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49 Iconic Royal Wedding Dresses Worn by Royal Brides


While we wait patiently for a first glimpse of Meghan Markle‘s royal wedding dress, here’s a look back at dozens of iconic royal brides who came before her. We know Meghan’s wedding dress is sure to have some elements of tradition—she is getting married in a British chapel, after all—but like the royal fashion risk-takers and rule-breakers of the past almost-200 years (from Diana’s enormous sleeves to Wallis Simpson’s streamlined blue sheath) we’re sure Meghan will make her own mark on bridal fashion.



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Nike's New Collection Reimagines These Iconic Sneakers for Women


Stylish sneakers—like that chunky Balenciaga creation seen on virtually every model these days, something sparkly and star-studded, or a crisp white pair like Victoria Beckham’s—have played a bigger part in the fashion dialogue in recent years, largely due to the rise of streetwear. But sneaker culture can feel like a boys’ club: The coolest drops inherently cater to men by only offering larger sizes, so female sneakerheads are often relegated to collecting, not wearing, the coveted kicks. (Plus, sneakers have long been a signifier of masculinity.) When, or even if, a hotly-desired pair of kicks eventually gets produced in smaller sizes for women, materials or key details are usually downgraded. So what might a collection of athletic, aesthetically-advanced trainers look like if an entirely female creative team was in charge? Nike decided to explore precisely that scenario.

Introduction the 1 Reimagined collection: 10 overhauls of a duo of O.G. Nike styles that’ve been essential players in sneaker culture for decades, courtesy of a women-only group of designers. “We looked at two of our most iconic shoes, the Nike Air Force 1 and the Air Jordan 1, which were designed by, and for, men,” Georgina James, Nike’s senior creative director of women’s footwear, tells Glamour.

The Air Force 1, launched in 1982, and Air Jordan 1, which dates back to 1985. (The latter has played a pivotal role in streetwear culture, too.) “We reimagined them through the lens of our female consumer,” James says. “We pulled a team together of 14 women, which consisted of color design, material design, and product design.” The color, material, and product design pros collaboratively tackled five different traits—explorer, jester, lover, rebel and sage—for each seminal shoe. There’s lots of fashion-y, #OOTD-worthy detailing: Think added height, lacing up the back instead of the front, and subtle proportional exaggerations. The collection ranges from $120 to $160 per pair, and will be available on February 7 at Nike.com and in Nike’s Soho location in NYC; on February 16, the 1 Reimagined collection will drop widely in Nike stores nationally.

“We designed this collection from start to finish in five weeks, which was incredibly quick,” explains Marie Crow, material design director of Nike Sportswear NikeWomen. From conception to launch, 1 Reimagined took around 10 months; by contrast, the creative timeline for a collection is typically at least two years long, she says. The design phase of just over a month was quick because working so collaboratively was markedly different from the standard creative process, per James and Crow.

Tackling this intriguing female-centric facelift on two of the biggest classic styles for the brand —and within the greater sneaker canon across companies—was more collaborative than most sneaker ideation and launch processes tend to be, James says: “I really wanted to make sure everyone was involved in the design process, so every designer on the team touched every shoe, instead of dishing out one shoe [to design] per person. We very much worked as a female collective, and I think it ultimately made the products stronger.”

Successfully taking a tried-and-true classic—especially ones that have been a part of the public imagination for so long—back to the drawing board and somehow improving things presented its own unique challenges, according to James. “On a few styles, it was more difficult and took more time to get the proportions just right; for the Air Force 1 Rebel XX’s cutouts to be the most beautiful, flattering shape on the foot took some time,” she says. The Sage versions for both the Air Jordans and Air Force 1s was trickier to execute as well. “The simplicity [of the Sage styles] means there’s nothing to hide; when you pare something back to be so minimal, every line and everything on that shoe has to be perfectly beautiful,” James adds.

The construction of a women’s sneaker is essentially the same as a men’s or unisex style, per James and Crow; but, unlike the creative process for most sneakers (which have historically catered to the male consumer) it was female customers that propelled the 1 Reimagined design process. “When we design for women, we understand that they love attention to detail,” Crow notes, referring specifically to the Lover styles in 1 Reimagined. “There’s iridescent material hidden underneath the shoe’s iconic perforation, so you get a nice discovery element and flashes of motion.” Proportion play was also key for the Lover iterations: “We pushed the design to the limit by creating a mule with raised collar height,” James says.

Nike has been doubling down on its women’s business for the past few years. Behind the scenes, that’s resulted in recently-created product and design teams devoted to Nike Women’s Running, Sportswear and Training, per James and Crow. (Both stress that being female sneaker designers hasn’t made it more difficult to succeed in the industry, though plenty of female designers and boutique owners in the sneaker space have been vocal about sexism in the business.) The company has honed in on women with innovations like the inaugural Flyknit bra and inclusion-minded launches like its first-ever hijab and plus sizing.

An all-women team, creating a legitimately female-focused sneaker collection, is a promising move for a powerhouse sportswear brand (and huge corporation) to make. It’s a hopeful sign for women who love sneakers, whether or not you’re a full-fledged sneaker head—and also, perhaps, women who design and sell sporty kicks. Check out the full array of revamps by and for women of the Jordans and Air Force 1s you know and love, ahead.



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This Is the Real Story Behind Princess Diana's Iconic Haircut


When Kate Middleton changes her hair, it’s like the earth shakes. News travels fast, so with the royal family’s look under constant supervision, the family lives by a few key rules. Some, like the Queen’s guidelines about nude nail colors, are known, while others are more unspoken (for example: keep your hairstylist close). Given that scrutiny, there’s no telling how insane the thought process must be when anyone wants to seriously change up their look—or the pressure they must face to keep it crowd-pleasing. Which makes it all the more surprising that the real story behind Princess Diana’s iconic haircut went down in just a few hours.

As Princess Diana’s former hairstylist, Sam McKnight, explains in his new book, the decision was entirely spur of the moment. Yep: If things had gone differently, the look that defined a generation wouldn’t have existed. According to US Weekly, McKnight writes in Hair by Sam McKnight that the look was born from a single Vogue cover shoot in 1990. After McKnight tucked Diana’s hair into a faux crop to work around her tiara, Diana, apparently, was intrigued. “I made her hair look short in the tiara for the shoot and she decided she liked it,” McKnight writes. “As she was leaving, Diana asked what would I do to her hair if I had free reign…I suggested cutting it short and she, to my surprise, agreed, and we did it there and then.”

If the thought of changing your whole look just like that sends shivers down your spine, it’s not that outlandish given Diana’s beauty approach. Her former makeup artist, Mary Greenwell, revealed that the princess was fearless about trying new things. “She loved makeup and loved experimenting. It was just much more about really getting her to look absolutely beautiful all the time,” said Greenwell.

Nevertheless, Diana knew when to keep it slow. “She was someone who was in the public eye presenting herself all the time to the public,” Greenwell said. “It isn’t particularly appropriate to go on changing your look every five seconds. She did change her makeup a bit. It’s just that it wasn’t changed dramatically.” Except for her hair that once, apparently—and what a time to make it count.

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Why Princess Diana’s Makeup Artist Convinced Her to Stop Wearing Blue Eyeliner
5 Little-Known Secrets About Kate Middleton’s Beauty Routine
There’s a Reason You’ll Never See Kate Middleton Wearing Red Nail Polish



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Beyoncé Just Went Back to One of Her Most Iconic Haircuts


No matter what kind of hairstyle Beyoncé wears, she always manages to look absolutely amazing. Beyond that, she’s an inspiration, and many women have followed the trends set by her over the years. You might remember back in 2014 when she was spotted with a wavy blond lob haircut, just before her video for “Flawless.” Well, she’s apparently been growing it out since then, according to Tina Knowles. But Bey was just spotted with a very similar look that calls into question whether she made the chop again or missed the wavy lob so much that she’s sporting a very convincing wig.

In a few different posts from the Instagram fan account Beylite, Beyoncé can be seen posing with the new hairstyle, and it looks truly fantastic on her. One of the photos shows her wearing a super cute monochromatic look in a hallway (with some band gear in the background, so perhaps it was before a concert), while the other two photos show her on a boat. One of them was clearly taken by Jay Z, the Instagram husband to end all Instagram husbands, which adds a little aww-factor to the whole thing.

Though Tina had seemingly just cleared up the debate about Beyoncé’s hair length, Bey is never one to care too much about what people think—whatever look she wants to wear is the one she’ll go for, and the lob is a tried and true classic on her. Though she hasn’t posted a photo of herself with the new look on her own account yet, she is known for doing some incredible Instagram photoshoots, so it’s likely coming any day now. And after those gorgeous pics, chances are we’ll see a resurgence of wavy, middle-parted blond lobs any day now.


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Anna Kendrick's Iconic 'Cups' Performance in 'Pitch Perfect' Almost Didn't Happen


One of the most iconic scenes in the first Pitch Perfect film is Anna Kendrick‘s “Cups” audition. If you’re one of the three people on Earth who’s never seen this movie and doesn’t know what I’m talking about, here’s a quick boiler plate: Kendrick’s character, Beca, decides to audition for her college’s all-female acapella group (the Barden Bellas) by randomly hitting cups on the floor and singing “When I’m Gone” with no background music. It’s quirky and weird and ultimately lands her a spot on the Bellas. But here’s the interesting part: Kendrick didn’t come up with this herself. Way before Pitch Perfect happened, she actually found people on the Internet who had performed the song acapella with cups and learned it secondhand—just for fun. She had no idea it would come in handy for the film.

“Handy” is definitely an understatement, too. When it came time to film Pitch Perfect, the producers needed to make sure Kendrick and the other Bellas could actually sing. “They were like, ‘Can you sing something for us?’ and I was like, ‘I get to do [‘Cups’].’ I had no use for it before.”

Producers were so impressed with Kendrick’s “Cups” performance that they decided to put it in the film in place of what they’d originally planned for Beca’s audition—which was “I’m a Little Teacup.”

“I don’t know how I was supposed to play [‘I’m a Little Teacup’], so thank God they changed that,” Kendrick said. “I would’ve been like, ‘I don’t know how to make this scene work, guys.'”

Watch Kendrick explain this, below.

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Seriously, can you imagine Beca singing “I’m a Little Teacup” in front of terrifying Aubrey Posen? Talk about aca-awkward.

Pitch Perfect 3 hits theaters on December 22.

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Celebrities Pay Tribute to Iconic Fashion Designer Azzedine Alaïa


The fashion world has lost one of its greats. Designer Azzedine Alaïa has died of heart failure in Paris at the age of 77, according to WWD. The Tunisian-born fashion designer was best known for his precise tailoring that fit the women he dressed like a second skin. So if you’ve ever spent a night out feeling amazing in a body-con dress, you have Alaïa to thank for that: The designer earned the nickname “The King of Cling,” turning the body-con dress into an ’80s fashion staple and helping to popularize the styles we still wear today.

His fitted evening dresses celebrated the female body, and celebrities like Naomi Campbell (who was so much a part of his inner circle she called him “Papa”), Madonna, Kim Kardashian, Michelle Obama, Victoria Beckham, Lady Gaga, and Miley Cyrus have all worn his creations. Alaïa was celebrated as a genius couturier, and he was often compared to a sculptor because of the way he could shape fabrics.

And of course, you might remember his name thanks to Alicia Silverstone as Cher Horowitz in Clueless. When Cher was asked to lay down on the dirty pavement while getting robbed in a parking lot, she protested, “You don’t understand, this is an Alaïa. It’s like a totally important designer.”

Alaïa’s prominence as a pioneer of fashion, marching to the beat of his own drum, was well known throughout the industry. He often worked at his own pace, according to Vogue, hosting intimate fashion shows in his Paris headquarters weeks after the official Fashion Week was over. This left an air of mystery surrounding his clothing, making it even more popular.

“If we talk about empowering women today, he did it, and he did it his way,” designer Alber Elbaz told WWD. “When women wear Alaïa, you see the woman and then you see Azzedine.”

After news broke on Saturday morning of his death, celebrities took to social media to pay tribute to the late designer.

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