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Gina Rodriguez Is Producing a New Show About an Empowering, Secret Women's Social Media Group


Jane the Virgin star Gina Rodriguez is a fierce advocate for women: among other efforts, she’s spoken out against the pay gap and and encouraged women to own their sexuality. And as a dynamic leader in a male-dominated entertainment world, she’s using her power to bring a new female-driven drama to television—and to be honest, it sounds amazing.

The series, potentially titled Femme, “follows four millennial women from different walks of life who become unlikely friends and fierce allies after meeting online in a secret feminist social media group,” according to Variety. “They form a sisterhood army in the real world to support each other through both serious and humorous crises and to help other women in need.”

Sisterhood army? We can get behind that. It’s timely, too, considering women have been using social media more than ever as a platform to speak out about feminist issues, like the fight against sexual harassment and assault.

Rodriguez and her production company will executive-produce the show for the CW as part of Rodriguez’s deal with CBS. To make the news even better, two writers from the smart, hilarious show Crazy Ex-Girlfriend, will write and produce the show. (Their other credits include Cougar Town and One Tree Hill, so yeah, this is set up to be SO good.)

Lest we think that’s Rodriguez’s only project, she currently has two other shows in the works with CBS and the CW: She’s producing a drama called Have Mercy, which follows a Latina doctor who immigrates to Miami and can no longer practice, so she opens clinic in her apartment to help the community. The other is a dramedy called Illegal, based on the life of co-executive producer and writer Rafael Agustin. The show is about an American high school student who finds out he is undocumented. And, in April, Rodriguez was also confirmed to be working with Netflix to voice the title character of the 1990s classic reboot of Where in the World Is Carmen Sandiego?.

It looks like we’re about to see a whole lot coming from Rodriguez as she works to give more opportunities to female writers, producers, and actresses—and we are so here for all of it.

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Are Taylor Swift and Harry Styles Performing at the 2017 Victoria's Secret Fashion Show?


Taylor Swift and Harry Styles infamously dated from December 2012 to January 2013. It was a short relationship, yes, but a memorable one. The photos of Swift and Styles walking together in a New York City park (see above) sent the pop-music world into a tizzy, and their breakup was even more of a big deal. Fans think Swift wrote two songs about Styles—”I Knew You Were Trouble,” from Red, and “Out of the Woods,” from 1989—though neither has been confirmed.

The two haven’t exactly had the most congenial relationship since their split, either. Remember the time they awkwardly passed each other while out with friends in January 2015? Or when Swift maybe dissed Styles at the 2014 MTV Video Music Awards? To be fair, Styles did hint he has no hard feelings toward Swift in an interview with Rolling Stone, but the two haven’t exactly been photographed sharing endless appetizers at T.G.I. Fridays.

But that might change pretty soon. There’s a fan theory floating around the Internet right now that both Styles and Swift will perform at the 2017 Victoria’s Secret Fashion Show in Shanghai next month. The evidence? This press release from the Shanghai Culture, Radio, Film and Television Administration Bureau, which states Styles and Swift each were issued administrative licenses to perform four songs in the city on November 20—right around the time the Victoria’s Secret Fashion Show is happening. November 28 is the exact air date, but the show is always filmed in advance.

Check the release out for yourself, below:

If this is true, it’d be Swift’s third time performing at the Victoria’s Secret Fashion Show. She hit the stage both in 2013 and 2014; coincidentally, it was at her first show where she met her now-BFF Karlie Kloss. This would be Styles’ first time performing at the event.

It’s unclear if Swift and Styles would sing together, though that seems unlikely. Swift will be in full Reputation promo mode at that time, so she’d probably take the opportunity to perform new material. But you never know! Either way, we’re on board with this quasi-reunion.

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Ellen DeGeneres Had the Perfect Response to Why She'd Never Have Trump on Her Show


Ellen DeGeneres has no love lost for President Donald Trump, it’s safe to say. DeGeneres was one among many celebrities who tweeted words of support after Clinton’s loss. “Thank you @HillaryClinton for your speech and for your endless bravery. We are stronger together,” she wrote. In January, she alluded to not supporting Trump when he screened Finding Dory at 1600 Pennsylvania Avenue: “Over the weekend, on Friday, the president gave an order banning people from seven countries from entering the United States, including people with green cards,” she said on her show. “And then on Saturday, the president screened Finding Dory at the White House. I don’t get political, but I will say that I am against one of those two things.”

By May, the comedian, who, as Vanity Fair pointed out, is known for “keeping things light,” made it clear that Trump wouldn’t be invited on her show. Matt Lauer got to her admit she hadn’t spoken with Trump—whom she’d encountered when filming something briefly for her show during season one of Celebrity Apprentice—since he began running for president. Lauer asked her why he’d never be on her show and she responded, “Because I’m not going to change his mind,” adding that the president is “against everything that I stand for.”

“We need to look at someone else who looks different than us and believes in something that we don’t believe in and still accept them, and still let them have their rights,” she added.

She reiterated her position when she spoke with another journalist, Megyn Kelly, on The Ellen DeGeneres Show last week. DeGegeneres asked Kelly if she’d had him on her upcoming Today With Megyn Kelly, who said of course—he’s a sitting president of the United States. Kelly flipped the question back to DeGeneres, who had the perfect response:

“I would not have him on my show,” she said as the audience applauded. “He is who he is and he has enough attention. He has his Twitter account and he has ways to get his message across.” She then reiterated something she’d told Lauer, before adding a crucial part: “There is nothing I’m going to say to him that’s going to change him, and I don’t want to give him a platform, because it validates him.”

DeGeneres continued:

“For me to have someone on the show, I have to at least admire them in some way. And I can’t have someone that I feel is not only dangerous for the country—and for me personally as a gay woman—but to the world. He’s dividing all of us…I just don’t want him on the show.”

Well said, Ellen, well said. Watch the full clip below:

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Meghan Markle's Ex-Husband Is Making a TV Show About Being Left for a Prince


In perhaps the pettiest move in the history of petty moves, Deadline reports Meghan Markle’s ex-husband, Snowfall producer Trevor Engelson, is making a scripted comedy series about a man whose wife leaves him for a prince. Yup.

It’s important to note this TV show is, indeed, a work of fiction, and Engelson and Markle divorced in 2013—long before she and Prince Harry started dating. Plus, an element of this new series is how the ex-husband shares custody of his kids with the Royal Family, and Markle and Engleson don’t have children.

That said, Deadline reports the idea originated from a conversation Engleson had with another producer, Dan Farah, about what it’d be like if he and Markle did have kids, and he had to share custody with the British Royal Family. Interesting.

Here’s the premise of the series, directly quoted from Deadline‘s story: “Divorce is hard. Sharing custody is harder. Sharing custody with the British Royal family when your wife marries a prince, in the unforgiving spotlight of London’s tabloid media, is next level.”

Markle reportedly has no involvement in the show, further driving home the point that it’s completely fiction. Engleson and Farah are producing alongside Jake Kasdan, one of the masterminds behind New Girl. So, in other words, expect some serious laughs.

There’s no launch date set for the series, but it’s expected to air on Fox. We recommend everyone who’s obsessed with the Royal Family keep a close eye on it, though.

Markle’s relationship with Prince Harry has been meticulously documented over the last few months. We’re a couple,” she told Vanity Fair. “We’re in love. I’m sure there will be a time when we will have to come forward and present ourselves and have stories to tell, but I hope what people will understand is that this is our time. This is for us. It’s part of what makes it so special, that it’s just ours. But we’re happy. Personally, I love a great love story.”

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Why Did This Prestigious Porn Award Show Take Away Its Plus-Size Category?


Conversations about body positivity might be at an all-time high right now, with plus-size women and men talking, writing, and making art about their experiences and challenges. One struggle in particular concerns the ways plus-size people—and women in particular—often have trouble being accepted and accepting themselves as sexual and desirable in a culture that far too often ignores, dismisses, or even ridicules anyone who diverges from the status quo. That’s one reason why pornography that features plus-size performers—and the way it’s treated by its industry—is important: It’s providing visual proof (in an extremely popular form of media, no less) that any size can be sexy for the billions of porn fans around the world.

In the past few years, searches for what’s called “BBW” (that’s Big, Beautiful Women) porn on Pornhub have skyrocketed by nearly 50 percent. Combined with the BBW Performer of the Year award instituted a few years ago from the porn industry’s most prestigious award-granting organization, Adult Video News, visibility for plus-size sexuality seemed secure.

But then, on September 4, 2017, AVN announced that it was removing the BBW Performer of the Year category from the 2018 AVN Awards, considered “the Oscars of porn.” In its place, AVN was introducing an award for “Niche Performer of the Year, to honor men and women who appear primarily in fetish-themed productions, including those in the BBW, BDSM, mature, and other specialized genres.”

Were plus-size performers being discriminated against by the porn powers that be? Or were there more mundane reasons for AVN’s decision?

For their part, many BBW performers felt ignored and angry. Alexxxis Allure tweeted, “#BBW performers are not a fetish. We are valid, successful performers who deserve our own awards category.” Others in the industry joined in with cries of fatphobia, even threatening picket lines, boycotts, and sit-ins to protest the move.

April Flores, a two-time recipient of the award in question, lamented that she was “heartbroken to see that @AVN got rid of the #BBW award. This not only sucks for fat performers who deserve recognition, but also for the women who look like us & positively benefit from representation of a sexual fat woman in media.”

Porn featuring plus-size models has always been a part of the adult entertainment industry. For decades, though, it was considered a fringe element, often relying on derogatory stereotypes. Words like pig and whale were used, along with themes revolving around food. But even with its “niche” status, BBW porn has always attracted a group of loyal fans who are willing to pay for what they want to see.

But despite its apparent popularity, back in the early 2010s, there were just a few porn studios dedicated to BBW content, like the Score Group, and several popular companies, like Zero Tolerance and Red Light District (now defunct), that released only one BBW title a year. There was far more fetish material being produced with plus-size models, featuring nonsex acts like gaining (feeding another person for sexual gratification), sploshing (when someone sits on food), and squashing (when a BBW sits on or “squashes” another person) being made by small companies and individuals. And none of that work was getting the recognition that performers wanted.

So some BBW performers and content makers decided to do something about it. “We went to AVN on our own,” says Kelly Shibari, one of the performers active in the process. “We said, ‘OK, what do you need from us to make this category happen? We will make it.’ We were all told that more DVDs, with more variety, from more studios equals an [AVN award] category. So we said, ‘OK, now that we know that, we’ll do that.’” And they did.

BBW performers like Shibari, April Flores, and others, along with directors, producers, distributors, and marketers, started focusing on creating more mainstream porn that featured plus-size women looking glamorous and having hot sex, as opposed to engaging in nonsex fetish activities.

As they were working toward greater recognition in explicit entertainment, mainstream pop culture was exploring body acceptance too. Melissa McCarthy was killing it in Hollywood blockbusters, Inside Amy Schumer was earning accolades (and criticism) on Comedy Central, plus-size model Tess Holiday was beginning to make waves in the fashion world, and the discussion about size positivity was taking off.

So when AVN announced that it was instituting the BBW Performer of the Year category in 2014, it was welcomed as another feather in the cap of women who weren’t made in the size-zero mold, for whom sexuality had long been a fraught topic.

In the years since, that visibility has only increased. Pornhub declared 2015 “a major year for body positivity” when it revealed that searches for BBW had steadily risen from 2013 to 2015. Alex Hawkins, spokesperson for porn streaming site xHamster, tells me that the United States is currently the top consumer of BBW porn in the world. “XHamster loves its Big, Beautiful Women!” he says. Meanwhile, New York Fashion Week 2017 just concluded, with bodies of all sizes on display across numerous runways.

So then, amid all this forward momentum, why did the most prestigious organization in porn seem to turn its back on its plus-size models?

According to AVN, it wasn’t personal—it was just the rules. “DVD production in the BBW niche has steadily declined,” says Sharan Street, an editor at AVN. And DVDs are important to the nomination and selection process.

In fact, AVN later wrote on its website: “The BBW Performer of the Year category [was eliminated] due to a continuing decline in DVD content featuring BBW performers.” There are more performers now than ever, and more ways for them to release their content. But there are fewer BBW porn companies releasing DVDs—not to mention that most BBW models are now producing their own content online, for membership websites, clip stores, and webcams. That’s a great workaround for a lack of opportunities offered by mainstream porn companies, but it doesn’t make them contenders for AVN’s most prestigious caste of awards.

Furthermore, the material they’re making doesn’t necessarily qualify as porn to AVN. “The majority of BBW content on the Internet right now is fetish content,” says Kelly Shibari. “It’s feeding, it’s gaining, it’s face-sitting, it’s squashing. It’s anything but standard boy-girl sex, which is what AVN considers porn to be.”

Still, the work of BBW porn makers is by no means abandoned. The plus-size genre is recognized by several other award-granting entities in the porn industry, aside from AVN. The Nightmoves Awards have been presented since 1986, and will be awarding its fifth Best BBW Performer on October 8. The Biggie Awards, in conjunction with BBWcon, have been recognizing the work of BBW fans for three years now. And the BBW Awards Show has just been scheduled for the week before the AVN Awards in Las Vegas, organized by BBW performer Eliza Allure, where she promises to be “100 percent transparent with this awards show and give the award [for] whom the fans vote.”

And there’s still that Niche Performer of the Year award that AVN has added. Sharan Street says, “We are sympathetic that some plus-size performers are not pleased that BBW performers’ body of work will now be considered in a category titled Niche Performer of the Year, but the opportunity is still there for their body of work to be recognized in that category,” along with other fetish, BDSM, and specialty performers.

For those who are holding out for their moment to shine with an AVN BBW Performer of the Year award, there’s still hope. “While there might not be a BBW Performer of the Year category this year, that’s not to say it will never return,” says Street. “The adult industry is always changing, as are the performers, the types of content, and the way that content is delivered to consumers. We at AVN will continue to stay on top of trends and ensure the AVN Awards adapt as the industry does.”

But there’s work to be done. The category may be brought back if BBW performers, producers, distributors, marketers, and fans focus on meeting the requirements that AVN sets forth. “If you don’t do certain things, you don’t have a category. That’s all there is to it,” says Kelly Shibari.

In the meantime, AVN has been listening to BBW performers who feel abandoned. On September 14 it announced that, after hearing performers’ complaints, it had decided to institute a Favorite BBW Performer award in 2018. “Such a category,” read the announcement, “would give these performers—who are less active in DVD productions than on clip stores and cam sites—the chance to be celebrated by their fans.”

While a fan award may not be as prestigious as a Performer of the Year, it gives more opportunities for recognition. As does the fact that “scene categories are now open to content from membership sites, which should afford [these performers] a better chance to have their work recognized,” according to Street.



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When Life Gets Too Real for Reality TV Show Like 'Teen Mom'


In 1992, MTV defined reality TV as we know it with The Real World and its famous spoken intro: “This is what happens when people stop being polite, and start getting real.” In the 25 years since, reality TV has gone from an oddity to the dominant genre, and along the way it really doubled down on the “stop being polite” thing…while playing pretty fast and loose with the “real” part.

You don’t have to be a media-studies professor to know that reality TV makers manipulate everything from the casting to production in order to deliver dramatic story lines. Just ask anyone who ever got voted off the island, was kicked out of the house, or didn’t get the rose, and they’ll tell you all about how they “got the bad edit,” and the show doesn’t reflect who they really are. (Or ask me, and I’ll tell you some CUH-RAZY things I’ve seen on UnReal.) But MTV’s current reality juggernaut, Teen Mom, is proof that sometimes producers work to keep the juiciest story lines off the air.

The franchise, which debuted in 2009 as the warts-and-all docuseries 16 & Pregnant, has suffered in recent years from a dip in ratings and relevance. A common complaint is that it got too “boring” as the cast approaches 30, they are now comfortably rich, and moms like the frequently arrested Jenelle Evans and Amber Portwood got sober and settled into (relatively) peaceful adult lives. But if viewers want storylines more compelling than, say, Chelsea DeBoer’s baby shower, they’ve often had to look to sources outside MTV. Because the truth is, the cast’s lives never really stopped being dramatic—it’s just that the most controversial stories were playing out on social media, Reddit or Facebook fan forums, or gossip sites like Radar and Ashley’s Reality Roundup. In other words, anywhere but the show. Until this year, that is, when the show finally let us see what fans have been speculating about for years.

The most dramatic example is Teen Mom‘s recent scandal involving Ryan Edwards (former boyfriend of Maci Bookout and father to Bentley) who was driving while severely under the influence. Despite the show’s prefacing the footage with a warning that “the following scenes may be disturbing to watch,” there was no way to prepare viewers for the genuinely shocking sight of Ryan falling asleep at the wheel while speeding down a multilane highway with his now-wife Mackenzie.

As Ryan struggled to keep his eyes open, a visibly tense Mackenzie repeatedly slapped his arm to wake him up, and at one point had to grab the wheel and jerk the car back into its lane. Meanwhile, Ryan sang childlike songs, trailed off mid-sentence, and mumbled excuses about the sun being in his eyes. After shutting off the cameras, Mackenzie asked Ryan if he’d taken “Xanax again,” which he denied. The day after that incident, tabloids reported that Ryan left for a 30-day stint in rehab for an unspecified substance abuse problem.

There was immediate outrage on social media—tweets like the above were just two of thousands calling the incident “disturbing” and “horrifying.” Many viewers were angry with Mackenzie for allowing Ryan to drive, and she became the target of social media harassment and even death threats. But scapegoating Mackenzie ignores Ryan’s much greater culpability—not to mention the criticism that producers failed to intervene. (“MTV does not condone driving under the influence,” a spokesperson said in a statement to People. “Ryan’s erratic behavior was due to actions that he took without anyone’s prior knowledge.”)

The incident also called into question whether MTV had known about Ryan’s addiction and purposely hid it from viewers. Through the years, anyone with eyes could see Ryan wasn’t sober. In multiple scenes, he had bugged-out eyes; in others he appeared disoriented, slurred his speech, and repeated himself (in the saddest example, he repeatedly asked his visibly uncomfortable son Bentley about his baseball game: “Did you get any good hits?”). Off-camera there were reports of erratic behavior—earlier this year he was investigated by the Humane Society for animal cruelty after he bragged about killing cats on social media. And he’s long been known for his unreliability, frequently missing visits with his son and disappearing for hours every day. This season on the show (and prior to the impaired-driving incident in the finale), Ryan’s family explained his behavior by saying, “Ryan’s like an old man, he disappears to the bank every morning for three hours, then comes home and naps all afternoon.” Yeah, sure. Like an old man with a spiraling addiction.

Explanations like that were indicative of how Teen Mom has previously handled cast member’s issues—Ryan got the “good guy” edit, and his drug problems were either not shown, not mentioned, or explained away in ways that increasingly insulted the intelligence of any viewer not watching blindfolded. The show only gave Ryan the “honest edit” when speculation by fans and tabloids had reached a fever pitch and Maci Bookout finally started speaking about his drug problem on camera.

But Ryan isn’t the only Teen Mom cast member to have a long-brewing scandal finally break on air this season. The other most-talked-about storyline involved Amber Portwood’s (now former) fiancé, Matt Baier, being outed on-camera for a host of nefarious deeds, the most disturbing of which had him pressuring Portwood into a quickie Vegas elopement, being verbally abusive toward her and a producer, and using a homophobic slur against her brother when she refused. He also failed a lie-detector test about his fidelity to Amber, allegedly stole thousands of dollars of Amber’s money, and was caught offering Xanax to fellow cast member Catelynn Lowell—something that’s not only, you know, a felony, but also highly suspect since, like Amber, Matt has a history of addiction and claims to be sober.

Again, though, the fact that Matt is a grifter is not news to fans of the show, who were suspicious of him ever since he showed up in Amber’s life three years ago—over 20 years her senior with no job and a host of court cases for unpaid child support—and surprised her by moving into her home just weeks after they started dating. (He is the actual worst, and you’ll be happy to hear that Amber has now dumped him, thank goodness.) As with Ryan, Teen Mom only started giving Matt the “honest edit” after fan forums and tabloids had made his shadiness an open secret, and a cast member (in this case, Amber) started to speak about his issues on camera.

So the big question: Why is this reality show taking so long to show…well, reality? Maybe it’s because Teen Mom started out aimed squarely at the high school demographic and still airs on a network whose primary audience is 12 to 34 years old, making the pressure to keep things PG-13 very real. The show is also under pressure to keep its cast happy. Unlike The Bachelor or Big Brother, which get a shiny new cast every season, viewers tune into Teen Mom OG and Teen Mom 2 to watch these particular families’ lives unfold. That means the cast isn’t readily replaceable—and gives them negotiating power when it comes to what does and doesn’t make it to air. Of course, we can’t know for sure whether, say, the Edwards family directly asked MTV not to air evidence of Ryan’s addiction, but it doesn’t feel like much of a stretch to imagine such an arrangement.

But whether the network does it to attract a broader audience or to protect the cast members, there’s a problem with keeping the heavy stuff off the air: Namely, it normalizes some seriously dysfunctional behavior.

The Teen Mom franchise has always denied that it’s your typical reality exploitation-fest by playing up its educational qualities. The cast and MTV frequently cite a 2014 study that claims the show led to a 5.7 percent reduction in teen births (a specious claim that ignores the fact that teen pregnancy has been declining since the 1990s. The argument goes that the show helps its audience of young women.

But you know what else would help them? If an expert talked about the signs a loved one has an addiction after Ryan was seen driving under the influence. Or if they aired a PSA for Al-Anon every time Ryan’s parents covered for his disappearance with an excuse about “going to the bank.” There’s an opiate crisis in this country; talking frankly about what addiction and enabling looks like—and how it can happen to anyone, even a reality star—could only be a good thing.

As for Amber and Matt’s unhealthy relationship, the show has never given viewers so much as a content warning about that. Teen Mom frequently links viewers to resources for preventing teen pregnancy, which is important, but it could maybe be just as impactful to teach viewers, especially young women, what intimate partner violence and abuse really looks like. (To be fair, the show did have a discussion about domestic violence after Amber was seen hitting Gary Shirley, her daughter’s father, during an argument.) Though older and savvier viewers may have seen right through Baier, younger viewers saw a manipulative, predatory man target a vulnerable woman and be given an “awesome boyfriend” edit for years before the “honest edit” started.

I’m not naive enough to think Teen Mom can fix its cast members’ issues with addiction or unhealthy relationships, but I think it has a responsibility to help its young audience frame the issues presented on the show. Dysfunction thrives in denial—and until very recently, the show played a huge role in keeping its cast members’ secrets. Maybe this will be the start of a new approach, one where the network realizes that its audience stands so much more to gain from an honest portrayal of its cast’s struggles, than it does from letting them smile and pretend the stakes aren’t life and death.



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