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Sarah Jessica Parker Thinks 'Sex and the City' Looks 'Tone Deaf' in 2018


Sarah Jessica Parker just acknowledged a truth about Sex and the City—something that more than a few think pieces and articles have addressed over the past couple of years. At the Deauville Film Festival in France on Friday, she said that the show would today seem “tone deaf” given the fact that the four women who comprise its leads are all white. “You couldn’t make it today because of the lack of diversity on screen,” Parker told The Hollywood Reporter. “I personally think it would feel bizarre.”

After all, we’ve seen a larger shift toward inclusion in television in 20 years. The small screen and all its streaming partners are bringing us stories that embrace greater representation for women of color—though there is still a long way to go.

Parker isn’t behind a reboot either, due in part to other changes that have shifted society in the two decades—and New York City—since 1998. 2018 is a vastly different world in terms of how people consider and give more nuanced attention to issues of sex and sexuality, dating, careers, feminism (and all its intersections) and family life. When all is said and done, she said, “I don’t know that you could do it with a different cast. I think that’s radical and interesting, but you can’t pretend it’s the same.”

“It wouldn’t be a reboot as I understand it,” she added. “If you came back and did six episodes, you’d have to acknowledge the city is not hospitable to those same ideas. You’d look like you were generationally removed from reality, but it would be certainly interesting to see four diverse women experiencing NYC their way. … It would be interesting and very worthwhile exploring, but it couldn’t be the same.”

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Jessica Drake: Undermining Sex Workers Is Both Insulting and Life Threatening


On October 22, 2016, I became the 11th woman to accuse President Donald Trump of sexual misconduct.

The Trump campaign publicly stated that not only did he not know me, he “would have no interest in ever knowing” me. Two days later, during an interview with New Hampshire radio station WGIR where he was directly questioned about me, he said:

“These stories that are made up, these are total fiction. You’ll find out that, in the years to come, these women that stood up, it was all fiction. They were made up. I don’t know these women, it’s not my thing to do what they say. You know I don’t do that. I don’t grab them, as they say, on the arm. One said, ‘he grabbed me on the arm.’ And she’s a porn star. You know, this one that came out recently, ‘he grabbed me and he grabbed me on the arm.’ Oh, I’m sure she’s never been grabbed before.”

This, from the same person who was caught on the Access Hollywood tapes saying he grabs women “by the pussy.”

To have my accusations dismissed due to my occupation was infuriating, but it was nothing new in this day of rampant rape culture and victim blaming. Victims of sexual misconduct, assault, and rape are often subject to a litany of questions about what they were wearing, whether they were under the influence of alcohol or drugs, how many people they previously had sex with, why did they put themselves in such a predicament and more. This means many are forced to relive their trauma again and again when testifying in courtrooms. It’s no wonder so many assaults go unreported. This is why abusers go unpunished.

Trump lawyer and former New York City mayor Rudy Giuliani picked up that torch and ran with it at the Globes Capital Market conference last week in Tel Aviv, Israel, attacking Stormy Daniels.

“…I’m sorry, I don’t respect a porn star the way I respect a career woman or a woman of substance or a woman who has great respect for herself as a woman and as a person and isn’t going to sell her body for sexual exploitation. So Stormy, you want to bring a case, let me cross examine you. Because the business you’re in entitles you to no degree of giving your credibility any weight. And secondly, explain to me how she could be damaged. I mean, she has no reputation. If you’re going to sell your body for money, you just don’t have a reputation. Maybe old fashioned, I don’t know.”

I, along with many other folks within our industry, am very much a career woman. Not only am I a performer, I’m also a writer, director, producer, and sex educator. I’m still contracted to Wicked Pictures, the company that I was working for years ago, in Lake Tahoe, where this saga began. I own my name and trademark, which I license to other companies to receive residuals and royalties. I have traveled the world for my career that has so far, spanned more than 17 years.

Am I not a woman of substance? I have worked with Habitat for Humanity for almost a decade. I volunteered on The Jimmy Carter Work Project in Haiti after the earthquake, not once but twice. I have climbed Mt. Kilimanjaro. I formed TEAM WICKED for AIDS Walk LA, and so far, we have raised $100,000 for HIV/AIDS research.

I am an intersectional feminist. I’m an advocate for PrEP. I am an activist. And I am not the only one. Sex workers have substance.

Sell my body? Never. No more than any other laborer sells you theirs. Is a surgeon selling you their hands? No. They are selling their time. I am selling my time. They sell their services, I sell mine. I am selling a fantasy. I retain control over my body and what happens to it. And by the way, many porn stars and sex workers understand bodily autonomy, boundaries and consent better than the general public.

And even the president.

That said, the real danger here is the perpetuating of this archaic misogynistic ideology. We cannot dismiss a woman because she is a sex worker. You cannot say that because we receive money in exchange for sex in some way, we are less entitled to rights afforded to all human beings. And when you do it to sex workers, not only is it insulting, it is also life-threatening. The lives at stake here exist in an already marginalized community, but it goes deeper than that. Within this group are folks at risk who are ever more marginalized. People of color, trans folk, outdoor sex workers, immigrant workers, even women who may be victims of trafficking and others who do not have the platform or support that I have. That Daniels has.

They will suffer. Some may die.

Should they be dismissed based on the fact that they are sex workers? Does this, as you say, ruin their reputation? Should they not be heard or believed?

Giuliani, your harsh words about sex workers and the rights that you strip them of are unacceptable. Do not make excuses for your hateful behavior by saying you’re “old-fashioned.”

Call it what it is: this is unchecked white male privilege that feeds off misogyny and lives to undermine women.

We see you. Time’s up.


Jessica Drake is an adult film superstar, global humanitarian, political activist, and sexual health advocate



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Sarah Jessica Parker Partners With Gilt for Ready-to-Wear Bridal Collection


After her lavish wedding at the New York Public Library fell through, Carrie Bradshaw couldn’t help but wonder if a low-key, less traditional ceremony was a better fit for her and Mr. Big. Spoiler alert: It was, and Sarah Jessica Parker seems to have taken that revelation to heart with her latest collection.

This week the actress turned designer partnered with Gilt to release a ready-to-wear bridal collection, comprising 10 pieces perfect for the “modern, nontraditional bride,” according to a press release.

Parker’s wedding-ready line is designed to take brides from the bridal shower all the way through the reception, as well as get any bridesmaid or wedding guest ready for the occasion. Besides an assortment of classic dresses in varying cuts and lengths, the collection also includes tie-back and three-quarter-sleeve bodysuits, a halter-neck jumpsuit, and several skirts. Each piece comes in a range of colors—white, black, blush, blue, light gray, and poppy—and sizes (0–14 and XS–L). Prices range from $295 for the sleeveless, bow-back bodysuit to $2,395 for the full-length embroidered gown.

“Collaborating with Gilt on my first bridal ready-to-wear collection was an opportunity I couldn’t pass up,” Parker said in the release. “The team there is brilliant and allowed me to be imaginative and take risks as I was designing for the nontraditional bride. It has been quite fun to play around with colors, fabrics, and details to create unique pieces for all kinds of brides.”

In addition to the apparel, Gilt is releasing 15 existing styles from the SJP by Sarah Jessica Parker shoe line in an exclusive new selection of colors and heel heights, to pair with the bridal collection. The shoes, which include popular styles like the Cosette and the Fawn, are priced between $350 and $485 on the Gilt site.

Check out some of the pieces in the SJP by Sarah Jessica Parker bridal collection below.

PHOTO: Courtesy of Gilt.com

PHOTO: Courtesy of Gilt.com

PHOTO: Courtesy of Gilt.com

PHOTO: Courtesy of Gilt.com

PHOTO: Courtesy of Gilt.com

PHOTO: Courtesy of Gilt.com

PHOTO: Courtesy of Gilt.com

MORE: Determine the true value of an impulse buy in seconds with Glamour’s new Cost-Per-Wear Calculator:

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'2 Dope Queens' Phoebe Robinson and Jessica Williams: Men Are Finally Realizing Life Isn't a Buffet


Once upon a time, comedian and author Phoebe Robinson used to write Scandal recaps for Glamour.com. Today, though, she’s sitting in a swanky hotel room with her BFF and 2 Dope Queens co-host Jessica Williams to promote their new HBO specials. “It’s a dream, it really is,” Robinson says. “I feel like Barack Obama when he was inaugurated, even though that’s not accurate.”

Robinson might be joking, but it’s an appropriate analogy given that 2 Dope Queens started as a grassroots podcast years earlier. “It’s just nuts,” she says. “It’s so cool.” Tonight, HBO debuts the first of four hour-long specials focused on Blerds (Black Nerds), Hot Peen, New York, and Hair. Robinson and Williams have also recruited famous friends like Sarah Jessica Parker, Uzo Aduba, Jon Stewart, and Tituss Burgess to join them, in addition to unknown comedians looking to follow in the duo’s footsteps. Says Williams, “It’s a showcase for those talents, and I don’t think you really see that right now in this TV or comedy landscape.”

But before you watch Robinson and Williams take the stage, the friends opened up to Glamour about their journey, Hollywood’s shifting culture, and what it really means to support other women.

Some people must think you got your own show on HBO pretty effortlessly and skyrocketed to fame, but it’s never that simple. What are some of the unspoken truths to get to where you are?

Phoebe Robinson: Even before we had our podcast, we started out at [improv troupe] United Citizens Brigade East, and I had an email list where I tell people to come to the show. [We also had our podcast, 2 Dope Queens, but] podcasts don’t make a lot of money. They are truly a labor of love, so we were just promoting and spreading the word. We eventually got to bigger venues, but it was a lot of hard work. It looks super fun and easy because…

Jessica Williams: Obviously, we’re fashion queens. We look cute! We have our wigs together.

Phoebe: [Laughs] Yeah. But at the end of the day, it is about the work, long hours, and making a lot of decisions. This is cool doing the press, but it took years to get to this point.

Jessica: And it’s doing shows when you’re in a bad mood or you don’t feel like doing it, but you have to show up. You end up having fun, but no matter what happens it’s doing the mental work to make sure we’re in the right mindset so that we always get the good show. People ask you where your progress comes from, and really it’s like a seed in the ground. You water it and all the while it’s growing and then finally after many, many years the tree starts to grow. That’s kind of our story.

Phoebe: Wow.

Jessica: Was that too goofy?

Phoebe: Did you just text Gwyneth [Paltrow] and ask her what you should say?

Jessica: I’m like, “Gwynie…” but no, there’s something about you plant a seed and you wait for a long time. It doesn’t mean that it’s not growing.

Phoebe: Not to be cheesy, but I really do feel like the end result is not the goal. It’s learning and it’s the journey about how to be producers, how to edit, and having fun in that, because now the product is here, and we don’t know how people are going to react to it. We hope that people love it and everybody goes…

Jessica: There could be massive protests.

Phoebe: [Laughs] Yeah, but Michael Fassbender could call me and be like, “I just watched the episode, and I thought it was really funny.”

Jessica: Or Daniel Radcliffe reaches out to me on Twitter and is like, “I love the specials!” I’d be like, “LOL. Thank you.”

Phoebe: And Bono could text me and be like, “I’m so sorry I wasn’t the music supervisor on the specials.”

Jessica: And I’d jump in and be like, “Excuse me, Bono, that wasn’t an offer.”

Phoebe: But the journey we’ve been on is truly the biggest reward.

I overheard you tell another journalist that these specials are not like any other we’ve seen. How so?

Jessica: This show is not like any other because it’s two black ladies saying whatever the hell we want to and enjoying each other. Not only that, but we also have stand-up [comedians] in these specials that are either people of color, or women, or members of the LGBTQ community, so it kind of is…and we have a few white guys.

Phoebe: Just two max.

Jessica: Two max.

Phoebe: Oh wait, three. ‘Cause Jon Stewart.

Jessica: Oh yeah, I guess he counts. So it’s sort of a showcase for those talents, and I don’t think you really see that right now in this TV or comedy landscape, so we’re excited to present that.

PHOTO: Mindy Tucker/HBO

Let’s talk about celebrity culture, and the shift that’s happening in Hollywood. What are your thoughts on the impact of #MeToo and Time’s Up?

Phoebe: Gabrielle Union spoke to this, which I love, and it’s that she hopes all women stories and voices are going to be heard, instead of the select [few] of a certain class, of a certain race. I think what’s great right now is that people won’t continue ignoring swaths of people and hope that the problem is going to go away.

Jessica: For a lot of actresses, their careers were dependent on previously the favor of a man. I think it really hinged on a lot of superficial things, or whether they would put out. It just, I think, hinged on the whims of men, so what I’m really excited about with this movement is that it takes away a lot of their power, at least I hope it does. I’m really happy for the women that have had to be in this industry for that long and go through that. A lot of them felt like they had to be silent because it wasn’t the right time. I think now, especially with the power of social media, the time is right. It’s the right time and place to have this conversation. But it makes me sad to think about what they were going through before then. I also think that all movements take time, but I just couldn’t imagine coming up in the industry at that time and not having an outlet…I mean, there were women that were completely blackballed probably that we will never know because of that situation. The fact that we can have something like the Golden Globes and sit up there and roast everybody for sexual harassment is really awesome. So I’m really proud of this.

Phoebe: I think what’s good is that men are now realizing that life is not a buffet where you just get to pick and choose whatever you want.

Jessica: It’s not Sizzler.

Phoebe: It’s not Sizz; it’s not Cici’s Pizza. [Laughs]

Jessica: Where you can grab whatever salad you want or chicken nuggets.

Phoebe: Or whatever pie you want. So, I think it’s good that men are starting to ask these questions. Men are now starting to think, “I should be thinking before I act. I should be thinking before I say something.” I think that that’s great that men are starting to finally look at [themselves]. I’m hoping that going forward, men are going to keep looking at themselves the way that we as women look at ourselves, every day, analyzing every thought, every movement, our safety, not saying the wrong thing because we don’t want to be labeled difficult or bossy or mean, and all the pressure we face.Men are now starting to realize, “I need to check my behavior first.” I think that’s great.

Lastly, I love how close of friends you are, which brings me to the fact that at a time when everyone says you have to support other women, no one tells you the specifics behind that notion. So how do you each support each other?

Phoebe: Whenever we both have a project coming out, we’ll post about it [for the other] on social media. When I wrote on Portlandia, Jessica sent me a nice bottle of champagne when I was in L.A. It was a really nice thing.

Jessica: Phoebe is very thoughtful about things, too. She’s even sent my mother flowers!

Phoebe: I love sending flowers! It’s the best.

Jessica: Yeah, it’s like friendship romantic things that keep putting emotional deposits in the other person’s piggy bank. That’s something my mom taught me.

PHOTO: Mindy Tucker/HBO



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Jessica Alba and Jessica Biel Once Modeled for Limited Too Together


There’s nothing more satisfying than seeing photos of celebrities together before they were famous: the Mickey Mouse Club Class of 1993 (which included Britney Spears, Christina Aguilera, Justin Timberlake, and Ryan Gosling), Nicole Kidman and Naomi Watts’ high school pictures… There’s just something about all that star-power interacting pre-fame that feels cosmic and weird—and, when it’s documented for posterity, you just can’t look away.

Which is why this Limited Too ad from the ’90s that Jessica Alba shared to Instagram Thursday (January 25) is so fascinating. First of all, booking a Limited Too campaign was pretty much every pre-teen’s dream during that era, so let that sink in. Then, there’s the fact that Alba is photographed wearing some bold Limited Too-branded ski wear… alongside fellow now-famous-person Jessica Biel.

Yes, before they became blockbuster movie stars and lifestyle icons, Alba and Biel were just two tweens who modeled for Limited Too catalogue together. “#Tbt this was one of my only ‘real’ modeling jobs,” she captioned the pictures. (The three additional models who appear alongside them are unidentified.) “I met ? @jessicabiel , I think I was 12 or 13… maybe 14? It was for Limited Too which was a kids line connected to The Limited. #90’s ?????”

Check out the instantly-iconic snap for yourself, below:

Just imagine what these two talked about on set. Maybe Biel has, like, psychic powers and told Alba, “Hey, in 13 years, you’re going to be offered a movie called Good Luck Chuck with Dane Cook—turn it down.” And maybe Alba replied with, “Oh yeah? Well, you’re going to marry one of the boys from the Mickey Mouse Club.”

Looking back, you probably came across a bunch of your now-favorites in the catalogs you flipped through after school: Jennifer Lawrence famously attempted modeling for Abercrombie & Fitch, Gigi Hadid posed for Guess Kids, and Lindsay Lohan booked jobs with Calvin Klein and Caravan.

Ahhh, the ’90s. What a time to have been alive.

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Watch Jessica Chastain Perfectly Illustrate Why Hollywood Needs Better Roles for Women


Jessica Chastain knows there’s a problem for women in Hollywood. Well, besides the sexual harassment. And the pay disparities. And the inane red carpet questions. OK—Jessica Chastain knows there are a lot of problems for women in Hollywood.

But this week on The Tonight Show Starring Jimmy Fallon, she wanted to talk about one in particular: underwritten female roles. Like the distraught wife of the hero who saves the day. Or the distraught girlfriend of the man who would and does risk everything. To illustrate just what actresses are dealing with in terms of a lack of depth of the characters they’re asked to play, Chastain asked Fallon to help her read some scenes, with the late-night host taking the female parts while Chastain read for the men. The result was obviously hilarious—and very telling.

Fallon didn’t have to stretch himself much to read for the leading lady in a rom-com, when a meet-cute had the guy waxing poetic about the unpredictable nature of the universe and the possibility of fate, while his female companion…just giggled mostly. He was completely silent during Chastain’s action hero monologue (though, on set he’d probably need to do at least some pained expressions when the hero said, “You wait here”). He did get an actual chunk of very technical dialogue for an imaginary sci-fi script, with his heroine outlining her perfectly calculated plan to save the ship, but it’s still not exactly a shining beacon of feminism at work—her plan was quickly and simply dismissed by her male counterpart.

At the end of the sketch, Chastain and Fallon made sure to plug Time’s Up, the initiative to fight gender inequality that’s been rampant in the world of Hollywood and beyond, making it clear that just poking fun at problems in the industry isn’t going to cut it; there need to be clear indicators that positive changes are truly coming.

Watch the sketch for yourself, below:

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