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Paid Sick Leave Is Finally Becoming a Reality. Patty Murray Wishes It Hadn't Taken a Pandemic to Get It There


Well, I’m sorry it’s come to a pandemic for them to see the reality. It is my hope that this has finally sunk in and that we move forward in a smart way. I remember talking to a Safeway employee six or seven years ago who was working in the deli department and was obviously, visibly sick. I said, “Are you okay?”

And she said, “I can’t stay home. I don’t have any sick leave.”

I remember thinking, “Oh my god, she’s sitting here in a deli.” Everybody should think of that—workers at delis, grocery stores, hotels. Wouldn’t you rather they were home getting paid sick leave than here risking spreading it to everyone else?

One of the things that’s striking to me, as a citizen, is how disadvantaged we are here in the United States—in terms of dealing with this crisis—because we don’t have some of the things, like paid sick leave, that other developed countries have. We’re suffering now because of legislation we didn’t get passed decades ago.

Without a doubt. Without a doubt. All of these things that we have been told cost too much or are too radical are now coming home to roost with this pandemic.

Do you think that’s registering, especially with your Republican colleagues who have been resistant to these kinds of federal programs?

I think it is sinking in. People used to think, “Oh, that’s someone else’s problem.” But in a pandemic like this, they realize that someone else affects them. If that person is sick, they’re making other people sick. If a business can’t function, that has an impact. These kinds of social programs and policies are good for businesses, so that we don’t end up in the situation we’re in now.

Have any of those Republicans or even Democrats who resisted this said, “You were right”?

Well, no one here is very good at saying, “Oh my gosh, you were right.” Which is fine; I can take it! But they are all of a sudden sensing the need for this. It becomes personal for every single person in this country. It’s well and good for the mandate to be out there—“stay home if you’re sick.” But too many workers know it doesn’t apply to them because they can’t afford it.

You were a preschool teacher. Other women who serve in Congress, and in particular women elected in 2018, don’t come from traditional political backgrounds. Several I can think of are former nurses or are activists or veterans. At a time like this, how valuable is it to have those voices in Washington?

I was just talking with someone about the fact that women work in professions with their mother hat on. We’re thinking about other people. This conversation happened to be in the context of our own workplace in the Senate; I find a lot of the senators are thinking about themselves, but she and I were thinking about the staffers and workers in the Senate who have to be there because we are here. These are people who themselves have families. I said to her, “You sound like a mom.” And she said, “That’s just how we operate.”

But I think overall, women do see things in terms of communities and have experiences that inform that. Women tend to be the people in their families who take kids or parents to the doctor. It’s intuitive to us to think about these things on a personal level.

After we get through this, do you think America will be ready to have a fundamentally different conversation about programs like paid leave and universal health care?

I think so. We obviously live in a country that is very dependent on private companies and profits. We all benefit from that. But the question we have to ask ourselves now is: How do we develop an infrastructure that makes sure all Americans are safe?

This interview has been edited and condensed.

Mattie Kahn is the culture director at Glamour.



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Patty Jenkins Says Even Some of Her Family Can't See a Woman Being a Director


Patty Jenkins and Chris Pine are supposed to be exhausted. They’ve been promoting their new series, TNT’s I Am the Night (Pine stars and executive produces; Jenkins directs), nonstop and have just taken the red-eye to Los Angeles from New York. But when I sit down with them, they’re just as sharp as if it were their first interview about the show. In fact, when a publicist tries to wrap us up, Pine graciously asks for more time so he and Jenkins can finish answering my questions. Talk about dedication!

The two first met when Jenkins recruited Pine for Wonder Woman (he originally passed on the role before Jenkins was attached to the project), and it was pretty much obsession at first sight. Millions of dollars at the box office later, they’ve not only teamed up for Wonder Woman 2 but also I Am the Night, which takes on a new angle in the Black Dahlia case.

But no matter how much success Jenkins has achieved (just one example: Wonder Woman is the highest grossing live-action film directed by a woman), she admits that people still have trouble seeing her as a director. “Somehow the association of being a director and being a woman is something people have some weird thing about,” she says. In fact, Jenkins admits even her extended family gets tripped up by it.

So at a time when more women are starting to call the shots behind the camera—and certainly more attention is on Hollywood to do its part—what’s still so foreign about it? Here, Jenkins and Pine share their thoughts on that and more. Read on.

Glamour: Do you remember the first time you met? And what were your first impressions of each other?

Chris Pine: Oh yeah! Wonder Woman was [originally going to be] directed by someone else and I had this great meeting with this other person about it but [the character] really didn’t sound interesting to me and I had other stuff going on, so I kinda wasn’t into it. It came around again and Patty was involved, and I wanted to meet her, but I didn’t know if [the movie] sounded like my thing. But within five minutes of meeting Patty at this restaurant, I knew almost immediately that I’d be doing this film.

Wow. How so?

Chris: I think she spent, like, an hour acting out the entire film of Wonder Woman in this restaurant bar at like noon on a Tuesday. I was completely captivated and I just knew pretty much immediately even though there was only 20 pages of a script. I was just really into Patty and I thought that she understood the qualities that I could bring to it and that was it.

Patty, did you know this?

Patty Jenkins: He had told me that he [was on the fence at first] and then I was super psyched that changed because I was like, ‘This is fucking happening!’ I was like, ‘I’m not coming out of that meeting with a no. Chris has to do it. It has to be Chris.’ The funny thing was, as I signed on to it, the importance of who played that role was tremendous. We needed an incredibly powerful dynamic, funny, rich actor, and that person was Chris.

Patty Jenkins, Gal Gadot (Wonder Woman), and Chris Pine

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Even though you wanted him to play the part, what was it like when you first met him?

Patty: It’s funny, because when it’s a famous actor you already know so much more about them. But he was chiller and even more fun to talk to [than I could have imagined]. We stayed for a long time at the restaurant just talking and laughing and having a great time. And then when we started working together, I remember thinking, “Wow, you are just so fucking incredibly skilled.”



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Patty Jenkins' Salary More Than Tripled for the 'Wonder Woman' Sequel


Director Patty Jenkins is having quite the year.

First, she gets immortalized as her very own Barbie doll for International Women’s Day. “I am someone who is lucky enough to make the films I want to make,” Jenkins said at the time. “But the honor of having a Barbie that looks like me and is doing what I do touches and delights the girl and child in me to the core. It celebrates all sides of me and my hopes for myself and others, in a very special way.”

Now, news is swirling about the well-deserved raise she’s receiving for her work on the Wonder Woman sequel which is due to hit theaters in 2019. A new Variety story reports that Jenkins will make $9 million for her writing and directing roles on the new film. The first Wonder Woman movie grossed over $400 million domestically and The Hollywood Reporter says that she was paid around $1 million (though there may have been additional bonuses based on the film’s success.)

Hopefully, Jenkins’ salary is the beginning of a trend of equal pay for female directors—something she has previously said she was acutely aware of during the negotiation process. ‘You’re of course aware of the money,” Jenkins told Variety last October. “But I’ve never been more aware of a duty than I was in this deal. I was extremely aware that I had to make sure I was being paid what the male equivalent would be.” She continued, “Women who have not been in a system that allows them to build up the same level of pay as men are not able to be paid the same as men forever if that’s the way it continues. You have to ask for it to happen, and you have to ask when you’re the appropriate person.”



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'Wonder Woman 2' Will Have Another 'Great Love Story,' Says Director Patty Jenkins


A major part of the Wonder Woman plot revolved around Gal Gadot’s Diana Prince simultaneously fighting alongside and falling in love with Chris Pine’s Steve Trevor, the first man she’d ever met. Obviously, there were other important things going on in the movie—see: Diana marching across No Man’s Land to rescue an entire town of hostages; Diana plotting to stop German scientists from dropping bombs on innocent people; Diana defeating Ares, the god of war—but it’s nearly impossible not to shed a tear when Steve flies a plane full of bombs away from everybody else and (probably) dies in the process, leaving Diana screaming his name on the ground below.

It’s hard to imagine moving on from that traumatic loss, but in a new edition of Variety‘s Playback podcast released in mid-November, Wonder Woman director Patty Jenkins was asked about the blockbuster film’s sequel and hinted that the Wonder Woman sequel will include another “great love story.”

“Because she is Wonder Woman and she’s here now and she’s fully developed, it’s got great fun from the start, and great big superhero presence from the start, and is funny and a great love story again, and [has] a couple new unbelievable characters who I’m so excited about, who are very different than were in the last movie,” Patty said. Steve Trevor fans were sent spiraling, with several outlets publishing articles assuming that Patty’s comments meant that Diana will have a brand new love interest in the new film.

But before you, too, start protesting Steve’s replacement, you should know that Patty has already refuted these assumptions. “Quite a few people, including this headline, seem to be completely misunderstanding or making some pretty false assumptions based on one of many vague quotes I made about something I can’t say ANYTHING about. Just wait. ;)” she wrote in response to one of these articles.

In that case, the “great love story” Patty referenced in the podcast could just refer to Diana’s compassion for all mankind, her relationship with a new (platonic) friend, or her lasting love for Steve—in the new Justice League movie, even though she’s somewhat flirty with Ben Affleck’s Batman (who definitely does not deserve her), Diana is still clearly carrying a torch for the charismatic spy. For further proof that this love story won’t necessarily involve a new love interest, just rewatch Wonder Woman: Diana Prince definitely does not need a man.

While we all wait ravenously for more details about Wonder Woman 2, which is scheduled to be released in December 2019, feel free to overanalyze everything else Patty said about the film in the podcast episode. “It’s really still going to other values of hers, and a similar formula insofar as making a great, enjoyable fun movie, but that ultimately, in its third act, turns some very big issues, and a very big experience that will aim to have slightly more weight and profundity than it has to have. Because that’s a formula that I really like, and I like the idea of taking somebody on a very solid, great journey but that arrives at a bigger question being answered,” she said. “I feel like it’s just the right amount the same world of Wonder Woman as the first movie, while being a completely different story that tackles something very different but very similarly singular. One story.”





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The Original Wonder Woman Lynda Carter Presents Patty Jenkins With Her Woman of the Year Award


On a night filled with countless wonderful women, we were lucky enough to be in the presence of two bonafide Wonder Women. At Monday night’s Women of the Year Awards, the O.G. Wonder Woman, the fabulous Lynda Carter, presented honoree and Wonder Woman director Patty Jenkins with her award. Their friendship is actual squad goals (Justice League goals?), and Carter said of Jenkins, “She is a force to be reckoned with and she always has been.”

Carter added, “She got the essence of Wonder Woman because it lives inside her. She took the challenge of this miracle of an ideas and an iconic ’70s TV show and she made the ‘she’ become the ‘we’ on the big screen all over the world.”

In accepting her award, Jenkins acknowledged and thanked the loving, inspiring, and impactful Wonder Women in her own life. “No person’s an island,” she said, acknowledging what it means to have a Wonder Woman to look up to in 2017. Wonder Woman “stands for a new kind of hero who is strong and powerful and can fight the bad guy, but also believes in love and thoughtfulness.”

That sequel can’t come soon enough.



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Patty Jenkins' Paycheck for Directing 'Wonder Woman 2' Is Appropriately Huge


PHOTO: Clay Enos/©Warner Bros./courtesy Everett Collection

Wonder Woman was one of the most popular films of the summer, raking in a whopping $816 million worldwide—and counting. (The film is still showing in theaters.) With a box-office score this good, it’s no surprise Warner Bros. quickly announced there’d be a Wonder Woman sequel coming in 2019. At the time WB originally revealed this news, Gal Gadot (Wonder Woman) was attached to the project, but the first film’s director, Patty Jenkins, was not. The reason, you ask? Money.

Given the astronomical success of Wonder Woman, Jenkins held out for a better deal to direct the second installment—as she should’ve. After all, she was instrumental to the success of Wonder Woman, and she wanted her compensation for round two to match what male directors receive for similar sequels—again, as it should.

And now it reportedly does. According to The Hollywood Reporter, Jenkins and Warner Bros. finally settled on a number she’s happy with. The publication reports Jenkins will receive between $7 million and $9 million in directing and writing fees, not to mention substantial backend. Somewhere in Themyscira, Wonder Woman is screaming, “YAAAS.” (Please take a moment to envision that in your head. You’re welcome.)

Unfortunately, the road to this agreement was a rocky one. THR writes Warner Bros. and Jenkins’ negotiations were “lengthy” and “tough,” which is unfortunate. Why do women have to jump through so many hoops to receive equal pay? That should be guaranteed across the board. Hopefully someday it will.

Jenkins’ deal will certainly help move the dial forward—in Hollywood, at least. It makes Jenkins the highest-paid female filmmaker in history. Wonder Woman‘s success sent an important message to studio executives: that women are more than capable of helming successful, big-budget projects. Frankly, it’s frustrating this even needed proving in the first place.

Everyone, no matter what profession you’re in, can learn something from Jenkins’ negotiations. It’s important to not only know your worth, but to fight for it. With or without a lasso.

Related Stories:

Wonder Woman Director Patty Jenkins on the Feminist Superhero: “Being Badass Doesn’t Mean She’s Not Loving”

Patty Jenkins Responds to James Cameron’s Ridiculous Critique of ‘Wonder Woman’



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