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The Aquis Hair Towel Completely Saved My Hair Color From Fading


Nothing in my life has simultaneously taught me love, patience, and pain quite like my one-and-a-half-year relationship with bright red hair. Before moving to New York, I had never strayed from my natural shade: a combination of black and sun-toasted brunette. But, when Cutler Salon‘s colorist extraordinaire, Ryan Pearl, asked me if I wanted to try switching it up, the first thing that popped into my head was, “I must have burgundy highlights.”

One session, and I was completely hooked on the way my whole face seemed to light up when it was surrounded by a colorful halo. From there, I went steadily redder and redder in the hands of Pearl and my favorite Bumble and bumble colorist, Diaz. What started as some subtly painted pieces gradually began taking over my entire head, intensifying with each session. For three weeks, I’d feel on top of the world—and then, the fading would begin.

If you’ve flirted with any kind of cranberry or scarlet shade before, you’ll be familiar with the anguish over its short-lived stay. Red dye molecules are especially large, so they disappear from your strands quickly. The intense hues I gravitated toward also had a tendency to bleed all over my belongings whenever my hair was damp. “Why are you doing this to me?!” I would wail as I inspected the swaths of red covering my towels. I didn’t want to consistently blow-dry, either; heat damage was the last thing I wanted on my hair, which had to be repeatedly bleached in order to achieve the vibrant red results.

Luckily for both my hair color and my emotional state, I discovered Aquis a few months into this ongoing catastrophe. The brand is known for their hair towels and turbans—I prefer the latter as they loop around your head and fasten shut, staying securely put as you go about your daily routine. As someone who typically gets her towels from the dorm section at Target, I raised an eyebrow at the $30 price tag, which led to me extensively grill founder Britta Cox about its properties.

Cox calls the fabric “Aquitex”—it’s a synthetic woven material with ultra-fine channels that quickly draw water in at the point of contact. Compared to textured cotton towels, the fibers are much smaller and finer, actively wicking water away without causing friction. It also lacks the tiny loops you see on both cotton and quick-drying microfiber towels; these are great for grabbing dust, but can also snag on your hair cuticles and cause frizz, particularly when they’re wet.

“I was going to the ski [trade] shows where I saw all the first wicking fabrics as they came to market,” explains Cox, who formerly worked with Italian skiwear brand, Colmar, and discovered an unexpected source of inspiration. “I found the company in Japan that invented the first wicking fabrics and worked with them to make a towel.” From a close-up standpoint, the use of moisture-absorbing channels in the place of loops encourages the hair cuticle to lay flat, which cuts down on frizz, breakage, and color loss.

I explain all of this in minute detail so you can have a better appreciation for how it works in practice. Aquis’ towels take my hair from dripping-wet to damp in 5 to 10 minutes, but I find that they also make it dry much smoother and shinier. There’s no rubbing necessary with these—something you should avoid doing anyway, as the friction leads to damage—just sandwich your hair and press gently or (in the case of the turban), wrap it up. If I want to coax out my natural waves, I lightly scrunch sections at the end of the process.

Weirdly, my favorite thing about these used to be cleaning them on laundry day. The directions for care are simple—just throw them in the washing machine with warm water and detergent, avoiding bleach or fabric softeners. (You can dry them on the gentle cycle or hang-dry.) Every time I did so, I would notice that there was barely any red to be seen on the towel, aside from a few, faint imprints. It’s true that I’ve since given up on red and reverted back to my original shade, but during the period that I committed to that beautiful, patience-trying color, these were my everything. And now that I’m caring for a relatively low-maintenance hue, I still refuse to use anything else. They’re just that good.

Aquis Lisse Luxe Hair Turban, $30, ulta.com

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Prince George, Princess Charlotte, and Savannah Phillips Completely Stole the Show at Trooping the Color


The Queen of England’s public birthday celebration, Trooping the Color, has everything a royal-watcher could ask for: high fashion on our two favorite duchesses, handsome princes in uniform, copious amounts of royal waving, and tiny royals doing delightful little-kid things from the regal Buckingham Palace balcony. Speaking of, Prince George, Princess Charlotte, along with cousins Savannah and Isla Phillips (daughters of Princess Anne’s son Peter), totally stole the show when the royal family gathered at Buckingham Palace to watch the military flyover. (Prince Louis was not in attendance, unfortunately.)

It’s partly thanks to what might just be this year’s best GIF. Savannah’s shushing of Prince George—complete with a no-nonsense face to beat them all—went viral.

And she quickly got some new Twitter fans:

Of course, Gary Janetti, whose Instagram posts about Prince George have become a bit of an Internet sensation themselves, weighed in with a two-part ‘gram.

Overall, the royal children seemed to have a blast—look at those excited faces.

PHOTO: DANIEL LEAL-OLIVAS/AFP/Getty Images

But the excitement might have been too much for one of the junior royals: Princess Charlotte had a classic toddler tantrum at one point. Luckily, Kate was right there to comfort her through her tears.

Princess Charlotte Crying

PHOTO: Samir Hussein/WireImage/Getty Images

Even princesses need mom hugs.

Princess Charlotte

PHOTO: Chris Jackson/Getty Images

Today’s festivities might have been new for Meghan Markle, Duchess of Sussex—this was her first such occasion—but not so much for Prince Harry and Prince William. They’ve had their share of silly moments on the balcony over the years, as seen here at Trooping the Color in 1988 and 1989.

Here’s 1988:

1988 Trooping the Colour

PHOTO: Anwar Hussein/Getty Images

…and ’89:

1989 Trooping the Colour

PHOTO: Anwar Hussein

It’s all just further proof that no matter whether they’re royal or not, kids are always gonna kid.

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Hourglass Cosmetics Is Going Completely Vegan


If you want makeup that’s going to look as good on your Instagram as it does on your face, Hourglass Cosmetics is a first stop. Between its OG marbled, impossible-to-mess-up powders, its velvet-finish foundation stick, and the primer that convinces people primers are worthwhile, the brand has always been a solid choice when you want to invest. The twist? A hefty amount of the brand’s products are already vegan, and it’s making going fully cruelty-free a priority. To celebrate World Vegan Day (today), the brand just announced that by 2020, every single one of its products will be entirely vegan.

What does this mean for your favorite formulas? Similar to a vegan diet, anything that’s an animal bi-product is off the table. So for beauty brands, that means eliminating the use of common ingredients like beeswax (often used in lip balms) and Carmine, a dye made from beetles’ wings. (Yes, that’s a common additive, look on the back of your makeup packaging for CI 75470 to find out if your favorite brands are using it.)

But since a handful of Hourglass’s classics are already vegan, it likely means only a few products will be getting an update. We did some digging, and the following products aren’t listed as vegan, so they’ll likely be up for reformulation: the Femme Rouge Velvet Crème Lipstick, Girl Lip Stylo, Ambient Strobe Lighting Powder, Ambient Strobe Lighting Blush, Panoramic Long Wear Lip Liner, Hidden Corrective Concealer, Film Noir Full Spectrum Mascara, Modernist Eyeshadow Palette, and Gel Eye Liners. That said, it’s pretty safe to assume the brand’s not going release anything less than the quality it’s known for, so the vegan replacements will surely be just as good.

On top of that news, in a second twist, the brand is dipping its toe in vegan and cruelty-free fashion. Its celebrating its commitment with a vegan leather makeup clutch, and 100 percent of its profits will go to the Nonhuman Rights Project. We can’t say we saw this coming, but it’s actually incredibly chic (right in line with the Hourglass brand). Not mad about it.

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This 'Game of Thrones' Death Pattern Discovered by Reddit Is Completely Mind-Blowing


Game of Thrones is perhaps most well known for being unafraid to kill off series stalwarts—and, of course, for having extremely detail-oriented fans. So it was only a matter of time before those fans would sift through all of the many deaths we’ve seen on the show and devise a theory that makes them all interrelated.

According to Redditor razobak09, as spotted by HelloGiggles, the pattern goes like this: Characters on GoT die in ways that mirror their most important moments on the series. For instance (and, obviously, spoilers), Ned Stark used his sword, Ice, to behead the Night’s Watchman deserter before being beheaded by Ice himself; Tywin Lannister ordered the Red Wedding, where numerous Stark men were killed by crossbow-wielding musicians before his own death by crossbow at the hands of his son, Tyrion; and Roose Bolton killed Robb Stark with a knife to the heart before then being stabbed in the heart by his son, Ramsay.

But wait, there’s more: Jon Snow stabs his Night’s Watch brother, Qhorin Halfhand, and later, he’s fatally stabbed by Night’s Watch brothers (and brought back to life, but still). And Stannis Baratheon killed his brother, Renly Baratheon, with the help his female assistant so-to-speak, Melisandre; then, Stannis was later killed by his Renly’s female assistant/devotee, Brienne of Tarth. And so on.

It all makes sense when you think about it, especially since Game of Thrones makes a point to focus on revenge, complicated sub-plots, and dramatic death scenes. Now that season seven has ended and we’re starved for any details we can possibly pick up about the future, all we have to do is figure out what every remaining character has done to others—and then maybe, we’ll be able to figure out how they die. (Perhaps we could start with Arya’s kill list?)

Should be easy enough with all of this time we have to kill (pun intended) before the next and last season, right?

Related: Sophie Turner Just Clapped Back at All the People Defending Littlefinger



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'American Horror Story: Cult' Is a Terrifying, Completely Cathartic Look at Trump-Era America


PHOTO: Copyright 2017, FX Networks. All rights reserved.

When people find out I’m interested in horror, the first question is usually, “Why?” Depending on who’s asking and how much time we have, I may give a surface-level answer (“Jump scares are fun!”), a semi-autobiographical answer (“I’ve always been interested in the creepy and macabre.”), or the real, let’s-get-into-this answer: because it’s cathartic to confront what scares you, which is why horror tends to reflect present-day society’s biggest fears. It’s why movies like The Purge: Election Year and Get Out have been so successful in Trump’s America. It’s also why American Horror Story: Cult, which premiered last night, is so fascinating.

From the start, the episode felt like a 2016-2017 time capsule that’s been dumped open far too soon. It opens with a montage of election highlights (or lowlights, depending on how you voted): Donald Trump and Hillary Clinton announcing their presidential campaigns, Trump’s rallies, the riots, talking heads on Fox News discussing “the emails,” even Trump declaring, “I could stand in the middle of Fifth Avenue and shoot somebody, and I wouldn’t lose voters.” By the time a title card informs us it’s election night, a feeling of dread (well, again, depending how you voted) has set in.

Then the show cuts between two very different election nights taking place in a small Michigan town. At the comfortable, upper-middle class home of life partners Ally and Ivy (played by Sarah Paulson and Allison Pill, respectively), a group of diverse friends pace the room and nervously say things like, “I won’t believe anything until I hear Rachel Maddow say it. She’s the only one I trust!” Contrast that with Kai Anderson (Evan Peters), a 20-something, greasy white dude sitting alone in a drab basement. When Trump is announced as our next President, Kai cheers, humps the TV, and yells, “The revolution has begun!”; Ally wails as if she’s physically being harmed. Meanwhile, upstairs at Kai’s, Winter Anderson (Billie Lourd) watches the news on her laptop and calls her friend to ask, “Why did CNN not give us a trigger warning!?”

It’s a cutting satirical take on progressives and the alt-right alike—Hillary voters may be emotional snowflakes, but Trump supporters are angry losers living in their mom’s basement—that might immediately turn off people who aren’t willing to look in the mirror too long. But this is American Horror Story—and a Ryan Murphy production at that—which means you’ll never have to sit too long in a moment before it’s on to the next atrocity. This time, it’s a scene in which Kai, still reveling in the glory of Trump’s win, throws a bag of Cheetos in a blender and smears the orange goop onto his face as he whispers, “it’s gonna be huuuuggeee” into the mirror. It’s campy, disgusting, and grotesque—but, hey, this show has never been described as “subtle.”

And that’s just what happens before the opening credits. The rest of the episode continues to capitalize on the fears of both the left and the right, with Ally and Kai serving as tropes of their respective parties. Post election night, Ally’s coulrophobia (fear of clowns) and trypophobia (fear of tiny holes) have flared up. Even the most basic places are no longer safe: A trip to the grocery store starts off ominously when a MAGA hat-wearing cashier declares, “We finally got a real leader in Washington.” That alone would trigger Ally, but then a group of people in clown masks wielding knives and metal music start terrorizing her. Ally defends herself by throwing bottles of Rosé (yes, really) until she makes it to her Prius, where she breaks down. Later, back at home, she’s told by the cops it was just a hallucination. Was it really? Or is she being gaslighted? We don’t know yet—but if this season really is an allegory for our current politics, I think we all know what the answer will be.

Kai, meanwhile, may seem more confident than Ally on the surface, but his actions reflect the insecurities and fears that are currently driving many Trump supporters, like the moment when he picks a fight with Mexican workers, telling them, “You wetbacks aren’t welcome here no more.” Most revealing, though, is a speech he gives at a city council meeting that ends with this line: “There’s nothing more dangerous in this world than a humiliated man.” It’s chilling—all he’s missing is a tiki torch.

By the episode’s end, I started to wonder: Is there anything both sides can agree is universally scary? North Korea making good on its threats? Trump’s Twitter feed? Clowns? Maybe clowns—but then again, given Trump’s orange hue, exaggerated facial expressions, and funny hair…maybe not. Maybe that’s what we’re supposed to discover by the season finale.

All I know is this: We’re in for a wild, fucked-up ride. And I’m ready for it.

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This 'Devil Wears Prada' Deleted Scene Tells a Completely Different Story


PHOTO: Courtesy Everett Collection

Over a decade after its release, pretty much everyone knows the basic plot line of The Devil Wears Prada. Andy, played by Anne Hathaway, gets a job as an assistant under icy magazine editor Miranda Priestly, played by Meryl Streep. The entire movie hinges on their tense relationship, and Andy spends the better part of two hours trying to get into Miranda’s good graces, which finally happens right before the closing credits. But based on a recently rediscovered deleted scene, found by BuzzFeed‘s community manager Spencer Althouse, it could have been a totally different movie.

“I’m just seeing this deleted scene from The Devil Wears Prada for the first time, and honestly it changed the whole movie for me,” Althouse tweeted alongside the deleted clip from Miranda’s charity benefit scene, Refinery29 reports.

If you’re one of those people who has seen The Devil Wears Prada so many times that you can quote it line by line (guilty), you probably remember the gist of what goes down in the original version of the scene. Andy is stuck at a black tie event for the magazine helping a sick Emily feed their boss the names and details of the guests as they approach. Emily forgets an important piece of information, and Andy helps save the day. Miranda acknowledges it with a blink-and-you’ll-miss-it smile, and then the scene is over. The whole thing is pretty uneventful.

In the new clip, though, Andy is shown diffusing a potentially even more awkward situation when Miranda’s husband comes over and starts making rude and aggressive comments to the CEO of the magazine’s parent company a.k.a. Miranda’s boss. Miranda steers him away, but not before mouthing “thank you” to Andy for helping smooth things over. Not exactly what you would imagine from a person who casually said things to this same assistant like, “you have no style” and “the details of your incompetence do not interest me,” right? Take a look:

Twitter has mixed feelings about this revelation, ranging from “WHAT?!? Whaaaaat?!” to “Why wasn’t this in the movie?!?” to “No wonder they deleted it. Undermined Miranda’s whole ice queen narrative.”

Regardless of whether you think this moment adds dimension to Miranda’s character or that it’s totally out of place and makes absolutely no sense, there’s one thing we can all agree on: This one, brief exchange would have completely changed the movie. That’s all.



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