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Gigi Hadid Looks… Quite Different In Her Latest *Love* Magazine Cover


Seeing Gigi Hadid on the cover of a fashion magazine isn’t exactly surprising, but her latest shoot can definitely be characterized as… memorable.

The 23-year-old model fronts Love magazine’s 10th anniversary issue. Though, you wouldn’t know it if it weren’t for the cover line identifying Hadid as the model underneath what’s perhaps the most terrifying bunny mask ever. Donnie Darko could never.

“The golden hare in the golden hour,” wrote Love alongside an Instagram photo revealing its latest cover star. “@gigihadid as you’ve never seen her before.” (You’ve got that right, Love.)

Hadid is photographed in a pink dress, her long hair in waves… and a teeth-baring bunny face that is made to feel that much creepier thanks to the adorable puppy by her side.

In a second Love cover, Gigi’s face actually makes an appearance, with a Quailman-style belt-as-headband set of (far less terrifying) bunny ears.

“BUNNY LOVE ?? Played dress-up for @thelovemagazine’s 10th birthday cover ?????☁️,” Hadid captioned a photo of the cover on her Instagram account.

This isn’t the first time Hadid has made headlines for her work with Love: In 2016, she appeared in the magazine’s iconic “Advent Calender” wearing a fishnet bikini; in 2017, she celebrated the same series by showing off her boxing and volleyball skills. Whatever your feelings on this particular shoot, you know that whenever the model links up with Love, the result certainly won’t be boring.

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Natasha Lyonne Writes a Love Letter to Rosie O'Donnell


In a world short on joy, humor can be a unifier and a survival tool. In that spirit, we bring you our Comedy Issue, a monthlong celebration of funny (and fearless) women and the enduring power of a good laugh. Here Orange Is the New Black star Natasha Lyonne salutes the woman who made her see the value in being wholly authentic.

I first met Rosie when we worked together on a Nora and Delia Ephron play called Love, Loss, and What I Wore in 2008. Rosie had this one monologue called, “The Purse,” which Nora had written about giving up Hermès bags, and the absurdity of them. This was an eight-page monologue, and Rosie was literally able to take the audience in the palm of her hand and take them on a ride during it. The way she was able to lift and drop the volume of the audience’s laughter, it just became a piece of music. Working with Rosie, Nora, Delia, and Samantha Bee on that production taught me that there’s space for all of us. Between working on the play and doing Orange Is the New Black, I totally changed my tomboy perspective, and gained an appreciation for sharing the stage with other women.

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During the play I was coming out of a drug addicted time in my life, but Nora and Rosie adopted me into the fold, and it really healed me as a human being. Now Rosie and I are this odd couple, and we go to Broadway plays. She loves them; I loathe them. My god! Some of the productions I’ve had to sit through. It’s like nails on a chalkboard to me, but I look over and Rosie’s like, “C’mon, Tashy, that was amazing!” Then we go to Sardi’s and grab dinner.

What’s so wild about Rosie is that she’s such a subversive figure who was able to become mainstream. Recently, I rewatched an Ellen DeGeneres appearance on Rosie’s show, and they’re doing what they called the “Lebanese sketch.” It’s psychedelic! It was 1996, and they’re just dancing around being gay. Or watching her stuff in comedy clubs. It’s fucking epic, because she’s in a pantsuit with a curly shag, looking like a cross between David Lee Roth and Pat Benatar. And this was during an era when guys like Andrew Dice Clay were big, and she’s doing a Goodfellas shtick. What other woman was speaking that language?

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Rosie’s such an important figure for women. I’ll never forget introducing Aubrey Plaza to her. I was having dinner with Rosie and texting with Aubrey and I was like, “Why don’t you come over?” She came right over, and I’ve never seen Aubrey so starstruck. She’s such a weirdo and a cool cucumber, but it was almost like seeing Santa Claus—that someone who’s so iconic could be real. But that’s the beauty of someone like Rosie. She’s able to communicate, from a distance, to other young girls that it’s OK to be themselves. That’s a strength she’s personally given me.

Natasha Lyonne costars in Orange Is the New Black, which returns to Netflix this month. Rosie O’Donnell costars on Showtime’s SMILF.



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Rachel Bloom Writes a Love Letter to Carol Burnett


In a world short on joy, humor can be a unifier and a survival tool. In that spirit, we bring you our Comedy Issue, a month-long celebration of funny (and fearless) women and the enduring power of a good laugh. Here Crazy Ex-Girlfriend star Rachel Bloom salutes the woman who made her see the value in being herself onstage.

As I sat back down at my seat in the Beverly Hilton after winning the Golden Globe for best performance by an actress in a television series in 2016, I did what any millennial with a touch of ADHD would do: I checked my email. And the first thing that popped up was a message from Carol Burnett congratulating me. Not to sound ungrateful to the Hollywood Foreign Press, but that moment was my real Golden Globe.

A month or two earlier our mutual friend (and my Crazy Ex-Girlfriend costar) Donna Lynne Champlin told me Carol had asked for my email address. My response to her was, “OF COURSE YOU CAN GIVE CAROL FUCKING BURNETT MY EMAIL ADDRESS. GIVE HER MY SOCIAL SECURITY NUMBER AND MY LIVER TOO.” It was laughable that Carol felt she needed permission to email me. But when I finally got to meet her, I realized that, in a wonderful way, her fame still hasn’t quite sunk in. Carol Burnett doesn’t know that she’s Carol Burnett.

She was the first comedic actor whose essence I couldn’t put into words—all I knew was that I couldn’t stop watching her. When I performed my own rendition of “Little Girls” from Annie for my eighth-grade talent show, the director told me not to copy her mannerisms. (Not because I couldn’t try—of course I did—but because she is a performer who is un-copy-able.)

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I read Carol’s memoir One More Time during an eight-hour bus ride in 2009 and was struck by the fact that, like me, she had trouble booking acting gigs during her first year living in New York City. She put together her own musical showcase with women in her boarding house and got discovered singing the original song “I Made a Fool of Myself Over John Foster Dulles,” which reminded me of a song about an older gentleman that I had written called “F*ck Me, Ray Bradbury.” I had forgotten about it until I read Carol’s book. That song became a music video that got me my agent.

I realize now that this is a lot about me. Forgive me, but that’s the only way I know how to gush over an icon who has done as much for female comics as she has. If Carol hadn’t ignored the head of CBS when he said that variety was a “man’s game” in the sixties, she wouldn’t have made it possible for me—and all of my female creator-­performers in TV—to do what we do. She may not ever know that she’s Carol Burnett, but at least now she knows how much I love her. ­

St. John blazer, turtleneck, skirt, $495; Jimmy Choo pumps, $650. Ulla Johnson dress; Ventrone Chronicles earrings, $45; M. Gemi pumps, $248. Crap Eyewear sunglasses, $79 each.

Read on for Glamour west coast editor Jessica Radloff’s interview with Carol Burnett:

GLAMOUR: Talk to me about the importance of mentoring talent like Rachel Bloom.

CB: I don’t think about it as mentoring. I just think about it as I’m a fan of hers. We’re friends. I watch Crazy Ex-Girlfriend. Donna Lynne [Champlin], who is on the show, played me on Broadway in a play [Hollywood Arms] that my daughter and I wrote about my growing up with my grandmother and my mother. So I was watching it to see Donna Lynne and I got hooked on the show.

GLAMOUR: Did you have anyone who was instrumental to your own success?

CB: Lucille Ball. But she never considered herself a mentor. We were buddies. She was 22 years older than I, and she hired me on her show. Not I Love Lucy, but the later incarnations of that, so I was able to work with her. Then when I got my show, she came on as a guest, so it wasn’t like the years between us mattered. We were friends. And that’s what I consider Rachel.

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GLAMOUR: What qualities do you love about Rachel?

CB: Aside from all the music stuff, which of course I love, she’s a very talented actress. So to see what she comes up with—the lyrics and the music—is just overwhelming. And then to see her in some of the more serious scenes, she’s the whole ball of wax. Early on [in my career], I remember thinking, I want to be able to say things funny so that you can put a spin on a line and get a laugh. Because sometimes if you read it on the page it doesn’t translate as being funny. Rachel does that; she says things funny. And that’s what I admire.

GLAMOUR: Going back to the days of The Carol Burnett Show, what’s changed in comedy and what hasn’t?

CB: Funny is funny. I dare anybody to look at the dentist sketch with Tim [Conway] and Harvey [Korman] and not totally crack up today. And that’s 45 years old. So that can remain the same. What has happened I think, and I’m kind of sad about it, is that people on television want to be edgy. Sometimes a bit too much. And I’m not a prude by any stretch of the imagination, but I find that some of the sitcoms today feel like they’re written by a bunch of high school boys in a locker room. They’re not clever. Look at All in the Family, Mary Tyler Moore, Dick Van Dyke, Bob Newhart, Cheers…they were clever, funny, and classy. There are very few today that have that. So that’s what I’m sad about.

GLAMOUR: Were you told you were funny growing up?

CB: I wasn’t. But I never tried to be funny, so naturally I wasn’t told that. I was a very quiet student, a complete nerd in high school. I was editor of the high school paper, and a good student, so it was kind of a shock when all of the sudden I started [theater] at UCLA because I had no idea that I would ever wind up like this. At all. There should be no hurry to decide [what you want to do in life]. Let it happen.

Rachel Bloom is the cocreator and star of CW’s Crazy Ex-Girlfriend. Watch Carol Burnett now in Netflix’s A Little Help With Carol Burnett.



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30 4th of July Nail Art Designs & Ideas You'll Love


Fourth of July nail art often gets a bad rap for being too literal, too kitschy, or too cheesy. However, in recent months, we’ve seen a cool uptick in the ways bloggers, nail artists, and it-girl salons are doing red, white, and blue. “Your 12-year-old niece goes to a barbecue” these nail ideas are not. Instead, here you’ll find fresh new takes on stars and stripes, negative space (yep, the trend is still riding strong), and subtle, summer-y designs that’ll look just as good with a beer and sparkler in hand as they will when you head back to work after the holiday. Click on to find the best nail ideas for the Fourth.



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You Need This: I Don't Really Exercise, But I Love Outdoor Voices' Exercise Dress


I’d never felt more seen—or rather, personally targeted—than the moment in Saturday Night Live’s “Pro-Chiller Leggings” skit when Kate McKinnon looks straight into the camera (and into my soul) and says of her leggings: “Women can do anything they want—and I want to do nothing.” Leggings are my clothes of choice for a streaming marathon, and pretty much never for actual physical activity; same goes for my sports bras and tank tops. (Just ask the 170 Instagram users who correctly guessed that my first workout selfie of 2018 would also be my last.)

Despite my track record of stockpiling activewear for non-fitness, I was intrigued by the concept of Outdoor Voices’ Exercise Dress, which debuted in May. It promised to withstand intense workouts while still looking super-cute, as evidenced by all the influencer #OOTDs timed to its launch.

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I was draw to the Instagram-friendly design and its comfortable appearance—the Exercise Dress looked like a put-together alternative to the workout gear I was already wearing every weekend. Never mind that I had no intention of rollerblading, speed-walking, or dancercising in it: That baby-pink dress was cute as hell.

Even with my unathletic routine, the Exercise Dress made for an incredible addition to my routine. On lazy Saturdays when leaving the apartment just wasn’t in the cards, I’d slip it on, resume my current binge-watch, and give myself a gold star for changing out of my pajamas; when I eventually ventured out, I’d layer it over a white T-shirt to run errands and feel slightly less messy than I did in my leggings and college T-shirts. It made me feel like I put together an Outfit, rather than just any other athleisure-adjacent clothes. Plus, every time I wore the Exercise Dress, I got compliments on it.

I knew I couldn’t own a self-described Exercise Dress without doing some sort of exercise in it, though. So, during a recent trip to California, I scheduled some (light) hiking, to be able to test the style in the way it’s meant to be worn. And let me tell you: It more than lived up to its online hype.

No matter how I moved, I never felt limited by wearing the Exercise Dress. The sweat-wicking fabric rivals a sturdy tank top without the heavy material—it was lightweight and stretchy, breathable without sagging. My favorite feature, as I could only discover through actually working out in it, is the covert leotard liner inside the dress: Climbing a trail and running around outside, it held the dress in place without causing a Marilyn Monroe moment at the first sign of a breeze. Unless your cardio routine involves Rockette-high kicks, you can work out in a dress.

Some people say that good activewear can convince them to work out more. I’m all about the Sporty Spice vibes I get from wearing my exercise dress at home—but I won’t be donning it for real sports anytime soon.

Outdoor Voices Exercise Dress, $98, Outdoor Voices

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Here's the Moment Meghan Markle and Prince Harry's Bishop Knew They Were in Love


Meghan Markle and Prince Harry have had no shortage of adorable moments—either before or after their royal wedding for the ages. Case in point: That time recently when Harry, ever so gallantly, stepped in in the nick of time to save Markle from a topple. It’s honestly all a bit much sometimes, but just to compound the cute, the Most Reverend Bishop Michael Curry has spoken out in an interview with Us Weekly about the moment he knew that the two were really, truly in love (as if there were a doubt!).

If you remember, Bishop Curry was the real star of the royal wedding (the couple getting married excluded, obviously). He gave a rousing sermon, the likes of which many in the audience had never heard before, aptly named The Power of Love. Given that he’s pretty much an expert on it, of course he was the right person to talk about the moment he knew the two were 100-percent smitten.

“They look at each other like they love each other. I remember thinking after the sermon, once I preached the sermon, I said, ‘These two people love each other,'” he told Us Weekly. “They look at each other, and their love brought the rest of us together.”

But he wasn’t done yet—he had something even more poignant to say about the couple who once stood before him.

“Their love, even if it was just for a few moments, showed us the power of what unselfish love that gives itself to another can actually do,” he told the magazine.

Well, if that isn’t #couplegoals, we don’t know what is.

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