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Here's Why Jessica Simpson Turned Down the Role of Allie in The Notebook


Jessica Simpson’s new memoir, Open Book, is filled with intimate and emotional revelations about the singer/fashion mogul’s life. From her struggles with alcohol and decision to get sober to traumatic sexual abuse as a child, nothing is off limits. “For me to write a book, I wanted people to know how vulnerable I was and how caught I felt, because so many people get caught in that web,” she told Glamour. (You can read an exclusive excerpt here.)

But there are many lighter details about her life in the book, too—including a tidbit about one of the most beloved romantic movies ever, The Notebook. Turns out, Simpson was actually offered the role of Allie, which eventually went to Rachel McAdams. But she turned it down because of the movie’s now-famous sex scene. “I knew exactly what the movie was about because I had read the script,” she writes in her book, but the people behind the movie “wouldn’t budge” about removing the sex scene.

©New Line Cinema/Courtesy Everett Collection

Her decision was apparently made even more difficult thanks to Ryan Gosling‘s casting as Noah, because she’d had a crush on him since the ’90s when she auditioned for The Mickey Mouse Club. “[The movie] would have been with Ryan Gosling, of all people,” she wrote. She did, eventually, see the movie—at a pretty inopportune moment in her personal life: Simpson was in the midst of a very public split with her then-husband, Nick Lachey. “Oh God, I thought,” she wrote. “The most romantic movie in the world, and I was leaving Nick. The movie was on every screen, and I was swept up into it, wishing I had that great love that would be forever.”

Of her breakup with Lachey, Simpson said she felt she “let people down. People looked to us as the trophy couple and I was the trophy wife, even though I didn’t know how to use the Swiffer. I tried; like, I mean I was not Betty Crocker and we all know that, but I tried.”

Like so many tough things in life, it appears that everything, ultimately, worked out for Jessica Simpson—both onscreen and off.



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Rihanna Confirms She Turned Down the Super Bowl Halftime Show


Last year it was reported that Rihanna had turned down an offer to headline the Super Bowl halftime show in support of the NFL players who opted to kneel during the national anthem. (The athletes did this to peacefully protest police brutality in black communities.) This movement started with San Francisco 49ers quarterback Colin Kaepernick, who eventually filed a grievance against the NFL. In a new interview with Vogue, Rihanna confirmed that she did, indeed, pass on the Super Bowl to stand with Kaepernick.

“I couldn’t dare do that,” she said. “For what? Who gains from that? Not my people. I just couldn’t be a sellout. I couldn’t be an enabler. There’s things within that organization that I do not agree with at all, and I was not about to go and be of service to them in any way.”

Rihanna addressed other political topics in her Vogue interview, as well. When the writer brought up President Donald Trump, who urged the NFL to fire players who kneeled during the anthem, and his recent characterization of shootings in El Paso and Dayton as part of a “mental illness problem,” she didn’t hold back.

“People are being murdered by war weapons that they legally purchase,” she said. “This is just not normal. That should never, ever be normal. And the fact that it’s classified as something different because of the color of their skin? It’s a slap in the face. It’s completely racist…. Put an Arab man with that same weapon in that same Walmart and there is no way that Trump would sit there and address it publicly as a mental health problem. The most mentally ill human being in America right now seems to be the president.”

Rihanna also talked about her recent move to London and said that, although she’s thousands of miles away, she doesn’t feel removed from the political climate in America: “When I see something happen to any woman, a woman of any minority, kids, black men being murdered in the streets—I can’t remove myself from that.”

You can read the full interview here.



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Emilia Clarke Explains Why She Turned Down Fifty Shades of Grey


Emilia Clarke became a household name playing Daenerys Stormborn of the House Targaryen, First of Her Name, the Unburnt, Queen of the Andals and the First Men, Khaleesi of the Great Grass Sea, Breaker of Chains, and Mother of Dragons on Game of Thrones.

But she almost added another name to her resumé: Anastasia Steele in Fifty Shades of Grey. During a roundtable actress discussion with the Hollywood Reporter, Clarke revealed the reason why she turned down the role that eventually went to Dakota Johnson—and it may be surprising to some.

“Well, Sam [Taylor-Johnson, the director] is a magician. I love her, and I thought her vision was beautiful. But the last time that I was naked on camera on [Game of Thrones] was a long time ago, and yet it is the only question that I ever get asked because I am a woman,” she explained. “And it’s annoying as hell, and I’m sick and tired of it because I did it for the character—I didn’t do it so some guy could check out my tits, for God’s sake. So, that coming up, I was like, ‘I can’t.'”

“I did a minimal amount, and I’m pigeonholed for life, so me saying yes to that, where the entire thing is about sensuality and sex and being naked and all of that stuff, I was just like, “No way am I going to voluntarily walk into that situation and then never be able to look someone in the eye and be like, ‘No, you can’t keep asking me this question.'”

Another reason behind her decision is not wanting to be tied down to one project for too long, which is understandable given her multi-year commitment to Game of Thrones. “One thing I would not like to do is something that would have a sequel,” she said “Something that could have, like, ‘And then two and then three and then four.’ I’d like to not do one of those for a minute.”

Whatever project Clarke chooses next, we can’t wait to see it.

Abby Gardner is a contributing writer at Glamour. You can follow her pop culture musings on Twitter @abbygardner or in her weekly newsletter, We Have Notes.





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Cardi B Turned Down the Super Bowl Halftime Show to Support Colin Kaepernick


Cardi B has confirmed she was invited to perform at the Super Bowl on Sunday but declined to “stand behind” ex-NFL player Colin Kaepernick.

Though the “Bodak Yellow” rapper is featured on Maroon 5‘s “Girls Like You,” she says she won’t join them for their 2019 Super Bowl halftime performance because of how she feels about the NFL’s treatment of Kaepernick. In a new interview with the Associated Press, Cardi explained that she was torn about the decision but ultimately turned down the opportunity in order to support the former quarterback.

“My husband [Offset], he loves football,” Cardi told the AP. “It’s really hard for him. He really wants to go to the Super Bowl, but he can’t go to the Super Bowl, because he’s got to stand for something. You have to sacrifice that. I got to sacrifice a lot of money to perform. But there’s a man who sacrificed his job for us, so we got to stand behind him.”

She’s referring to Kaepernick being blacklisted by the NFL after taking a knee instead of standing during the national anthem as a way to peacefully raise awareness of police brutality and racial inequality. Since then, Kaepernick’s contract with the San Franciso 49ers expired and wasn’t renewed, leaving him without a job and no offers from other teams. Cardi B had previously vowed that she wouldn’t perform at the Super Bowl unless he got signed—and she’s kept her promise.

But some fans have called her out for agreeing to appear in a Super Bowl commercial for Pepsi and for performing at the Bud Light Super Bowl Muid Fest with Bruno Mars.

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However, Cardi pointed out that her involvement doesn’t support the NFL.

“I hear people saying like ‘Oh, y’all are saying all this stuff about the Super Bowl, but you’re doing all these parties. And it’s like, well, if the NFL could benefit off from us, then I’m going to benefit off y’all,” she said.

Related Stories:

Rihanna Declined to Perform at the Super Bowl in Support of Colin Kaepernick

Cardi B Is the Voice of Reason America Needs

12 Super Bowl 2019 Commercials That Are Better Than the Actual Game



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How Katie Sturino Turned Divorce Weight Gain Into a Thriving Business


When I was married, I was very concerned about my body. I was obsessed with maintaining a size 12, or staying close to it. Then, about three years ago, I got separated and I gained a bunch of weight. At first I didn’t even realize I was putting it on. I was working out, but it just kept happening. In total, I ended up gaining about 60 pounds. I became a size 16, which I still am, and a surprising thing happened—I really loved my body.

At first I felt vulnerable. Especially when I started dating. I’d been out of the game for a long time and I just kept thinking, “nobody is ever going to love me ever again.” But I forced myself to do it, and I remember meeting this one guy for a drink. We went to a bar and I only stayed for a half hour or so, but I’ll never forget him telling me how beautiful I was. It was like he couldn’t get over me. Now, I don’t think that your self-worth should come from men whatsoever, but this was an area of my life where I didn’t have much confidence. And to all of a sudden have that outward validation pushed me to think, “Oh, maybe I am good looking.”

So I started wearing clothes that I never felt comfortable enough to wear, like jean shorts. I never would’ve worn them before because I would’ve thought, “I look stupid,” or “I can’t pull them off.” Flash forward, and I’m literally wearing black jean shorts with a button down shirt tucked into them right now—and I look awesome. When I was married I don’t think I would’ve worn any of the things I do now, or at least with the same confidence, even though I was two sizes smaller then.

I channeled this love for my new look into The 12ish Style, my blog that’s all about being chic at any size. I’d launched it while I was still married, but I wasn’t really taking it seriously. Then as soon as I got divorced I had nothing but this panic energy, where I was waking up at 4:30 or 5 every morning ready to go. So I was like “we need to put some real work into this.” I signed a manager, an agent, I started writing more, and hired a real photographer.

Around this time former Real Housewives star Carole Radziwill, who lost her husband at a young age, said something to me at a Christmas party that always stuck with me. She told me, “ride the horse in the direction that it’s going.” To me it meant, you can find strength in these moments where you think your life is over. You can’t change what has happened to you, so just go where the energy is good.

So The 12ish became my escape. I put everything into it. I took all the pain, anxiety, and uncertainty and pushed it toward something I felt passionate about. It blew up really fast and each day I’d talk to women on the platform who had changed their opinion about themselves because of it. They’d tell me stories about learning to love their bodies in a bathing suit, or just finally being able to accept themselves. It felt amazing and I really credit it with helping me get through my divorce. It wasn’t that I was specifically addressing relationships or my marriage on there, but to just suddenly have such a positive online community felt fucking amazing.

It was like all of a sudden I hit a point where I just stopped caring so much. During my marriage I spent so much time worrying about everything, but then the relationship ended, and it didn’t matter. My fear of having something to lose was gone, and I kind of said, “fuck it.” I was gonna wear jean shorts if I wanted to, embrace my body, and open myself up to men who thought I was beautiful.

Now, when I look back at pictures of myself from five years ago I don’t think “I look so skinny,” or “I look so young.” I think, I look so unhappy. I look at my eyes and smile and everything feels strained and forced. When I see a picture of myself now I look at such a joyful person, and falling in love with my body gave me that happiness.

For me, if I can inspire one woman or one man who has gained weight during their divorce to look at themselves and think, “this will not make me hate my body,” then it will all have been worth it. I want people to know, this isn’t your body’s fault, and it’s not because you’re not in shape. We’re so quick to blame our bodies or our physical appearance, instead of celebrating ourselves in all forms.

And one day maybe I’ll lose the weight, or maybe I won’t. If I ever did, it wouldn’t be because I don’t like the way I look, it would only be if the doctors told me some shit in my body is breaking down. Then ok, I got it, cool. But aesthetically and image-wise? I’ve never felt better.

Katie Sturino is the founder of The 12ish Style and the beauty brand, Megababe.



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How Frankie Shaw Turned Her Twenty-Something Single Mom Experience Into Hit Comedy 'SMILF'


Frankie Shaw’s new Showtime comedy SMILF about a twenty-something single mother is raw, gritty, and real because—guess what—she’s been through it all. For Shaw, the memory of getting pregnant at 24 with her then-boyfriend Mark Webber is fresh. The two were in Philadelphia shooting his directorial debut film, Explicit Ills, in which she had a role. “I took a pregnancy test, and I remember walking around being like, ‘What am I going to do?’ ” says Shaw, who had only just begun to pursue an acting career. “I got on a train to Boston to see my aunts in Southie. One of my aunts said, ‘Frankie, you have the love, but babies need stability. You need to get a regular job and move back home.’”

Shaw, refusing to give up on her dream, did the opposite: “I decided to keep the baby and move to L.A. by myself when I was 11 weeks pregnant.” She left Webber (“It wasn’t working for various reasons”) and found a roommate from a rental listing. “I show up, and I was like, ‘Hey, I’m pregnant!’ She definitely wasn’t expecting her roommate to be pregnant. I ended up not staying there for long.” And was Shaw ready to be a mother? “No,” she says. “But I knew that if I just kept going, I would be able to make a life for me and my son.”

She got to work, hustling to land anything to keep her and Isaac afloat. “It’s not like I could couch-hop with a baby,” she says. “You can’t be this rambling artist in your twenties if you have a child. I had to be more focused.” Shaw juggled auditions with assistant work and SAT and AP test tutoring gigs for extra cash. “Isaac came with me to everything I did those first few years,” she says. “I remember even bringing him to yoga.” Luckily her mother (who had raised Shaw on her own) came out to L.A. to help with child care. Shaw also tried to keep some semblance of a young life: She dated a little. “I remember right before one guy kissed me good night, he was like, ‘I just want you to know, I’m cool with the kid thing.’ I was like, ‘Uh, thanks?’” To her, Isaac wasn’t something to be cool with: “It was like, ‘Oh, you would be lucky to be in Isaac’s life.’ ”

PHOTO: Danielle Levitt

Shaw, with her onscreen son, on Showtime’s SMILF

Eventually she landed a role in ABC’s series Mixology in 2013, which—despite being canceled after one season—earned her enough cash to direct a few shorts she had written on the side. “That is when things started to change,” she says. Writing and directing gave her a way out of endless auditions, and a chance to use writing skills she’d honed as an English student at Barnard. “I thought that if I wrote a pilot, I could get staffed [in a writers’ room] and have a regular job.”

So Shaw camped out in coffee shops with Isaac, writing a show about a young mom—“nonpretty and real to my life.” She called it SMILF (“single mother I’d like to…”—you get it) and spent $3,000 of her own money to make it. Shaw submitted a scene to the 2015 Sundance Film Festival on a whim and won the Short Film Jury Award: U.S. Fiction. Then Showtime snapped up the idea and started developing it with her as a TV show.

On the advice of Jill Soloway, Shaw fought to direct. “We met at a barbecue—we were both single moms with kids named Isaac,” she says. “Jill, who is like a mentor to me, said, ‘Do not let them take directing from you.’” Part of Shaw’s vision includes hiring other female directors, exclusively, to help helm season one.

SMILF, she says, is “really about a young woman figuring out how to make her life work while she has a kid. And even if she didn’t have a kid, she would be faced with many of the same issues.” Issues relating to ambition and sexuality that every twenty-­something faces—all while seeing your body transform before your eyes or navigating the complexities of coparenting with an ex.

And the show is a family affair for Shaw. In addition to costar Rosie O’Donnell and guest star Connie Britton, Isaac’s father plays a sober priest in the show. (Of their relationship now, she says: “We’re coparenting; there’s always been love there.”) And her husband, Zach Strauss, is a writer for the series—the two met in 2013 and married in 2016. Isaac, 9, shows up now and again too, as Britton’s son, and he couldn’t be prouder of his mom. “He likes to tease Zach about the fact that I’m his boss,” says Shaw.

Her hope is that SMILF can accurately capture what it’s like to be a single mom. “You’re responsible for this young life,” she says. “Every thought—where they are, how they’re doing, their well-being—is about them. It’s a constant.” Offscreen, she hopes her story will set an example for her son, her own constant. “I want him to know: Do what you love. Just do what you love. I hope that message will get ingrained in him.”



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