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Netflix Had the Perfect Response to Someone Who Questioned Brie Larson’s Directing Skills


Although Brie Larson is best known for her award-winning role in Room and leading the box office juggernaut Captain Marvel, she’s also done work behind the camera, directing Unicorn Store for Netflix. And this week the streaming service shared the first trailer for the film, which is her feature-film directorial debut.

It’s a huge moment for Larson, but one person still thought it’d be appropriate to question her filmmaking credentials. (Sigh.) It all started when Netflix tweeted that Larson’s comedy, which she also coproduced, is “an absolutely charming, heartfelt, exploration of the things that drive us and the creativity that adulthood often tries to extinguish.” To this, one social media user said it seemed like Larson was “just riding Captain Marvel’s wave” and suggested she take notes from Jonah Hill, “who was mentored by Martin Scorsese and took years before he made his directorial debut out of respect for the artistry of film and the position of director.”

Netflix was not having it and hit back faster than you can say “Carol Danvers.” The company casually dropped Larson’s list of accomplishments both as an actress and filmmaker, listing: 58 acting credits, 53 award noms, two writing credits, two short film directing credits, one composing credit, one producing credit, one Oscar, and one feature directing credit. Oh, and she’s been in the business since 1998 and has worked with several talented and respected directors.

Take a look:

Larson retweeted the response, calling it a NETFLEX. Which, it is.

Naturally, people were all for this. “The flex, the serve, the deliver,” one fan wrote. “So proud of you Brie,” another added.

Reminder, Unicorn Store isn’t Larson’s first time directing. The actress codirected two short films, including The Arm, a project that won her a special jury prize at Sundance in 2012. Unicorn Store has received positive reviews since it was shown at the Toronto International Film Festival in 2017. It stars Larson as a woman who gets a mysterious invitation to live out one of her childhood dreams. Netflix announced that it would pick up the project earlier this year, and it’s clearly standing by the film ahead of the film’s debut on April 5. In short, let this be a lesson to all to not mess with Captain Marvel.



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Chandra Wilson on Directing a Historic ‘Grey’s Anatomy’ Episode


On Thursday, February 28, Grey’s Anatomy will air its 332nd episode, officially making it the longest-running medical drama in TV history. It’s hard to imagine a world without this show, especially now that it’s in its fifteenth season. After all, four of its current characters—Meredith Grey, Miranda Bailey, Richard Weber, and Alex Karev—have been with us since the very beginning. You’ve probably know them longer than some of your friends.

It’s truly fitting, then, that one of those four—Chandra Wilson (Dr. Miranda Bailey)—is directing this historic episode. She describes the process of preparing for this week’s show as “exciting and scary,” given its significance. “It’s the silly pressure you put on yourself,” she tells Glamour. “But this was my twentieth episode of Grey’s that I’ve directed, so I must be doing OK.”

So what can viewers expect? “I had all of my ideas about things that I thought [were] important and that the audience might want to see and what would be a treat. But then my writers and my producers had another idea for what they thought it was about,” she says. “And we came up with something that I think, for the audience, is gonna say, ‘Guess what guys? We continue. There’s more to come. Nothing is over. Nothing is ended.'”

Wilson says longtime fans of the show should keep their eyes peeled for special details that may or may not call back to Grey’s history. “I know it was important to me to plant some [Easter eggs] because I think those things are so much fun for fans,” she says. I personally have my fingers crossed for a classic Bailey monologue, though my ultimate dream would be a Cristina Yang appearance, which probably won’t happen. Maybe Bailey will just say her name—that should tide us over until Killing Eve season two premieres in April.

One of the greatest things about a show’s staying on the air as long as Grey’s in the era of streaming is it has created a whole new generation of fans. “I had a young girl [around 20 years old] tell me, ‘My roommates and I watch [together].’ And that’s what happened at the beginning of our show: People would talk to us about getting together with their roommates or getting together with their family,” Wilson says. “And it’s a show that people don’t watch by themselves. They usually pull somebody else in with them. And I think that’s definitely what gives us our longevity.”

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She continues, “We’re like a group effort. We’re an ensemble show, and people watch it as an ensemble and they are so invested in what happens to these characters. So whether it’s the OGs or whether it’s our new characters that come in, even if they don’t want to like somebody, they still stick around and say, ‘OK, but you know? Let me see. Let me see.'”

So does an OG like Wilson have a favorite Grey’s Anatomy moment? She loves the episodes in season six when a shooter is roaming the hospital and Dr. Bailey is trapped in a room with a patient (played by Mandy Moore). Her number-one favorite, though, is the pilot. “That’s the one that really established what this show was going to be, who these characters were,” she says. “And if I ever get confused about how I think Bailey should respond to something, I always think about that pilot and who she thought she was in the pilot—because that’s who she still thinks she is.”

Tune into Wilson’s episode of Grey’s tonight at 8:00 P.M. ET on ABC.



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Natalie Portman Just Burned the Golden Globes for Not Having Any Female Directing Nominees


Five people were nominated for Best Director at the 2018 Golden Globes , and they all have something in common: They’re men. Guillermo del Toro, Martin McDonagh, Christopher Nolan, Ridley Scott, and Steven Spielberg were the only directors to score nods this year, leaving out talented filmmakers like Greta Gerwig and Dee Rees, who both helmed two of the most celebrated movies of the year, Lady Bird and Mudbound. It’s a move that angered and upset many—both celebrities and fans. This was a banner year for women in entertainment, so for female directors to be completely snubbed in this category was upsetting, to say the least.

And Natalie Portman called the Globes out for it—on the air. The Annihilation actress presented the award for Best Director tonight, and she made sure to let the room know how she felt…in the most savage way possible. “And here are the all-male nominees,” she said right before listing del Toro, McDonagh, Nolan, Scott, and Spielberg’s names. Check out the moment for yourself, below:

What an A+ (and necessary) burn. Sadly, this isn’t new for the Golden Globes. The Hollywood Foreign Press hasn’t given a female director the award in over 25 years, despite so many talented women creating extraordinary work. Saoirse Ronan, who starred in Lady Bird, raved about Gerwig’s directing in a 2017 interview with Glamour.com. “As you would get with a male actor and a male director, or a female actor and a female director, is perspective and understanding,” she said. “They are able to relate to each other in a way that a man wouldn’t be able to, and vice versa.”

Hopefully, Portman’s call-out will make the Hollywood Foreign Press considering giving female directors the shine they deserve next year.

For more of our 2018 Golden Globes coverage, click here.

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Nicole Kidman’s Golden Globes Speech Was All About the ‘Power of Women’





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Patty Jenkins' Paycheck for Directing 'Wonder Woman 2' Is Appropriately Huge


PHOTO: Clay Enos/©Warner Bros./courtesy Everett Collection

Wonder Woman was one of the most popular films of the summer, raking in a whopping $816 million worldwide—and counting. (The film is still showing in theaters.) With a box-office score this good, it’s no surprise Warner Bros. quickly announced there’d be a Wonder Woman sequel coming in 2019. At the time WB originally revealed this news, Gal Gadot (Wonder Woman) was attached to the project, but the first film’s director, Patty Jenkins, was not. The reason, you ask? Money.

Given the astronomical success of Wonder Woman, Jenkins held out for a better deal to direct the second installment—as she should’ve. After all, she was instrumental to the success of Wonder Woman, and she wanted her compensation for round two to match what male directors receive for similar sequels—again, as it should.

And now it reportedly does. According to The Hollywood Reporter, Jenkins and Warner Bros. finally settled on a number she’s happy with. The publication reports Jenkins will receive between $7 million and $9 million in directing and writing fees, not to mention substantial backend. Somewhere in Themyscira, Wonder Woman is screaming, “YAAAS.” (Please take a moment to envision that in your head. You’re welcome.)

Unfortunately, the road to this agreement was a rocky one. THR writes Warner Bros. and Jenkins’ negotiations were “lengthy” and “tough,” which is unfortunate. Why do women have to jump through so many hoops to receive equal pay? That should be guaranteed across the board. Hopefully someday it will.

Jenkins’ deal will certainly help move the dial forward—in Hollywood, at least. It makes Jenkins the highest-paid female filmmaker in history. Wonder Woman‘s success sent an important message to studio executives: that women are more than capable of helming successful, big-budget projects. Frankly, it’s frustrating this even needed proving in the first place.

Everyone, no matter what profession you’re in, can learn something from Jenkins’ negotiations. It’s important to not only know your worth, but to fight for it. With or without a lasso.

Related Stories:

Wonder Woman Director Patty Jenkins on the Feminist Superhero: “Being Badass Doesn’t Mean She’s Not Loving”

Patty Jenkins Responds to James Cameron’s Ridiculous Critique of ‘Wonder Woman’



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