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Elizabeth Warren’s Campaign Cochairs Are Models of Female Leadership


In an email, Warren emphasized the unique skills that her cochairs bring to her presidential race: “I’m so honored to have these women as leaders in our campaign. They were part of the wave of women in 2018 who volunteered, organized, and won, up and down the ticket. They didn’t wait their turn to make change. They got in the fight, advocating for a government that works for everyone, not just the wealthy and the powerful. They inspire me, they inspire my team, and they inspire millions of little girls all across the country.”

It’s true that the three cochairs—personable and popular in their own right—are a boon to Warren, showing up to motivate crowds for the candidate even when she can’t be in a given state or at a certain event in person.

But in conversation with them, something else becomes clear. On the trail and in interviews for stories like this one, the women also make the case for a more purposeful investment in female leadership—at the top of the ticket and in public life. “We reflect the variety of ways in which women come into public service,” Porter says. “The fact that Ayanna was a city councilperson, the fact that Deb was an organizer and the head of her state party, the fact that I was someone who flipped a district—each of us in our own way has that direct life experience. And now we’re building and growing a sustainable movement for change.”

The aim, in other words, is bigger than Warren, although for Porter in particular much of it can be traced back to her. She has known Warren since her own time at Harvard Law School, when she enrolled in Warren’s class on bankruptcy law. (This is a detail that tends to crop up in profiles of Porter; the student and the professor, now the representative and the senator.) “I sat in the front row; I thought if I did that she might not call on me,” Porter recalls. The class was held at 8 a.m. Warren had an excellent reputation, according to Porter, but the course was intense: “It was not a class that attracted people who just wanted to skate.”

Almost two decades later, Porter can still recite portions of Warren’s first lecture. “One of the things that means so much to me as a cochair is to hear her talking now about those fundamental same issues,” Porter says, ticking through them. “How do we create an economy that gives every hard-working American an opportunity to be successful? How do we think about balancing the incentives that capitalism creates for people and businesses to take risks, to invest in themselves and grow…with some of the hardships?”

But Warren’s influence wasn’t theoretical; Porter didn’t just feel it in the solidification of her values or in her approach to the law, but she felt it in her real life to. After several months in law school, she had begun to think that she too might want to be a professor, despite the odds for women in the field then. She and Warren went for lunch near campus at local institution Border Cafe, and on their short walk back—“Elizabeth is a notoriously fast walker”—Porter broached the subject. “I was working to keep up with her, and I remember getting my nerve up to tell her that I thought I wanted to be a law professor. And I framed it like, ‘I want to try. I want to try to become a law professor.’”

She had told some of her other mentors as much, who’d encouraged her, albeit without much real direction. Warren, as Porter remembers it, had a different reaction. “Elizabeth immediately said, ‘Wonderful, let’s get a plan.’” When Porter hears her talk about her mentor’s plans now, with almost the same words—Warren has a plan for that—it makes her smile. That’s a leader, she thinks, a person who can show people what’s possible.

And how. In 2016, less than three weeks after Donald Trump was elected president, Porter decided to follow Warren’s example once more and run for office. When she told her former professor, Warren responded with two assurances that Porter can still quote. First, she said: “I will be with you every step of the way.” And second: “You will love being a candidate, because every day you’ll have the opportunity to learn something, to hear a story you haven’t heard before, to see a pocket of your community that you didn’t know existed.”



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I Started the #AskAboutAbortion Campaign in 2016. Ahead of the 2020 Election, This Is the Conversation I Want to Have About Reproductive Rights


Abortion access is being decimated nationwide, and still not all of the Democratic presidential candidates have a plan to fix it. As someone who’s had an abortion, I find that unacceptable. During the 2016 presidential debates, I started the #AskAboutAbortion campaign for this reason—to have a conversation about the different plans candidates proposed to protect and expand the legal right to an abortion. Between then and now, we’ve been met with a landmark case at the Supreme Court, extreme bills intended to curtail or even eliminate access, worrisome moves from lower circuits, and another near-identical case now with the court that could reverse the 2016 decision and further hollow out access. In that environment, one would think that the candidates would be clamoring to spell out their plans to secure essential, basic health care for 51% of the population. But even as All* Above All Action Fund revitalized the campaign I started, I am still left wondering how most of the candidates would answer if the moderators ask about abortion tonight or in future debates.

Tonight’s MSNBC–Washington Post debate, hosted by all women moderators, will take place at Tyler Perry’s brand-new state-of-the-art film complex in Atlanta. The state is, at present, hell-bent on passing an abortion law so outrageous it’s been blocked in other states. It aims to ban abortion as early as the six-week mark, before many women know they are pregnant (as was the case with me). A judge temporarily blocked the law last month, but its fate remains an open question. Once again, debate moderators have an opportunity to ask all of the candidates how they would contend with anti-abortion state legislatures that will continue to pass these restrictions, whether it’s a Democrat or a Republican in the White House. Would these candidates wait for Congress to act? What kinds of executive actions could they take? Do they believe minors should be able to access abortion care without the consent of a parent or guardian? The conversation is much deeper than whether or not presidential hopefuls believe abortion should be legal—it’s what steps they would be willing to take to ensure its accessible.

In the last debate, CNN and New York Times moderators asked several of the candidates (not all) what they would do to end six-week bans. While I was pleasantly surprised to hear their answers, I was deeply disappointed that Representative Tulsi Gabbard (D-Hawaii) chose to revitalize the stigmatizing “safe, legal, and rare” mantra popularized in the 1990s to advocate for a ban on later abortion.

Afterward, recently fired Planned Parenthood CEO Leana Wen, M.D., tweeted that she appreciated that Gabbard “brought up the third rail for Democrats” and that it was “courageous” for her to highlight the “nuances” in opinions on abortion. I was quite surprised that the former president of Planned Parenthood would support outdated rhetoric riddled with stigma and call it nuance.

Since then, people have abortionsplained me, insisting that “safe, legal, and rare” is still a good, solid stance. Making abortion rare should be the end goal, right? But it’s not that simple.

Rare is not a number. The reality is abortion is on a steady decline, but nonetheless, we should aim higher. We don’t need to stigmatize the very people we want to support. And it does impact us; internalized stigma causes people who have abortions to second-guess their decision, feel guilty for not feeling guilty, or feel like they cannot tell a loved one about their experience. As Democrats, can we build a world in which those who can get pregnant are in a position to choose whether or not to do so, no matter their circumstances, wealth, class, race, or life choices? Demanding that abortion be rare places stigma on the person who needs an abortion, chastises them for seeking care, assumes the abortion could and should have been prevented, and underscores a pervasive myth that it’s somehow illegitimate to not want a(nother) child.





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Billie's New Campaign Is the First Women's Razor Ad to Show Facial Hair


It should come as a shock to no one that women have body hair. But thanks to celebrities on the red carpet and more authentic advertising, body hair is becoming less taboo day by day. Still, while there are certain kinds of body hair that have been deemed “acceptable,” like a fluffy tuft of armpit hair or leg hair peeking out of a dress, facial hair for women remains largely undiscussed. Indie razor brand, Billie, wants to change that.

With its campaign The Body Hair Project back in 2018, Billie became the first ever women’s razor brand to show body hair in an ad. And the brand didn’t stop at leg hair, it showcased tummy fuzz, armpit hair, and unibrows. On the one year anniversary of the campaign, Billie launched its Red, White, and You Do You Campaign, a video and images celebrating the choice to shave or not shave your bikini line, making it the first ad to actually show pubic hair.

Now, the brand is back at it with a new campaign for Movember campaign, and it’s celebrating two more “firsts”: becoming the first women’s razor brand to participate in Movember—a fundraising effort for prostate and testicular cancer awareness through growing mustaches—and the first women’s razor brand to show facial hair. In addition to matching 100% of contributions (up to $50,000) from women growing out their mustaches in support of Movember, the brand is hoping to tackle the taboo of women actually having facial hair in the first place with a new video.

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Shot in the same playful style as the brand’s previous videos, the spot showcases women and femmes celebrating their facial hair by combing it, styling it with brow gel, and highlighting it with bright lipstick. “Our hair has a very important announcement to make: Women have mustaches too,” reads the voiceover. “The world may not know this because we go through a lot to hide them; we’ve been hiding them all our lives. But newsflash, we’ve got them.” While a Billie razor makes an a brief appearance in the film, it is ultimately tossed aside along with wax strips and tweezers, as the women embrace their facial hair.

If it seems odd that a razor brand would encourage facial hair, that’s just the Billie way. At the end of the day, it’s bigger than a razor. “When brands pretend that all women have hairless bodies, it’s a version of body shaming,” Billie cofounder Georgina Gooley previously told Glamour. “There has been this shame around body hair, and a lot of that is the shaving category talking about the topic as a problem that needs to be fixed with the product they’re trying to sell. We didn’t want to be part of that conversation.”



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Billie's New Campaign Is the First Razor Ad to Actually Show Pubic Hair


The film’s director and photographer, Ashley Armitage, who also directed Project Body Hair, echoes these feelings. “In our film we wanted to normalize pubic hair because it’s exactly that—normal,” she says. “Body hair grows on people of all genders and it doesn’t suddenly become ‘gross’ or ‘unhygienic’ when it is on a woman, trans woman, or non-binary individual. We wanted to show that body hair is a choice; shave it, wax it, grow it, or do a bit of both. All are valid.”

While the video could be gimmicky or even campy, because it’s done in such a female-focused way, it just feels honest. And as far as a razor brand not even showing a single razor in the ad might seem strange, that’s the point.

Ashley Armitage

“I think for us it’s always been about putting our audience ahead of our product,” says Gooley. “With Project Body Hair we showed women with body hair and without body hair. We actually had the razor in that one, because we were making this statement and calling out the shaving category. But we were also saying that’s a choice, and with this new video, it’s more of a celebration of that choice.”

Clearly, the strategy is working. Gooley says that after last year’s video, the brand received floods of support on social media. Most notably, the brand completely sold out of razors in the week following the video. This solidifies what the brand already knew, that women are craving authentic representation in advertising. One of these women is Lindsay Zae, a model in the campaign. She said while she currently feels most empowered when she has body hair, when she was younger she experienced internalized negativity about it. “Seeing a candid film from a razor brand about the beauty of body hair would’ve really liberated a 12-year-old me—the message excited me, and I wanted to be a part of it.”

Bella Cacciatore is the beauty associate at Glamour. Follow her on Instagram @bellacacciatore_.





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Rachel Brosnahan, Kate Spade's Niece, Appears in the Latest Frances Valentine Campaign


Kate Spade‘s fashion empire and legacy extends beyond her namesake brand to Frances Valentine, the second accessories line founded by the late designer. Today (January 30) Frances Valentine announced that it is paying tribute to its cofounder with a deeply personal, joyful campaign starring a special member of Spade’s family.

Frances Valentine tapped Rachel Brosnahan, Spade’s niece and star of The Marvelous Mrs. Maisel, to front a vibrant spring 2019 campaign honoring her aunt’s memory. Brosnahan appeared on the Today show alongside Frances Valentine CEO Elyce Arons to unveil the campaign and discuss her aunt’s lasting impact on fashion.

“When you lose someone you love very, very much, you spend a lot of time trying to think about how to keep their spirit alive,” Brosnahan said on Today. “In Katy’s case, there is so much of her left behind, and this was an opportunity for us to celebrate her life and her legacy and how much she meant not only to us, but to so many other people and the impact she’s had on the fashion industry.”

Maggie Cepis for Frances Valentine

In the campaign, Brosnahan models Frances Valentine’s “modern vintage” bags and jewelry alongside outfits that are emblematic of her aunt’s well-known penchant for color. Pieces from the collection include leather bags in mustard yellow and red woven basket bags, oversize pendant earrings, and bow-adorned kitten heels.

“I have always loved Katy’s love of colors and accessories,” Brosnahan said in the brand’s look book. “She brightened up every room she walked into. She also loved classic shapes, but by mixing colors and patterns and adding funky accessories, her personality always shone through.”

Rachel Brosnahan wears a yellow sweater and green pants in a Frances Valentine campaign image
Maggie Cepis for Frances Valentine
Rachel Brosnahan sits on a yellow chair wearing flats and a bag from Frances Valentine
Maggie Cepis for Frances Valentine

When it was time to bring that personality to life in the new campaign, Arons told Glamour, Brosnahan was the perfect fit. “Asking Rachel to be in the campaign was very natural. She is part of Katy’s family and part of the Frances Valentine family,” she said. “It was very organic and easy. Rachel enthusiastically agreed to be in the spring campaign and we were over the moon.”

The campaign captures the sense of optimism and joy legions of shoppers found in Spade’s designs—and in the designer herself. “The spring FV collection reflects Katy’s love of color and modern shapes as well as her love of vintage prints,” Arons said. “Katy had a joyous nature and loved creating things that made people happy. [She] gave women permission to be themselves and to be original.”

Rachel Brosnahan wears pink Frances Valentine Hells and a tulle dress
Maggie Cepis for Frances Valentine
Rachel Brosnahan sits on a couch in front of several flowers in a Frances Valentine ad
Maggie Cepis for Frances Valentine

Brosnahan remembers her aunt’s personality fondly and carries her memory into the campaign. “Katy led with an almost unparalleled kindness and generosity in both work and life, and firmly believed it was one of the keys to her success. She taught me a great deal about passion and drive but never at the expense of kindness,” she said. “She found joy in every corner of her life and work, and that’s something I will always carry with me.”

Brosnahan’s campaign follows special products that memorialize Kate Spade at Frances Valentine. Last fall the brand released the Kate bag, a boxy tote reminiscent of the Sam bag from Kate Spade New York, to honor its founder. At the time, Arons told Glamour that Frances Valentine would always be informed by Spade’s aesthetic. Spade, she said, “was someone who manifested her personality in every product, so there’s a lot of Katy in everything we do [at Frances Valentine].”

Rachel Brosnahan wears a checked coat in the latest Frances Valentine ad campaign
Maggie Cepis for Frances Valentine

Now Spade lives on in her niece’s image. “Having Rachel as the face of the spring campaign would have made Katy smile,” says Arons.





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Sarah Jessica Parker Revived Carrie Bradshaw for an Important Campaign With Stella Artois


Several things are synonymous with Sarah Jessica Parker’s Sex and the City character, Carrie Bradshaw: New York City, Manolo Blahniks, cosmopolitans. That third one is the center of Stella Artois’ new campaign with Water.org, “Pour It Forward,” aimed at ending the global water crisis.

The message is simple: For every bottle of Stella Artois sold at a bar or restaurant, one person receives a month’s worth of access to clean water in the developing world. Buying a six-pack of Stella, for example, gives someone six months worth of clean water access. A 12-pack, 12 months of clean water. You get the idea.

It’s a great cause, so of course in the new Stella Artois campaign (which will air during the Super Bowl), Carrie changes her usual cosmo order for a Stella. The restaurant descends into madness. The same chaos happens moments later, when The Dude from The Big Lebowski, Jeff Bridges, opts for a Stella in lieu of his regular White Russian.

“Good choice,” Carrie tells The Dude after he takes the seat next to her. He responds, “Changing can do a little good.” Yes, it can.

We chatted with Parker about the campaign and what she loves most about Carrie Bradshaw, and Sex and the City 3, which, as you probably know, came very close to happening.

Glamour: What made you decide this was the right moment to bring back Carrie Bradshaw?

Sarah Jessica Parker: Pretty simple: Stella Artois and Water.org. I thought [about] the campaign, the kind of effort they’ve shown, the impact they’ve had. Water.org’s commitment. The important and urgent work that’s being done. I think the campaign is really clever, and everything they offered—the execution—was just really smart and the message delivered was something I believed in and felt really good about. I felt privileged to be asked to be part of it.

The actual concept of the campaign is so spot-on, because Carrie does have this signature drink. How was the day of the shoot?

It was pretty exciting. We had been away with Christmas break, so I was traveling home from pretty far away and dropping my children off in New York and switching planes and heading to Los Angeles. I landed really late, then had a fitting for a couple of hours to get everything as right as we felt we could. [We wanted] a story that was immediately recognizable in terms of the details. The directing team was so talented. Everybody surrounding the campaign, those on the set—everyone involved was simply good at what they did. It was joyful. The set was fun. It was relaxed. The first day I shot alone, and the second day I got to work with Jeff [Bridges], which was an absolute crazy treat. It was fun. I wanted it to be good. I wanted people who cared about Carrie Bradshaw to feel that I was doing right by her—that this was a message she would deliver. So you try to take care of all that stuff in advance of someone yelling “action.”

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Carrie Bradshaw is someone you’ve played in several iterations now: the series, the two movies, and now these spots for Stella Artois. Is it still fun stepping into her shoes? Is it just as fun as it was in 1998?

It is. I think ever more so for this because of the campaign. Because of the message. Because of the global impact. And because you have this unique moment when you have so many people gathered to watch [the Super Bowl]. There’s a lot of eyeballs on this game. It’s such an opportune moment to [guide] people toward their better instincts. Americans have a long history of reaching out, of wanting to be involved, of wanting to participate, and this is such a simple way. It felt exciting and purposeful and, therefore, more fun to play her for this.



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