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The Situation Room Didn’t Prepare Me for a Life Confined to My Living Room


I know what it’s like to make big decisions in small rooms, separated from the rest of the world, alone with the weight of your choices.

It seems, in fact, that such acts defined my government career. For six years, I was an official in the Obama administration, advising secretaries of state and ambassadors, spending my days in secure rooms at the State Department, the White House, and the U.S. Mission to the United Nations.

I frequented gilded conference rooms behind key-carded hallways where men—it was so often me and a room full of men—considered the direction of U.S. foreign policy. I’d glance at the portraits of former Secretaries—Marshall, Kissinger, Albright, Powell—and feel the privilege and responsibility of my presence. There among the dark suits in stiff chairs. Bright lights shining above. Heavy doors that locked with a click and left you to answer: Will aid prevent a humanitarian crisis? Is our counterterrorism policy working? How can America lead?

I spent hours alone in Sensitive Compartmented Information Facilities, or SCIFs, the rooms where you go to read classified intelligence. The briefings always warned of potential crises, and my job was to help keep not-yet-disasters from becoming full-blown conflagrations.

By myself at a plain table, I’d open coded folders concealing stories from distant places: infectious diseases ravaging populations, ethnic tensions simmering, and protests that might birth democracies or ignite civil wars. Every day the reading was different, but, in a way, the messages were all the same: plain type, small print, huge consequences.

When the stakes were highest, I would, on occasion, be invited to the Situation Room, which looks in real life like it does on TV, digital clocks lined up on the wall, one always displaying the local time of the President. I’d check my electronics at the door, see the expansive mahogany table, and then stop to catch my breath, understanding that America has the power to start wars or forge peace, to ignore suffering or to end it, to live our values or to breach them.

The rooms I inhabit now are more ordinary and unassuming, living as I do in a two-bedroom apartment, sheltering in place with my wife and young child in the age of COVID-19.

There’s my bedroom, where the light peeks through the shutters in the morning, and for a brief moment before I rise, I can almost forget that things are not normal. The laundry is piled in the corner undone, and my business suits hang in the closet unworn. There’s a stack of serious books on my nightstand, but I reach most often for my phone which alerts! (of a market crash), and alerts! (of school closings) and alerts! (of death tolls, rising, rising).

There’s my daughter’s room, with its soft pastel colors and shelves lined with books; they tell stories of dragons and monsters, but not an invisible virus more powerful than any imagined villain. From the toddler bed, she looks up at me with plaintive eyes and asks, “Is tomorrow going to be a school day?” From the doorway, I stand and answer, “Not tomorrow, baby, but maybe soon.”

There’s our living room—our everything room—where we cook, and eat, and build a fort, and chase the toddler, and Zoom with grandparents, and collapse at the end of the day, bleary-eyed and exhausted, but grateful that we are healthy and safe when so many others are not.

When I was in government, I would try to keep my personal life out of the rooms I inhabited. But sometimes it snuck in.

That day when I went to the SCIF, heavy with labor, rushing to read the intel before I went to the hospital, needing to provide advice just one more time.

That day when the Supreme Court struck down the Defense of Marriage Act, and my eyes filled with tears outside my boss’s office, knowing that my upcoming marriage would be recognized under U.S. law.



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Meghan Markle Reportedly Felt 'Trapped and Claustrophobic' Living in London


It looks like stepping back from senior royal duties was exactly what Meghan Markle needed.

According to a source who spoke to Us Weekly, “Meghan has a real spring in her step again. She feels like a new person.”

It’s been no secret that Prince Harry and Meghan Markle have struggled with their life in the spotlight post-royal wedding. The couple, who recently returned to their new home in Canada after wrapping up their final royal engagements, has spoken out on multiple occasions about the British tabloid circuit. Back in 2019, as a part of the documentary Harry & Meghan: An African Journey, Markle gave a particularly emotional response when director Tom Bradby asked how she was coping with the exposure.

“I would say…look, any woman, especially when they’re pregnant, you’re really vulnerable,” she said at the time. “So that was made really challenging. And then when you have a newborn, you know?

”And especially as a woman, it’s really, it’s a lot,” Markle continued. “So if you add this on top of just trying to be a new mom or trying to be a newlywed, it’s um…. Yeah, well, I guess, and also thank you for asking because not many people have asked if I’m OK. But it’s a very real thing to be going through behind the scenes.”

In the same documentary, (Prince) Harry remarked that every flash of the paparazzi took him “straight back” to the traumatic time in his life following his mother, Princess Diana’s, death, And now, Us Weekly has revealed new details about how Markle struggled with the lack of privacy in the U.K.

“She was nervous to step outside her own front door because of all the negative attention she attracted,” the source told Us Weekly, also claiming the duchess would have panic attacks. The source also said that Markle felt “trapped and claustrophobic” while living in Frogmore Cottage. “Meghan’s thrilled to have escaped the chaos of London,” the source added.

Markle is, presumably, now in preventative coronavirus quarantine alongside (Prince) Harry, who has become a serious advocate for mental health awareness, and their son, Archie. They continue to share thoughts and resources on social media to help stop the coronavirus pandemic.

“Our emotional well-being is challenged everyday whether we realise it or not, but our lives are usually filled with distractions. Now with constantly changing COVID coverage, we are all adjusting to this new normal and the feelings that come with it,” they wrote in a recent Instagram post. “But here’s the good thing (because right now we need to hear good things, right?): Yes, there is isolation and physical distancing, but there doesn’t have to be loneliness.”



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I Help People Pick Wedding Rings for a Living. Here’s How I Found My Own


Nicholson doesn’t believe in putting down any particular type of ring style—“everyone has different preferences and that’s great. How it should it,” she says—but for customers like herself who prefer something a bit more unique and personal, she warns shoppers to be cautious of designs that have a sudden surge in popularity. “We definitely try to go for styles where you can’t pinpoint the era that they’re from,” she says. “They kind of look vintage but they look modern also.”

This isn’t to say that every recently trendy style, such as a halo cut or cluster rings, should be avoided. But customers should look beyond them in order to determine what truly speaks to their taste. “I like the idea of buying the piece that you’ll keep forever, but sometimes it is really hard to tell if you’re falling into a trend or really just eyeing something you truly love,” she says. She recommends two ways to find clarity.

First, do some historical digging for inspiration from 40, 50, or 100 years ago. “Don’t just look at what you’re being marketed with. Do a little bit of research on what rings looked like over time. Does anything speak to you more than the one you got targeted by 10 times today on Instagram?”

Second, Nicholson says buying a forever ring is about considering the materials as closely as you would the design. Alternative stones such as emeralds, sapphires, morganite, or opal may be beautiful, but customers should be aware that they’re not as hard as a diamond, she explains. Metals such as 18-karat gold and G-color, VS-clarity diamonds will retain their value over time, even if your taste should change. “If in 10 years this [ring] is really not what you want to wear, then you reset it and adapt it to modern times,” Nicholson suggests; she stresses that both parties in a relationship should be on the same page about this possibility walking into that purchase.

A Ceremony ring

Courtesy of Chelsea Nicholson

For further ring-shopping resources, Nicholson shares that Ceremony is relaunching its own site on December 26 to introduce a video concierge service that helps shoppers through the overwhelming process of selecting a diamond. “We search for each stone as we’re working with the customer,” she explains. The site’s new feature provides a more one-on-one experience to make sure every ring has the look and budget that fits each customer.

Ceremony is one of many brands who set a new precedent for the bridal industry and also focus on allowing individuals to decide for themselves what commitment and partnership looks like. Other examples include brands like Lein, which creates dresses to be worn for the wedding day and any day after; fellow jewelry brand Anna Sheffield, famous for its stackable engagement and wedding rings in unique materials; and Zola, a site that allows couples to create a registry for their honeymoon adventure or a charity close to their hearts instead of asking for a toaster or a gravy boat.

Ceremony is a for-profit business, but it’s also one that opens up questions about why people marry, how they marry, and how they choose to show their commitment through a piece of jewelry. For Nicholson, that symbol is a tri-stone ring; for her fiance, it’s the Rowan III, a wider gold ring. “I got him an engagement ring too,” she says, sharing another unconventional approach to engagement rings, which are almost exclusively marketed for women to wear. “Because we’re having a two year engagement, it’s kind of weird that I’m wearing a ring for two years and he doesn’t have one, so he has a ring that he wears every day.”



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Adele Is Living Her Best Life on Vacation in Anguilla


Adele is ringing in the New Year with the coolest vacation of all time: She’s currently on the beach in Anguilla with Harry Styles, James Corden and Corden’s wife—which officially makes her the most enviable person alive. Despite how high-profile the whole thing seems, Adele looked totally carefree and casual during the trip, wearing a cool splatter-print dress by Reformation—and it’s currently still available to shop.

Fans caught Adele hanging out on the sand and smiling happily in the mini dress, which she paired with a bright handkerchief around her neck. She’s not the only celebrity who has been into this Reformation print lately; as Harper’s Bazaar reports, Kaia Gerber was recently seen in a different silhouette of the dress in the same print. It’s a sign of how versatile the splatter pattern is: It works for a chic date night or for a lazy beach day with Harry Styles. (We’re still daydreaming about this.)

The “Amala” dress retails for $248, but it might be worth it to twin with your favorite A-listers; everyone from Meghan Markle to Kendall Jenner to Busy Philipps are fans of the eco-conscious brand.

Courtesy of Reformation 

If there’s anyone who deserves to relax by the beach, it’s Adele. She had an eventful 2019 that included planning a bachelorette party for her bud Jennifer Lawrence. But it was also a bit of a tough time for her in the spring, when she announced that she and her husband of two years, Simon Koneck, had decided to go their separate ways. The singer didn’t say much about the split at the time, but she did seem to take things in stride by posting a hilarious meme about catching herself in her feelings, indicating she was holding up pretty well. Now, if this vacation is any indicator, she seems to be doing even better—but who wouldn’t be after such a star-studded beach trip?



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Beyoncé and Blue Ivy Look Like Twins in This New Photo, and Fans Are Living for It


It’s hard to believe Blue Ivy Carter, the eldest daughter of Beyoncé and Jay-Z, is about to turn 8 years old on January 7. It seems like just yesterday we were all anxiously awaiting her birth—and name.

Now she’s out here singing on her parents’ tracks and looking like her mom’s total twin. To celebrate the new year, Beyoncé posted a retrospective video of 2019 to her Instagram. In it you get to see big public moments, like The Lion King‘s London premiere where Bey and Jay met Prince Harry and Meghan Markle, or their courtside seats for the NBA playoffs. But the fiercely private singer also gave a glimpse into her private life with images from a second birthday party for twins, Rumi and Sir. And there’s lots of Blue looking so much like her mom.

But it’s a photo of Beyoncé, Blue Ivy, and Megan Thee Stallion from New Year’s Eve that has everyone talking.

Fans couldn’t help but call out the resemblance. “Beyoncé literally gave birth to herself with blue ivy. this is so beautiful. im crying,” one tweeted. “Beyoncé made blue by herself,” another wrote.

Twitter

This isn’t the first time the mother-daughter duo has done the twinning thing. They wore coordinating Alexander McQueen sparkling blazers and skirts to The Lion King premiere in Los Angeles in July. (Bey starred as the voice of Nala in the remake.) Blue has a credit for her vocals on “Brown-Skinned Girl,” a song from Beyoncé album, The Lion King: The Gift, released with the movie.

The singer also took her daughter to the Wearable Art Gala in 2019 and while they didn’t match their outfits, the facial resemblance was so strong.

If, for some reason, you’re still not convinced that these two look so much alike, check out this throwback photo Tina Lawson, Beyoncé’s mom and Blue’s grandmother, posted on Instagram back in 2017.

You love to see it.





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Francesca Hayward on Cats, Living Without Regrets, and Getting a Phone Call From Meghan Markle


“And snacks! I’m always snacking. It’s difficult obviously because when you’re dancing I can’t always have a huge lunch because then I’m jumping around. I love bananas, I love almond butter, nuts, and definitely chocolate. Everyone knows that I’m not very nice when I’m hungry.”

And the rewards for her work are fun. The fanciest part is the clothes. “I’ve been very fortunate to be wearing some Chanel lately, that was like my Pretty Woman moment, walking out of Chanel with some bags of clothes,” she says. “And a lot of Bottega Veneta, which is one of my favorite designer right now. And I wore a Simone Rocha dress to the Fashion Awards in London.”

And what about, you know, the fact that she just filmed a movie with an entire awards season’s worth of celebrities? I asked Hayward who made her the most star-struck, and I expected her to spit out some platitude, like “They were all so impressive!” or “I can’t choose!”

“Definitely Dame Judi Dench,” she said, immediately. “I remember her walking in with Ian McKellan, they walked in together in rehearsals, and the whole room, all the dancers and the actors, everyone made this line, to kind of curtsy or bow to royalty.” She paused, seemingly in wonder, and I imagined Jason Derulo curtsying to Judi Dench.

“There’s something about them, especially in England, they’re like the royal family, they’re legendary. And they’ve earned that legendary status,” she said, reverently. And Taylor, too—“She’s just the sweetest and most humble person,” Hayward said. “To be one of the most famous people in the world and make you feel very comfortable is quite a talent I think.”

To be fair, Hayward’s sense of comfort around A-list celebrities may be skewed. One day on the set of Cats, she received a phone call from British Vogue editor Edward Enninful, asking if she would be one of 15 women on a cover with the theme “a force for change.”

“It was one of the hardest secrets ever, I think I only told my grandma, and she was sworn to secrecy,” she says, laughing. She did the shoot, in which she spoke decisively about feeling pride in being a woman of color in the ballet world, while adding, “I think it will be great for the next mixed-race or black female principal dancer if she doesn’t have to be asked about that. In ballet, it doesn’t matter who you are.”

Later, Enninful called her while she was at a noisy restaurant in Covent Garden, and told her there was someone who wanted to speak to her. It was Duchess of Sussex Meghan Markle, who had personally chosen Hayward for the cover and wanted to say thank you. “She really made me feel like she wanted me to be a part of it and had chosen me as one of this amazing group of women herself,” Hayward said. “It was incredible.”

And if there’s anyone you could not resent for being personally thanked by Meghan Markle for agreeing to be on the cover of Vogue, it’s Francesca Hayward, who gets up before dawn to pursue her dreams, leaves behind no regrets, goes to the pub, and bows before Judi Dench. We wish her good snacks—and plenty of sleep.

Jenny Singer is a staff writer at Glamour.



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