Lili Reinhart has had enough of Twitter trolling — and she’s not backing down. On Sunday, December 16, the Riverdale actor posted a series of Instagram Stories airing her frustration with Twitter trolls and the “toxic” environment of Twitter. She also announced that she’s “taking a break” from the social platform for awhile.
“Do people on Twitter ever get tired of being so negative and disrespectful to literally everyone and everything?” she began in her post. “Are they really that miserable?”
“There’s hate everywhere,” she continued. “But especially Twitter. It’s like a cesspool for evil 15-year-olds who don’t know what the hell they’re talking about and have nothing better to do. Taking a break from that toxic site and the people on it who feel the need to attack me, my cast mates, my relationship, and Riverdale.”
“Hate to break it to you online trolls,” Lili ended her story. “Spreading your hate and overall negativity online won’t make you any less miserable.”
This isn’t the first time Lili has spoken up about the intense scrutiny she and her castmates receive online. Back in October, she tweeted about the constant speculation she deals with over her relationship with costar Cole Sprouse, writing in a now-deleted tweet, “Can I tweet something stupid without everyone speculating that my relationship is suffering?? F*ck. Grow up.”
“It’s horrifying how invested some people are in my love life. Emphasis on ‘my.’ It is mine. It is private,” she wrote. “If a stranger’s love life is causing you anger, frustration or anxiety…please reevaluate your priorities,” she once wrote on Tumblr about the speculation about her relationship with Sprouse. “I also want to point out that there is a difference between shipping Betty and other characters, and shipping me with literally everyone I make eye contact with. There are so many other things to focus your attention and energy on.”
I was 30 minutes into the Netflix movie Christmas Inheritance when I reached a breaking point. Before this, mind you, I’d watched no less than four other holiday movies of the same variety with my mother—and enjoyed them all. From Netflix’s The Princess Switch to Lifetime’s The Christmas Contract, these films were just the cheesy, delightful romps I needed to get excited about December. With low stakes and happy endings all around, these movies really are welcome reprieves from the insanity that is 2018.
But by the sixth Santa cookie consumed in Christmas Inheritance, I’d had enough. Yes, these flicks are fun, but there’s only so much fluff you can watch in a three-day span before you start craving something with teeth.
That’s why I was stoked to check out Bravo’s new limited series Dirty John, based on the podcast of the same name, on Sunday night (November 25). The true-crime show was just the palette cleanser I needed before diving back into another Hallmark marathon—and, boy, did it deliver.
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The series, for the uninitiated, centers on a real woman named Debra Newell (played by Connie Britton) who begins dating a handsome-but-suspect man named John Meehan whom she met on the Internet. John (Erica Bana in the show) seems like a dream at first—he’s a hunky anesthesiologist and a great listener—but Debra’s daughters, Veronica (Juno Temple) and Terra (Julia Garner) quickly notice red flags. Despite his high-paying job, John is a schlubby dresser, he’s combative with Debra’s daughters almost immediately, and seems a little too infatuated by the Newell family’s wealth. By the end of the episode, Terra discovers a nursing diploma in John’s closet, which makes her wonder if he’s even an anesthesiologist at all.
PHOTO: Rich Fury
Connie Britton with the real Debra Newell
If you’ve listened to the podcast, then you know the answer—and you know the story only gets more intense from there. Don’t worry, though: Bravo’s adaptation will still hook you. That’s a testament to Britton, who does a scary-good job at playing aloof to John’s eccentricities while also gaining empathy from the audience. Bana, on the other hand, is brash and creepy as John, yet there’s still something about him that’s completely charming. You 100 percent understand why Debra fell for him, even though her own daughters were imploring her to run in the opposite direction. Both actors give nuanced performances that hopefully aren’t overlooked come awards season next year.
“Unnerving” is the perfect word to describe Dirty John. We know that Debra and John’s relationship implodes at some point, but the journey there is uncomfortably sunny and happy. All the good times John and Debra share have this dark, ominous cloud over them—a cloud Debra herself doesn’t even know is there, but the audience does. It’s the polar opposite of the Christmas movies you’ll consume in mass quantities this season, which are all sun with absolutely no thunderstorms in sight. Dirty John, in its own dishy, gritty way, will make you appreciate the whimsicality of those Hallmark movies even more.
The show airs Sunday nights at 10 P.M. ET on Bravo.
Ariana Grande has announced she’s taking a step back from social media.
In a Instagram Stories slide, the Sweetener singer said she’s temporarily quitting social media to avoid seeing negative news bites. Whether she’s referring to stories about her reported breakup with Pete Davidson is unclear. “Okay, today was very special and I’m so grateful I was able to be there,” the singer wrote on her Instagram Story, per People, in reference to her participation in NBC’s A Very Wicked Halloween. “Time to say bye bye again to the Internet for just a lil bit. It’s hard not to bump news and stuff that I’m not trying to see right now. It’s very sad and we’re all trying very hard to keep going. Love you. And thank you for being here always.”
Earlier in the day, Grande posted another Instagram Story—her first since the reported breakup—that spoke to some anxiety issues she was experiencing. “Can’t believe I almost let my anxiety ruin this for me today!” she wrote, again, referring to the Wicked special. “Not today Satan! Not tomorrow or the next day either, not no more… [gonna] sing my heart out and be a big walking vessel of love. Bye.”
PHOTO: Instagram
Neither Grande nor Davidson has directly addressed the end of their whirlwind engagement, which culminated in a swanky New York City apartment, pet pig, and $100,000 diamond engagement ring. TMZ claims their relationship ended “with both parties acknowledging that it simply was not the right time for their relationship to take off,” while People reported, “It was way too much too soon…it’s not shocking to anyone.” Here’s hoping both of them get some well-deserved privacy.
For six decades Glamour has honored its College Women of the Year, or CWOTY, an award that focuses on young honorees who are already changemakers in their communities. But CWOTY is also our stake in the ground. These women are ones to watch, not just for the headlines they make but for the work they do behind the scenes to make an impact.
And in June, as the nation received word that President Donald Trump was commuting the life sentence of a great-grandmother who was in prison for a first-time, nonviolent drug charge, it was a CWOTY who was part of the machine that had worked to get the woman’s story on headlines across the Internet.
Kendall Ciesemier, a 2014 CWOTY who is now a producer on the Opinion team at Mic, was instrumental in telling Alice Johnson’s story, but the road to freedom started long before this summer. In October 2017 Kim Kardashian West commented on a viral video that Mic produced to illuminate the incredible inequities at work in the case of Johnson. In the months since, Kardashian West tapped her own legal team to work on Johnson’s case and went on to appeal to President Trump directly to intervene on Johnson’s behalf.
What’s unique about Johnson’s story is its staying power. Despite this political moment of endless news and constant distraction, Johnson remained in the public discourse for months, thanks to Mic’s determined coverage, Kardashian West’s involvement, and the work of many other unsung activists and organizers who have long taken on the criminal justice system to fight for her release.
Ciesemier talks to Glamour about what it was like being a part of one of the biggest stories of the year, and a moment that not only changed Johnson’s life but set precedent for the future of criminal justice reform.
Glamour: Tell us a little bit about how you went from a Glamour College Woman of the Year to working on one of the year’s most talked about stories.
Kendall Ciesemier: I actually won the [Glamour College Woman of the Year] grand prize, which was really exciting—and that was largely for my work in starting a nonprofit when I was 11 to help provide basic human needs to children living in Sub-Saharan Africa. Some of the money that Glamour contributed went to building a high school that we were working on at the time. And so it’s different than what I do now in my day job, but I think that the threads are the same. I have always been really passionate about storytelling. And whether that takes the form of telling people about something that they’ve never heard of going on an ocean away, as I did pretty much growing up, or telling stories today at Mic, it’s always been about elevating people’s experiences and people’s voices.
I hate when people say “being a voice for the voiceless,” because everyone has a voice—it’s just who we choose to amplify. And so that, really, I think has been very consistent in my life. What inspired me to start Kids Caring 4 Kids, the nonprofit that I started back when I was 11, was watching a story that Oprah told on her show. And it was that story that inspired me to do a lot for children who were in that circumstance, children who were living without parents because of the AIDS epidemic, who couldn’t go to school because they didn’t have a uniform. It was something so simple and so tangible for me to understand.
And I knew, basically from that moment forward, that I wanted to do that for other people. I wanted to inspire them and create a change in them to do something for someone else. And I still see that as my role today. And I think that’s really what you see in this Alice [Johnson] story, which is so exciting for me as a journalist. I think we always dream of our stories having impact and inspiring other people to rethink the world. And I think that that’s what we saw in Kim seeing Alice’s story—it inspired her to act, like Oprah had inspired me to act.
Glamour: So how did the Alice Johnson story come to you initially and how did you start working on it?
KC: Topeka Sam, who is a formally incarcerated woman, actually connected us to Alice’s story, after our cofounder Jake Horowitz (who I work really closely with) had attended an event at Google. He actually saw Alice Skype into this event and was just really struck by her story and thought that, at Mic, we needed to elevate it. And so, around six months later, we worked with Topeka to set up a time to Skype with Alice. And this was around my third week at Mic. I joined the [Opinion] team as a producer. And I had the opportunity, at that time, to interview Alice and to connect with her and to produce that piece. So that was how it originally entered into my world—and Mic’s world.
Glamour: When you first interviewed Alice, what made an impact on you about her story? What drew you in?
KC: For me, it was very clear that this was a woman who had endured a lot of hardship. Obviously, she did something wrong and she really owns up to that, but [she] had been hit with this draconian sentence in the nineties, when she was charged and sentenced in 1996, that were really reflective of old sentencing processes. And that she had this kind of spirit about her and hope and faith that was far above her circumstance. Alice told her own story, and I think that is really what ended up impacting people. And it was just about how do we pass the microphone to Alice? And how do we amplify what she had to say? But what really personally struck me was just her unwavering hope and her unwavering faith.
And all the good that she has done under the circumstance that she had. Once she was in prison, she became this model citizen and really worked to be a light for other people. And we heard that. After we told this story, we got just this outpouring of messages on Facebook from other people who had been in prison with Alice, over the years, over the 21 years that she served. And they were really impacted by her. And so it just really became clear to us that this person, she was on all of the criminal justice lists. She was widely known as someone who deserved clemency. And I think, in our interview, we were able to really allow Alice to share her story and just home in on what we felt in that interview, which was that she just had this captivating spirit about her. And that was really what we were hoping to convey.
PHOTO: Getty Images
Kim Kardashian West and Alice Johnson sit down for an interview after Johnson’s release from prison.
Glamour: So you guys put the package together, the story, the video, and publish it. And then obviously at some point Kim [Kardashian West] sees it and tweets it out? So did it just blow up from there?
KC: Yes. So, from what Kim has told us, she saw it after someone that she followed had shared it. It was being shared by a lot of celebrities, within the first 24 hours, I’d say including Sara Silverman and some others. We have just a good group of support. And then I think when it came across her feed, she watched it, and even in one of interviews with Kim, said “I’m not on Twitter all the time. I’m not always scrolling through my feed, but I came across this story and I…” She just believed that she was meant to see it. And so she retweeted it, and that also drove a lot of views and engagement on the story itself. But, at that point, we did not know that she was going to actively get involved in the case.
I think the video was our most-watched Twitter video we’ve ever had.
And then it came out in November, through another article from another news outlet, that Kim was looking into the case of Cyntoia Brown and Alice Johnson. And we read that. We were like wait, what? So that was a big surprise to us. And then, obviously, we wanted to follow up with her and see what kind of stuff that she was planning to do around Alice’s case, and eventually got connected with her and we were able to tell that part of the story too.
Glamour: And then you followed it through the process of the work that Kim and the legal team she had working on the case, and the meeting with the President, and then finally meeting Alice as well. So how was that, to see that story all the way through? You don’t always get to do that as a journalist.
KC: Rarely, I assume. I’m relatively young and so grateful I was able to be a part of this. We were really committed to seeing the story out and following the story through. And so that included traveling really all across the country for about two months I would say, almost nonstop, doing interviews with Alice’s family, her children, her grandchildren. With Kim. Again, following her [Kardashian West] to the White House. And then we were actually with the family as we found out that she had been granted clemency. And so that was also very cool, to be there in the moment, and to be able to share that with this family that we’ve gotten to know, through traveling and documenting their experience.
I think it was such a meaningful thing to witness that, personally and professionally, and to really be able to see…. It wasn’t just a change for Alice; it was a change for her whole family. And she’s got a really big family, like 80 people strong. It was clear that she played a very important role in a lot of people’s lives. So it was certainly impactful in that regard, to be on the ground, and see that, witness that. I think they were in total and utter disbelief that it had happened. We actually drove down alongside the family, three hours from Memphis to Alabama. We were racing to get there in time to pick up Alice.
Watching her walk across the street and see her family across from the prison was pretty powerful. I think, as a journalist, you’re taught to just do your job—but you’re also a human being. I don’t think I processed all of that experience until a good four days after. But you’re just trying to do your job and document and amplify the story as much as possible. Mic was on the story for a really long time. And, obviously, it became a national story. So it’s one of those things that was really exciting to see. But Mic has been reporting on criminal justice issues far before Alice, and we’re going to continue far beyond Alice.
Glamour: What’s next for you on that topic of criminal justice reform? Because, of course, this is a case that became very famous, but it is one person.
KC: It is one person, exactly. I think, yes, Alice is a symbol, but we are certainly not under the misconception that she’s the only one with this story. There are around 3,500 other people in the federal system serving a life-without-parole sentence, for first-time, nonviolent drug offenses, which is just a crazy amount of people for something that could be so minor as the possession of marijuana.
And so I think we’re looking forward. There are so many stories and there are so many people with such deserving stories. As we continue to cover these issues, we’re really looking at how can we take the story that people nationally have been interested in, which is the Alice Johnson story, and how can we explain other things about the criminal justice system. Like bail or sentencing reform. Things that are systemic and affect a large swath of people in the system. And how can we break down these complex topics.
We’re really thinking about how do we elevate and understand, break these larger issues down for people now that they’re listening in this way. We’re always committed to using human stories, and that’s always the best way to communicate the impact of policies. So we’re just going to continue to find people who can really shine a light on what’s happening. We always say at Mic that we cover change, the movements, and the makers. And so I think we’re in the process of figuring out what our next criminal justice [project] is going to be. We’re in active research and having conversations around that now.
Glamour: What other issues are you working on and passionate about right now?
KC: On our team specifically, we’re going to continue doing criminal justice stories. We’re going talk about mental health. We’re looking into gender identity and sexuality. And then, also, we’re going to look at the midterms. We’re also looking at how we tell the stories that are bubbling up ahead of the midterms, because I do think that we could see some really interesting things.
For me personally, the focus is always about those who are suffering from some kind of injustice or oppression. I think my own personal background, and my own personal story, has always led me to be innately interested in people who are struggling with something.
That’s what I identify with and what I think can unite people and create understanding. And so, to me, it’s not tied to a specific issue because there’s struggle everywhere, and it’s more about finding that unique story that people can really relate to and understand.
This interview has been shortened and edited for clarity.
Tonight’s episode of The Big Bang Theory almost resulted in Sheldon and Amy’s wedding—but for diehard Shamy shippers, City Hall vows were thankfully not in the cards. Long-time fans of the couple have been hoping for a big wedding, and it seems that’s exactly what they’ll get.
To recap, Sheldon and Amy were fighting so much that they thought a no-frills wedding at the clerk’s office would solve everything. Sheldon, however, came to his senses and recognized that he needs a brain transplant. OK, not really, but he did finally act like a decent adult when he realized a successful relationship involves really listening to a partner’s wants and dreams. In this case, that’s a proper wedding to Amy with a real first dance and plenty of Little House on the Prairie references. As for when—well, that’s anyone’s guess, but at least things are finally moving in a more positive direction.
But the true heart of tonight’s episode—titled “The Confidence Erosion”—was Raj. This moment in the spotlight has been a long time coming: For years, the character has been the brunt of cheap jokes, ranging from his accent to his metrosexual tendencies. By now, those jokes have become outdated and stale. Raj knows this, but he’s never been one to make too much of anything. That all changed tonight, though, when Raj’s dad encouraged his son to take a long hard look at how Howard—Raj’s BFF—has treated him.
Raj tried to defend his friend—”Howard doesn’t mean anything by it. I think it’s cultural. His people come from a very sarcastic village called Brooklyn.”—but Raj’s father wasn’t hearing it. “Don’t make excuses,” he said. “What kind of friend acts that way? A bad friend!”
Dr. Koothrappali’s words stuck with Raj, who later went over to Penny and Leonard’s apartment to get their opinion. While Leonard agreed that Howard does make fun of Raj a lot, Penny dismissed it as good fun. “That’s just want friends do,” she said. “They bust on each other. It doesn’t mean anything.” That’s rather ironic coming from Penny, who has been the brunt of lame jokes from the guys for the better part of 200 episodes. Of course, she hasn’t been the nicest person either—especially to her husband—who called her out on her behavior.
But let’s get back to Raj, who later crushed it in this exchange with Howard:
Howard: Wanna grab some lunch? Raj: No, I don’t think so. Howard: Lemme guess, you’re not eating because the mean girls circled your chubby bits in marker. Raj: No, that, that right there! That’s the reason. You’re always making fun of me. Howard: Those are just jokes. It’s my way of saying we’re friends. And it wouldn’t hurt you to drop a few! Raj: See, no wonder I don’t have any confidence. Howard: Come on, you can’t blame that on me! Raj: Why not? 15 years of constant ridicule! I think our relationship has become toxic. Howard: What are you saying? Raj: I think you and I need to spend some time away from each other. Howard: Look, I can see you’re upset, but I’m gonna need some ground rules. While we’re apart, can I see other needy Indian men? Raj: GET OUT!
If that didn’t make Howard look like enough of an ass, then the fact that he later told Leonard and Sheldon that “Raj is trying to blame me for his pathetic life,” surely did.
PHOTO: Monty Brinton/CBS
And then, in a moment we never thought we’d see on the show, Raj showed up to Penny and Leonard’s with his natural hair. He revealed that when he first moved to the United States, he wanted to fit in: Because Howard’s hair was straight and he was the coolest person he knew, he took his lead.
The moment represents a breakthrough for Raj, who truly seems ready to embrace his authentic self. He doesn’t need Howard to be his therapist and leave him smiley face stickers on his lunch tray, but he certainly doesn’t need him to bring him down either. So, after Raj bombed an interview earlier in the episode to conduct presentations at the Planetarium, he mustered up the courage to go back to the hiring committee and make a stronger case for himself. His newfound confidence (and a little help from external circumstances) helps him get hired, but it’s a bittersweet achievement given that he can’t go and tell his best friend. Leonard urges him to do so anyway, but Raj remains steadfast in his decision. “No, I don’t need his negative energy in my life right now,” he explained. “Standing up to him was hard, but it made me realize I can do anything.”
It was a profound moment for myriad reasons, namely that by the time the credits rolled, Raj and Howard hadn’t reconciled. They may very well next week, but it was nice to see the weight of Raj’s feelings act as a connective tissue through each scene. He was undoubtedly sad to cut Howard out of his life, but empowered by his ability to do so. If and when the two repair their friendship, it will only be because Howard has understood the hurt caused by his actions, and Raj finally understands his worth.
Jennifer Lawrence has starred in 17 movies since her big break in the Oscar-winning Winter’s Bone just seven years ago in 2010—which averages out to a whopping three movies each year! Considering we’re exhausted just reading that, we don’t blame her for saying she’s looking forward to taking a break from work.
In Elle magazine’s November issue, Lawrence got candid about what she intends to do with her time off. Travel the world? Spend time in her native state of Kentucky? Finally binge-watch Stranger Things? Nope, none of those relaxing things are on Lawrence’s list. Rather, she wants to get back to nature—well, in a way.
“I want to get a farm,” she told Elle. “I want to be, like, milking goats.”
Lawrence, who was the world’s highest paid actress in 2016, has indeed cleared off her slate a bit. According to IMDb, she’s wrapped Red Sparrow, a thriller directed by Hunger Games franchise director Francis Lawrence, and the next X-Men installment (reportedly her last). Once the press for those is over, the only other project she’s announced is Bad Blood, a biopic of the life of Theranos founder Elizabeth Holmes—though there’s no date attached to it yet.
She also spoke on the Today Show in September about wanting to take a break from acting—though her plans then were for pottery, not milking goats (both sound kind of relaxing, TBH). However, she admitted that she doesn’t like taking time off.
“I’m taking one [a break]. I don’t have anything set for two years. I don’t know [what to do]. I don’t know, start making pots? I think I’m just taking a little break. I’ll see you in six months,” Lawrence joked.
Other plans for her break? She’s focusing on political activism through grassroots anti-corruption nonprofit, Represent.Us—and, more than likely, spending a little time on the couch keeping up with the Kardashians.
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