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Tina Fey, Amy Poehler, and Maya Rudolph Didn't Host the Oscars, But They Should Have


For the first time in thirty years, the Oscars went forward without a host. There was much speculation about what the award ceremony would be like without a traditional emcee, but turns out it was handled: Three legends—Tina Fey, Maya Rudolph, and Amy Poehler—were brought out to set the tone for the evening.

Taking the stage early in the show, Fey joked right away that the three were definitely, 100 percent not the evening’s hosts. “We are not your hosts, but we’re going to stand here a little too long so that the people who get USA TODAY tomorrow will think we hosted.”

This lead to all of us watching at home to wonder the same question: Why the hell weren’t they hosting the Oscars? One viewer even tweeted, “Maya Rudolph, Tina Fey and Amy Poehler should never be at an awards show not hosting it.”

Fey, Rudolph, and Poehler have been slaying the game together since they were all co-stars on Saturday Night Live. (Their famous “mom jeans” sketch from the show is worth a revisit, if you somehow haven’t seen it.) And it’s not like these women don’t have experience—Fey and Poehler have hosted the Golden Globes together multiple times, starting in 2013. Last year, after Rudolph presented at the Oscars alongside Tiffany Haddish, Twitter lead a campaign for the two of them to host the 2019 show together.

Imagine a world where we got more than just three quick minutes of Fey, Rudolph, and Poehler’s banter? Even better, what if that included a few incredible cameos from Haddish? Hello, ratings gold.

Instead, they revealed that they were simply on stage to present the Best Supporting Actress award—no surprise hosting twist here. The three then spoke out about how women always offer a supporting role in their work. While that included joking that they support each other’s boobs (because, of course) and that Rudolph dubs Fey’s lines overseas, their message rang true. After The Oscars suffered from a series of controversies leading up the ceremony—including the removal of original host Kevin Hart—these women still showed up and supported the Oscars, helping the show put its best food forward. Because that’s what women do.

So next year, give us what we all want.





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Maya Rudolph Takes Glamour's 'Big Questions' Survey


Since ending her seven-year stint on Saturday Night Live in 2007, alumna Maya Rudolph has managed to keep us laughing as Lillian in Bridesmaids and in cameos on Emmy-nominated TV shows like Brooklyn Nine-Nine, The Good Place, and Angie Tribeca. Now, Rudolph is starring in a show of her own on Amazon, titled Forever, alongside her former SNL castmate Fred Armisen. Without giving anything major away, the comedic pair play June and Oscar, a married couple, who deal with the trials and tribulations of lifelong commitment. Ahead of the show’s release on September 14, Rudolph answered “The Big Questions” for Glamour‘s October issue, below.

What is your full name, and where does it come from?

Maya Khabira Rudolph. My parents were hippie musicians. All my life my dad told me my middle name means She Who Received the Message.

What’s your idea of true happiness?

A warm, sleeping kid wrapped around me.

If you could be anyone, real or fictional, who would you be?

You’re talking to a professional drag queen, but I’d have to say Beyoncé.

What’s a headline you’d love to read about yourself?

“Oldest Living Person.”

Helen Green

“Never have I ever…”

Gone skydiving. I’ll never jump out of a plane voluntarily.

What’s something you wish you’d written?

“Once in a Lifetime” by Talking Heads.

If you were on a dating app, what would your opening line be?

“I love chopped salad and going to bed by 9:00 P.M. Wanna party?”

What chapter of your life would be most fascinating to read?

My SNL years. It seems like another lifetime to have been that driven, had that much adrenaline, slept that little, and been so productive.

You’re stuck on a desert island and can bring only three things. What are they?

There would have to be music. So Prince, Jon & Vinny’s pizza, and tequila.

You have to give up sex, booze, or laughter. Pick one.

Booze. So I guess I’m stuck with Prince and pizza.

This story appeared in Glamour’s October issue.



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Maya Rudolph on 'the Full-Blown Nightmare' That Is Junior High


On the new Netflix animated series, Big Mouth, Maya Rudolph plays the Hormone Monstress, a disturbing creature who lures teen girls into bad behavior like stealing lipstick and listening to Lana Del Rey. Here, she’s once again revisiting the horrors of puberty. As told to Shannon Carlin.

I was a late bloomer. I was the kid in the class who wore a fedora, not going after the boys. My friends had crushes, but I was more the mediator. If a boy asked about one of my friends I’d be like, “Oh, let me help you. I’ll help facilitate.” I was just so sad and nerdy in my fedora and short afro.

I was also a bit of a clotheshorse, so I was always working really hard on my outfits for school. We’re talking 10 or 11, I was starting to express myself with clothing, and I think I was doing a little Annie Hall androgynous thing. I don’t know if it was that conscious, but it was the ’80s so I think I leaned to a fun menswear vibe for a little lady. It’s pretty funny: a lot of blazers, a lot of bowties, and, of course, the fedora. I was also really into Denise from The Cosby Show. She was my fashion goddess. She could do no wrong in my book.

In my fedora days, I was really into Duran Duran, specifically Nick Rhodes the keyboard player. When he signed his name, the Rhodes had a cool “R” thing going on where he crossed the “H” with it and so there was a phase where I used to sign my name “Maya Rhodes,” thinking that was really it. Right after I married the Fonz, I was going to marry Nick Rhodes from Duran Duran, obviously.

But I think that’s when you see the change, in grade school. It starts to feel unsafe to be a goofball, and you start to feel like, “Oh, I have to be more attractive. I have to be a girl.” That’s really when the shift happens, and then junior high is a full-blown nightmare.

I remember going through a phase where I couldn’t enter a drugstore in my hometown without being like, “Oh my god, I need to put a L’Oreal lipstick in my pocket.” I don’t know where it came from, but it was this weird little rush of being bad and doing something you shouldn’t do. But I was such a good girl, I couldn’t imagine my dad having to bail me out of jail. The idea of juvie was so terrifying. I think I did it once, trembling, and never again. I got scared straight by my own experience! It really was so painfully harmless at the time, but it couldn’t have felt like a bigger deal.

PHOTO: Seth Poppel/Yearbook Library

It’s really funny, in the process of doing Big Mouth and talking about it, I found that there was such a PTSD when it comes to puberty and adolescence. I’m well aware I had these experiences and can certainly look back at embarrassing moments, but the details of them are so hard and painful that I really truly don’t want to relive these things again. I find that to be such a funny unifying element of this particular subject. Everyone you know has gone through this in their own way, but it’s so isolating that every single person goes through it kind of quietly.

For girls it’s like, “When did you start using tampons?” Some girls are like, “Ah, I just stuck it up there,” but I was terrified of them. It wasn’t until I went to sleepaway camp and literally had the population of my entire bunk coaching me from outside of the bathroom stall and explaining to me how to use this thing. It was this very specific rite of female passage where you’re like, “I’m not going to go to my parents about this. I’m going to go to girls my age who can talk me through this.” That was a really positive experience, but to get to that place I had to endure pads for two years.

Not one of us wants to talk about puberty when we’re going through it, but what’s ickier is having an adult go, “You know, I get it.” And you’re like, “Shut up, old lady. I don’t want to hear it, you’re gross. Your adult body is super disgusting to me.” The scary thing is I am going to be that old lady.

That’s what’s so funny about all of this: You think you have all this insight and are going to share your experience with a young woman and you end up being that creepy adult. Nobody wants to be the creepy adult, but yet, we wake up and realize that we are and think, “Wait, how did that happen? I thought I was cool. I thought I was young and hip like you guys.”

But that’s the beauty of being a woman. When we’re younger, whether we realize it or not, we are creating this community when we’re forming those friendships. We’ve always had strength in numbers. We lean on each other. My friends were the ones I’d go to when I was like, “Oh my god, I got my period. Can I have your sweatshirt so I can tie it around my waist?” I’m very lucky I have a lot of friendships that I maintained since I was a kid.

That’s the nice part about aging—not the wrinkles, the other women.



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