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A Major *Game of Thrones* Theory About Jon Snow Just Got Debunked


Last week, a Game of Thrones fan theory popped up online that was inspired by the show’s season eight teaser. If you haven’t watched it 2,000 times, like we have, here’s some quick context: Toward the end of the trailer, we see statues made in the likeness of Jon Snow, Sansa, and Arya, but there’s a catch. The Sansa and Arya figures portray the characters as they are now—young—while Jon’s depicts him as an older man. Some fans took this as a sign Arya and Sansa die early on in the season and Jon Snow is the only one who survives once everything concludes.

But not so fast. It turns out we can’t use this teaser to predict anything about season eight—because this footage doesn’t actually appear on the show. The Game of Thrones fan site Winter Is Coming unearthed an interview Sophie Turner did at New York Comic-Con from October 2018 where she confirms the statue promo has “nothing to do” with what happens in the final season.

“We did this promo for season eight where —I don’t know if I can say this, actually. Well, actually, no. It’s got nothing to do with the series; it’s just a promo,” she said. “It was this big kind of statue of me, of Sansa, and I wanted to have it in the garden of my new house. But they obviously wouldn’t ship it from Belfast to New York, so…”

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It’s important to note that anything is still fair game with Game of Thrones season eight. Jon Snow could live, or he could die—and the same goes for Arya and Sansa. We just can’t look to this promo as an indicator of plot. Hopefully fans aren’t deceived by this, though. After all, it’s not uncommon for Game of Thrones teasers to have footage that isn’t used in their accompanying seasons. Remember the Long Walk trailer? That was all just a song and dance (…and walk).

Game of Thrones season eight premieres on April 14, so it’s not that long before we start getting some concrete answers.

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Game of Thrones Fans Think Jon Snow's Statue in the Season 8 Trailer Reveals a Huge Clue


HBO dropped the first teaser for Game of Thrones season eight on Sunday night (January 13), and, as expected, fans are already excavating it for clues and hidden meanings. Of course, some of them are a stretch, but a few actually have merit—like a theory currently trending on Reddit about Jon Snow’s statue from the trailer.

For context, go back and watch the teaser for yourself, below, and pay close attention to the statues it reveals of Arya, Sansa, and Jon. Notice how Arya and Sansa’s figures portray them as they are now—young—but Jon’s depicts him as an older man. Some fans are taking this to mean that Jon Snow is the only one who survives when everything is said and done. That’s a bold conclusion, sure, but Game of Thrones is a bold show.

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“For me this trailer solidifies Jon as the main protagonist of the story,” one Redditor writes. “Whatever the ending is going to be, it’s going to be about Jon. He will be the hero, the ruler; he will defeat the Night King and save the realm. He’s not going to die, unless it’s as a final sacrifice.”

Others, however, think people may be reading too much into this. One fan points to a similar death theory that popped up in season six but never panned out. “Remember season six promos with all the faces of the lead actors in the hall of the Many Faced God? Everyone had theories on which one was gonna die, none of those characters died in that season,” they write. Good point!

There’s also another big Easter egg in this trailer: the frozen feather that falls when Jon passes the remains of his late mother, Lyanna. For context: The audience knows Lyanna is Jon’s mom, but he doesn’t. As this happens, we hear Lyanna’s voice faintly say, “You have to protect him.” “Him” is referring to Jon, who is the true heir to the Iron Throne. He just doesn’t know it yet. (Sansa put this exact feather on Lyanna’s statue back in season five.)

There’s so much going on in this trailer! Catch fans coming up with 500 more theories from it between now and when season eight premieres on April 14.

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Why Jon Snow Is the Ultimate Male Feminist


Yesterday, news broke that Game of Thrones co-stars Kit Harrington and Rose Leslie, known in Throne-lore as Jon Snow and Ygritte, are now engaged. And six “Jon Snow and Ygritte: Best Moments” YouTube montages later, I got to thinking: Is Jon Snow a feminist icon? From his early days as Ned Stark’s “bastard” to his current status as King of the North (though he bent the knee to Daenerys, so this title is murky) Jon Snow has proudly stood beside his female cohorts as an equal. He’s become the paragon of how men who date powerful women—or have powerful women in their lives—should behave. He’s obviously attracted to power, which is fine. Wonderful, even! Because I’m not sure what year it is in Westeros, but here it’s 2017, and if dating powerful women emasculates you, you’re a cretin.

Jon and Ygritte actually started as enemies; their storyline kick-starts in Season 2 when they must huddle together for survival in brutal wintry conditions. Their relationship was a playful one, with Ygritte unloading jeer after jeer (“You know nothing, Jon Snow”). She was the strongest and most respected female wildling warrior, and it was her sharp, acerbic wit and unbending strength that bonded them. Even when we heart-wrenchingly watched the duo face off in the Battle of Castle Black, Jon nobly refused to hurt her. When a member of the Knight’s Watch struck Ygritte, leaving her to die, Jon holds her in his arms as her last breath passes her lips. It’s clear he held her to the highest regard—as a soldier, as a person, as a worthy opponent, and as a lover.

Currently in Season 7, Jon is engorged in a passionate Snowmance with Daenerys Targaryen, who is quite literally the embodiment of The Matriarchy (and, unfortunately, his aunt). Daenerys is exorbitantly accomplished, her full title being, “Daenerys of the House Targaryen, the First of Her Name, The Unburnt, Queen of the Andals, the Rhoynar and the First Men, Queen of Meereen, Khaleesi of the Great Grass Sea, Protector of the Realm, Lady Regnant of the Seven Kingdoms, Breaker of Chains and Mother of Dragons.” Casual. Most men aren’t just intimidated by her; they feel threatened, taking her accolades as a personal affront on their manhood and their ability to perform masculinity in its traditional sense.

But Khaleesi’s story is one of triumph through oppression. Since the very first episode, men have felt the need to dominate and control her. In the pilot, she challenges her brother Viserys for the first time; he lashes out, claiming he’d let 40,000 men and horses have their way with her if she didn’t marry the man of his choice (Khal Drogo). Khal Drogo, her first husband and leader of the Dothraki tribe, repeatedly rapes her and treats her as chattel throughout their “marriage” (which was customary of Dothraki leaders, until she usurped power). She has been assaulted, insulted, spit on, and betrayed by the male leaders of Qarth, the Good Masters of Astapor, the Meereeneese, The Sons of the Harpy, and The Wise Masters of Yunkai. Some rebels, like Dickon and Randyll Tarly, even chose to be burned alive by a dragon rather than kneel to her. But not Jon Snow. Sweet, beautiful Jon Snow, who turned into a pile of Carrie Bradshaw-like mush for her.

Though Jon refused to bend the knee to Daenerys when they first met, it was never about her, her gender, or what he believed her to be capable of. He remained respectful while maintaining his allegiances to the North. Their relationship, like Jon and Ygritte’s, bloomed from a place of mutual respect for each other’s strength and power. They were allies and equals before they were lovers.

The valiant, brave, honorable, sweet baby boy Jon Snow takes powerful women for what they are and understands the importance of elevating them. He emboldens his half-sister Arya’s proclivity for archery and combat, rather than berating her for breaching gender roles. At his most stubborn, when his half-sister Sansa saves his ass and outsmarts him in the Battle of the Bastards, he accepts his misjudgments and faults without being derisive or sexist. Most importantly, he doesn’t pick and choose what type of woman to support; he knows Sansa is feminine and cannot wield a sword, but he sees the power of her mind, while simultaneously emboldening Arya for her physical power. Snow is the embodiment of a strong male character free of the problematic machismo we see so often in real life and in entertainment.

I’d be hard-pressed to find a comparable male character, one who supports a female protagonist as unconditionally as Jon Snow does. In Buffy the Vampire Slayer, Buffy’s best friend Xander is possessive, unsupportive, and judgmental of her. He never quite comes to terms with the fact that his friend, a girl, is more powerful than him—and isn’t romantically interested in him. Then there’s Fox Mulder from The X-Files, who repeatedly pulls the theatrical “you wait here while I go ahead” bravado even though his partner, Dana Scully, is laughably as capable as him—more so. Even Steve Trevor, in the latest iteration of Wonder Woman, has wisecracks about Diana’s female power. At times, it was a funny commentary on 20th-century sexism, but it was still gross and contemptuous. In The Hunger Games, both Peeta and Gale fought for Katniss like a piece of property. There’s the craven, bitch-boy Duke of Edinborough from The Crown, who’s the antithesis of Jon Snow. Then there’s the monotonous, unrelenting chauvinism that Olivia Benson deals with on Law & Order: SVU, House of Cards’ Claire Underwood’s daily verbal abuse from her apoplectic husband, Princess Leia, who was never even given her own lightsaber, and Hermione Granger who was infuriatingly under appreciated by Harry and Ron. And do not get me started on fucking Mulan.

While most male characters at least feel the need to comment on the “irony” of a woman in power, Jon Snow does not. Going forward, we need more who support and elevate female protagonists in the same way. Of course, this is a garish metaphor for our real-life female heroes. Looking back, Bernie Sanders could’ve taken some notes on aggrandizing Hillary Clinton after the 2016 primaries; Brad Pitt should’ve literally bent the knee to Angelina Jolie; and let’s not forget the female senators fighting to save healthcare for millions of Americans.

In other words, if you’re not getting the full Jon Snow experience from the men in your life, dump them. Or, as they say in Game of Thrones, “Valar Dohaeris.”



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This 'Game of Thrones' Theory Explains Why Tyrion Was So Weird About Jon and Dany


The highlight—or lowlight, depending on your stance—of the Game of Thrones season finale was when Jon and Daenerys finally had sex. This, erm, union was a long time coming; show-runners have been teasing their sexual tension since the beginning of the season. (That cave scene, anyone?) Of course, the fact they’re related—Dany is Jon’s aunt—is why some fans don’t ship their coupling, but the other half of the GoT army doesn’t care. After all, this show started with an incest scene between Cersei and Jaime Lannister. Blood relatives sleeping together apparently isn’t a big deal in this world.

What is a big deal, however, is the fact Tyrion was lurking outside the room where Jon and Dany were getting it on. Why was he out there? Was he just grossed out? Pissed off?

According to this new Reddit theory by a user named AchievementJoe, it’s much deeper than that. AchievementJoe thinks Tyrion betrayed Jon and Dany during his meeting with Cersei—and that’s why he was pacing outside the room. So…is it guilt?

“I’m thinking Tyrion may have told Cersei before she walked back into the Dragon Pit to just tell Daenerys and Jon what they wanted to hear so that the meeting ended in good terms,” AchievementJoe writes. “It seemed to be an important aspect of the meeting to tell a lie. So I’m thinking Tyrion actually knows that Cersei won’t back down and that she plans to attack while they are away and that is why he is so disappointed while Jon and Dany are doing the dirty because he knows that the truce is all a facade.”

Come to think about it, the beginning of the finale sort of hinted Tyrion would commit some kind of betrayal. Remember when he told Jon he should learn to lie to powerful people? “Have you ever considered learning how to lie every now and then? Just a bit?” he said. He was literally talking about how great lying is before doing some lying himself.

Well, lying might not be the best word for this; Tyrion essentially hid a part of the truth. So when will Jon and Dany find out the full story? When Cersei just straight-up doesn’t come to Winterfell? Regardless of when it happens, we’re scared for Tyrion. You don’t want to piss off Dany. She has an army of dragons.

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'Game of Thrones' Season 7 Finale Recap: A Major Death, That Jon and Daenerys Thing Happened, and So Much More


It’s hard to believe, but we’ve arrived at the end of season 7 of Game of Thrones. Of course, like all finales there’s a huge cliffhanger; still, it doesn’t quite feel like the end. That last scene was one hell of a beginning to something we do not want to wait for. On top of that, we might not see the final six episodes until 2019 (boo). So until then, let’s unpack this super-sized finale. It’s going to be a while until the next time we hear that sweet, sweet opening credits tune.

We start the episode at King’s Landing, where there are a lot of preparations for the meeting of Westeros’ leading minds. Literally anything could happen, and everyone is flexing big time as a reminder that both sides could kill each other at any minute. Charming. We see the sheer numbers Daenerys has amassed through the seasons, including this one. The unsullied stand organized as they do, and in contrast, the Dothraki come in as wild as ever. By sea, her many ships arrive, and it seems like everyone is there, including a fully mended Jon, but the Mother of Dragons herself.

It’s not long before we get confirmation that Cersei is not here to mess around; killing any of the people she’s hosting is fully on the table for her. She even has a list like Arya, and an order in which she wants her rivals killed.

The gang’s almost all here as all the sides converge towards the dragon pit. We get some reunions, a history lesson, and a reminder that this is probably a really stupid meeting because Cersei wants to chop everyone’s heads off. Everyone agrees, yet continues. Some of the cross-sides catching up really highlight how silly this big conflict can seem and how sides can change so fast. Looking at you, Pod and Tyrion. Can’t everyone just get along?!

Well, no. Everyone shares nervous glances as they wait for Cersei to arrive. It wouldn’t be the first time she collected everyone she wants dead in one place just to kill them all (remember last season’s finale?). She arrives after all, wearing her crown, and things get even more awkward. Our first sibling rivalry of many happens when The Hound comes face to face with his undead brother, The Mountain (Clegane bowl anyone?). Pirate Joshua Jackson—I mean, Euron is back and Cersei is not impressed by Dany’s late arrival…on dragonback.

Euron looks excited, and Dany doesn’t care that she pissed off the current Iron Throne resident. Pause for a second to reflect on the decision to bring the dragons. Yes, this was Dany’s personal version of flexing, but after last week, leave your babies at home! Who knows what Cersei has up her sleeve. Jaime has seen Drogon in action, and he can relay it all to Cersei without Dany showing off. Unpause.

Tyrion tries to recap the whole series of Game of Thrones as a reason why everyone is there but gets interrupted by a big Euron show asking Theon to come back or he’ll kill Yara. Both Jaime and Cersei come to Tyrion’s aid and ask Euron to sit down and shut up. At this, you wouldn’t be wrong to be curious about Cersei’s intentions. It’s not like her to defend Tyrion in any way. Jon jumps in to try to convey how serious the threat of the army of the dead is. Cersei treats it like a joke and even says as much. Not to mention the idea of a truce is nothing but amusing to her.

Enter The Hound with what looks like the most uncomfortable backpack of all time. In reality, his screeching zombie is inside but isn’t making a sound. Uh oh. It’s not until he opens it (slowly) and kicks it over that it lunges at Cersei, and too close for comfort. For once, our queen looks scared. They make a big show of cutting it to pieces to prove how hard it is to kill them. Jon gives a wight killing 101 seminar and they finally stop its fit. Cersei looks shaken by the whole thing.

Euron makes a show of cowardice and leaves everyone behind, hoping that he’ll survive on an island where the wights can’t get to him. Nothing has ever scared him before this. What seemed like a misguided plan appears to work. Cersei offers a truce in exchange for Jon’s loyalty to stay in the north and not fight her once the true enemy of the zombie army is defeated. Jon, Stark-ish as ever, says he can’t do that and Cersei is over it. She says the northerners can deal with the white walker army and see how that goes, she’s done. Everybody is pissed at Jon, but honestly less than he should be. As ever, Jon cannot tell a lie and stands by his honesty.

Tyrion insists on going to talk to his sister, knowing it’s probably a walk to his death. Jon jumps in and offers too, but it’s gotta be the Lannister. That leaves Dany, her cool dragon hair accessory, and Jon to talk about Dany’s family and her possible fertility in a cave-like inlet of the dragon pit. Dany mentions the downfall of her family while they pass a tiny dragon skull between them, and Jon notes that she’s not like everyone else, and that her family isn’t gone. Hmmm.

Tyrion has what seems to be an unsuccessful chat with his sister that’s charged with talk of family and how he destroyed theirs. She won’t hear his apologies, he pours some wine. Bold to think she wouldn’t poison it. She doesn’t care about anything but her family, or so she says. It seems pointless to fight over this kingdom, but she hints once again at her baby, building something new, and possibly following Euron’s lead of retreating.

Next thing we know, Cersei is back in the dragon pit offering up her forces to march north, and Tyrion is still alive. “The darkness is coming for us all,” she says. She also notes that she chose to send her men without promises or assurances from her enemies. Or did she?

Later, while Jaime strategizes with his men, Cersei calls him dumb and reveals that no, in fact she does not plan on sacrificing her army for certain death. The rest of the people can play their games with the white walkers while she and her growing family stay out of it in King’s Landing. Jaime is not thrilled with her trickery. Cersei reveals that Euron leaving was the plan all along, and as their father taught, money really is power. Euron is going to get all the resources money can buy because nobody walks away from Cersei. Once again, she uses her pregnancy as currency with Jaime, but he is appalled she would go back on her word. He’s legit concerned about their ability to win both against dragons and a dead army with huge numbers, and she is not so much. She noticed that Dany was down a dragon, but Jaime won’t hear it and tries to walk away. Cersei repeats that nobody walks away from her and threatens to sick The Mountain on him. For a moment, we truly thought this was how Jaime would die, but he tearfully escapes, only to find snow, and winter, have arrived in King’s Landing.

Speaking of winter, up in Winterfell, Sansa is still at odds with Arya’s behavior. Littlefinger is counseling her once again with the idea of Arya wanting to kill Sansa for betrayal and to take her power. He also suggests she kill Jon for pledging loyalty to Dany without consulting Sansa. After all, he can’t be unnamed King in the North. Like Arya last week, Littlefinger suggests Sansa play a game. Why would Arya want Sansa dead? Let’s list the reasons! He goes through a comprehensive list, and we’re thisclose to being convinced Arya is wearing Littlefinger’s face and just trying to get Sansa to prove she’s loyal to her family.

I’m not convinced this isn’t the case until Sansa calls Arya to a super awkward family meeting, and Littlefinger is also there. Arya appears to be on trial for a bunch of things she maybe was thinking, but after Sansa recites a long list of offenses (playing the game he taught her earlier), it turns out that they are actually aimed at Littlefinger. This whole time, the Starks have been working together. Yes!

It’s more satisfying than I could have ever imagined to see Littlefinger taken completely by surprise. For once, someone has out-planned him, and he has nobody to back him up. Sansa knows all of his offenses thanks to Bran, who sees everything. Even when Littlefinger thinks nobody saw what he did, Bran was there, in a way, and Sansa enjoys listing his many betrayals against her family. Littlefinger begs for his life, tries to be taken back to The Vale, but even his own men aren’t loyal to him.

Finally Arya gets her kill, it’s swift, in the neck, similar to how Catelyn died. Arya’s wearing her own face for this kill, on behalf of the Starks. Sansa says, “There’s no justice in the world, not unless we make it,” something he taught her. She thanks him for his lessons and watches him die, expressionless.

When Arya and Sansa recap, they’re back to playful sisters and all is right in the world. For a moment. The line from the trailer that Sansa remembers from Ned came true, “When the snows fall and the white winds blow, the lone wolf dies but the pack survives.” They are protecting themselves and looking after one another, all while missing Ned.

We find out Sam was headed to Winterfell to figure out what to do about the white walkers with Jon. His re-introduction to Bran is pretty funny, but turns serious real quick. Bran reveals for the first time what he knows about Jon’s parents, and he turns out to be telling it to the exact right person. Sam can confirm he’s not a bastard after all, and Bran puts himself at Lyanna and Rhaegar’s wedding. He’s neither Snow nor Sand because of Gilly’s finding. Together, they establish that, “He’s never been a bastard,” Jon is the rightful heir to the Iron Throne—and his real name is Aegon Targaryen! Oh, and that’s not even the most delicious part. This all is being narrated while JON AND DANY STRAIGHT UP GET IT ON. Important to note: Tyrion sees it happen. It’ll be interesting to see how Jon receives this news that his steamy new love is actually his aunt.

We visit Dragonstone briefly (before said getting it on) while the group strategizes how to get to Winterfell. Jorah suggests Dany fly because the north remembers, and they’re not too thrilled with the Targaryens. But Jon says the north needs to see them unified, that they’re there to help and she sides with him. They will sail north together.

Before they go, Theon has a heart to heart with Jon about loyalty. Jon basically forgives Theon for being sort of the worst to his family after all they did for him, and Theon, after seeing his uncle (seemingly) retreat like a coward is inspired to Do The Right Thing. His sister was the only one there for him when he was being flayed and castrated by Ramsay, and she needs him now. Jon gives him his blessing to go save her, that he doesn’t have to choose between Starks and Greyjoys and can be loyal to both. The Greyjoy men aren’t so sure, and he gets beaten to a pulp before beating one of them to a pulp. That changes the rest of the group’s mind, they’re here for Theon and his new mission. He cleanses himself with water, true to the Greyjoy name, and they sail into the sunset…in a way.

The episode ends back at Eastwatch. Some of the men are still there, and they’re looking out beyond the wall. Instead of nothingness tundra, they see the army of the dead start to come out of the forest in very large numbers. Such large numbers that you don’t really notice that the night king is missing. Then, like Dany, he makes an entrance on (dead) dragonback and we know what we’re dealing with. The dragon shoots icy fire that is much more powerful than ice. Guess what the wall is made of? Ice. Not good. While the men at the wall put two and two together and start yelling at everyone to run, dead Viserion starts breathing away at the wall. It’s not long before that sucker comes down, taking some of the men at Eastwatch with it (but we can’t be sure who quite yet). The thousands of years old wall comes down like nothing, and we end the season with the giant army stepping right into Westeros towards the only partly suspecting humans south of the wall. Winter, indeed, is here.

This season was cinematic in more than just impressive CGI, big battles, and extra-long episodes. Our heroes mostly made it out of sticky situations alive when in the past they might not have. We had some perfectly timed saves with dragons and family reunions that warmed our hearts (if only temporarily). Fans have accused the show of giving in to fan service, but amidst dark times, I can’t always complain about getting a little bit of what I want, even if it’s cheesy. TV is an escape and sometimes our favorite characters wins are our wins. Plus, I’m never going to be mad about Jon Snow living to see another day.

Some stray observations since SO MUCH HAPPENED in this episode:

-Dany’s cape in King’s Landing looked like a dragon egg, which was super cool.

-Jon’s comment about stuffing a million people into a city not being for him was funny. He’s fully a northerner and a country boy.

-When Cersei says, “I know Ned Stark’s son will be true to his word,” that leaves it open to a major loophole, given he’s not Ned Stark’s son. He hopefully will learn that soon for himself.

-Sweet of Sam to react nicely to Bran saying he was the Three Eyed Raven instead of just looking at him like he is crazy. It’s been a while since we’ve seen Sam at peak Sam. Welcome back!

-Before we go, an in memoriam for our season 7 major character losses. It was a relatively low death count when considering what it could have been, but all deaths sting. Sorry, there’s no slideshow like at the Oscars. RIP Petyr “Littlefinger” Baelish, Lady Olenna Tyrell, Thoros of Myr, Benjen Stark (probably), Tyene, Obara and Nymeria Sand, Dickon and Randyll Tarly, and last but the opposite of least, Viserion. You will not be forgotten.

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All the Signs Jon and Daenerys Are Definitely Getting Together on 'Game of Thrones'


Game of Thrones fans lost their minds two weeks ago, when Jon Snow and Daenerys Targaryen finally met face to face. It was a long time coming—six years, to be exact—and, if you recall, their first interaction wasn’t exactly warm. Jon refused to “bend the knee” to Daenerys, as she requested, and they both let their agendas get in the way of reaching common ground. Their subsequent meetings haven’t been much better, either. That cave scene from episode four was downright intense. Sure, it feels like the political ice between them is melting (pun intended), but we still have a long way to go.

Even still, we can’t help but notice the sexual energy between Jon and Daenerys. The GoT army is pretty divided on this topic. Some fans aren’t here for them potentially shackin’ up because Daenerys is technically Jon’s aunt; others aren’t thinking twice about the incest and ship them hard-core. (After all, this wouldn’t be the first time family members hooked up on GoT. It’s basically the show’s M.O.—well, that and dragons.)

But will it happen? Will Jon and Daenerys bang? We don’t know for sure—yet—but all signs point to yes. People from both in front of and behind the camera on Game of Thrones have opened up about this alleged relationship, and their quotes suggest Jon and Daenerys are in for a pretty steamy future. Don’t believe us? Here are the receipts:

GoT coshowrunner David Benioff said Dany and Jon’s feelings for each other are “powerful.” He confirmed this in a behind-the-scenes video for season seven, episode six. Benioff was specifically referring to the moment when Dany sees a wounded Jon arriving from the White Walkers battle on the back of Coldhands’ horse. “Just the notion of falling for someone, that involves weakness,” he said. “It’s not something a queen does. She feels that happening, and he feels that happening for her.” D.B. Weiss, another executive producer, piggy-backed off this when he said, “It’s hard, for [Dany], at that point to not look at this guy and realize this is not like the other boys.”

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Benioff confirmed Jon and Daenerys are attracted to each other. “There’s conflict, and it’s conflict between powerful people,” he said in a postepisode video, according to The Huffington Post.
(He was specifically referring to the cave scene from episode four.) “And to make it all even more complicated, they’re starting to be attracted to each other. So much of it is not through dialogue, or anything we wrote, it’s just the two of them in a small space, standing near each other, and us just watching that and feeling the heat of that.”

Kit Harington said Jon clocked Daenerys’ beauty the second they met. “He walks into the room and doesn’t expect to see such a beautiful young woman of similar age to him,” Harington told Entertainment Weekly. “Any young man’s reaction is going to be, ‘OK…’ but he puts that aside, because he has to.”

Ser Davos called Jon out for looking at Daenerys’ “heart” after the cave scene. This was obviously code for Dany’s breasts, which is rude on Jon’s part, of course—but it triple-confirms he has the hots for her. Jon Snow is a fifth-grader.

Jon guided Daenerys through the cave by touching her arm. Just pointing would’ve sufficed, but Jon wanted to make physical contact with Daenerys. Why? Because! ? He’s! ? Into! ? Her! ?

The name of the GoT book series is A Song of Ice and Fire. Fans associate Jon with ice and Daenerys with fire. With this title, author George R.R. Martin is basically suggesting the central relationship in GoT is between J and D—well, maybe he is. This is just a theory—but a damn good one!

RELATED: This Game of Thrones Theory Suggests Arya Will Play a Vital Role Against the White Walkers



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