at the Stade de France Stadium. Sasha Obama attended the show, too, which truly made this concert a mother-daughter affair.

Several fans captured photos and videos of Obama and Lawson, who seemed to seriously enjoy the show. Obama clapped and danced along in an all-white ensemble and massive silver hoop earrings, while Lawson opted for a red and white floral look.

This isn’t the Obama family’s first time seeing Bey and Jay. Michelle Obama and her girls have been frequent fixtures on the Beyoncé tour circuit over the last few years. They watched her perform in Chicago in 2014, at the Global Citizen Festival in 2015 (where Obama actually went onstage to hug Beyoncé after her set), and, historically, at Barack Obama’s inauguration in 2009.

“She’s a special person,” Obama said about Beyoncé to Stephen Colbert in September 2016. “She’s a sweetheart. She’s smart, she’s creative, she’s a great mother, she loves her family. She’s just a low-key lady—we have a lot in common that way. Except I can’t sing … I can’t dance.” Her moves at the concert this weekend say otherwise.

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Tina Fey Expertly Called Out David Letterman on His Lack of Female Writers


Tina Fey is no stranger to making waves in roles where women are incredibly underrepresented: She was the first female head writer on Saturday Night Live. She was the creator of—and writer for—30 Rock and a co-creator and writer for Unbreakable Kimmy Schmidt. Most recently, she’s shown off her talent by rewriting Mean Girls for Broadway (which racked up 12 Tony nominations on Thursday).

So you’d think she’d have a lot to talk about with David Letterman on his new Netflix show, My Next Guest Needs No Introduction. And she did—although it might not have been what he was expecting. Fey’s spoken about the importance of diversity in the writers’ room before, recently in Variety‘s April “Power of Women” issue. Meanwhile, late-night comedy shows—like Letterman’s old Late Show—still are notorious for being a boys club. Although women are beginning to pave the way for other aspiring female comedians and hosts like Samantha Bee and, most recently, Busy Philipps, gender inequality still prevails in the writers room and in front of the camera.

So when Letterman attempted to explain why he’d had few women employed as writers, Fey put him squarely in his place.

“I didn’t know why there weren’t women writers. There was no policy against women writers,” Letterman, who passed the late-night baton off to Stephen Colbert in 2015, told Fey. “I always thought, ‘Well, geez, if I was a woman I don’t know if I would want to write on my nickel-and-dime, dog-and-pony show anyway because we’re on at 12:30.’”

Thankfully, Fey didn’t let that response slide: “Yeah, we did want to write on it, though,” Fey said.

Fey’s blunt response prompted Letterman to apologize: “But that is my ignorance, and I feel bad for that,” he said. “And it’s changing, has changed.”

But Nell Scovell, who made history as the first female writer on the Late Show in the early ‘90s until leaving in 2009, pointed out on Twitter that things have remained mostly the same for Letterman.

“Meanwhile, on Dave’s new Netflix show, there are 5 Executive Producers and ALL are male,” she wrote. ‘It has changed’ but not on Dave’s shows.”

You can watch Fey’s appearance on My Next Guest Needs No Introduction here.

Related Stories:

-‘Mean Girls’ Leads the 2018 Tony Awards With 12 Total Nominations–Tina Fey and Megyn Kelly Share the Life Advice They Swear By At This Very Moment–’30 Rock’ Called Out Harvey Weinstein Five Years Ago





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Tina Knowles-Lawson Was Worried the Coachella Audience Wouldn't 'Get' Beyoncé's Performance


Beyoncé‘s 2018 Coachella performance was incredible for several reasons. First and foremost, she’s Beyoncé; it’s a blessing any and every time she graces us with her presence. Her set was more than just entertaining, though. Throughout the performance, Beyoncé paid tribute to black culture, specifically historically black colleges and universities (HBCUs).

She started her commentary right at the beginning when a loud voiceover dubbed the show “Beyoncé Homecoming 2018.” It played into the HBCU theme of Bey’s set, while also nodding to the fact she’s the first black woman to ever headline Coachella. This overarching concept was accompanied by drum lines, choirs, and step squads in between Beyoncé’s outfit changes—all hallmarks of HBCUs. She also channeled Wakanda, the fictional nation in Black Panther, during the show, which augmented its black empowerment theme. Thousands of people, specifically black women, left Beyoncé’s Coachella set feeling inspired and more represented than ever before. Beyoncé followed this up by announcing she’s giving $100,000 in scholarship money to four HBCUs:

But Tina Knowles-Lawson, Beyoncé’s mother, was originally concerned about how the performance would be perceived. The famous matriarch revealed on Instagram this week she thought Coachella’s “predominately white” audience wouldn’t understand her daughter’s messaging. Beyoncé, however, wasn’t fazed by that.

“I told Beyonce that I was afraid that the predominately white audience at Coachella would be confused by all of the black culture and black college culture because it was something that they might not get,” she wrote on Instagram, next to a photo of a quote about the Coachella performance. “[Beyoncé’s] brave response to [my concerns] made me feel a bit selfish and ashamed. She said, I have worked very hard to get to the point where I have a true voice, and at this point in my life and my career, I have a responsibility to do what’s best for the world and not what is most popular.”

Knowles-Lawson added that Beyoncé said she hoped that “after the show, young people would research this culture and see how cool it is, and young people, black and white, would listen to ‘Lift Every Voice and Sing’ and see how amazing the words are for us all and bridge the gap.” (“Lift Every Voice and Sing” is a hymn Beyoncé performed during Coachella that is often referred to as the “black national anthem.”)

“I stand corrected,” Knowles-Lawson wrote at the end of her post. Not only was Beyoncé’s Coachella performance understood: It was embraced.

See Knowles-Lawson’s post for yourself, below:

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Tina Knowles Lawson Is All Of Us Trying to Nail This Beyoncé Dance Routine


Tina Knowles Lawson—also known as the woman who quite literally brought Beyoncé into this world—and her husband Richard have at least one thing in common with the rest of us: They start their mornings dancing to Beyoncé.

On Friday, Tina posted an Instagram video that showed her, her man, and a small group of friends breaking down choreo to Destiny’s Child’s 2004 hit “Lose My Breath”—a daily occurrence, apparently.

“This is @mrrichardlawson @rl_studios exercise crew @keneshahemmings @mdenises11 @jessicasadeward @thereelcourtney @candicelenoir @aleshabraden @iamjohnnycrown. We work out every morning very early?we do different routines every day. I’m not so great on this one but give me another week and I’ll be like “watch me now”?. Rocking that IVY PARK❤️”

Stay humble, Tina—and smooth Ivy Park plug.

In addition to morning workouts, Tina’s been busy providing aid to Texas residents affected by Hurricane Harvey—she and her family are from Houston—and earlier this month joined Bey and Destiny’s Child member Michelle Williams at St. Johns Church in Houston, where Beyoncé got her start.

“We do special things in the community, feed the homeless, we have housing, which houses people,” Tina told ET. “It’s so sentimental seeing Beyoncé here because she hadn’t been able to come for a long time, She started singing on this stage, so it’s real[ly] emotional.”



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