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Patty Jenkins Says Even Some of Her Family Can't See a Woman Being a Director


Patty Jenkins and Chris Pine are supposed to be exhausted. They’ve been promoting their new series, TNT’s I Am the Night (Pine stars and executive produces; Jenkins directs), nonstop and have just taken the red-eye to Los Angeles from New York. But when I sit down with them, they’re just as sharp as if it were their first interview about the show. In fact, when a publicist tries to wrap us up, Pine graciously asks for more time so he and Jenkins can finish answering my questions. Talk about dedication!

The two first met when Jenkins recruited Pine for Wonder Woman (he originally passed on the role before Jenkins was attached to the project), and it was pretty much obsession at first sight. Millions of dollars at the box office later, they’ve not only teamed up for Wonder Woman 2 but also I Am the Night, which takes on a new angle in the Black Dahlia case.

But no matter how much success Jenkins has achieved (just one example: Wonder Woman is the highest grossing live-action film directed by a woman), she admits that people still have trouble seeing her as a director. “Somehow the association of being a director and being a woman is something people have some weird thing about,” she says. In fact, Jenkins admits even her extended family gets tripped up by it.

So at a time when more women are starting to call the shots behind the camera—and certainly more attention is on Hollywood to do its part—what’s still so foreign about it? Here, Jenkins and Pine share their thoughts on that and more. Read on.

Glamour: Do you remember the first time you met? And what were your first impressions of each other?

Chris Pine: Oh yeah! Wonder Woman was [originally going to be] directed by someone else and I had this great meeting with this other person about it but [the character] really didn’t sound interesting to me and I had other stuff going on, so I kinda wasn’t into it. It came around again and Patty was involved, and I wanted to meet her, but I didn’t know if [the movie] sounded like my thing. But within five minutes of meeting Patty at this restaurant, I knew almost immediately that I’d be doing this film.

Wow. How so?

Chris: I think she spent, like, an hour acting out the entire film of Wonder Woman in this restaurant bar at like noon on a Tuesday. I was completely captivated and I just knew pretty much immediately even though there was only 20 pages of a script. I was just really into Patty and I thought that she understood the qualities that I could bring to it and that was it.

Patty, did you know this?

Patty Jenkins: He had told me that he [was on the fence at first] and then I was super psyched that changed because I was like, ‘This is fucking happening!’ I was like, ‘I’m not coming out of that meeting with a no. Chris has to do it. It has to be Chris.’ The funny thing was, as I signed on to it, the importance of who played that role was tremendous. We needed an incredibly powerful dynamic, funny, rich actor, and that person was Chris.

Patty Jenkins, Gal Gadot (Wonder Woman), and Chris Pine

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Even though you wanted him to play the part, what was it like when you first met him?

Patty: It’s funny, because when it’s a famous actor you already know so much more about them. But he was chiller and even more fun to talk to [than I could have imagined]. We stayed for a long time at the restaurant just talking and laughing and having a great time. And then when we started working together, I remember thinking, “Wow, you are just so fucking incredibly skilled.”



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'Wonder Woman 2' Will Have Another 'Great Love Story,' Says Director Patty Jenkins


A major part of the Wonder Woman plot revolved around Gal Gadot’s Diana Prince simultaneously fighting alongside and falling in love with Chris Pine’s Steve Trevor, the first man she’d ever met. Obviously, there were other important things going on in the movie—see: Diana marching across No Man’s Land to rescue an entire town of hostages; Diana plotting to stop German scientists from dropping bombs on innocent people; Diana defeating Ares, the god of war—but it’s nearly impossible not to shed a tear when Steve flies a plane full of bombs away from everybody else and (probably) dies in the process, leaving Diana screaming his name on the ground below.

It’s hard to imagine moving on from that traumatic loss, but in a new edition of Variety‘s Playback podcast released in mid-November, Wonder Woman director Patty Jenkins was asked about the blockbuster film’s sequel and hinted that the Wonder Woman sequel will include another “great love story.”

“Because she is Wonder Woman and she’s here now and she’s fully developed, it’s got great fun from the start, and great big superhero presence from the start, and is funny and a great love story again, and [has] a couple new unbelievable characters who I’m so excited about, who are very different than were in the last movie,” Patty said. Steve Trevor fans were sent spiraling, with several outlets publishing articles assuming that Patty’s comments meant that Diana will have a brand new love interest in the new film.

But before you, too, start protesting Steve’s replacement, you should know that Patty has already refuted these assumptions. “Quite a few people, including this headline, seem to be completely misunderstanding or making some pretty false assumptions based on one of many vague quotes I made about something I can’t say ANYTHING about. Just wait. ;)” she wrote in response to one of these articles.

In that case, the “great love story” Patty referenced in the podcast could just refer to Diana’s compassion for all mankind, her relationship with a new (platonic) friend, or her lasting love for Steve—in the new Justice League movie, even though she’s somewhat flirty with Ben Affleck’s Batman (who definitely does not deserve her), Diana is still clearly carrying a torch for the charismatic spy. For further proof that this love story won’t necessarily involve a new love interest, just rewatch Wonder Woman: Diana Prince definitely does not need a man.

While we all wait ravenously for more details about Wonder Woman 2, which is scheduled to be released in December 2019, feel free to overanalyze everything else Patty said about the film in the podcast episode. “It’s really still going to other values of hers, and a similar formula insofar as making a great, enjoyable fun movie, but that ultimately, in its third act, turns some very big issues, and a very big experience that will aim to have slightly more weight and profundity than it has to have. Because that’s a formula that I really like, and I like the idea of taking somebody on a very solid, great journey but that arrives at a bigger question being answered,” she said. “I feel like it’s just the right amount the same world of Wonder Woman as the first movie, while being a completely different story that tackles something very different but very similarly singular. One story.”





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The Original Wonder Woman Lynda Carter Presents Patty Jenkins With Her Woman of the Year Award


On a night filled with countless wonderful women, we were lucky enough to be in the presence of two bonafide Wonder Women. At Monday night’s Women of the Year Awards, the O.G. Wonder Woman, the fabulous Lynda Carter, presented honoree and Wonder Woman director Patty Jenkins with her award. Their friendship is actual squad goals (Justice League goals?), and Carter said of Jenkins, “She is a force to be reckoned with and she always has been.”

Carter added, “She got the essence of Wonder Woman because it lives inside her. She took the challenge of this miracle of an ideas and an iconic ’70s TV show and she made the ‘she’ become the ‘we’ on the big screen all over the world.”

In accepting her award, Jenkins acknowledged and thanked the loving, inspiring, and impactful Wonder Women in her own life. “No person’s an island,” she said, acknowledging what it means to have a Wonder Woman to look up to in 2017. Wonder Woman “stands for a new kind of hero who is strong and powerful and can fight the bad guy, but also believes in love and thoughtfulness.”

That sequel can’t come soon enough.



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