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Ashley Graham Discusses Why It's Taken So Long for Curvy Women to Be in Beauty Ads


On Wednesday, Ashley Graham was announced as the new face of Revlon, making her one of just a small number of curvy women to front a beauty campaign. Here, she reflects on why we need women of all sizes represented in the beauty landscape—and how far the industry still has to go.

If you ask any big girl what’s her favorite thing in her closet, she’ll give you one of two answers: accessories or makeup. It is how it is because, traditionally, we’ve never had clothes that were cool enough or accessible enough for us. The beauty of makeup, though, is that it isn’t about size—it fits into every person’s makeup bag and should work for every single face. And yet, when I was growing up, the women I saw in beauty campaigns were always unattainable. They were either an A-list movie star or a super thin model I’d never seen before.

Back then, I didn’t understand the effect that would have. I wasn’t really looking at those women to identify with them, I just wanted to know if a foundation was going to look beautiful on my skin. But the more you don’t see women who look like you in images that reinforce what’s “beautiful,” the more that affects your perception.

When I first started gaining weight in my teens, I remember my mom walked in on me while I was rubbing my hip. I told her, with tears in my eyes, “It just bulges out right here.” She was like, “Ashley, that’s just a part of your hip and your butt. If you didn’t have that, you wouldn’t fit into this family.” Then it kind of hit me. It was okay. That side butt—that’s what my husband calls it now—is just something the women in my family have.

“There’s no size requirement to fit a lipstick, so why have there been so few curvy models in beauty campaigns up until this point?”

I was lucky then—and still now—to have a positive role model. But where are the role models for the rest of us? There’s no size requirement to fit a lipstick. So, why have there been so few curvy models in national and worldwide beauty campaigns up until this point?

Here’s the crazy part, I don’t have an answer for you. I’m 30 years old, and I’ve been modeling for 18 years. And every single year I’m like, “Why has no one been knocking on my door? Why are there no beauty brands that are like, ‘Hey, we want Ashley Graham?'” I really think it’s because so many brands are comfortable with the status quo. For years, mainstream society created narrow definitions of what beauty means.

In the past, I’ve been been told things like, “Well, you’re only plus-size from your neck down; your face isn’t plus-size.” What does that even mean? If my face isn’t “plus-size,” then by that logic, why wouldn’t you put me in a cosmetics campaign? That’s always confused me. It’s like I’ve been boxed into a category where I can only be used in fashion campaigns where other women look like me. Which is why when you hear voices standing up for inclusivity, or see you body positive hashtags, it’s important. It shows there’s a demand for better representation. There are so many different types of models now with unique perspectives on beauty, brands should actually use them.

What I’ve been hearing from women is that if we don’t see ourselves in a campaign, then we’re not going to want to buy your product. We know a lipstick isn’t going to change us into looking like the model wearing it. But if you bring in models who are representative of the everyday woman—which, by the way, the average-sized American woman is a size 14—we are going to want it so much more because it feels accessible. It’s very basic if you think about it: The more you see someone who looks like you in the campaign, the better you’re going to feel about yourself, because you’re not striving to be someone you’re not. We’re not trying to be an idea of what the beauty industry is telling us we should look like. We’re making our own beauty.

PHOTO: Courtesy of Revlon

Revlon’s Live Boldly campaign, starring Achok Majak, Raquel Zimmermann, Ashley Graham, Imaan Hammam, Adwoa Aboah, and Rina Fukushi

I also think Photoshop plays a huge role here. I’m personally okay with fixing the light or removing a really big blemish that’s taking over the photo. But don’t completely change my body, and don’t change the shape of my eyes or my skin tone or my hair to make it look fuller or more “perfect.” I don’t agree with that. It was actually an important factor in creating this campaign for Revlon. When I found out Cass Bird was going to be the photographer behind it, I was really excited. If you know anything about her work, you know that she hates retouching.

At the end of the day, I hope people understand how groundbreaking this is—that Revlon now has a curve model with a contract on their campaign. This should be the norm. I tell myself the affirmation “I am bold, I am brilliant, I am beautiful” every morning and that’s exactly what this campaign is about. I’m really hoping and striving that in the next 10 years we don’t even have to discuss this. Beauty is beyond size. If more people get vocal on social media, and more brands and designers put all types of women in their campaigns, it will change how we see beauty. We have to stay loud about it.





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Ashley Graham Is the New Face of Revlon's Live Boldly Campaign


After years of foundations that only cater to a light-skinned demographic, the Fenty effect has proven to brands that acknowledging and providing products for all women is indisputably a good thing for everyone. And with expanded shade ranges finally rolling out to stores across the country, that move is coinciding with a long-awaited uptick in representation in beauty brands’ campaigns. Announced this morning on The Today Show, Revlon is rolling out a new arm of its “Live Boldly” campaign. Fittingly, the brand’s tapped Ashley Graham to front the campaign—one of the best examples we have of a fearless, glass ceiling-shattering woman.

Graham teased that she had makeup in her masterplan back in July, and while rumors were flying that she was developing something on her own, her choice to pair with a major drugstore beauty brand instead means that she’ll be in front of as many eyes as possible. Given the lack of curvy women in beauty advertising, that’s a huge move, and one that will at long last shake up the models we always see in the makeup aisle. That said, she’s actually not Revlon’s first curve model. Back in 1999, the brand tapped plus-size model Emme for a campaign.

While Graham has called out brands for unrealistic advertising before, the announcement coincides with CVS’s pledge to stop Photoshopping its beauty ads, meaning we’ll likely be seeing more of Graham in her authentic glory.

Graham, along with models Achok Majak and Rina Fukushi, is joined by three other new additions to the Revlon family: models Raquel Zimmermann, Imaan Hammam, and Adwoa Aboah were also just announced as spokeswomen for the brand. Along with the announcement, Revlon also released the campaign’s first image (at top). Featuring the six women decked out in metallics and striding towards the camera, it’s a shot that feels wholly 2018.

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Model Ashley Graham Opens Up About Her Own #MeToo Moment as a Young Model


Another day, another #MeToo moment.

This morning on The View, the hosts and model Ashley Graham got into a discussion about fashion photographer Terry Richardson and the allegations of sexual misconduct against him. Graham revealed that as a young model she agreed to work with the acclaimed photographer, in spite of the rumors she’d heard about him. Like many aspiring models before her, she wanted to work with the “best of the best” and have those “images in your portfolio.” She says that her Richardson shoot was “normal enough,” but that she did have fears about becoming a victim as well and that he might ask her to remove her shirt.

While Graham may have been lucky that day, she was sadly not so on another set, shooting a big campaign when she was 17. She describes a truly awful experience for any woman, but especially a young one. Graham says a photographer’s assistant lured her away asking to talk with her and then pushed her into a closet: “He exposed himself and said, ‘Look at what you did to me all day long. Now, touch it.'” Insert shudder here. Thankfully, she was able to run out but says she feared that if people in the industry found out what happened that she would be the one labeled “difficult.”

Graham says that if she knew then what she knows now, that all these women would be standing up and saying “Me too,” she would have spoken out—loudly. “The movement is working,” she says. “And I really feel like there are women who are standing up and saying, ‘No. Me too. And I’m going to watch out for my sisters on set.'” View cohost Whoopi Goldberg adds that “it’s going to be much harder for people to get away with…people are watching.”

And that’s something we all hope for during this time of #TimesUp and #MeToo—that women (and men) feel increasingly empowered to speak out about what is happening to them or to someone around them in hopes of stopping the painful and toxic behavior that has been a norm for way too long.

You can watch Ashley’s full story below:

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Ashley Graham Is Living Her Best Life in Morocco Right Now


While quite a few of us are running around buying last-minute presents, Ashley Graham is off in Morocco living her best life trekking around, chilling out in the desert, and striking what looks like a perfect balance between work and play. The receipts have been, of course, shared on her Instagram account—and they’re stunning.

First up, she headed out to the desert, apparently near a small village north of Agadir, to snap a casual pic for the ‘gram. Then came some photoshoots, because time stops for no one, not even swimwear campaigns. In Agidir on Friday for her second Swimsuits for All campaign, the model shared an impromptu video of herself expertly lip-syncing the 1982 smash hit Africa by Toto while wearing a one-piece swimsuit from the new line. Following shots see her heading out into the desert on a camel, looking extremely comfortable and not at all nervous. The last photo is of her modeling a bikini among some sand dunes, as you do. Honestly, this kind of work looks great.

She’s also found time to have some fun while she’s there: This week, she visited the iconic Musée Yves Saint Laurent in Marrakech, which, yes, is a whole museum dedicated to the work of the designer. Graham also took to the desert with a few friends on ATVs, which seems like a pretty incredible way to explore the dunes.

This all looks fantastic, and frankly, we’re really into all this sun and gorgeous weather while days are dark and slush-filled back here. Next time you need a vacation pal, Ashley, just let us know—we’ll clear our calendars.

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Ashley Graham on the Difference Between Tokenism and True Size Inclusivity on the Runway


September’s runways at New York Fashion Week were nothing short of historic: A record-shattering number of size-diverse looks—208, to be exact—appeared on the runways some of fashion’s most notable brands. While those model appearances marked a major shift in what designers consider a runway-worthy body, model Ashley Graham tells Glamour that there’s still plenty of work to be done to reach genuine size inclusivity in the fashion industry.

Earlier this month at the Glamour Women of the Year kick-off party with Barneys New York, Graham cited “seeing curves on the runway” as one of the most fundamental shifts in the fashion industry of 2017. “To me, that’s like, whoa. Major round of applause.” This year, she was the first-ever plus model to walk for Michael Kors (and she did so both for Fall 2017 and Spring 2018!), and to cover an issue of Vogue (another moment she rightfully considers major.) “We shouldn’t be surprised [by size inclusivity] anymore—we should just be celebrating it and being like okay, what’s the next thing? Where else are we gonna see us?”

To Graham, size inclusivity isn’t casting a single curve model in a show flooded with sample-size models and calling it progress—which we’ve seen on past runways and in ad campaigns aplenty. She recalls having conversations with designers who want to put curves on the runway, but fear it might feel like tokenism. The key to making it an honest, authentic effort? “[It’s] when there’s not just one [curve model, but] there’s multiple,” Graham says, “and you bring ’em back.”

PHOTO: Astrid Stawiarz

Ashley Graham walking in the Prabal Gurung Spring 2018 fashion show during New York Fashion Week.

“I think if designers start thinking that way,” of incorporating size diversity into their runways and presentations organically, “then that’s how the change really happens,” Graham explains. “And that’s where you see the movement really not being a movement, but being really normal.” A few people have been living up to those terms, she says—Christian Siriano, Prabal Gurung, and Michael Kors, in particular.

Graham also highlights how retailers like Nordstrom are introducing new store concepts where all sizes, from petite to plus, are merchandised together as another important development in size inclusivity, and one that’s worth keeping an eye on. In addition to simply having all the product in the same section, “I think that buyers need to start educating their customer and saying like, ‘Hey, you know what? Prabal does go up to a size 22, Brandon Maxwell does go up to a size 22, would you buy it if we had it in the store?’ Because I think women who are above a size 14 don’t know that designers that major actually have their size.”

As we look to 2018, Graham is hoping we not only continue to build on the momentum from this year, but also start innovating and pushing beauty standards for plus-sized models. “I think that in the curvy world, what you see when you see a model is an hourglass, flat stomach, cute face… and I think that [we should be] looking beyond a body, looking beyond a face, looking at what a woman is actually doing, and how she’s changing the world around her. That’s what, to me, a supermodel is in 2018.”

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Ashley Nell Tipton Is Launching Her Own Plus-Size Clothing Line


Though Ashley Nell Tipton won season 14 of Project Runway back in 2015 and later designed a plus-size line in partnership with JCPenney, today marks the first time she’s putting out clothing into the world that she 100 percent believes in.

“With the other collections, I was designing for other people’s customers,” Nell Tipton tells Glamour. “This time around, I really wanted to design for my audience—and for myself—with no limits.” The result is a collection of black and floral body suits, sweeping skirts, biker shorts, and sheer dusters. The designer says it’s the first time she’s been able to make “a line of items that I see in ‘regular sizes’ and dreamt of wearing myself.”

PHOTO: Trevon James

Nell Tipton and model Margie Ashcroft wear the April bodysuit, available for $39 at ashleynelltipton.com.

Nell Tipton originally debuted on the retail landscape through a collaboration with JCPenney in 2016, shortly after her Project Runway win. Ashley Nell Tipton for Boutique+ consisted of four collections, dropping over 18 months. The retailer’s demographic wasn’t as fashion-forward as the designer would have liked. Now she’s able to take “risks” she wasn’t able to there—in place of leather jackets, jeans, and tees that say “Love You,” there’s sheer and mesh. The big difference, in her opinion: The customer is less conservative.

The launch of her eponymous brand is a huge feat, and it didn’t come easily. Nell Tipton had to get a refresher on how to build a line and navigate building a business for the first time. “The past couple of years working with JCPenney, I had lots of resources and worked with huge teams,” she explains. “[Having my own label] was an exercise in playing roles I wasn’t used to. I had to be the designer, the pattern maker, the sewer, and the fit model.” She also had to source her own production: “Finding the right manufacturers and teams to work with is key. I had limited [financial] means and really had to work within them. I didn’t want to let the costs affect my designs, so I had to be very resourceful.” Another challenge, says Nell Tipton, was her age: At just 26 years old, the designer says some industry folk questioned her knowledge as a result of her youth.

Throughout the entire process, Nell Tipton says she “was going through a lot personally.” This year, the size-22 designer had weight loss surgery and was dealing with an ever-changing body. “I was at my heaviest when I started designing this collection and my weight has obviously changed since then,” she says. That change did, in fact, affect the way she designed these pieces. “Because of the fluctuation, I was really paying attention to fabrics that had stretch,” she says. “I was focused on how the pieces move and how they’d work for different body types. I wanted to be able to accommodate everyone and I wanted everyone to be comfortable. Beauty and fashion is not pain!”

PHOTO: Trevon James

“I invited Margie over to see the collection and we just started playing dress-up,” says Nell Tipton. “She put on her music and we just went for it.”

But that’s not the full story behind the collection’s basic theme. The designer believes that while the plus-size industry has come a long way, it’s currently focused on giving shoppers above a size 14 as much trend as possible. “There aren’t many [brands] that do basic wardrobe staples well,” she says, then nodding to the fact that a lot of plus-size apparel is made from cheap fabric. “Because I had full control, I was able to really find fabrics that worked [best for basics].”

When the site, ashleynelltipton.com, launches today, this inaugural 15-piece collection will be available in sizes 14 to 30, with prices ranging from $24 to $99. There will also wide-fit jewelry and eyewear up for sale. Next, Nell Tipton says she’d like to, “venture out into men’s and children’s lines to fill the gaps of the plus-size industry—it shouldn’t just stop at women’s.” Somebody get this girl an investor!

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