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H&M Has the Affordable Home Decor Gems We've Been Searching For


To protect ourselves and our most vulnerable community members, we’re spending nearly every waking moment inside—so we’re looking to spruce up our living spaces however we can. At the same time, the suffering economy is driving everyone to tighten spending and be mindful of purchases—which is why we’re looking to H&M’s chic and budget-friendly home section for everything we need to fill out our spaces for cheap.

The retail giant, which recently donated $500,000 to the COVID-19 Solidarity Response Fund, has a surprisingly wide selection of everything from bedding to kitchenware, allowing for tasteful additions to your living space that you can feel good about. Plus, the brand is offering free shipping on orders $60 and up, and you can get 20% off by joining its free membership program. So whether you’re finally starting that plant family you set out to build this spring, or are just trying to keep all your dirty sweatpants in an aesthetically-pleasing vessel, there’s something for you on this list. Ahead, all the cute finds we’re adding to cart from H&M’s Insta-worthy home section.

All products featured on Glamour are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.



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Sex Education Season Two: We've Seen Sexual Assault on TV Before—But Never Like This


She continues, “Unless it is rape, [many of us] feel like we can’t really talk about it or that we have to take it in our stride and even laugh about it. We’ve turned them into little funny anecdotes rather than actually dealing with the fact that might have traumatized us on some level.” It’s like society has given us a hierarchy of sexual assault, she explains. “If you’re somewhere near the top then it’s like, ‘Oh, that’s OK. You’re allowed to be upset by this one.’ But anything lower you feel like maybe you’re a bit of a drama queen.”

TV shows have shown sexual assault before, of course, but this Sex Education storyline is new: Rarely does a series take an incident that isn’t rape and spend so much time over the course of a season unraveling the emotional layers that follow. Aimee’s experience isn’t relegated to a one-episode arc. Instead, the whole rest of the season checks in on her well-being and healing after the incident. It sends a clear message: Whatever the circumstances, any sexual assault is traumatic.

“It’s about what happens when you suppress that trauma and you don’t deal with it,” Wood says. “And it’s about women coming together and being that support system as Maeve, Ola, and many of the others do for Aimee at the end. Sometimes you need people to give weight to your problems and to give you permission to feel the damage of something. Sometimes you just need someone to go, ‘You’re allowed to feel shit about this.'”

Sam Taylor/Netflix

The way that Aimee’s boyfriend, Steve, responds is also key. She has trouble being intimate with him—even cuddling is hard—but he never pressures her and invites her to open up when she’s ready, on her terms. That support only makes their relationship stronger, Wood says.

“Even though it’s such an unfortunate way to grow, it’s a huge turning point in her life,” she explains. “Much like what she learnt in season one by taking ownership of her body and that masturbation montage, this does the same, even though it stems from an awful situation. She becomes so much more empowered because of it…but it takes a long time.”

After season one, Wood says women would often come up to her to talk about the female orgasm and masturbation. Now, she’s ready to hear from women who have buried their own trauma. “I’m so grateful we’re telling this story,” she says. “The conversations that I’ve had with young women is just so incredible. I’ve had so many conversations, even with my friends, that I would never have had if not for this show. We never spoke about [these things]. And now we do.”

Season two of Sex Education is now streaming on Netflix. Jessica Radloff is the Glamour West Coast editor.



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John Mayer Is Reportedly 'Very Into' Kourtney Kardashian, and We've Reached Peak 2018


In news literally no one saw coming, John Mayer is reportedly harboring a little crush for Kourtney Kardashian.

The report comes from Us Weekly, which claims Mayer was seen chatting with Kardashian at GQ‘s Men of the Year party on Thursday, December 6. “[He] seemed very into her,” an eyewitness tells Us Weekly. Mayer reportedly even told Kardashian that running into her was “sweet serendipity” and they should “meet up again soon.” (Catch Mayer’s new single “Sweet Serendipity” in early 2019, inspired form this event. Just kidding.)

So many thoughts are running through my mind. Is Mayer a fan of Keeping Up With the Kardashians? Does he know about the time Kourtney laughed at Kim for crying on vacation? Or when she told Kim that “people were dying” after she lost her diamond earrings in the ocean? Surely he knows about “Nancy,” right?

Unfortunately, though, this crush might be one-sided. A source tells Us Weekly that Mayer isn’t Kardashian’s “type at all.” So, it looks like you won’t have to prepare yourself for this out-of-the-box pairing. (Which is a bit of a relief, TBH. 2018 has been the year for shocking new celebrity couples. Please see: Priyanka Chopra and Nick Jonas, Ariana Grande and Pete Davidson, and Channing Tatum and Jessie J.)

If John and Kourtney aren’t dating, maybe this clears up room in his schedule for him to help Kim with her music career. Remember her song “Jam?” And the accompanying music video? John is the only person qualified to help her come up with a sequel to that masterpiece. The Billboard charts are waiting, you two.

Related Stories:

Katy Perry Just Ranked Exes Diplo, Orlando Bloom, and John Mayer in Bed

Kourtney Kardashian Is Being Mom-Shamed on Instagram for Her Son’s Long Hair

Kourtney Kardashian Cleverly Shut Down Thanksgiving Trolls Who Think She’s Pregnant



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We've Seen Pictures of Undocumented Boys in Government Facilities. Where Are the Girls?


A two-story house sits on a quiet residential street in San Diego County.

A bottle of light brown nail polish bakes in the sun beside the mailbox, with the words Color Craze printed in a fun, swirly font. Four small cartons of unopened Suncup juices—orange, grape, and apple—also lie in the dirt.

Nine signs alert passersby to stay away with messages like “Warning: Security Cameras In Use” and “No Trespassing.” It’s July 4, just before 4:00 in the afternoon, and two white minivans pull into the driveway and drop off at least six girls, who appear to range in age from 7 to 14, all wearing red shirts. The vans park in front of a side door and the girls quickly stream into the house.

“¡Gracias!” one calls to a chaperone, who declines to comment except to confirm that she had taken the girls on a field trip to celebrate Independence Day. She refers questions to Southwest Key, the same nonprofit that runs the Walmart turned migrant detention facility in Brownsville, Texas, for about 1,500 boys.

I couldn’t help wondering what the girls were told about the holiday, commemorating our country’s adoption of the Declaration of Independence stating that “all men are created equal.” As the Trump administration seeks to deter Central Americans from coming to the U.S. with his immigration crackdown, I’m curious to hear the girls’ thoughts about the holiday and how it felt to celebrate the day with a field trip.

But I can’t ask them any questions.

Inside that two-story house, where the white vans are parked, are the girls—among the ones the nation has been wondering about since the hashtag #WhereAreTheGirls spread across social media. As the Trump administration scrambles to comply with a court order to reunite nearly 3,000 migrant children with their parents by the end of the month, officials have kept the whereabouts of female migrant children shrouded in mystery, allowing journalists to view only the boys’ facilities.

When asked about the location of the girls at a press conference, Homeland Security Secretary Kirstjen Nielsen said simply, “I don’t know.” She then added that she knew they were in the custody of the Department of Health and Human Services, to whom Homeland Security transfers most children within 72 hours.

This beige-colored house stands in stark contrast to some of the tent cities and cages where Central American children are kept in Texas. Yellow butterflies flit along a slope of sea figs leading up to the driveway. Mourning doves coo in the trees. A Zillow listing for the five-bedroom, three-bathroom house estimates the value of the property at nearly $900,000. Since 2006, the facility has been operated by Southwest Key. Critics have noted that the nonprofit has made $458 million in profit from detaining children.

Southwest Key declined to comment on the girls’ shelter or to let me inside. I found the house by cross-referencing publicly available documents and interviewing Southwest Key employees who spoke on condition of anonymity. Before it housed migrant children, the site was a group home for abused or neglected boys.

How many of the girls who are staying here were separated from their parents? Southwest Key has said that about 10 percent of the children at its 27 facilities in Arizona, California, and Texas fit that profile. The rest arrived at the border alone, classified as “unaccompanied.” Children who arrived with their parents but were separated from them at the border are now considered to fall under the same umbrella.

The Department of Health and Human Services has attributed its secrecy regarding its facilities for migrant minors to a need to “safeguard the privacy” of the children in its custody. But the girls’ three-level backyard—with lounge furniture, a swing set, a slide, and a basketball court—is clearly visible from the backyard of several neighbors. Both male and female residents of the neighborhood said they could see the girls playing games and doing exercises in the backyard.

Does this make the girls uncomfortable? Or are they just glad to have a view of the neighborhood, and of the sky? I don’t know. I can’t ask them.

Several neighbors have “No Parking” signs in front of their homes. Hollis Barber, 82, said he placed a “Tow-Away Zone” sign on his chain link fence because Border Patrol and unmarked vehicles visiting the girls often fill up the street and block his driveway.

“They take the girls somewhere, somewhere in the mornings,” he said. “And they come back in the evenings.”

Any of the girls who were separated from their parents must be reunited with them by the end of July. They will either need to be released or placed in family detention centers. If the latter option unfolds, they could be facing a downgrade in their living conditions. The Trump administration is planning to house families together in camps on military bases—a far cry from this large house.

I imagine that for a girl who misses her parents, such a downgrade might not be a downgrade at all. Perhaps the hardest part of all of this is being apart from mom and dad.

But I don’t know. I can’t speak to any of the girls.

Jean Guerrero is the Fronteras reporter for KPBS and the author of Crux: A Cross-Border Memoir.



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'Sharp Objects' Review: This Is the Feminist 'True Detective' We've Been Waiting For


On the surface, HBO’s new limited series Sharp Objects has all of the trappings of last summer’s massive hit Big Little Lies. Like BLL, Sharp Objects is an adaptation of a blockbuster novel (this time by Gone Girl‘s Gillian Flynn). It also brings a buzzy A-list actress, Amy Adams, to television after a string of Oscar-nominated film performances. To top it off, the two shows even share the same director: the famed Jean-Marc Vallée. Naturally, the Internet is here for this comparison.

One Vanity Fair headline wrote, “Sharp Objects Teaser: Meet Your Next Big Little Lies–Esque Obsession.” Sydney Sweeney, who plays a young, troubled girl from Preaker’s past, told Harper’s Bazaar, “Sharp Objects has that Big Little Lies feeling.” Comedy writer Brian Stack also joked about the similarities between the two shows on Twitter, writing, “After an HBO promo we just watched, my wife accidentally blended Big Little Lies and Sharp Objects into “Sharp Little Objects.” And I think it sounds like a damn good show.” Here at Glamour, we made a similar assertion.

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But after watching the premiere I don’t see any trace of Big Little Lies. It actually reminded me of an older prestige HBO show that once had similar buzz: True Detective.

PHOTO: HBO

While BLL focuses on the pain women face at the hands of men, in Sharp Objects and True Detective, darkness and evil lingers everywhere. And for the show’s two main characters—Amy Adams’ Camille Preaker and Matthew McConaughey’s Rust Cohle, respectively—their darkness defines them.

Preaker is a motel bathtub-dwelling, vodka-swigging cutter. She’s a third-rate reporter for a Chicago newspaper so haunted by the death of her sister—which comes back to her in fast and overpowering flashes—that she’s only one foot in the present, the other in the past. McConaughey’s Cohle is similarly troubled. A down-and-out cop whose daughter died young in a car accident, he drinks to numb the memory—blocking off full days on his schedule to lock himself in his apartment and nurse a bottle of booze. He’s also a recovering drug addict prone to hallucinations.

And both find themselves at the center of murder cases: Sharp Objects traces Preaker’s return home to the tiny town of Wind Gap, Missouri to report on the death of two young girls, while the first season of True Detective follows the years Cohle spends trying to solve a serial murder case of women in New Orleans. Preaker and Cohle are loaners who pour their lives into these cases. They’ve never moved on from their past trauma, so they look to solve these cases as a form of absolution.

Much like how McConaughey was an unexpected choice for such a serious role (remember how it spurred the McConaissance?!), at first, Sharp Objects executive producer and writer Marti Noxon wasn’t sure Adams had what it’d take to play Preaker. “When I talked to her about her interest I was like, ‘Camille isn’t sunny,’” she says. “Amy is just so sunny and has such sparkle. But then I was like, ‘Wait, that is Camille. That’s all of us who just hide it, who have these great coping mechanisms.”

Anne Marie Fox/HBO

Noxon, who’s known for depicting thorny, complicated women on her shows Dietland, UnREAL, and Girlfriends Guide to Divorce, set to work in the writer’s room alongside the novel’s author, Flynn, to perfect the on-screen version of Preaker. “Gillian’s one of the darkest, funniest, people I know. We met each other and were like, oh, we’re sisters from another mother, for sure,” Noxon explains. “We both deal with our demons in the same way, which is like you throw some humor in front of that. You deflect, you deflect, you deflect.”

This deflection came to inform Preaker’s character, who uses a lethal combination of flirtation and sarcasm—and long sleeve clothing—to hide her pain. “I’ve had to cope with mental health issues and addiction issues my whole life, and I just so related to this woman who was functional, yet hides all this hurt literally under her skin. The writing just came out like butter,” Noxon says.

PHOTO: HBO

Throughout the series Preaker uses all of her charms—and then some—to hide from her pain—but once she’s back in Wind Gap, and faced with the murder of two girls around the same age as her deceased sister, her tricks start to evade her. Without offering any spoilers, it doesn’t take long for people to catch on to her struggles, or for Preaker to succumb to her demons. Much like Cohle, the further she gets into the case, the harder it is to pull out of it.

This all isn’t to say that the women of Big Little Lies don’t have as much trauma as Preaker or Cohle—they certainly do. The show’s women have dealt with abuse, disappointments, assault. But they’re able to employ different coping mechanisms, like red wine, running, or throwing themselves into projects and more to deal with their pain, because they’re also mothers, wives, and functioning members of society. Their hurt is just as real, but their lives are much richer than that of Preaker or Cohle, who only have their past and the pursuit of justice.

That’s why this series is less a holdover until Big Little Lies comes back later this year—and much more the True Detective season two we were promised with Rachel McAdams, but the show failed to deliver. With Sharp Objects, finally, we have a truly feminist take on True Detective.

Sharp Objects premieres on Sunday, July 8 on HBO

Photos: HBO





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The 10 Best Cream Eyeshadows of the Hundreds We've Tested


Instagram makeup never ceases to amaze me. There are painted-on brows that anyone would swear are real, and people re-inventing their whole bone structure through the magic of contouring. So it’s crazy that eyeshadow, which everyone talks about like it’s as easy as putting on lipstick, is still as tough as it is. Not just in skill (blending is its own ballgame), but even in finding a product that doesn’t surrender to eyelid oil within a few hours and leave you with smudged lines collected in your crease. As with most makeup dilemmas, there are worse things in life. The difference is, this one was solvable with rigorous trial and error, as I tested my way through all the cream shadows on the market. That sounds like an exaggeration, but really. I tried more than 100 options from all the top brands over the course of a month—during the summer in NYC, no less. Scroll, shop, and put the money you save to something better.



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