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Robin Roberts Tells Omarosa Manigault Newton 'Bye, Felicia' on Good Morning America


Yesterday, it was announced that former Apprentice contestant Omarosa Manigault Newman had resigned her role in the Trump administration, effective January 20, 2018—according to a statement from press secretary Sarah Huckabee Sanders. But this being the Trump administration, nothing is quite that simple. Reports started to emerge that Manigault Newman had been physically removed from the premises because she attempted to enter the residence after she was fired by chief of staff John Kelly.

This morning, she talked to Good Morning America to (kind of) tell her side of the story. In a (pre-taped) sit-down with Michael Strahan, Manigault Newman insisted that she was not fired but indeed did resign to John Kelly during a meeting in the situation room, not the residence. As she explained, “John Kelly and I had a very straightforward discussion about concerns that I had, issues that I raised and, as a result, I resigned.” She went on to say that there “were a lot of things that I observed during the last year that I was very unhappy with” but did not expand further when pressed by Strahan.

Another detail that complicates the story further is a series of tweets from the Secret Service that state that they had nothing to do with escorting her out of the White House but that they had deactivated her access, which Strahan points out seems strange if she’s still working until January.

Honestly, it’s really hard to discern who is telling the truth with most news coming out of the White House, but Omarosa Manigault Newman did tell Strahan that she has a “profound” story to tell once she is no longer part of the administration and that many things made her “uncomfortable.”

This did not sit well with Robin Roberts as they cut back to her at the GMA desk, prompting the response, “She says she has a story to tell, and I’m sure she’ll be selling that story. Bye, Felicia.”

Twitter, naturally, could not get enough of Roberts’ diss.

So thank you, Robin Roberts, for making Twitter fun again for a brief moment this morning.





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'Outlander' Season 3 Finale Recap: An Old Frenemy Meets a Grisly End and Claire and Jamie Wind Up in America


This article centers on Season 3, Episode 11 of Outlander, “Uncharted.” If you’re not yet caught up with the show, be warned: Spoilers abound.

It has been quite the season in time travel, wildly implausible adventure, and overly opportune coincidences, but what a time we’ve had. When this season began, Claire was unhappily married in Boston with dreary Frank. Jamie was languishing, injured, on the battlefield of Culloden. We poor viewers had to endure nearly half the season without Claire and Jamie having the hot sex we watch the show for. Claire and Jamie suffered through some things too—but mostly Jamie, because this show loves for him to endure trauma whenever possible. He does bear his burden well: still brawny, brash, and bold where a lesser man would have been broken. Claire raised their daughter Brianna and Jamie went and had a son with a woman who basically coerced him into having sex by manipulating her power and position over him. (We call this rape where I come from.) Lord John Grey fell in love with Jamie and they became besties despite the circumstances of their meeting, and then Grey did Jamie a solid by raising Jamie’s son, Willie, because it was in Willie’s supposed best interests to be raised as nobility. Jamie finally returned to his beloved Scotland and tried to move on with his life, and Claire decided she was tired of being a mother once Frank died and went back through the stones to find Jamie with no trouble at all. There were a few stumbles as Jamie and Claire got reacquainted, as well as an accidental murder and another wife and some booze smuggling and some treason and a kidnapping, but other than that, everything was fine and they were still very good at sex.

Now, here we are at the season finale.

The finale begins with a voiceover and Claire rhapsodizing about death and being at peace while sinking in a body of water. Before we can work out what’s going on there, we are back in Jamaica, with Claire in her carriage racing to Rose Hall to find Young Ian. When she arrives, she just starts wandering around calling for young Ian. Before she can find her nephew, a man grabs her.

Geillis, meanwhile, is interrogating young Ian, wanting to know why he didn’t tell her about Claire and what Claire really wanted with her treasure. Ian is telling her the truth, but for whatever reason, she doesn’t believe him. Ian, for his part, is fed up with Geillis and tells her to either believe him or kill him because he is tired of her “blathering.” We are too, young Ian.

PHOTO: David Bloomer

Claire is brought to Geillis and the two women circle each other warily. Claire explains that Jamie has been arrested and she needs shelter but makes no mention of her nephew. Geillis is happy to accommodate, if only to learn more about why Claire is in Jamaica.

Jamie, the luckiest and unluckiest man alive, is being led to the Porpoise by that baselessly arrogant “Captain” Leonard when the governor’s soldiers intervene. Of course they do. John Grey was not going to let the love of his life be swept away to Scotland to face certain death. Fergus basically saved the day by alerting John Grey of this development.

In the governor’s office, John Grey comes to the rescue once more in one of the strongest scenes of the season—well written, well acted, simply wonderful. John Grey demands that Leonard offer proof of some kind—a warrant, an affidavit—before he takes Jamie into custody but the lieutenant cannot. The most delicious moments are when John Grey insists on calling Leonard a lieutenant and talking shit about how Leonard did not really earn his present title of captain. Leonard protests mightily but he is outranked and outmatched by John Grey and leaves, pouting. Basically, the scene is a dick-measuring contest and we know who is bigger by the end. “Seems I’m indebted to you yet again for saving my life,” Jamie tells Grey once the matter is resolved. The men bid each other goodbye but sadly, they do not kiss passionately and we are all the lesser for it.

Back at Rose Hall, Claire is telling Geillis how she ended up in Jamaica but Geillis is convinced there is some detail Claire is omitting. She has it in her head that Claire has been chasing Geillis and trying to prevent the prophecy foretelling a Scotsman sitting on the Scottish throne from coming true. Claire explains that she actually went back to the future (heh) to raise her child but Geillis is reluctant to believe Claire would ever leave Jamie. Geillis remains unconvinced until Claire shows Geillis pictures of Brianna, whom Geillis instantly recognizes. Of course she does. Claire explains that Geillis met her daughter in 1968 and the two of them also watched Geillis go back through the stones as Claire tried to warn her frenemy about the witch hunts.

Finally satisfied, Geillis surreptitiously swipes one of Brianna’s pictures, apologizes profusely, and offers her home to Claire for as long as she needs. In her room, Claire realizes she is locked in and sees Ian, bound and gagged, being dragged away. She tries, in vain, to get out of her room, when suddenly the door opens. It’s Jamie, of course. So much of course. They head off in the direction of drumming and when they reach it, they find a group of Jamaicans performing some kind of religious ritual and dance. Claire recognizes the dance as similar to the one the women were doing at the stones of Craigh Na Dun in the first season. Willoughby, who just happens to be hanging out with new friends, tells the Jamaicans Claire and Jamie are with him and the Frasers are welcomed without further fuss.

Outlander Season 3 2017

PHOTO: David Bloomer

The Frasers aren’t the only couple in love. Willoughby and Margaret have, indeed, made a love connection. They are headed to Martinique where they can live out their lives in love. “She is the first woman to truly see me, the man that I am, and I see her,” Willoughby says. That’s sweet, but Jamie just wants to know if Willoughby has seen Ian. Willoughby asks Margaret to use her powers so she does. She reads Jamie and Claire and makes them both mighty uncomfortable. “Abandawe,” Margaret says at the end, which Claire remembers from their previous conversation.

Archibald Campbell shows up, interrupting things, demanding that Margaret go with him so he can continue exploiting and mistreating his sister for profit. For some reason, she is not at all interested, preferring to stay with the man she loves. Archibald mentions Mistress Abernathy, a.k.a. Geillis, and Jamie demands to know more. Archibald talks about a prophecy that will only come true upon the death of a 200-year-old baby. As he is talking, Claire realizes he is talking about Brianna. Now, the Frasers need to find Geillis before she kills their daughter conceived in the past but living in the future. Archibald tries to force Margaret to go with him, but Willoughby isn’t having it. He is Yi Tien Cho, and he is going to protect the woman he loves. Archibald tries to strike Margaret with a stick, but Yi Tien Cho comes between them. Before long, Archibald is dead and the Jamaicans are, I guess, using him as ritual sacrifice. It’s all very colonial fever dream, not so vaguely racist, and I honestly forced myself to let it go so I could continue with the episode.

The Frasers run through the jungle to Abandawe cave, which they find with no trouble at all. They are the world’s best navigators. In the cave, young Ian is bound and gagged, to be sacrificed, but Claire and Jamie can’t get to him because Geillis’s manservant Hercules points a gun at them. Geillis is basically raving mad at this point, talking about how Claire owes her Brianna’s life “for the greater good.” Claire realizes the shimmering pool of water in the cave is the portal through time. Geillis continues to rant and rave, and then all hell breaks loose. Jamie fights with Hercules while Claire, using a machete, basically chops Geillis’s head off. Pretty much all’s well that ends well. Jamie lets Hercules go but Claire is hypnotized by the portal and keeps stepping toward it until Jamie pulls her back and they leave the cave.

As I said last week, everything on this show comes full circle. While Jamie and young Ian reunite and Ian crows about how he knew Jamie would come after him, Claire is a bit traumatized. She recalls the 200-year-old body she and her pal Joe examined in future Boston. No matter, though. Jamie gives her a long strong hug, and she’s fine after that. As an aside, Claire has worn only one dress for half of the season, and I cannot stop thinking about it. There’s no way that dress would look as structurally sound as it does given everything it has been through.

Outlander Season 3 2017

PHOTO: David Bloomer

It’s time for the Frasers and friends to return to Scotland, so they get back on the Artemis. Even though Yi Tien Cho isn’t aboard, Jamie, mysteriously, is no longer suffering from seasickness because what is story continuity? Jamie and Claire are alone in their cabin and Jamie is about to shave his beard when Claire asks him not to. It’s always a good time for the Frasers to get down, so Jamie starts sexy talking and Claire is very receptive. It’s a charming scene, with chemistry, warmth and humor—the kind of scene this series would do very well to include more of as a balance to the constant drama trauma. Before long, the Frasers are making love, but we see very little of it for some, incredibly disappointing reason.

As the couple is enjoying the afterglow, a storm is coming. What starts out as a cool breeze and the comforting sound of rain is soon a terrible storm the Artemis cannot withstand. There’s lots of gale-force wind, pouring rain, shouting, and drama as the storm tosses the poor Artemis about the ocean. And then Claire disappears overboard in the storm and we are back where this episode began. Fret not, though. Jamie dives into the water, finds his beloved wife with no trouble at all, and kisses her as they float to the surface where, conveniently, the storm has largely subsided. Claire is unconscious and maybe dead and Jamie is bereft, but they cling to a piece of flotsam. When Jamie comes to, he is on a sandy beach, on a bright sunny day. He sees Claire and crawls to her and kisses her and his kiss brings her back to life! His lips are magic and so is the rest of him. The couple clings to each other and Claire says, “I told you I’d never leave you again.” As they make sense of their surroundings, a family comes upon them. The Frasers inquire as to the Artemis which, conveniently, ran aground just four miles away. The survivors are being cared for, and the Frasers are visibly relieved. Despite having company, they are still gazing at each other passionately. “What island is this?” Claire eventually asks and we learn the Frasers are on the “mainland, the colony of Georgia.” Yup, Outlander is headed to America for its fourth season. In a teaser trailer at the end of the episode, we see Claire talking about the American dream and who knows what will happen for the Frasers now. Hopefully, they will have a lot more sex. In 2018, we will find out.

Outlander Season 3 2017

PHOTO: David Bloomer

Overall, this season has been a mess—a watchable mess, to be fair, but a mess nonetheless. The first half of the season was so slow, then the second half of the season moved at a breakneck pace rushing toward tonight’s ending. Because of that rush, the season, as a whole, felt unbalanced. The production remains beautiful—the costumes, the acting, the scenery, everything is well done. The weakness here is in the story itself. I have no problem with time travel, passionate romance, and global adventure. I am willing to suspend my disbelief for all manner of incredible things. But at times this show demands not just the suspension of disbelief but the complete eradication. I want to be intrigued and surprised by a show, but I don’t want to find myself rolling my eyes more often than not. This season, there was a lot of eye rolling. I really do enjoy this show, and I will certainly be watching the fourth season and probably recapping it too, but my goodness, I hope the writing finds a bit more discipline regardless of the source material. My eyes don’t have much roll left in them.

Roxane Gay is the author of Bad Feminist, Difficult Women, and most recently, Hunger. She is also the author of World of Wakanda for Marvel and a contributing opinion writer for The New York Times.

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Hurricane Relief: All Five Living Former Presidents Came Together for the One America Appeal Concert


PHOTO: Rick Kern/Getty Images

A small, very exclusive club came together on stage to help raise money for hurricane relief at the “Deep From the Heart: the One America Appeal” concert at Texas A&M’s Reed Arena on Saturday night. All five living former presidents—Barack Obama, George W. Bush, Bill Clinton, George H.W. Bush, and Jimmy Carter—made a rare joint appearance, their first since 2013 when they attended the dedication of George W. Bush’s presidential library in Dallas. (President Donald Trump didn’t make an in-person appearance, but sent a video message for the people at the concert.)

The ex-presidents started the One America Appeal in response to Hurricane Harvey and have since expanded to raise money for victims of Hurricanes Irma and Maria. The organization’s proceeds go to help hurricane relief through several organizations: the Houston Harvey Relief Fund, Rebuild Texas Fund, Florida Disaster Fund, Unidos por Puerto Rico, and the Fund for the Virgin Islands. So far it’s raised $31 million.

“It’s important that those affected by these devastating storms know that even if the path to recovery feels like a road that goes on forever, we’re with them for the long haul,” George H.W. Bush said at the concert.

Carter told the crowd that Habitat for Humanity, which he’s worked with for 36 years, promised to build 6,000 homes in areas devastated by the storms and has about $80 million left to raise to meet its goal.

Clinton encouraged people to keep up America’s tradition of volunteerism: “We’ve been volunteering since before the Constitution, when Benjamin Franklin organized the first volunteer fire department in Philadelphia.”

President Trump thanked the former presidents for their leadership, “To presidents Jimmy Carter, George H.W. Bush, Bill Clinton, George W. Bush and Barack Obama, Melania and I want to express our deep gratitude for your tremendous assistance. This wonderful effort reminds us that we truly are one nation under God, all unified by our values and our devotion to one another.”

On concert’s roster were Alabama, Lyle Lovett, Robert Earl Keen, Lee Greenwood, Sam Moore, Cassadee Pope, Yolanda Adams, Stephanie Quayle, and The Gatlins—and there was a surprise appearance by Lady Gaga. The pop star posted an Instagram with the caption, “It was an honor to be invited by these five living Presidents to perform and speak at this historic event where we put our differences aside, and put humanity first in the face of catastrophe. #OneAmericaAppeal”

It’s amazing to see these former presidents come together across party lines for a common cause—and encourage all of America to join forces to help those in need.

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Jennifer Lawrence Says Hurricanes Harvey and Irma Show ‘Mother Nature’s Wrath’
Taylor Swift Just Made a ‘Very Sizable Donation’ to Hurricane Harvey Relief
The Kardashians Are Donating $500,000 to Hurricane Harvey Relief



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'American Horror Story: Cult' Is a Terrifying, Completely Cathartic Look at Trump-Era America


PHOTO: Copyright 2017, FX Networks. All rights reserved.

When people find out I’m interested in horror, the first question is usually, “Why?” Depending on who’s asking and how much time we have, I may give a surface-level answer (“Jump scares are fun!”), a semi-autobiographical answer (“I’ve always been interested in the creepy and macabre.”), or the real, let’s-get-into-this answer: because it’s cathartic to confront what scares you, which is why horror tends to reflect present-day society’s biggest fears. It’s why movies like The Purge: Election Year and Get Out have been so successful in Trump’s America. It’s also why American Horror Story: Cult, which premiered last night, is so fascinating.

From the start, the episode felt like a 2016-2017 time capsule that’s been dumped open far too soon. It opens with a montage of election highlights (or lowlights, depending on how you voted): Donald Trump and Hillary Clinton announcing their presidential campaigns, Trump’s rallies, the riots, talking heads on Fox News discussing “the emails,” even Trump declaring, “I could stand in the middle of Fifth Avenue and shoot somebody, and I wouldn’t lose voters.” By the time a title card informs us it’s election night, a feeling of dread (well, again, depending how you voted) has set in.

Then the show cuts between two very different election nights taking place in a small Michigan town. At the comfortable, upper-middle class home of life partners Ally and Ivy (played by Sarah Paulson and Allison Pill, respectively), a group of diverse friends pace the room and nervously say things like, “I won’t believe anything until I hear Rachel Maddow say it. She’s the only one I trust!” Contrast that with Kai Anderson (Evan Peters), a 20-something, greasy white dude sitting alone in a drab basement. When Trump is announced as our next President, Kai cheers, humps the TV, and yells, “The revolution has begun!”; Ally wails as if she’s physically being harmed. Meanwhile, upstairs at Kai’s, Winter Anderson (Billie Lourd) watches the news on her laptop and calls her friend to ask, “Why did CNN not give us a trigger warning!?”

It’s a cutting satirical take on progressives and the alt-right alike—Hillary voters may be emotional snowflakes, but Trump supporters are angry losers living in their mom’s basement—that might immediately turn off people who aren’t willing to look in the mirror too long. But this is American Horror Story—and a Ryan Murphy production at that—which means you’ll never have to sit too long in a moment before it’s on to the next atrocity. This time, it’s a scene in which Kai, still reveling in the glory of Trump’s win, throws a bag of Cheetos in a blender and smears the orange goop onto his face as he whispers, “it’s gonna be huuuuggeee” into the mirror. It’s campy, disgusting, and grotesque—but, hey, this show has never been described as “subtle.”

And that’s just what happens before the opening credits. The rest of the episode continues to capitalize on the fears of both the left and the right, with Ally and Kai serving as tropes of their respective parties. Post election night, Ally’s coulrophobia (fear of clowns) and trypophobia (fear of tiny holes) have flared up. Even the most basic places are no longer safe: A trip to the grocery store starts off ominously when a MAGA hat-wearing cashier declares, “We finally got a real leader in Washington.” That alone would trigger Ally, but then a group of people in clown masks wielding knives and metal music start terrorizing her. Ally defends herself by throwing bottles of Rosé (yes, really) until she makes it to her Prius, where she breaks down. Later, back at home, she’s told by the cops it was just a hallucination. Was it really? Or is she being gaslighted? We don’t know yet—but if this season really is an allegory for our current politics, I think we all know what the answer will be.

Kai, meanwhile, may seem more confident than Ally on the surface, but his actions reflect the insecurities and fears that are currently driving many Trump supporters, like the moment when he picks a fight with Mexican workers, telling them, “You wetbacks aren’t welcome here no more.” Most revealing, though, is a speech he gives at a city council meeting that ends with this line: “There’s nothing more dangerous in this world than a humiliated man.” It’s chilling—all he’s missing is a tiki torch.

By the episode’s end, I started to wonder: Is there anything both sides can agree is universally scary? North Korea making good on its threats? Trump’s Twitter feed? Clowns? Maybe clowns—but then again, given Trump’s orange hue, exaggerated facial expressions, and funny hair…maybe not. Maybe that’s what we’re supposed to discover by the season finale.

All I know is this: We’re in for a wild, fucked-up ride. And I’m ready for it.

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These 22 College Women Will Change Your Perspective on What It's Like to be a Young Woman in America Right Now


In late spring, we started work on a feature that had a simple premise—to stop writing about young women in America right now and start hearing from them. We reached out to student photographers in 22 colleges across the country—from Abilene Christian University to New York University—and asked them to take a portrait of other women on campus who inspire them. We then interviewed the subjects. The results were extraordinary.

Forget everything you think you know about what it’s like to be a young woman right now. These girls are grappling with complex issues around race, sexual identity, and campus safety in Trump’s America—and they’re doing it with a level of self-awareness and compassion that is seriously impressive.

A lot has happened in the months we’ve spent talking to these women, from debates over climate change and healthcare to the violence in Charlottesville, and these voices feel more relevant to the cultural conversation than ever. Their perspectives are clear, strong, and transcendent. As one student proudly told us, “I want to tell the world that I’ve always been the girl I am; now the only real difference is I’m fearless enough to show it.” — Laurel Pinson

For more inspiring college women, check out Glamour’s College Women of the Year—and learn more about the 2018 competition!

PHOTO: Lauren Franco

Alex Soto, 19

Sophomore at Abilene Christian University; Interior Design major

I’m from San Antonio, about four hours away from my school. I play rugby here and there was no women’s team [when I started]—the men’s team told me I was welcome to be a part of their family and compete. It’s a tough sport, and I amped up a million times by playing with the men. I wanted to share this passion with other women, and I’ve successfully recruited up to eleven girls and counting and have competed against the biggest teams in Texas at multiple tournaments.

“The world simplifies college women and assumes all the
changes we go through are some stunt for attention
because we don’t know who we are yet.”

Going to a Christian university, it’s not hard to meet people with extreme religious views who shun those who express their individuality. One day I wore these beautiful red velvet, bell bottoms that I hunted for everywhere, khaki heels, a white-and-navy-printed tank, a tri-color headband, and hoops. I wish I had a camera crew shadowing me so I can stress just how many people stared, laughed at me, and tapped their friends to point them in my direction. I got so many double takes for simply wearing a particular style that stood out. But I didn’t stop wearing my clothes; I didn’t take alternate routes to avoid people.

The world simplifies college women and assumes all the changes we go through are some stunt for attention because we don’t know who we are yet. In high school, we’re often surrounded by closed-mindedness; college is our first real shot to express ourselves. I want to tell the world that I’ve always been the girl I am; now my only real difference is I’m fearless enough to show it.
— As told to Jessica Militare


Emily-Barbero-CalPoly.jpg

PHOTO: Haley VanBaale

Emily Barbero, 19

Junior at California Polytechnic State University; Mathematics major

I’m in the CalPoly Tractor Pull club. We travel around the state and students build these modified tractors that drag metal. It’s a competitive distance sport, and I’ve met so many great people—I’d never even heard of tractor pulling before. I hang out with the tractor-pulling club, but I’m also a Math major and I have friends that are English majors—it’s exciting to hang out with different groups of people. In high school I felt much more secluded.

College women still have loose stereotypes attached to them. They’re either the raging party girl or the studious library geek who never goes out. We can be both; there’s a middle ground between the extremes. I’m a math major and whenever I tell people that, they’re like ‘what really?’ And then they’re like “Oh, so you want to teach.” Where for men they’re like “Oh, so you’re trying to go into engineering.’ People assume that college women can’t play the same roles as college men.
— As told to Jessica Militare


PHOTO: Lindsay Rothrock

Ilana Rivera, 22

Senior at Wheaton College; Psychology major

It’s hard to feel powerful in a predominantly white Evangelical university as a woman of color. After the election, I was terrified for what healthcare would look like for people who are differently abled like myself. But I’ve protested, and I’m trying my hardest to do what I can and to tell myself that I am powerful and that my voice matters.

“There’s a misconception that people with disabilities can’t pursue
higher education, and that’s completely wrong.”

There’s a misconception that people with disabilities—either with mental or physical limitations—can’t pursue higher education, and that’s completely wrong. I [have myasthenia gravis and] almost have my bachelors degree. It took a little bit longer, but people with disabilities are still capable, and we can do things just as well as anybody else can. Maybe [they’re] different things, and maybe we need a little bit of assistance, but it doesn’t lessen our value and it doesn’t lessen my value in society.
— As told to Kate Friedman


PHOTO: Qiuyang Shen (Lynette)

Chain Wang, 21

Recent graduate of William & Mary; bachelor’s degree in psychology and philosophy

I noticed my sexuality pretty early, like when I was five or six. First I realized that I didn’t want to be confined by “girl” or “female.” Then I realized that I got really shy in front of girls. So I figured, probably I like them.

I kept all of that to myself until I went to college. I didn’t want to tell my parents because I figured they’d be pretty shocked and strongly disagree with all of my decisions. And I knew [Beijing], China, wasn’t going to work for my sexuality. So I decided on William & Mary because I knew the undergraduate program was pretty famous.

I met my partner at the library during finals week. We had a one-night thing. Then we had another one-night thing. And then we had another one-night thing. It’s just kind of happened. Now it’s been one year and three months. She’s really sweet. She makes me feel really good. Her mom was really open and accepting when she found out about us.

“Even though I want to be a male in the future, I don’t want
to deny my 20-year history of being a female. That’s why
I decided to just be gender non-binary.”

I came out to my mom between my sophomore and senior year (I finished my undergrad degree in three years instead of four, so I didn’t have a junior year). She was visiting me over the summer, and the conversation just kind of happened. She cried. But the first thing she said was “It’s OK, we know homosexuality is not a crime or a disease.” Then she told my dad. They are the kind of couple who hold hands when they are on their lunch break from work, so they don’t keep secrets from each other.

When I started college, I knew I wasn’t just a girl. Still, I wouldn’t have imagined changing that part of myself. But throughout college, I kept thinking about it. And this summer, I decided that I’m going to start taking testosterone. I want for you to see a straight heterosexual male when you look at me. But even though I want to be a male in the future, I don’t want to deny my 20-year history of being a female. So that’s why I decided to just be gender non-binary.
— As told to Ashley Edwards Walker


PHOTO: Elise Korfonta

Niazayre Bates, 19

Sophomore at Ithaca College; Theatrical Production Art major

I’m from Los Angeles, and upstate New York is so different. I saw snow for the first time here. I stand out in Ithaca like a sore thumb being a black woman with long white braids. I was in a grocery store once, and a woman came up to me all excited and said that her husband had seen me around campus. L.A. culture and upstate N.Y. culture are entirely different beasts; I end up feeling slightly out of place because I can’t be that same person I was back home—which is also a good thing.

As I woman I definitely feel afraid to ask for help. For me, asking for help is admitting weakness—that I can’t do what everyone else can do on their own, and a sense that I’m taking up my professor’s time. Both reasons are completely ridiculous. I want to show other young women that I struggle, and that asking for help from teachers, classmates, and older students is normal.
— As told to Samantha Leach


PHOTO: Jiayue Yu

Cici Pan, 21

Senior at School of Art Institute of Chicago; Photography major

College has made me more confident and hardworking. I was kind of lazy at the beginning of college, skipping classes and failing them. It was the first time I felt like a grown up, so I was doing what I wanted instead of what I was supposed to do. At one point my counselor suggested I should maybe take a break. She was like, “We’re not here to push you to do stuff. You really have to want it and do the work.” I had to write an appeal to a council to prove I could make my classes.
— As told to Ashley Edwards Walker


PHOTO: Williejane Dent

Ellie Gordon, 22

Fifth-year undergraduate at Oregon College of Art and Craft; BFA in ceramics, working in mixed material sculpture

In high school I felt like an outsider. I was afraid of being myself and speaking my mind. I wish I could go back and say, “It doesn’t matter! No one is going to stop talking to you because you’re gay! And it’s okay to talk about your feelings and to share what you think!” I feel like I’ve kind of come into my own, and in my art too. I still have a lot of growing up to do though. I still make a lot of mistakes, I still get in fights with my girlfriend, I still say stupid shit I wish I could take back, but I’m a lot truer to myself now.

As a woman in college I feel a little misrepresented—even at my small art school, most of the professors and heads of departments are white males. It’s changing—our drawing and painting department head is a woman. I want to be a college professor one day. I want to hold a classroom, I want to teach theories and concepts. People think college is an equal opportunity for men and women—you’re both getting educated. Yes, you’re both getting an education, but there’s still so much male energy at the top.

[To any incoming freshman:] Don’t let anyone assign the feminine gender to your art; just because you’re a woman does not mean you need to make work about being a woman—that is not every piece of who you are. Make sure you stand your ground and have a voice, and don’t let men interrupt you. I used to let men mansplain all over me, but in the past year or two I’ve tried saying, “Hey you just interrupted me and I’m going to finish my thought and then you can say your thought.” Women are very underrated in the art world—the ratio of men to women artists in museums is just not fair. We women have to stand our ground because people will put you down for reasons that have nothing to do with your art, and everything to do with your gender.
— As told to Jessica Militare


PHOTO: Aisha Jemila Daniels

Hannah M. Clark, 22

Fifth-year senior at Howard University; Computer Science major

Every woman wants something different out of life. […] When somebody makes a decision that is different from mine, that doesn’t take away my choice or make what I believe any less relevant. […] Also, it’s important to realize that college is just college. It’s a place you go to equip yourself with a skill set, but it’s not forever. Once those four years end, the rest of the world will be waiting at your doorstep. That’s why it’s important to always have your eye on whatever your goal for coming to college was. It saddens me when I hear older people say that college was the best four years of their life because it’s like, Well, you have at least fifty years ahead of you! I think it’s always good to think about things in the context of a lifetime.
— As told to Ashley Edwards Walker


PHOTO: Adriana M. Sedillo

Amanda Romero, 31

Senior at University of New Mexico; Fine Arts major with a concentration in photography

I was a college dropout twice. First, I went to community college, but I was only going to school part-time since I also had a full-time job. I had one more class—a physics class—before I could officially enroll in the sonography program. I’m horrible with math, and I ended up failing it a couple times. On the third go-around, I found out I was pregnant. I was 23 and I wasn’t married. That’s when I dropped out the first time.

A year after my daughter was born, I decided to go back to school. I changed my major to art so that I could focus on photography—something I’d always loved to do in high school. I completed my associate’s degree and decided to go for my bachelor’s, enrolling at the University of New Mexico that fall. But in November of that first semester, my brother, my only sibling, committed suicide. I’d always been extremely close with him, and his death devastated me. I tried to convince myself to push through and just finish out the term, but I couldn’t. That’s when I dropped out for the second time.

When I re-enrolled a year later, I was still reeling from my brother’s death. But luckily I had an amazing teacher in one of my photography classes who I could talk to. She convinced me to channel my grief into my art, and for that I will forever be grateful.

Now, if everything goes according to plan, I’ll graduate in May 2018. When I see freshmen and sophomores in my classes talking about football games and all the fun stuff that I wish I had done when I was their age, sometimes I feel sad or as if I’m behind. But no matter what, I keep going. There’s always going to be bumps in the road. But there’s also always going to be a way that you can navigate through them and get it done. Even though it’s taken me this long, and even though it’s hard sometimes, I’m still doing it.
— As told to Ashley Edwards Walker


PHOTO: Zenobia Marder

Shani Strand, 22

Recent graduate of Oberlin College; double major in Studio Art and English

I think the majority of students of color, especially black students, have felt unsafe on campus. Oberlin gets racial threats—specifically toward its black student population, but also its student of color population—almost every year. It can be a very tense place in terms of where it is in Ohio and how politically liberal the school is. One year, the black student union put out a list of demands that got a lot of public heat and people started threatening the black student population. The POC community is just really small there. Supportive, but small. So you’re aware that you’re in an incredibly limiting environment in the way that you can participate in black culture. And the isolation that you feel from the black communities you come from, or that you would like to participate in, can get really frustrating.

I wanted to leave at the end of my sophomore year. I think a lot of it was stuff that was happening at home with my parents and their relationship. It was an interracial marriage; my mom is from Jamaica and my dad is white and from Long Island. I think they were doing that thing where they stay together for the kids, but the kids kind of know that they shouldn’t. They decided to get divorced after I left for college. Also, my dad is a transgender woman and she was transitioning. So I was very overwhelmed with things in terms of gender, sexuality, politics, racial politics. It was hard being 400 miles away and getting phone calls from each of my parents every day. But even though it was really hard at Oberlin sometimes, I’m still pretty happy with the experience I had overall.
— As told to Ashley Edwards Walker


PHOTO: Sarah C. Sanchez

Mehnaz Ladha, 21

Senior at Ramapo College; Communication Arts major

My great-grandparents migrated from the province of Gujarat in India to East Africa. Both of my parents were born and raised in East Africa, and migrated to the U.S. Throughout high school [in New Jersey], I stood out as a Muslim American wearing a hijab, and the headscarf essentially defined me. But that changed when I started college; the hijab was no longer a marker of what I am, but rather who I am. Covering for me has become a symbol of modesty, beauty, and empowerment.

“Throughout high school, the headscarf essentially defined me.
But that changed when I started college; the hijab was no longer
a marker of what I am, but rather who I am.”

My safety on campus became more apparent after the recent presidential election. I found myself being extra cautious of what I’d say around others—especially after hearing anti-Muslim rhetoric from public figures. But their comments also motivated me to prove others wrong and show them what being a Muslim really means. Friends and faculty at school have reached out to see how I’ve been doing, and the support has reassured me that I am a member of the Ramapo community just as much as anyone else.

Young Muslim women in college are ordinary girls working hard to make a name for themselves. Much like everyone else, they want to earn a degree, find a secure job and lead a happy life. Being Muslim is just another facet of my identity that not only defines what I believe in but also shapes my character.
— As told to Jessica Militare


PHOTO: Lea Winkler

Samantha J. Lozada, 22

Recent graduate of NYU; specialized study on critical theory regarding race, gender, and colonialism

[My hometown of] Concord is a small town. Well, I mean, not too small, but it’s the suburbs of Boston. Growing up, I didn’t feel that much connection with the place; it’s pretty conservative socially […] I came into myself [at NYU].

I think that currently in the US there’s an idea that—well, this is a very anti-progressive thing—but that school is a place where people learn social justice-oriented or reactionary ideologies, rather than coming into their own understanding. Like the the idea that they went to school and became a radical feminist because they were brainwashed by this or that, or they became more anti-capitalist because of this or that. These things invalidate progressive ideologies, especially with people going to college. It’s not really what they think or feel—it’s what we can understand from the news, it’s people telling them instead of thinking for themselves.
— As told to Samantha Leach


PHOTO: Ohemaa Dixon

Nicole Jenkins, 18

Sophomore at Syracuse University; English major

One thing I wish I’d known before starting college is that people are coming from all different types of backgrounds. I definitely did not realize that at first and took offense to some things. It took a while, but one day I realized like OK, this person is from Colorado. I don’t know how they were raised. So maybe they just don’t know the same things that I know.

People think our generation is on our phones all the time, just trying to socialize, using Snapchat too much, whatever. But really we’re using these things to help us fulfill our goals. Like people will post their artwork to social media saying, “I have an art gallery setup at this time, come through.” And definitely with protests and demonstrations and stuff like that, we use Snapchat, Instagram, Twitter, all that stuff to bring people together and build a community. So I think it’s really useful and that we’re using it the right way to further our goals.
— As told to Ashley Edwards Walker


PHOTO: Katie Chapin

Clara DeWesse, 24

Senior at Montana State University; Photography major

I grew up in Portland, so moving to Montana was like a 180 in a lot of ways. Portland is really socially progressive. It was super easy to be who you wanted to be and express yourself however you wanted to. It was big to be part of a scene, but you didn’t necessarily have to choose just one. Like, I was a punk, then I came out as queer when I was 14. So I had both of those communities, which was a ton of fun and allowed me to explore in a lot of different ways. To be immersed in the alternative here in Montana is wild.

Montana is very rural. People do sports, fish, ski, rock climb, mountain bike. It’s pretty dominated by intense masculinity and is fairly conformist in terms of how people think women should look. When I first I came to Montana I was definitely like, “I’m an urbanite. I’m so much more cultured than everyone.” […] Living in Montana has taught me to dig deeper than the surface level with people. And I’ve learned that I’m not that special. Everyone is human.

A big thing that’s empowering about being in a small place is that your voice can be much louder. In my work, I focus on femininity and gender dynamics. In Portland, all my ideas, it was like preaching to the choir. People are already so radical that nothing really shocked anyone. But in Montana, I’m presenting work to a community of people who haven’t seen something like what I’m doing in a contemporary context, possibly ever. Even if people are totally offended it’s like, “OK, cool. I’m glad you saw something that made you somewhat uncomfortable because you live in a place that is so comfortable.”
— As told to Ashley Edwards Walker


PHOTO: Jordan Coady

Chloe Bristow, 19

Sophomore at Western Washington University; double major in Cellular Molecular Biology and Psychology

When you’re in high school, it’s hard to know if you’re truly self-motivated. Because you have parents and the high school community who are there to make sure you do what you need to do. But in college, all of that falls away. You realize it really is on you to find out if you’re at school because you want to be there.

When I first got to school, I was really overwhelmed with the fact that if I failed or didn’t do good, it was on me. But at the same time, when I did succeed, it was empowering to know that it was because I chose to.
— As told to Ashley Edwards Walker


PHOTO: Jessi Almquist

Taylor Carroll, 21

Junior at Virginia Tech; Creative Technologies major

Virginia Tech is near my hometown, so I actually still live in the house I grew up in. I know I’m not getting the same experience as other students—living at home can be limiting and isolating—but I’m saving a lot of money on rent, so that’s an upside.

I feel pretty safe on campus, even at night. My aunt is in law enforcement, and was a first responder on the shooting here in 2007—she’s shown me how the security on campus has tripled and that they have all kinds of safety protocols in place. Even ten years later, the tragedy has definitely made Virginia Tech very community-driven. You can’t even go two feet on campus without seeing a “we will prevail” sign because it’s true—we made it through a very difficult time and still managed to come out of the other side with love and trust.
— As told to Kate Friedman


PHOTO: Mary Kathryn Carpenter

Casi and Ari Gibson, 22

Recent graduates of University of Alabama; Casi majored in Restaurant, Hotel and Meetings management and Early Childhood Development; Ari majored in Restaurant, Hotel and Meetings management and Marketing

Casi: Tuscaloosa, Alabama, is really confined and very different from the Chicago area [where we grew up]. The strong Southern values and principles were a bit of a culture shock for us. At UA, Greek life is huge; we didn’t join a sorority, but we involved ourselves in organizations we felt passionate about. I wish I would have known that in college, academics isn’t the only thing you should focus on. Your social life and experiences shape you and mold you. […] It’s not easy being a young women in college, or in the world really. There are so many different assumptions and things you have to prove about yourself, and as black women, we have to prove a lot more and work a lot harder.

Ari: You don’t have that core base of family and friends or your support system at home—so you’re in it by yourself. At school you have to find your little niche in your little corner of the world to be successful. I was lucky to have my twin sister with me.
— As told to Kate Friedman


PHOTO: Mercede Mae Johnson

Candace Harrison, 20

Sophomore at Diné College, a tribal university; pursuing a fine arts degree

Before going to college, I didn’t know how many challenges the Navajo nation faced. In high school, I wasn’t taught the Navajo language. Then, during my first semester, I took a Navajo history class. Our instructor explained how our language is part of our roots. So many people in my generation speak English that Navajo language is going to disappear if we don’t change. So now I’m taking classes and trying to spend more time with my grandparents. When they talk to me in Navajo, instead of ignoring it or asking for help translating, I try to learn it.

“Before college, I didn’t know how many challenges the Navajo nation faced.
I never really cared about my traditions. Then I took a class in Navajo history.
Now I think of myself as an indigenous woman. It means you are strong.”

[…] I never really dressed in traditional outfits before college. But now that I’ve learned more about my culture, I’m a lot prouder. Every once in awhile I try and put on my traditional outfit: a dress or a skirt and velvet top, a sash belt, a concha belt, and you wear turquoise jewelry. Before, I never really cared about my traditions. Now I think of myself as an indigenous woman. That means knowing who I am, knowing my language and my homeland. It means you are strong.
— As told to Ashley Edwards Walker


PHOTO: Lucy Xiangyu Wang

Stephanie Siow, 23

Recent graduate of Yale University; Global Affairs major

My worldview is different about so many things since going to college. […] One of my best friends grew up on a farm in Wisconsin. Before meeting her, I had no idea what a life like that would look like—talking about milk and beef prices, the Midwest culture, Culver’s, stuff like that. My roommate: she’s half-Japanese, half-African American. And she grew up in the most liberal part of California. You just have so many people coming together from such different backgrounds who all care about all different things. You’re forced to try and empathize.

People often have this idea of college women being very vocal and advocating for things like sustainability without actually getting things done. I think that’s really untrue. I have so many friends who contribute on campus and off. My roommate started an academy called Powerful Beyond Measure that brings at-risk youth girls from California to Kenya. One of my suitemates from my freshman year started the Organization for Racial and Ethnic Openness to promote conversations about racial issues on campus. I co-founded the Southeast Asian Movement to engage youths on Southeast Asian political and social issues. I could go on and on and on! College women are taking ownership of the stuff that they care about because they want to make a difference in this world.
— As told to Ashley Edwards Walker


PHOTO: Anna Brody

Jess Farran, 24

Recent graduate of Savannah College of Art and Design; Bachelor’s degree in fine art and photography

The last few years have been hard for me—my dad left and we had two deaths in our family. I think being so far away at school allowed me to deal with it independently. Sometimes I wished that I had a support system at that time, but I am thankful that I was the only person I was able to rely on. That time really shaped me into the person and woman I am now.

People assume women in creative fields are dumb. They think that’s all we can do, or all we feel like we’ve been made to do. Like, “Oh, of course a girl would go into fashion,” or, “Of course she wants to be interior design, because that’s what society made her to be.” But we have so much choice in what we do, and it should not be questioned or doubted. I didn’t pick a creative field because I thought it was easier for me—if anything I think it’s more challenging. Don’t doubt others based on societal norms, even if they fall into tropes. They still have a choice in what they do.
— As told to Kate Friedman


PHOTO: Jessi Havens

Nina Falu, 19

Sophomore at Madison Area Technical College; hopes to major in occupational therapy

Our generation of women in college, there’s more of a work mentality. We are all on this grind to get our degree and make sure that we’re financially set. The women in Madison are really independent; […] we’ve had influences like Nicki Minaj and Beyoncé saying, “Go to school, you don’t need a man.” So my friends and I have always been like, “I’m going to do this and no one’s going to stop me. I am a woman, and I am proud.”

Growing up as a black girl with really curly hair, I’ve always just been cast aside. There’s even times where people have said “You’re so much smarter than I thought you were because you look this way.” For me, that’s motivation to keep going. I’m done with letting other people assume things about me because they don’t like the way my skin is or they think I’d look prettier if I was another way. It’s our turn now.
— As told to Ashley Edwards Walker


With additional reporting by Samantha Leach



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Blake Lively Edited America Ferrera Into the Latest 'Sisterhood' Reunion Pic


The Internet is pretty obsessed with the fact that the cast of Sisterhood of the Traveling PantsBlake Lively, Alexis Bledel, Amber Tamblyn, and America Ferrera—are best friends in real life. Whenever these women get together for brunch or even just a photo at an event, it’s labeled as a big “reunion”—and that’s a bit of a stretch. They’re friends, y’all! They hang out! It’s only a reunion if they haven’t seen each other in years; these gals probably see each other once a week, minimum. And they definitely have a group text.

Of course, we’re still allowed to be happy whenever this foursome pals around. From a nostalgic point of view, it’s actually super exciting four people from such a beloved kids’ movie franchise are so close. Seeing them together is like reliving your childhood over and over. Their sisterhood is real, people.

Want proof? Look no further than Lively’s latest Instagram. The Gossip Girl vet uploaded a picture of herself, Tamblyn, and Bledel lovin’ on each other. Unfortunately, it looks like Ferrera couldn’t make this hang-out, so Lively did the next best thing: She edited her into the pic.

“Divine Secrets of the Ya Ya AF @americaferrera while professionally editing you into this photo, I realized you have the coolest and most appropriate initials EVER! #BadassAF #SistersForever #tbt,” Lively wrote. See it for yourself, below:

You know your friends are loyal when they literally draw you into pics because they miss you.

So does this Instagram mean a third Sisterhood movie is on the horizon? Nothing’s confirmed, but the women have each expressed interest in returning to the franchise. “There’s a strong chance there might be a third,” Lively told People. “The four of us are still best friends. To be able to create something together again has always been a dream of ours.”

Ours, too.

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Blake Lively Is ‘Awakened’: The Actress Talks Sexism in Hollywood and Raising Fearless Daughters

Blake Lively Just Trolled Ryan Reynolds in a Very Funny Way



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