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Lauren Lapkus: How My '90s TV Deep-Dive Taught Me to Live in the Present


Catch actor, comedian, and Raised By TV podcast host Lauren Lapkus in Between Two Ferns: The Movie, streaming now on Netflix.

There’s nothing like snuggling up in front of the TV and unwinding with a good memory. I can nuzzle into the wedge of my couch with a faux-fur blanket and relive my childhood spent within the halls of Bayside High, on the window seat of Clarissa’s bedroom, sitting in the cozy booths of the Peach Pit, staring at the top of Stimpy’s beautiful, red butt.

For me, the words “summer vacation” evoke more memories of Wild N Crazy Kids and Brady Bunch reruns than horseback rides at camp or jumping off docks. (I tried camp once…not enough TVs. Also, I can’t really swim, but we don’t need to get into that now.) Don’t get me wrong: I had exciting summers! I danced outside of the school gym with Zack and Kelly because her dad lost his job and she couldn’t afford to go to prom. I fainted on the treadmill with DJ when she felt she had to lose weight for Kimmy’s pool party. Wakko taught me all the state capitals, and I promptly forgot them (which is probably what he would have wanted).

I watched it all, indiscriminately, everything from Family Matters to Jerry Springer to my favorite of all time (FOAT?), The Oprah Winfrey Show. This was before our attention spans became too short for theme songs, and I can place just about any of them after hearing a few notes, or even just the lyrics spoken without a melody, as I once proved on a friend’s comedy show. (No one was as excited about this as I was, BTW.) The Who’s the Boss? theme song is deeper to me than most Shakespeare:

There is more to life than what you’re living. You take a chance and face the wind. An open road and a road that’s hidden. A brand new life
around the bend.

It brings a tear to my eye to picture that van heading to a new life at Angela’s house. This was the early ’90s—the (first) golden age of television. These shows are fucking perfect. Or…at least that’s how I felt until I started a podcast about all of this.

My Raised By TV co-host, Jon Gabrus, and I both grew up with our faces melting in front of our TVs long before the concept of “screen time” would ruin everything. This core commonality instantly shot him into sibling territory like that little shooting star from “The More You Know.” (Don’t remember a single one of those lessons, either.) Finding that person who will giddily sing the Tiny Toons theme song with you is a special thing. So we started the show raring to jump back into our pasts, to bask in unbridled, nostalgic joy, to relive beautiful moments we had spent alone and realize we actually never were because we both—along with so many others, we’ve learned—had these exact same memories.



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This Is What It’s Like to Live With Paranoid Schizophrenia Symptoms


Many people break their lives into before and after. A major loss, a medical procedure, an event so radically disruptive that it splits your life into two distinct chapters. I’m no different. the timeline of my life is punctuated by the first time I started showing schizophrenia symptoms.

Before I suffered my first episode of psychosis at twenty-seven, I was a college graduate, working as a professional social worker, a homeowner, and going through the process of divorce from my first husband. I was outgoing, I laughed easily, I had a good sense of humor, I went to parties, I made friends quickly, I was fiercely independent and capable. I took flights by myself to South America, the Middle East, and many countries in Europe to meet up with my parents who had been working overseas since my junior year in high school.

My first break from reality crept into my life slowly, seemingly banal at first—I cried a lot and was experiencing symptoms of major depression. I started isolating myself from other people. But then I started to believe that a therapist I once worked with was plotting with a well-known judge and other county and city officials to set me up. I became painfully paranoid. Delusional.

By the time my mom and aunt tried to get me admitted to a hospital, I had been actively psychotic for three weeks. I was unable to sit still, pacing around the rooms I was in. I barricaded my mom into a bedroom because I thought people were after us, and I was attempting to jump out a second-story window to run away. My mind was racing in circles trying to make sense of the distorted experiences.

It is difficult to get someone admitted to a hospital involuntarily. If the person isn’t showing signs of being a danger to themselves or others, they have to willingly sign themselves in for treatment. As a social worker, I knew the system. I was aware of the laws regarding commitment, so when I was asked, “Are you thinking of harming yourself?” I would reply, “No.”

That was true, but it didn’t mean that I was okay. The paranoia I was experiencing was so significant and overwhelming that I was convinced that once I went into the hospital, I would be drugged, tortured and forced to testify that people I knew were criminals. My mind went around and around in circles playing out these terrifying scenarios.

After several days of going from one hospital to another with my mom and aunt, I finally agreed to sign myself in. It wasn’t that I was less paranoid but I had resigned myself to the fact that whatever and whoever was out to get me was too powerful—I might as well give up. I resigned myself to the idea that I’d have to undergo whatever terrible things they had planned for me just hoped I could survive.

In the locked unit of the hospital, the nurses conducted drug tests and blood work. I was clean, so drug-induced psychosis was ruled out. But that meant there had to be some other cause. For the first five days of treatment, I was kept away from other residents. In my paranoia, I stripped the bedsheets off of my bed in an effort to calm my fears. I was convinced I was being poisoned through the cloth. My non-compliant behavior meant I couldn’t be trusted around the other patients. I’d never felt so alone.

After a week in the hospital, the medication flooding through my system finally reached a therapeutic level in my blood—the paranoia and delusions started to recede rapidly. I started to regain traction with reality, but after everything I’d been through, “reality” wasn’t the same as It was before my episode. In my new reality, I had to accept that fact that I was living with a severe mental illness and a mind that could seriously, and at any time, betray me.



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Leslie Jones Best Saturday Night Live Moments


Bad news, people: It was confirmed today (August 27) by multiple outlets that Leslie Jones is not returning to Saturday Night Live. The comedian made her debut as a cast member back in 2014, having previously working as a writer on the show.

Sources told The Hollywood Reporter that Jones opted to depart from the long-running series so she could work on her upcoming movie projects and Netflix special. Her absence will be palpable this upcoming season—especially during the “Weekend Update” segments, where she first gained a following.

And that following only grew with each season. After more than six years on the show, Leslie Jones has cemented herself as a Saturday Night Live icon, offering up top-notch impressions, hilarious bits, and even poignant commentary at times. Below, we explore 10 of her most memorable moments.

“You can’t control women,” Jones said during a segment of “Weekend Update.” “Because, I don’t know if y’all heard, but women are the same as humans. And I’m Leslie ‘Dracarys’ Jones! Why do all of these weird-ass men care what women do with their bodies?”

Jones and Game of Thrones‘ Peter Dinklage filmed a parody of this hit Discovery Channel series a few years back, and it’s way funnier (and more intense) than the actual show.

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Emma Thompson also appeared in this sketch as an etiquette coach preparing Jones’ character to attend Baby Archie’s christening. Let’s just say things didn’t go according to plan.

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A duo like no other.

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Her vocal impression alone deserves 2,000 Emmys.

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Alec Baldwin is shaking.

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In this “Weekend Update” segment, Colin Jost and Michael Che hypothetically cut Jones’ impression of Williams, so she takes matters into her own hands—by showing up to the set dressed as the tennis champ.

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Had Jones actually starred in that remake a few years back, maybe the reviews would’ve been better.

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The two of them recreating the cow bell sketch would’ve been pure gold.

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“My arms rule, I love vegetables, and I can be president whenever I want.”

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Gwyneth Paltrow Doesn't Live Full Time With Her Husband, Brad Falchuk—Here's Why


As anyone who followed her “conscious uncoupling” saga knows, Gwyneth Paltrow isn’t one for conventional relationships. After separating from her first husband, Coldplay’s Chris Martin, the actress and Goop mogul remarried to Glee and American Horror Story co-creator Brad Falchuk—and the new couple spends a lot of time with Martin and his girlfriend, Dakota Johnson. Which, honestly, is kind of refreshing—who says you have to be mortal enemies with your ex? According to a new interview, the amicable relationship between the two couples isn’t the only unconventional aspect of Paltrow and Falchuk’s marriage.

In a recent interview with The Sunday Times, Paltrow shared that she and Falchuk don’t share a home together—full time, at least. Instead, he stays with her four nights a week; the rest of the week he spends at his own place.

Paltrow explained that divvying up their living space—literally—has been healthy for the marriage. Her intimacy teacher, Micaela Boehm, said the arrangement increases “polarity” in a long-term relationship, which sounds important.

Paltrow added that her friends approve of the situation too: “All my married friends say that the way we live sounds ideal,” she said.

Paltrow and Falchuk married last November in a private California ceremony. She shared many of the details of their wedding ceremony on Goop’s website the week after. (Where else?) They started dating in 2014.



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Beyoncé Just Dropped a Surprise Live Album, and People Are Freaking Out


Happy Bey Day, everyone! As expected, Beyoncé‘s highly-anticipated documentary, Homecoming, is now streaming on Netflix. The doc takes us all inside the preparation for her iconic 2018 Coachella performance, a tribute to the historically black colleges and universities in America. But because Beyoncé is Beyoncé, she also decided to drop a surprise album in the middle of the night, as well.

Homecoming: The Live Album contains 40 tracks and is now available on all major streaming platforms. It’s basically a live greatest hits album with bangers like “Diva,” “Run the World,” “Lose My Breath,” “Crazy in Love,” and more making up the track list. The real joy, though, is that this is yet another way to experience the magic of what became known as Beychella. It’s also the first solo album that Bey has released since 2016’s Lemonade. (She and Jay-Z released Everything Is Love together last summer during their global tour.)

And the album art is something to behold, naturally:

Obviously, the Beyhive was beyond pumped about the surprise album and the documentary. In fact, Homecoming is already topping the iTunes charts. “The concept, arrangements/remixes, dance, her voice,” one fan wrote. “Beyoncè has gotten to the point where she could put out mediocre shit and people would still eat it up but she’d never do that. She’s always gonna bang out visuals, intricate dance moves and amazing vocals.” Another tweeted, “The biggest artist in the world is a black woman & she’s killing it how can you not like #Beyoncé.” While one social media user pointed out the power of Beyoncé in dropping a surprise album of old music in the middle of the week and having it go immediately to the top of the chart.

See more reactions, below:

Now if you’ll excuse us, we’re off to go stream Homecoming on a loop forever.





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This Is Us Star Chrissy Metz Performed a New Song Live at the ACM Awards


Every This Is Us fan is well aware that actress Chrissy Metz has a beautiful singing voice—her character, Kate Pearson, works as a professional singer after all. But last night at the Academy of Country Music Awards (ACMs), Metz performed a brand new song live on stage. A mighty big leap for any artist, and a first for the actress.

She originally recorded the song, called “I’m Standing With You,” for the soundtrack of her upcoming film Breakthrough. “I’m excited,” Metz told People on the red carpet before the show. “I mean, you know, as a little girl, you always dream about something like this. But to actually do it and to hold a stage with these incredible women—Lauren Alaina, Carrie Underwood, Maddie + Tae, Mickey Guyton. Are you kidding? It’s really exciting.”

Metz not only made her live television singing debut, but she did it alongside some country music greats, including Underwood who introduced her on stage. You can see a clip of the performance over at The Hollywood Reporter.

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Mickey Guyton Lauren Alaina Carrie Underwood Chrissy Metz and Maddie Marlow and Tae Dye of Maddie  Tae perform onstage.
Kevin Winter/Getty Images

Being amongst country royalty wasn’t lost on Metz. “Here’s the thing. I just ran into Tanya Tucker. I was like, she literally kissed my hand — I have her lip gloss on my hand, folks. I really do love all of these acts and all of these artists,” Metz said. “I got to see George Strait and Miranda Lambert sing one of my favorite George Strait songs at rehearsal. I was like, losing my mind. Everyone here is just incredible. I love country music.”

Fans new and old loved the performance. “You really impressed me tonight @ChrissyMetz – Could you imagine the pressure being on stage with all those strong, fierce female vocalists? Jack would be so proud,” one tweeted. “Never knew Chrissy Metz could sing. I approve #ACMawards,” wrote another.

She even impressed Broadway icon Kristen Chenoweth who wrote, “Omg @ChrissyMetz you just nailed your first live tv singing performance! #standingwithyou #ACMs”

We agree, Jack Pearson would definitely be very proud of his “Katie Girl.”



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