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'Dancing With the Stars' Season 25 Week 7 Recap: Vanessa Lachey and Nikki Bella Go Home on Halloween Week


For weeks, Dancing With the Stars fans have known that a double elimination was right around the corner, especially considering the large number of contestants still competing with three more weeks to go. That’s why it was especially odd during tonight’s Halloween show that Erin Andrews and Tom Bergeron never mentioned it was coming, even though it was a known thing on social media.

And during the last two minutes of the show—after an unusually large number of couples were declared in jeopardy (four over the typical two)—a crew member dressed as the Grim Reaper handed Tom and Erin two cards with their names printed on them. Tom and Erin declared Drew Scott and Terrell Owens safe, leaving Vanessa Lachey and Nikki Bella as the final two celebs in jeopardy. For the sake of logic, that would mean Vanessa’s name was on one, while Nikki’s name was on the other. Perhaps as a fake out, Tom and Erin made it seem as though they’d only announce one contestant’s name but instead said, “You’re both going home.” It was so awkward and bizarre that Maks (partnered with Vanessa) actually started to laugh, and the entire moment became comical. Vanessa and Nikki didn’t even get to have their moment to say goodbye (or thank their partners), which added to the randomness of the whole thing.

I didn’t expect Vanessa or Nikki to make it to the finals, so their elimination wasn’t really that much of a shocker. Still, it was weird to treat it as such. The bottom line is, the cast had to be trimmed this far into the competition—tonight’s double elimination was the only way to do it. So who has the best change of making it? Check out the dances below.

Victoria Arlen and Val Chmerkovskiy: In rehearsal, Val told Victoria that she’s holding back, which was a hard thing for her to hear given that she’s always had to remain strong in the face of numerous physical challenges. I’m all for Val encouraging his partners to push their limits, but sometimes it feels like he says things just to get an emotional reaction. Anyway, the actual performance went much better than the difficult week in rehearsal, and their Viennese Waltz got three 9s. Score: 27/30

Jordan Fisher and Lindsay Arnold: Lindsay revealed that Mark Ballas taught her as a kid (oh, he’s gotta love that), which felt like the producers’ way of trying to make a potential Mark Ballas (with Lindsey Stirling) vs. Lindsay Arnold (with Jordan Fisher) finale. It’s still too early for that because there’s like, what, 52 contestants still in this competition? As for the actual dance, Jordan and Lindsay performed a flawless Paso Doble, but considering I feel like I’m watching two professional dancers each week, I’m actually starting to lose interest. Score: 30/30

Nikki Bella and Artem Chigvintsev: The hot biker dude (Artem) and the flirty dancer (Nikki) did a fun Jive, but Len Goodman said it lacked punch, though it was “clean and precise.” Bruno said he’s almost positive they’ll be back next week, which was a bold statement to make on the verge of a double elimination. I didn’t expect Nikki to end up in the semi-finals, but I was hoping she stuck around a while longer. Score: 24/30

Vanessa Lachey and Maksim Chmerkovskiy: Maks’ goal for this week was to get 10s, while Vanessa wanted to get to the finals and win the Mirror Ball. They attempted to do this by putting on a frightening zombie-filled Paso Doble, but the judges weren’t wowed. In fact, they were downright disappointed given how strong and talented Vanessa has proven herself to be in past dances. I’m completely over all these fake zombie attack routines, too. Score: 24/30

Terrell Owens and Cheryl Burke: To be honest, I never expected Terrell to still be in this competition. And yet, here he is, and this show is better off for it. Bruno praised their “correct” Tango, which is pretty impressive given Cheryl and Terrell’s difference in height. Len mumbled something, but he must have liked the dance because he gave them an 8. Score: 25/30

Lindsey Stirling and Mark Ballas: Lindsey displaced a rib last week, which made training this week nearly impossible. The injury left her in tears, and Mark worried that they’d have to forfeit. Two seconds later, cut to the ballroom: Lindsey and Mark danced their hearts out to a stunning Paso Doble. Lindsey was clearly in pain, and Carrie Ann said that was the fastest Paso ever. Len thought the fantastic twists and turns saved the dance, and Bruno praised the ambitious nature of the routine. She deserved a 10 just for powering through the thing. Score: 27/30

Frankie Muniz and Witney Carson: The judges praised Witney and Frankie’s “spine-tingling good” Contemporary dance, but no one mentioned the stalker element of the routine that had Frankie playing a creepy predator outside of Witney’s window. Yikes. The whole thing was disturbing, even though it was masked as art. The judges gave it a perfect score; technically, it was flawless, but I wish we would have seen a different visual narrative. Score: 30/30

Drew Scott and Emma Slater: Drew continued to surprise, thanks to an energized Charleston that drew raves from the judges. Carrie Ann called it one of Drew’s best dances so far, and Len loved every minute of it. Usually that’s code for “you’ll be eliminated by the end of the night,” but in this case—as we now know—Drew’s safe for another week. Score: 27/30



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'Outlander' Season 3, Episode 7 Recap: A Fight, a Fire, and a Bombshell Revelation About Jamie


This article centers on Season 3, Episode 7 of Outlander, “Crème the Menthe.” If you’re not yet caught up with the show, be warned: Spoilers abound.

Now that Claire and Jamie have reunited, all I need from this show is for them to have hot sex from the beginning of each remaining episode until the end. Alas, this is Outlander, so instead, there will be melodrama. And tonight’s episode, “Crème the Menthe,” felt more like an average one, filler to end the first arc of the season and transition into the next.

As the episode opens, Claire is fighting off the man she found in her room because, again, this show loves nothing more than to imperil women to create plot points. We must never forget that to be a woman is to live in a perpetual state of vulnerability. Got it? Good. Claire manages to fight off her attacker, wielding a knife. (See, women are vulnerable but they are also empowered!) The attacker falls, hits his head and is seemingly dead when Jamie enters the room and sees his wife over an unconscious man, panting heavily, knife still in hand. That’s when I knew there probably wasn’t going to be any sex in this episode. I was mostly right. Despite being apart for twenty years, Claire and Jamie don’t spend this entire episode in bed. They don’t spend any time in bed. It makes no sense.

When Claire realizes her attacker is still breathing, she immediately shifts into surgeon mode and insists on saving his life. (“Because I’m a doctor,” she explains when Jamie understandably asks why she wants to save her attacker’s life.) As usual, Claire is instantly able to translate 20th-century knowledge into whatever might be available in the 18th century and makes various people get her various things, including hot water. No matter the time period, whether in television or film, anytime something vaguely makeshift medical is going to happen, there must be hot water.

It turns out the attacker was looking for Jamie’s ledgers at the behest of Sir Percival Turner, who suspects Jamie is selling more than he claims and not paying Percival enough of a bribe. (Corrupt government agents are so greedy and suspicious.) Jamie realizes he’s going to have to move the booze he has hidden in Madame Jeanne’s basement and dispatches Fergus and young Ian Fraser to make a quick sale of the hooch, which they do at handsome profit.

Meanwhile, Claire goes to the apothecary to get some laudanum and who knows what else so she can perform surgery. In a hurry, she bargains with a man in front of her—who was looking for something to calm his sister—to go ahead of him in return for looking in on his ailing sister. As she places her order, Claire informs the chemist that a man’s life is at stake…which is so weird. Why is she broadcasting her business, particularly when so much is at stake? It makes no sense!

Back at the brothel, Jamie and Mr. Willoughby are wrestling with the attacker, who has awakened and is loudly trying to break free of their grip. Claire chastises them for being rough with her patient (LOL wut?), but before she can lecture them further, Madame Jeanne alerts Jamie that Sir Percival has paid him a visit. While Claire tries to reduce a brain bleed ye olden way, Sir Percival and his men search the brothel for the contraband booze Fergus and Ian have already sold off.

The surgery stuff that follows is incredibly graphic and unpleasant. The sound effects—of skin splitting open and a hand drill breaking skull bone—are doing the absolute most. At last, Claire successfully releases the clot while Sir Percival finds nothing of note in the brothel and makes like a dastardly villain, warning Jamie, “I’ll be watching you,” before he flounces off. Sure thing, buddy.

When Jamie returns to his chambers, he tells Claire, “This ends now’; but the attacker has died during surgery and Claire is sad. Ever the voice of reason, Jamie says, “I won’t grieve for the man that tried to kill my wife.” Right on, Jamie! Keep it real. Claire stays deep in her feelings, muttering that this wouldn’t have happened if she was in Boston, which, GIRL! You are not in Boston, anymore. You chose to go back in time for the best sex of your life. There’s a price to pay—no modern hospital facilities, not a lot of bathing, no television. The struggle is real in any century. She laments that she’s caused Jamie so much trouble in the brief time she’s been back, but Jamie, true to form, says some incredibly romantic, sexy shit and that’s that.

PHOTO: Aimee Spinks/STARZ

A doctor’s work is never done, so Claire heads off to see about that apothecary customer, Archibald Campbell, and his sister Margaret. He claims his sister is a seer and he “translates” her visions and it all seems kind of sketchy. Claire tells Archibald that Margaret is not a seer; she’s just mentally ill. She cautions him to stop medicating his sister with laudanum and offers him an herbal tea recipe to calm her when she gets agitated. Archibald isn’t so interested in tea…he basically wants to keep his sister sedated because they are heading to the West Indies the next day. As she leaves, Claire suggests Margaret eat a lot of fresh fruit when she gets to the islands. I have no idea what’s going on with that.

To celebrate their profitable sales, Fergus and Ian have a drink at the local tavern. As young men are wont to do, they start talking about sex. Turns out, Ian is a virgin and one of the young barmaids, Brighid, has caught his eye. Fergus makes like an expert wingman and hooks Ian and Brighid up but first Fergus discloses that his first time was a menage a trois. (Of course it was. He’s French, after all.)

Ian gets really lucky and Brighid seems more than amenable to having a drink with the young man. A love connection is made! Ian brings Brighid back to the print shop because nothing says romance like a print shop. He is drunk and singing loudly and then he and Brighid are making out and then they start to make love after a bit of an awkward start. So, I guess there is some sex in this episode, but it is not at all the sexy kind and we don’t see much of it, which is fine by me because Ian is like, a child, and he is very pale and no thanks. I’m not even sure why this episode featured this storyline other than to give a plausible reason for what happens next to Ian. I suspect this is the first and the last we will see of sex between anyone but Claire and Jamie and thank goodness for that.

Outlander Fergus Drinking Episode 307

PHOTO: Aimee Spinks/STARZ

Upon returning to the brothel, Claire suggests that maybe she and Jamie can get a place of their own and Jamie’s like, “Leave the brothel?” as if it is the wildest thing in the world for Claire to want to live somewhere other than a brothel. She also broaches opening her own practice, but they are interrupted when Ian Sr. shows up looking for Ian Jr. Apparently young Ian keeps running away from home, and Jamie is keeping watch over his nephew (while also pretending he doesn’t know where the boy is). Ian Sr. is shocked to see Claire alive and well, but is also distraught over his missing son. Jamie lies about the boy’s whereabouts and Claire seethes quietly because she disapproves. Jamie walks Ian out and the men allude to some secret Jamie is keeping that could cause trouble. (I am pretty sure I know what the secret is because I consulted Wikipedia about Book 3’s plot and I am very angry about the plot twist because it is so irritating and senseless and Claire is going to flip her lid when she finds out.)

Before any of that unfolds in some future episode, Ian and Brighid are basking in the afterglow of young love when another of Sir Percival’s minions shows up at the print shop, looking for the contraband casks. Corrupt and greedy government agents are also persistent. Ian confronts the man to little avail. As the minion searches, he finds Jamie’s seditious pamphlets. Oh no! There is a scuffle and soon the building is on fire. Of course it is. Ian sends Brighid to safety while he tries to put out the fire. The minion gets away with the seditious pamphlets; poor Ian is alone in the burning building; and Jamie just lied to his brother-in-law about his son’s safety. Every melodramatic possibility is happening all at once.

Jamie and Claire are having a tight-lipped argument about his lying to Ian Sr. that turns into an argument about parenting choices. Jamie gets real passive aggressive, saying he didn’t get a chance to parent Brianna, and he makes a shitty comment about Brianna wearing a bikini. His jealousy over her marriage to Frank comes out, but before anything can be resolved, Jamie is told there’s a fire at the print shop.

Ian is trapped and Jamie knows it, so he rushes, gallantly, straight into the fire and there’s lots of close calls—the score, never subtle on this show, makes it seem like death is imminent—but fret not, all is well. Jamie saves Ian and grabs the portrait of his son, Willie, and though the print shop is destroyed, everyone lives. There is, of course, the small problem of the seditious pamphlets but Jamie is in Edinburgh under a false name so he can just go back to being himself in the Highlands. Yes, this is all an elaborate plot device to get the Frasers and Ian back to Lallybroch. Jamie ties up some loose ends with Mr. Willoughby and Fergus lets it drop that Jamie has another wife which is so messy. Claire is, all the while, completely unsuspecting and probably about to walk into a fire of her own. Of course, the episode ends on this revelation, so sadly, we will not know more about this mess until next week. Until then!

Roxane Gay is the author of Bad Feminist, Difficult Women, and most recently, Hunger. She is also the author of World of Wakanda for Marvel and a contributing opinion writer for The New York Times.

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All the Moments From 'Stranger Things' Season 2 That Set Twitter on Fire


Warning: major spoilers ahead.

This weekend, the television gods smiled down on us by making all nine episodes of the second season of Netflix’s Stranger Things available to fans—just in time for Halloween. If you haven’t had contact with the outside world since Friday and Saturday’s parties because you’ve been glued to your couch, you’re not alone. An army of excited viewers devoured the latest season over the weekend—then quickly took to Twitter to share their thoughts.

Thanks to the official trailer, we knew going in that the door to the Upside Down was still wide open and that literally none of our favorite characters—Will! Mike! Eleven!—were safe. So even though this season definitely had its share of suspenseful moments, the terrifying monster plot seemed to take a backseat to some of the other storylines this time around.

Would there finally be justice for Barb? What happened to Eleven? Did Joyce ever get her house put back together? Here, all the greatest moments from season two that fans couldn’t stop talking about.

Rejoice: Two of your favorite “will they or won’t they?” couples finally got together.
Mike and Nancy: two siblings who have some serious luck in the love department.

But, as it turns out, the new #relationshipgoals is a duo you never saw coming.
Twitter is so happy that Dustin and Steve have found each other.

Speaking of Steve, he’s the internet’s new boyfriend.
Season One Steve as Nancy’s jealous boyfriend? Not our favorite. But Season Two Steve as a big brother figure/action hero? He’s grown up.

#PoorBarb is out, #PoorBob is in.
Poor Sean Astin. He was too good for this world.

Joyce is still everyone’s favorite mama bear.
Obviously.

Viewers were left with some important questions…

…and everyone agreed the post-binge comedown was real.

If you too are feeling sad that season two is over, never fear: The Duffer brothers have confirmed we have two more seasons to look forward to! Meanwhile, we’ll just be discussing and dissecting these episodes endlessly over brunch.

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'Riverdale' Season 2 Episode 3 Recap: Veronica's Dad Gets Even Creepier


Oh, Riverdale, you really messed with my emotions tonight. I’m moved, shook, and turned on all at once. Spoilers ahead, obviously.

We start with Kevin sucking face with a random dude in the woods. He stumbles across Midge, who somehow survived being shot at point-blank range. Teen show logic, I guess? (Moose is alive, too. Whatever.)

Meanwhile, Veronica’s having the squad over to watch The Bachelorette premiere. Hiram seems pissed about this, probably because this means he can’t skulk around creepily like he always does.

At Riverdale High, news of Midge and Moose’s shooting has everyone freaked, especially Archie. Kevin lies about why he was in the woods that night even though everyone knows he’s gay…so there’s some fuckery afoot there. Jughead, who hangs out at Betty’s school but doesn’t go there anymore, abruptly leaves the powwow because he’s late to meet his mentor at South Side High. I’m not even going to question how he’d get there so quickly if the South Side is as far away as this show makes it seem. Also, why isn’t his old school just letting him trespass? He doesn’t even go here!

Alright, what the hell? Kevin was literally cruising the woods for dudes. What is this, 1970? Betty reprimands him for this, but in a slut-shamey way I don’t appreciate. She tells Kevin not to go back there until the killer’s caught—sound advice he surely won’t follow ’cause hormones. Cheryl overhears this entire conversation and smirks diabolically. Does she…also want to cruise for gay men in the woods?

Archie and Reggie visit Moose in the hospital. Reggie makes some lame, hetero joke about Moose “popping a boner” in front of his nurses (I keep forgetting they’re teens), and Archie asks him about the shooter like he’s Olivia Benson. Everyone’s slowly starting to realize the same person is responsible for Fred’s shooting, Miss Grundy’s death, and Moose and Midge’s shooting.

Meanwhile, at South Side High, Jughead’s mad about having to walk through a metal detector. He pouts, and it’s annoying. Safety’s important, Jughead! He meets Toni Topaz, the girl all the blogs say will drive a wedge between Bughead. I can see why: She’s cool, has pink hair, and is a South Side Serpent. She gives Jughead a tour of the school, where kids are doing Jingle Jangle in plain sight.

Toni invites Jughead to sit with her and the other Serpents, but he declines and says some convoluted nonsense about how he “self-identifies as a loner.” Toni urges Jughead to sit with them, though, because the Ghoulies (a rival gang at the school) will mess with him if he doesn’t. I love how all these groups sound like plucky ’50s social clubs.

Back on the north side of town, Archie tries to convince his dad that his shooter also attacked Grundy, Midge, and Moose, but Fred dismisses his childish ramblings. Naturally, Archie ruins Veronica’s Bachelorette viewing party because of this. Hiram awkwardly meets the Core Four and tells them the police aren’t always the solution to ending crime, which puffs Archie’s paranoia up even more. Oy.

In the most bravura display of straight masculinity on this show, Archie rounds up the football players and suggests they serve as “watch dogs” at school to make sure the shooter doesn’t attack again. They all hoop and holler about this and call themselves “The Red Circle”; it’s cringey, but also kinda hot because they’re shirtless. Sheriff Keller isn’t pleased with their group, but they’re actually helpful; later in the episode, they rescue Ethel Muggs when she suspects the shooter was following her in a car.

At South Side High, Jughead finally finds a friend in his insanely sexy English teacher, Mr. Phillips. He asks Mr. Phillips if it’s possible to revive the school paper, which I’d usually be all for but not in this case. No one needs any more angsty Jughead journalism. The Serpents are trying so hard to hang out with Jughead, but he’s dragging his feet. Rightfully, they tell him to not come crying to them for help if he can’t even hang. They have a tense tête-à-tête, which Toni diffuses.

PHOTO: The CW

Later, Betty visits Jughead at South Side High, and he says she shouldn’t be there at night unless she’s “armed,” which is a little unnerving. Jughead realizes Clifford Blossom’s local drug business started at the school with the Ghoulies, who deal Jingle Jangle, and he wants to write an exposé about this. Betty, however, deters him from this plan because he goes to school with the Ghoulies. (Jughead should listen to this, but he won’t because his beanie causes him to rebuke all logic.) Then Betty meets Toni, and it’s awkward. Oooh, the love triangle begins!

Later, Betty gets on Kevin’s case about going into the woods to bang. He says he doesn’t need her approval, which is true. (In Betty’s defense, though, she’s only concerned about Kevin running into the serial killer on the loose.) Cheryl overhears this entire spat and tells Betty that Kevin’s only trolling for dudes in the woods for validation. What a queer icon.

Meanwhile, Alice Cooper receives an ominous package in the mail. It’s from someone who calls himself the “Black Hood,” and he asks the Coopers to publish a letter he wrote in the paper. Not-so-surprising twist: This is the masked shooter, and he wants everyone to know he’s responsible for all three attacks in Riverdale. He included Fred’s lost wallet in the package as proof he’s the real deal. Bah!

And oooh, this is interesting: In his letter, the Black Hood calls Fred “an adulterer,” Grundy a “child predator,” and Moose and Midge “drunk-and-sex-addicted teenagers.” He’s some kind of morality killer punishing Riverdale for its hypocrisy. Polly’s afraid she’s next because she’s having a child out of wedlock with her cousin. I mean, I’m not judging her for that, but this deranged guy probably will. She leaves Riverdale because of this.

At the hospital, Kevin and Moose share a really tender moment. Kevin confesses that he’s aware cruising in the woods is dangerous, but he can’t stop—he doesn’t care. Moose understands this, saying Riverdale is hard for “guys like them” (read: queer) and finding bliss for just two minutes in the woods is a coping mechanism. Ugh, why aren’t they dating? They’d be the hottest couple on this show!

After his visit to the hospital, Cheryl spots Kevin running into the woods again and tells Betty about it. They ambush Kevin, and Betty tells him he should have more self-respect—which is the wrong thing to say. He gives a genuinely moving speech about how he doesn’t have the same options as Betty in Riverdale. This is the only way he can find intimacy, and she needs to stop judging him for it. All true things. Yeesh, this subplot is taking me back to high school.

Hiram invites Archie to dinner, which, for some reason, Hermione thinks is a bad idea. I’m starting to think she’s the sketchiest one out of this whole family. It’s clear Hermione still thinks Hiram is dangerous, but she won’t admit it—and until she does, Veronica says she doesn’t have the right to ban Archie from family dinners. Hiram overhears Hermione and Veronica arguing about this and straight-up threatens Hermione to stop poisoning his relationship with Veronica. It’s scary. He’s scary. He’s definitely the sketchiest of this twisted Brady Bunch.

Chapter Sixteen: The Watcher in the Woods

PHOTO: The CW

Hiram and Archie have a super-tense chat in Hiram’s mysterious office; he gives some ominous warning about how Archie shouldn’t sneak into Veronica’s room anymore. He then gives some whack-a-doo advice about how Archie’s Red Circle should use fear and violence to defeat the Black Hood. If this means more bloodshed, I’m done.

And, yup, Jughead should’ve listened to Betty: The Ghoulies jump him, probably because they’re onto his snooping. He lies to Betty about it, and Toni tells him this should give him more incentive to join the Serpents. He probably won’t because he’s dumb.

Oh no. Oh God. Kevin goes back into the woods, and a strange dude asks him if he needs a ride. He has a vision about this guy being Black Hood and rejects his invite; the dude then gets aggressive, but Kevin runs off before anything happens. My nerves! At home, Kevin’s dad (the sheriff) confronts him about his cruising and says he cares about his safety. It’s a truly endearing moment with distinct shades of Kurt and Burt Hummel on Glee.

We end things with Veronica asking to have a more active role in Lodge Industries. (This is just so she can see what Hiram’s doing in his eerie office space, TBH.) Jughead, clearly shook from the Ghoulies beatdown, decides to eat lunch with the Serpents. Kevin’s still pissed at Betty. And Archie’s Red Circle films a mildly intimidating—but mostly just sexually arousing—video threatening Black Hood. Hiram’s thrilled. I care about this subplot the least, yet it’s the most prominent one.

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'This Is Us' Season 2 Episode 5 Recap: There's Another Pearson We Didn't Know About


This Is Us is running two for two in terms of bonkers final-minute reveals. Last week we found out Kate is pregnant, and this week we learned…well, read on to find out.

The ’90s

Jack is putting all the flannel he wears to good use and taking Child Randall and Child Kevin on a camping trip. Jack and Rebecca think this will help Kevin and Randall get along better…because trapping two kids in a tent helps them bond? In my experience, not having access to air conditioning just makes people more irritable.

Rebecca and Child Kate are going to have a “girls’ day” while the boys are gone, which is just a train-wreck waiting to happen. But things take a turn when Rebecca gets a call from a nursing home saying Jack’s father (Stanley) is close to passing. Rebecca tries to call Jack, but to no avail. Remember, he’s literally in the woods.

Rebecca goes to the nursing home to visit Stanley. It’s quiet and overly dramatic. Stanley doesn’t say anything, and Rebecca laments about his difficult relationship with Jack. Stanley notices Kate standing outside his hospital room and asks to see her; Rebecca quickly shoos her out of sight. Yeesh.

Meanwhile, in the forest, Kevin’s being a grade-A douche to Randall. Their contentious relationship is all Kevin’s fault; I don’t know why Randall has to endure mosquito bites to mend something he didn’t break. Jack reprimands Kevin and asks why he can’t be nice to Randall. Kevin rudely says he “doesn’t know” and asks Jack to stop talking. Can we just send Kevin to boarding school? He’s like the Blair Witch, only less cool.

They ultimately squash their beef after Kevin finds Randall’s notepad, which includes an entry about things not to do to annoy him. (Further proof Child Randall is a god among peasants.)

Rebecca finally gets a hold of Jack and tells him about Stanley. She asks Jack if he wants to visit the nursing home, and he flat-out says Stanley’s been dead to him for a long time. It’s ice-cold, but I suppose I understand where he’s coming from. (See Young Jack’s storyline, below.)

Adult Kate

Kate wastes no time telling Toby she’s pregnant. He acts excited, but it feels forced and disingenuous. My only evidence for thinking this is the face he makes after hearing the news looks like Taylor Swift’s infamous surprise face. Kate’s understandably worried her age and weight might cause her to lose the baby. Toby tries to comfort her, but it doesn’t work and, instead, she tells him to keep any excitement he has about this baby to himself. His hope, she says, will just put more stress on her. This is such faulty logic. He’s just supposed to not mention it for nine months? Then why even tell him in the first place?

Kate lashes out at the skinny girl, Madison, in her Overeaters Anonymous class, and they have a super annoying fight in the parking lot. It’s clear Kate’s just resentful of this girl because she’s thin, and that’s kinda ick; like, people of all shapes and sizes have eating disorders. However, it’s also clear this overt, random-AF fight means Madison and Kate will become friends.

Yup, I’m right. They have a fender-bender in the lot, which causes Kate to freak out because she’s pregnant. When Madison hears this news, she’s not even mad about her car; she just hugs Kate and congratulates her. This is arguably the fastest-developing relationship in TV history. Imagine if our world leaders were like this?

The accident gives Kate a revelation about her pregnancy: She isn’t afraid to tell people about it now. So Kate and Toby go to a random restaurant, and she tells him he can tell one person inside they’re expecting. This is more bizarre than it is cute, but the mood music’s making me feel things.

And Toby doesn’t even follow the rules! He tells everyone in the restaurant that Kate’s pregnant and starts dancing. He then pours water on himself like he’s in Flashdance. This is all so dumb and disrespectful and not at all endearing! Kate said one person, man. Also, his real name is Tobias? WTF?

Adult Kevin

Kevin can’t stop taking pills to fix his knee. There’s some dramatic “addiction” music happening here that’s, honestly, making me feel pretty uneasy. Kevin stares at himself for a long time in the mirror—which, again, is sort of overkill. When did this show take a turn into Intervention territory?

He’s visiting Sophie in New York. They’re attending some fancy hospital gala where Kevin’s getting auctioned off for a date to raise money. Kevin asks Randall if he’s jealous of this, to which he (rightfully) replies, “No Black man will ever be jealous of being auctioned off. #AmericanHistory.” Yes, he says “hashtag,” which I’ll let slide because Randall’s perfect.

Kevin is blowing up his doctor’s phone for more Vicodin. It’s uncomfortable. He starts drinking a beer while Sophie’s getting ready for the gala; she reprimands him, and he gets defensive. I don’t know how to handle all this substance-abuse foreshadowing! Is Kevin going to get drunk at this gala and embarrass Sophie?!

Yes. That’s exactly what he does. Kevin misses his cue to go on stage for the auction because he’s drunk and yelling at his doctor on the phone. Sophie rips Kevin to shreds for this, and he offers no explanation. Instead, he acts evasive, says he’s stressed, and that he never should’ve agreed to attend the gala. I hate to say this, but he’s acting like most addicts do when confronted. Any doubt these pills are a problem for Kevin just went away.

Adult Randall

Kevin, while visiting, makes some comment about Déjà being “surly,” which Randall doesn’t appreciate. He tells Kevin to tread lightly with her and to not mention her hair. (Remember, Déjà cut off the braids Beth did for her after she realized Beth told Randall about her stress issues.) Déjà asks to attend Kevin’s gala; Randall agrees, but says he’ll have to take her because Kevin will be busy. Beth objects; it’s clear Déjà only wants to go because she’s crushing on Kevin. Stupidly, Randall doesn’t listen to Beth and says he’s taking Déjà anyway. Always listen to Beth, fool!

At the gala, things are awkward AF between Déjà and Randall. It’s obvious all she wants to do is hang out with Kevin, who’s frantically calling his doctor about Vicodin. (He’s also sweating. And drinking more. Oof.) Déjà’s crush on Kevin is cute; I just hope things don’t turn dramatic, but knowing this show they will.

Randall stares intently at Déjà’ as she eats a shrimp cocktail. He freaks out on her right as she’s about to eat the tail, which causes her to run to the bathroom. Randall rushes after her, and we learn the reason behind her fear of being touched and yelled at: Her former foster mother’s boyfriend used to beat her with magazines. Randall doesn’t know what to say to this, and, frankly, neither do I. It’s heartbreaking.

Young Jack

Yes, Young Jack makes an appearance in this episode (probably to aid the story about his dying father). He and his dad are going on a fishing trip, but they detour to a tavern for a quick drink. Jack’s visibly upset by this, which hints that he’s aware of his father’s drinking problem. This also foreshadows Jack’s future alcoholism and, if you think about it, Kevin’s pill addiction. Layers!

Holy shit. Stanley straight-up leaves Jack in the car to get drunk…and he stays in the bar for hours.

Wait. Wait. Wait. There’s someone else in the car with Young Jack. It’s another child. Jack’s brother. Jack has a brother. A younger one named Nicky! Whaaaat?! There’s an entire human we knew nothing about! Another classic This Is Us plot twist that came out of left field. We’re supposed to believe no one has ever mentioned this guy up until this exact moment??!? Color me annoyed but, yes, intrigued. Damn it!

Parting thoughts: Does Jack’s little brother also have a mustache now?



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'Dancing With the Stars' Season 25 Week 6 Recap: Peta Murgatroyd and Nick Lachey Eliminated


It might have been obvious that Nick Lachey was nearing the end of his run on Dancing With the Stars, but that doesn’t mean his departure tonight is any less disappointing. The singer/host was one of the rare former boy-banders not to have been born with lightening fast moves, but that didn’t stop him from trying his hardest every week—and usually delivering. (Don’t worry, Drew Lachey, you won’t have to share that Mirrorball champion title.)

Following his elimination, Nick praised his partner, Peta Murgatroyd—”I can’t say enough wonderful things about this woman”—and said the ballroom hasn’t seen the last of him (or his biceps). “I’m most proud of the fact that we laid it all out there every week. I’m proud of the effort we gave. It was a blast, and I’ll be here to support my wife.”

Speaking of Mrs. Lachey, Vanessa had one of her best dances yet, which should keep her in the competition at least for the near future. Mark Ballas and Lindsey Stirling got their first perfect score this season, while Jordan Fisher continued to slay every move that Lindsay Arnold taught him. What else happened? Read on for the recap!

Nikki Bella and Artem Chigvintsev: Nikki said she’s not used to being vulnerable, but she has to start letting her guard down if she’s going to go far in the second half of the competition. So far, she’s off to a good start with a strong Argentine Tango, minus a wobble during the routine. Len loved it, guest-judge Shania Twain said it was romantic, and Bruno said Nikki presented a different side of herself. In other words, she nailed the vulnerable part. Score: 36/40

Drew Scott and Emma Slater: Drew adorably thinks he’s got a good chance to win the Mirrorball because he’s putting in nearly double the hours of rehearsal time compared to other couples. Emma, meanwhile, thought that because Drew and guest-judge Shania Twain are Canadian that would help their scores. And I think both of them need to stop drinking whatever nonsense they’re being fed. But hey, whatever works. Len called their Paso Doble an “awkward-looking routine” lacking in finesse. Keep putting in those rehearsal hours, Drew. And hoping for Canadian guest-judges (A ‘9’ Shania? Really?). Score: 30/40

Nick Lachey and Peta Murgatroyd: Nick said he felt like a buffoon, which made me sad because he’s my favorite dancer to watch this season. Sure, he won’t win the Mirrorball, but does anyone really remember who takes home that shiny trophy each season anyway? As for their Samba, Nick seemed stiff with Peta, especially compared to the last few weeks. Still, he was out there giving it his all, and really, that’s all that matters. Score: 26/40

Victoria Arlen and Val Chmerkovskiy: Team ViVa danced the Paso Doble to The Mighty Ducks, but if DWTS is going to create an ice rink on the stage, I’d much prefer a routine to The Cutting Edge. I’m not getting that, but at least Victoria and Val didn’t disappoint. Carrie Ann loved it, and Len liked the concept. Score one for the home team! Score: 31/40

Terrell Owens and Cheryl Burke: Terrell called himself the black James Bond. Actually, he should add “dancing” James Bond to his new persona, because he rocked the hell out of his Jive tonight. For whatever reason though, Len wasn’t feeling it. Still, he said it was Terrell’s best dance of the season. So, uh…? Meanwhile, Shania said the attention to detail was so gorgeous she forgot where she was during the dance. I don’t know what that means, but I like it better than Len’s critique. Score: 37/40

Frankie Muniz and Witney Carson: Candyland come to life! Frankie and Witney put on a kaleidoscope of colors performance that looks like The Trolls and The Flintstones collided, and it was pure magic. Unfortunately, the judges were watching through colorless lenses, because they point out plenty of missteps that resulted in Frankie’s lowest score in weeks. Score: 31/40

Vanessa Lachey and Maksim Chmerkovskiy: Vanessa said this week has been the most work they’ve done, but it was also the most fun. The verdict? It showed. Bruno thought they killed their Quickstep, and Carrie Ann called it Vanessa’s best performance. Len commented on Vanessa’s not-quite-so-perfect posture, but Shania loved the dance. Score: 36/40

Jordan Fisher and Lindsay Arnold: A Rumba has never looked so good, and Carrie Ann couldn’t stop raving about “the wave of gorgeousness” she just witnessed. Len liked all that stuff that Carrie Ann mentioned, but he didn’t understand why Jordan did this one move with his hands, which I’m not talented enough to describe in writing. Shania said it didn’t distract her; if anything, it felt like Jordan had Lindsay with him, even when there was distance. Either way, it was beautiful. Score: 39/40

Lindsey Stirling and Mark Ballas: Leave it to Mark to come up with the most innovative Argentine Tango this show has ever seen. It was a stunning sci-fi interpretation that drew a standing ovation from the audience and accolades from Len (“the choreography was phenomenal and the dancing was brilliant”). Bruno called it the best dance of the season, and Carrie Ann said it’s a side of Mark she’s never seen before. Is the show now a three-way race between Stirling, Fisher, and Muniz? Score: 40/40



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