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Meet Becca Kufrin's 'The Bachelorette' Contestants


If anyone deserves to find love in Bachelor Nation, it’s Becca Kufrin. The 28-year-old publicist from Minnesota went through a very public, very brutal breakup with Arie Luyendyk Jr. and had to deal with a loser ex on national TV. That’s why we’re all rooting for her to do the damn thing and be front and center when The Bachelorette returns on May 28. In fact, we’re so invested we’re going to help Becca out: The profiles of all the Bachelorette contestants were just made available on ABC.com, and we noticed a few red flags worth mentioning. See ’em all, below.



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17 Photos That Prove Becca's Season of 'The Bachelorette' Is Going to Be Lit


We’re only 11 days away from the start of Becca Kufrin’s season of The Bachelorette, and ABC just released a bunch of photos and details, teasing what’s to come. It’s possible we’re jumping the gun by saying this, but based on the limited information we have, it looks like Kufrin’s Bachelorette season might be the most lit yet. It will certainly be the scariest. (There’s going to be a literal Arie Luyendyk Jr. exorcism, but more on that later.) From dudes arriving on bulls to bubble-wrap-popping on the first date to chicken suits—yup, a man shows up on night one wearing a full chicken suit—The Bachelorette has it all this season. Including Lil Jon. Here are 17 things you have to look forward to.



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Salma Hayek: Harvey Weinstein Dismissed My Harassment Claims Because Women of Color Are 'the Easiest to Discredit'


In the wake of an explosive report in The New York Times outlining numerous sexual harassment and abuse allegations against film industry titan Harvey Weinstein, Salma Hayek wrote an op-ed for The Times in which she accused Weinstein of sexual harassment during the making of the 2002 film “Frida.” (Hayek starred as the title character.) She also said that Weinstein had threatened to kill her.

Weinstein’s lawyers denied the claims made by Hayek, stating: “All of the sexual allegations as portrayed by Salma are not accurate and others who witnessed the events have a different account of what transpired.”

Weinstein’s team has been dismissive of other claims—for example, when actress Lupita Nyong’o came forward with sexual harassment allegations of her own against the Hollywood producer.

While the two incidents may have appeared to be isolated, at the Women In Motion panel at Cannes on Sunday, May 13, Hayek argued that Weinstein had been especially dismissive of allegations made by herself and Nyong’o because they are both women of color.

“We are the easiest to get discredited,” she said, according to Variety. “It is a well-known fact. So he went back, attacking the two women of color, in hopes that if he could discredit us.”

Hayek’s candidness surrounding Weinstein’s actions wasn’t the only form of protest exercised at the film festival this past weekend. On Saturday evening (May 12), 82 women, including Hayek, silently protested the significant gender imbalance present at Cannes. The 82 women in attendance were a symbolic representation of the 82 female directors who have screened at the festival since its first edition in 1946.

“On these steps today stand 82 women representing the number of female directors who have climbed these stairs since the first edition of the Cannes Film Festival in 1946,” actress Cate Blanchett, this year’s competition jury president, and Belgian film director Agnès Varda said in a joint statement. “In the same period 1,688 male directors have climbed these very same stairs. In the 71 years of this world-renowned festival there have been 12 female heads of its juries. The prestigious Palme d’Or has been bestowed upon 71 male directors—too numerous to mention by name—but only two women, Jane Campion, who is with us in spirit, and Agnès Varda, who stands with us today.”

While protests like this one, coupled with the rising resilience of the Time’s Up and #MeToo movements, are making some traction, Hayek warned in the Cannes panel against complacency in Hollywood and beyond: “Now is the time for action.”

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'Saturday Night Live' Graced Us With a Mashup of 'The Handmaid's Tale' and 'Sex and the City'—and, Well, Praise Be


Last night, comedian Amy Schumer made a highly anticipated return to the Saturday Night Live stage to reprise her role as show host and star in a skit that’s essentially a mashup of two incredible—and very, very, different—shows we know and love. Behold, “Handmaids in the City,” a sketch that, however implausibly but undoubtedly successfully, combines Sex and the City and The Handmaid’s Tale.

Positioned as a new, faux-Hulu series, “Handmaids in the City” takes shape as a downright brilliant spoof on modern American television under the current political administration.

“Let’s face it ladies, in 2018, The Handmaid’s Tale is basically our Sex and the City,” the faux-show trailer begins. “So whether you’re on Offred, or an Ofwarren, you’ll love Hulu’s new spinoff show, Handmaids in the City.”

Playing on the internal monologues that guide both The Handmaid’s Tale and Sex and the City, the sketch starts with Offred (played by Schumer) pondering her fate as a female in this new dystopian society—but with a Carrie Bradshaw twist: “As I waited for the girls in downtown Gilead, I was feeling like an uptown gal-ead, and I couldn’t help but wonder: ‘Are women allowed to do anything anymore?'”

From there, Offred is joined by three other handmaids who laughingly discuss the bleak state-of-affairs that is their new subservient lifestyle. When asked how she’s liking her new home, Ofjohn (Aidy Bryant) replies, “Amazing! It’s rent controlled—John controls me, and I don’t pay rent!”)

Ultimately, the tongue-in-cheek spoof led by Schumer plays out perfectly, becoming equal parts a hilarious sketch and all-too-real social commentary on the gloomy-feeling state of affairs for women in American society. As the faux-commercial concludes: “Handmaids in the City. If you’re not traumatized, you’re not watching TV.”

Praise be.

Watch the sketch here:

[embedded content]

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'The Handmaid's Tale' Is Officially Coming Back For a Third Season


Praise be: The Handmaid’s Tale is returning for a third season.

Hulu broke this news at its Upfronts presentation in New York City on Wednesday (May 2). Not much information about the third chapter is known at this time. After all, season two just premiered last week—to a monster audience, according to The Hollywood Reporter—and much of that is still shrouded in secrecy. Because Margaret Atwood only wrote one Handmaid’s Tale book, what’s going to happen in season two is still a mystery—which makes season three’s plot even more of a question mark.

Regardless of what happens, though, this is exciting news. The Handmaid’s Tale is one of the most poignant shows on television right now. It features an A-list crop of actors—including Elisabeth Moss, Alexis Bledel, Ann Dowd, and, this season, Marisa Tomei—and narratives that particularly resonate in our current political climate. What The Handmaid’s Tale says about how our culture treats women is something everyone needs to see. It’s necessary viewing.

We’re only two episodes into The Handmaid’s Tale season two at this point. June/Offred (Moss) has—spoiler alert—escaped from Gilead and is hiding out in the abandoned Boston Globe office. She’s still expecting a baby with Nick, a former Gilead Eye, and their relationship’s been nothing short of passionate—both in good and bad ways. Meanwhile, Emily (Bledel) is imprisoned in the Colonies and serving as a makeshift doctor to the sick women there. Interspersed with these present-day narratives are iteresting flashbacks that offer more detail about how America became Gilead. The scene where a doctor questions June about her parenting “fitness” because she let her daughter go to school with a fever is very eerie to watch.

New episodes of The Handmaid’s Tale premiere every Wednesday on Hulu.

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'The Big Bang Theory' Season 11, Episode 21 Recap: I Can’t Believe How Raj Treated Penny


I’d like to report a missing person, and his name is Rajesh Koothrappali. It seems some alien force targeted Pasadena and either replaced him with his evil twin or brainwashed him into thinking he’s an asshole. Because the real Raj was nowhere in sight on tonight’s Big Bang Theory, titled “The Comet Polarization.” Michael Wolowitz’s namesake (well, one of them anyway)—Neil Gaiman—may have made Stuart’s comic book store the hottest ticket in town, but it was the Raj and Penny storyline that lit a fire under me.

At the start of the episode, the gang gathers on the Friends old rooftop (OK, maybe not, but it looked awfully similar) to discuss Twitter followers and planets. You know, normal rooftop talk. Raj asks Penny if she wants to look through his telescope and instructs her to take a picture if she sees something. Seconds later, Penny says she does see something, but it’s fuzzy. Raj assumes it’s an eyelash. Penny says he’s crazy, so Raj suggests she take a picture. And after Raj takes a look, he admits that she might have seen something important after all: a comet.

PHOTO: Jordin Althaus/Warner Bros. Entertainment

The next day, he stops by Leonard and Penny’s to confirm that it was a previously undiscovered comet. Penny is more delighted than she was at her own wedding. “I discovered a comet!” she exclaims. But then something weird happens: Raj’s demeanor changes, and he condescendingly asks, “What do you mean you discovered it?”

“I’m the one that saw it,” Penny responds.

“In my telescope,” Raj counters. “That I positioned. All you did was look into it.”

What? Leonard suggests they both discovered it, so they can put both their names on the registration. But Raj says he can’t do that because he already put his name down and “that’s who I am and that’s what I did.” (Insert my livid reaction here.)

Penny is rightly beside herself and questions Raj’s sanity, but Raj isn’t having it. Instead, he offers this low blow: “Do you even know what a comet is?” Penny—with the best comeback ever—says, “Yeah! The thing I saw first!”

Raj still doesn’t think that qualifies as a discovery, but Penny reminds him she took the picture. Raj then to insults his friend with this childish statement: “If a monkey took a picture, did it discover the comet?” Penny is furious and orders Raj to get the hell out of her apartment, as she should.

Later, Penny (after apparently googling “who owns the discovery of a comet?”) tells Leonard that the Internet says because she took the picture, she discovered the comet. Leonard agrees with his wife, but questions why she cares. (Groan.) Penny explains that people doubt her all the time because they take one look at her and “assume I don’t know what I’m talking about.” Leonard says he’s sure that’s not true, which frustrates Penny even more because it’s a clear dismissal of her feelings. All Leonard wants to do is make his wife feel better, but what he doesn’t understand is that trying to put a band-aid over something that goes much deeper is never the solution.

In fact, Penny reveals she recently had a great idea at work, but no one paid attention to her until five minutes later when a guy made the same suggestion and the entire room rallied around him. The great idea was about where to eat for lunch, but still. Penny says it happens with all the doctors she encounters too, and she’s over their condescending attitude. “I’m sick of letting this stuff slide,” she tells Leonard. “I found that comet. Why should Raj say he found it?”

Leonard continues to completely dismiss his wife and offers up this gem: “I know you’re right, but Raj is our friend, and this could be good for his career.” Yikes.

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PHOTO: Michael Yarish/Warner Bros.

Penny says her husband is such a people-pleaser (truth) who can’t stand to make anyone angry (truth x2). Leonard professes that he’s on her side, but I (and Penny) don’t want to hear it. At the moment, I just want to send Leonard, Raj, and Sheldon off to a program to cure their toxic masculinity. In fact, while the Raj/Penny/Leonard situation is happening, Sheldon is at Stuart’s comic book store doubting an employee’s intelligence and capabilities—because she’s new and a woman. It’s only when she proves how well-versed she is in the comic book universe that Sheldon comes around. Spare me this tired trope.

Meanwhile, Leonard goes to Raj and tries to reason with him. Leonard asks Raj to add her name to the registration, but he says he already told everyone at work that he did it and his boss now calls him Captain Comet. Apparently it’s all he’s ever dreamed of. Raj needs new dreams.

Leonard suggests he just swallow his pride, but Raj says he can’t. (I also can’t with Raj.) Then, in a complete 180, Raj says he brought this on himself, he’s a bad scientist, and a selfish person. Of course, he just does that to make Leonard feel bad for him in the hopes that he’ll talk to his wife and try to make her see his POV. And Leonard falls for it hook, line, and sinker.

Penny—proving once again she’s smarter than everyone else—tells Leonard that Raj played him, and Leonard admits that Penny is strong enough to fight her own battles. “You’re a strong, independent woman that has her own voice, and to quote another strong woman—Katy Perry—it’s time to hear you roar.” It’s all a little much, but it’s kind of cute. Leonard’s like a puppy that can’t help himself. Unfortunately for Penny, he’s like a puppy that can’t help himself.

Penny visits Raj, who’s nervous just at the sound of her walking up the stairs to his apartment. As soon as he opens the door, he apologizes to Penny because in his mind anything is better than having Penny angry with him. Again, it’s beyond annoying that it takes Penny getting angry for Raj to come to his senses, but I don’t know why I’m expecting more. Raj says he’s going to put her name on the comet with his, even if it’s professionally embarrassing or it puts him on thin ice at work or makes him lose his funding. Again, it’s obvious Raj still doesn’t get it—he’s just trying reverse psychology on Penny—but Penny doesn’t fall for it. “Good!” she says in response to him saying he’ll put her name on the comet. “Bye!”

After she leaves, Raj tells himself that that worked better on Leonard than Penny, proving my point two-fold: Someone kidnapped Raj, and Penny’s the real genius on this show.



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