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Is "…Ready for It?" About Ex Harry Styles or BF Joe Alwyn? Let the Fan Theories Begin


PHOTO: Andrew H. Walker/Getty Images

After Taylor Swift’s second new single, “…Ready for It?”, dropped over the weekend with a one-minute preview on Saturday night, followed by the full-length track on Sunday, the Internet promptly went up in flames. Ready for it? Hardly, but that hasn’t stopped Swifties from coming up with theories about what the song’s lyrics might mean. Or, more correctly, who they might be about: after all, Swift is notorious for writing songs about specific men she’s dated before.

Our initial theory was that the song was about her current beau, Joe Alwyn. As our entertainment editor, Anna Moeslein, wrote Saturday night: “My money’s on her new boyfriend, Joe Alwyn, because it’s referencing ‘good things’ beginning (not ending)—and, if the rumors are true, this new ‘thing’ with Joe is very good indeed.”

Pause: If you haven’t read the lyrics, check them out here.

On one hand, the evidence seems to point to Joe, if you break apart the lyrics line by line. Taylor’s kept her relationship with Joe really under wraps, and as one fan pointed out, it could be her way to introduce us to him:

On that note, there’s also the lyric: “I know I’m gonna be with you/So I take my time.” EW pointed out that “While Swift’s previous high-profile relationships were quick to explode in the press, her time with Alwyn has gone at a relatively slower pace.”

There’s also a line references “island breezes,” followed later in the song by “And we’ll move to an island.” T.Swift spent a ton of time in the U.K.—an island! Where Alwyn is from!—and even went to far as to rent a flat in North London where the couple hung out, according to the Daily Mail.

But then—THEN—there’s #TeamHaylor, who are reading the song as being about Harry: the two couples took a breezy Caribbean vacay together, after all, which makes more sense with that “Island breezes” line. And there’s the lyric about ghosts, which some say references Harry’s “Two Ghosts” song: “But if he’s a ghost than I can be a phantom.” Furthermore: as the lyrics tell it, the mystery man is “younger than my exes but he act like such a man so.” Taylor’s 27; Harry’s 23.

However, it’s worth pointing out that Joe’s 26—and since they’re still together, he doesn’t qualify as an ex.

Who knows? But either way, the answer’s pretty good.

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This New Fan Theory Will Forever Change How You See 'Look What You Made Me Do'


Believe it or not, it hasn’t even been a week since Taylor Swift released the most-analyzed music video maybe ever for her new song, “Look What You Made Me Do.” From interpreting the hidden Easter eggs to dissecting the title of the song itself, the Internet has been buzzing with hot takes on it. Although it seems like the analysis from Swifties could go on forever, one new and intriguing fan theory might just change how you see the whole song.

One of the most iconic—and, to some, cheesy—lines of the song is when Taylor pauses from her poppy, beat-heavy chorus to record a new voicemail message. You know it by now:

Given the music video literally starts with zombie Taylor rising out of a grave, we took this to mean that the Taylor Swift persona we all knew had died. More specifically, that the real Taylor killed off all those old versions of herself (remember the scene in the music video with the pyramid of former-era Swifts?) and had created a new Taylor in their absence. We thought Taylor had gone dark—and maybe she has in some ways—but this theory suggests that maybe Taylor is just acknowledging yet another joke people made at her expense.

If you remember last summer, after Kim Kardashian Snapchatted the video of Kanye and Taylor talking about that infamous ‘Famous’ line on the phone, the Internet was up in flames, half of it declaring a #TaylorSwiftIsOverParty.

Then photos of this mural in Australia surfaced:

PHOTO: Robert Cianflone/Getty Images

People–justifiably—freaked out. (That’s what happens when memes come outside of the Internet into the real world.)

But now Taylor’s super-sleuthing fans have put it together that perhaps the “‘Cause she’s dead” line is actually an acknowledgement of this joke. Check it out:

PHOTO: Tumblr

This theory totally makes sense, considering Taylor spends nearly a minute at the end of the LWYMMD video addressing and poking fun at nearly every attack that’s been hurled at her. She’s listening, y’all. And T-Swift always has the last word. Even when it’s acknowledging that millions of people declared her—and her career—dead and buried.

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This 'Game of Thrones' Fan Theory About Daenerys Getting Pregnant Actually Makes a Ton of Sense


You know the routine: watch Game of Thrones on Sunday night, then anxiously check in throughout the week to see what fan theories have popped up (so many!). We’re never ones to shy away from a good one ourselves, and this latest one involving our favorite bearded IKEA-rug wearer and the mother of dragons is too convincing not to share.

No, it’s not that they’re going to get together—at this point, that story arc is basically a given. Jon has already vowed to bend the knee, and Dany’s fallen for the King in the North’s infectious brooding, as evidenced by that bed scene at the end of last week’s episode.

Instead, this theory expands on their connection and takes it one step further: not only will there be some cave love scenes in the future, but Daenerys and Jon will make one or more babies as a result.

As Buzzfeed points out, there were three key moments from episode six that brought up the issue of children, and they’re especially foreshadowing when put into context with the healer witch’s prophesy from season one. Buckle up!

1. When Daenerys and Tyrion argued about succession. Daenerys put a lid on the discussion pretty quickly and made it clear she had strong feelings about the matter.

2. There was a definite meaningful look when Jon offered Jorah his family’s sword and Jorah declined, saying Jon should pass it down to his kids. Sure, it’s not Grandma’s china, but it’ll do. Also swords are phallic symbols. If you look closely, there’s a definite eyebrow raise when Jorah hands Longclaw back and tells Jon to make it an heirloom. The actor has also said the moment could partially be him approving of Jon and Daenerys getting closer.

3. Then, at the very end, Daenerys opens up about her inability to have kids following the death of her dragon. “The dragons are my children. They’re the only children I’ll ever have. Do you understand?” Pretty much nothing in the Westeros world is a definite, and so the definitiveness of her “my dragons are the only kids I’ll ever have” statement is worth questioning.

That’s a lot of kid talk for one episode, and screenwriters are usually beyond efficient with their dialogue—so reading into things isn’t a bad way to go. We get a sense that with each of these interactions that there’s more than what’s at the surface.

Plus, Buzzfeed also pointed out why there might be a bigger twist coming. All the way back in season one, the blood magic healer Mirri Maz Duur made Dany believe that she could trade a horse’s life to save Khal Drogo’s. And, well, we all know how that went. Dany ended up losing her unborn child, Rhaego, in a difficult pregnancy and Drogo went into a vegetative state. When Dany begs Mirri to know when Drogo will return to normal, the healer responds: “When the sun rises in the west and sets in the east. When the seas go dry and mountains blow in the wind like leaves.”

Obviously all the things Mirri mentions seem impossible, so Dany takes her words to mean she won’t see Drogo again, nor will she be able to have more children. But in the book there’s more to the prophecy. In it, Mirri’s last line reads, “When your womb quickens again, and you bear a living child, then he will return, and not before.”

This plays into a long-held fan theory: that the prophesy might actually not be about Drogo, but rather Dany will find a new love and be able to have a baby again.

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Now, follow us here, this theory gives the vision Daenerys had in the House of the Undying (back in season 2) a new twist. If you remember (or watch above), she walks through the throne room of a war-torn Red Keep. It’s snowing, which Buzzfeed points out could have something to do with Jon or the Night King. Daenerys reaches out to touch the throne before turning away. Then, she turns up north of the Wall in a tent with Drogo and Rhaego, but ultimately chooses to leave them behind.

As one Redditor points out, the vision lines up with Dany’s storyline this season: she’s put a pause on going after the Iron Throne to team up with Jon and fight the Night King. She’s also gone north of the Wall, and left behind her love (Jon) and her child (Viserion, the dragon killed by the Night King in last week’s episode). But, as we all know, Jon makes it out of the frozen water alive and comes back to Dany—so could the prophecy come true after all? Has it actually been about Jon this whole time?

There’s also the “Song of Ice and Fire” title of the original book series: Daenerys is usually associated with fire; Jon with ice. What could be more poetic than two opposites coming together and having a child who saved the kingdom or some other mythical feat?

In the Game of Thrones world, twists are par for the course, and we wouldn’t put the possibility of such a huge one past them.

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Jennifer Aniston Doesn't Support That Joey-Rachel Endgame Fan Theory


PHOTO: Moviestore collection Ltd / Alamy Stock Photo

Two weeks ago the Internet freaked out over a 100-tweet thread that laid out—in detail—why Rachel (Jennifer Aniston) and Joey (Matt LeBlanc) should’ve ended up together on Friends. If you don’t have time to give the whole thread a read, here are the main points: Ross was a misogynistic, dinosaur-loving monster who never viewed Rachel as a friend, didn’t care about her career, and actually liked it when she was economically beneath him. Joey, on the other hand, truly treasured his friendship with Rachel, supported her professional ambitions, and took the time to get to know her as an adult before taking the plunge. The thread had droves of Friends fans—myself included—cheering. David Schwimmer is a fantastic actor, but Ross Geller, to put it bluntly, sucks.

But Aniston doesn’t think this. In a new interview with ELLE.com, Aniston makes it very clear she doesn’t support this Rachel-Joey endgame theory.

“No! No, no,” Aniston said. “They tried! I think there was a moment when Joey and Rachel got together that maybe it could happened, but it didn’t. It was Ross and Rachel all the way. I really believe that if there’s an afterworld of Friends, they’re still thriving. Don’t you? I just don’t think Joey and Rachel could have made it. I think it was more physical than emotional with them. They were friends with benefits, and they left it at that.”

Aniston does have a point. Joey and Rachel’s chemistry was physical more than anything; the two really didn’t have much of an intellectual (or even an emotional) spark. Plus, there was too much drama involved in their relationship for it to ever work. Remember that episode where Joey and Rachel kept seeing Ross’ face when they tried to kiss each other? It was clear then nothing serious was ever going to happen between them.

That being said, there’s definitely something to say about Ross not being the right person for Rachel. All the points raised on that Twitter thread were valid; he’s a very problematic character. Who knows? Maybe Rachel didn’t get off the plane in another universe.

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'Game of Thrones' Season 7 Episode 6 Recap: A Major Fan Theory About Daenerys' Dragons Was Just Confirmed


Quick Q: You’re stranded on a deserted island (more of a small rock than an island) with water all around you. The water is covered in a thin layer of ice that may or may not hold your weight. Oh, you’re also trapped on all sides by an army of undead soldiers. Who would you choose to take with you?

If you didn’t answer Jorah, Tormund, Beric, and Jon Snow…well, you’re wrong. The big action on Game of Thrones this week took place north of the wall and it covered air, land, and sea. So, let’s dive into this extra long episode, shall we?

Let’s start with the fact that things were never going to be great for our merry band of misfits adventuring north of the wall in this episode. We open on them trekking and bonding; Gendry has never seen snow, Tormund reveals how Wildlings keep warm up there, and Beric defends selling Gendry to Melisandre. It would be endearing if we weren’t over here waiting to find out what will go wrong during this misguided expedition—but we don’t have to wait long.

The crew is caught in the winds of winter (not George R.R. Martin’s unreleased sixth book, unfortunately). Visibility is about zero, except they spot that a black blob in the distance is a bear, and Gendry is able to see that the bear has the blue eyes of the dead. That is some good eyesight. They don’t have much time to ponder before a group of undead bears descends. It’s not quite the enemy we expected for this crew, and we meet our first casualty: RIP, Thoros. Your ability to resurrect the dead will not be forgotten.

The group moves on and spots their first two-legged White Walkers near the arrowhead-shaped mountain The Hound saw in his vision. It’s a small traveling group. Team human baits them with a fire. Ultimately, Jon’s Valyrian steel sword is able to defeat most of the group of White Walkers by taking out the leader, which is a pretty nifty fact we learned during this struggle.

Jon dispatches Gendry to Eastwatch to send a Raven to Daenerys (he makes it back to the wall in bad shape, and I wouldn’t be surprised if Gendry has had his fill of snow). The rest of the team essentially has no choice but to forge ahead. The men wrangle their undead loot to bring back to Cersei, and a thundery noise from behind lets us know that the terrifyingly large army of mobilized White Walkers is upon them. Their choice becomes clear: death by ice cold water from the frozen lake in front of them or death by violent undead humans behind (and also in front and on the sides). They opt against certain death on the ice lake and make it to the tiny rock island in the middle, surrounded. It seems like they’re SOL until the weight of the walker army cracks the ice and and large numbers begin to plunge through, which gives pause to the hundreds left on shore. The two sides are caught in a sort of standoff/staring contest and our men don’t seem to have a plan. After a chilly night stranded in the middle of the lake, The Hound kills time by throwing a rock at a jaw-less skeleton man, which provokes him to shuffle over to rock island now that the lake is re-frozen over. His emboldened, undead friends follow—and the epic penultimate episode clash really begins.

Down south, things are a little calmer (and warmer). Before the raven from Eastwatch arrives at Dragonstone, Dany talks to Tyrion about how heroes don’t interest her (heroes do stupid things, then they die), nor does the petty one-upsmanship of men who try to win her heart—and she uses Jon’s quest as an example. Tyrion echoes Jon from a few episodes before talking about being a different kind of ruler and taking things slower and less violent to avoid a “brittle” power. He’s thinking about the long term and who can succeed her as a ruler. Dany is done thinking it seems, and she blames Tyrion’s long-term planning for their early losses. She wants to get on the throne and be part of the action, and she’s fed up with Tyrion giving her shoddy counsel and worrying about old Lannister loyalties. She gets Gendry’s raven, and, if anything, Tyrion’s suggestions and talk push her to take to the skies. He pleas for her to stay and do nothing, which she’s not interested in doing again. This time she flies in a super-chic winter coat version of her go-to look, and with all three of her dragons.

Back north, where she’s headed, the plausibility of the small group of men holding off this giant army for as long as they did is weak at best. Still, we’re cheering for the good guys here, so it was nice to see them prevail. There’s minimal carnage on the living side (as in no major characters die after Thoros), and just when the tables start to turn, we get our first real taste of what’s truly a song of ice and fire. Dany comes in and warms things up with some fire breath, taking out a lot of the army in the process. I had been wondering if dragons were all-weather animals. The answer is a resounding yes.

The crew is about to make a great escape with the team on dragonback, but Jon has to play the martyr and fight off every leftover skeleton coming his way. That leaves enough time for the Night King to whip out his premium version of Cersei’s dragon spear crossbow completely undetected. He nails one of the dragons circling overhead right in the chest like an Olympic javelin thrower (I’m unclear as to which one it was). We now know of something that can definitely kill dragons. This death was a hard one to watch, even for the characters on screen, right down to the slow, tortured slide into the water.

The Night King is ready to lock and load again as Jon considers facing him. He takes one for the team by telling Dany to GTFO. He doesn’t reach the Night King, but he DOES get mauled by a couple of undead soldiers and knocked into the freezing water. Things don’t look great for our King in the North, but you heard Beric: There’s a reason the God of Fire brought him back, and it wasn’t to just die by drowning at the hands of two white walkers. Dany and friends manage to miss the next ice spear as they fly away, almost at the expense of Jorah. The army of the dead begins to retreat and Jon somehow emerges from the lake next to his sword, his wet clothes freezing fast. More walkers are headed his way and things don’t look good. That is, until he’s saved in the eleventh hour once again when his Uncle Benjen comes in on horseback swinging his fire ball chain thingy. He sends Jon and the horse back to the wall, but doesn’t join and save himself because there’s “no time” (which was a little confusing, two people could definitely have gotten on that horse). Jon arrives at the wall much like Gendry, alive, but barely. Nothing a little Ikea rug can’t fix.

When Jon comes to, Dany is at his bedside and she’s been crying. Jon feels awful about her dead dragon (but she’s crying about YOU Jon, duh), and she explains how they’re her children and the two have ~ a moment ~. Hand holding, staring, and nicknaming is involved. They kept it PG, though the show is fully teasing us now, even if Jon is “too little for her.” I can’t say I’m mad about it, even though I maybe should be because we should not be encouraging aunt/nephew relations.

Anyway, Dany can no longer deny Jon’s warnings about the army of the dead. She saw it with her own eyes and agrees they will team up to fight this shared enemy whether he bends the knee or not. She is out for blood…or whatever is going through the Night King’s veins after his savage takedown of her dragon child. Jon knows the way to Daenerys’s heart and calls her queen. So, they both got what they wanted and gave what they thought they wouldn’t. Cute.

A massive white walker battle isn’t the only drama we saw up north this week. We got some icy scenes in Winterfell, and I’m not just talking about the weather. We first see Arya reflecting on a happy moment from childhood, when she got to practice archery with Bran’s bow “against the rules” while Ned watched on and encouraged her (remember those season one days?). It would be sweet if she didn’t have an ulterior motive. She doesn’t wait long to bring up the letter she found to Sansa and insists on reciting the traitorous piece of parchment back to her. Sansa is visibly upset, but Arya truly doesn’t care and cuts her down pretty badly. She’s Ned’s daughter, and she can’t understand a world where a Stark wouldn’t rather die than write a letter turning on her family. They argue about who had it worse in their long journeys back home and shared suffering isn’t enough to bridge the gap between their differences.

PHOTO: HBO

Sansa retreats to the counsel of Littlefinger, who likely has her where he wants her, which is seeing Arya as a stranger. He reminds her Brienne is here to protect both her and her sister and plants a very dangerous idea by casually mentioning the two Stark women harming each other. With this conversation in mind, Sansa sends Brienne away in her place when she receives a summons by Cersei. She will not face the woman who caused her so much suffering. Instead, she’ll send arguably her only completely loyal ally in her place. Brienne protests—she doesn’t trust Littlefinger. Sansa makes it very clear she doesn’t need looking after. We’ll see about that.

Littlefinger’s words still in her mind, she sneaks into Arya’s room like a true sibling. She goes for her sister’s luggage under the bed and finds F***ING FACES INSIDE. Sansa is, understandably, freaked out. Arya sees her sister snoop and is happy to explain the world of the Many-Faced God and the Game of Faces. Sansa is now officially terrified by what both of her only living (real) siblings have become. Arya teases Sansa about wearing her face and becoming “someone else,” a.k.a. Sansa. She picks up her new fancy Valyrian steel knife but instead of attacking her sister she hands it to her and walks out, leaving Sansa petrified.

We end the episode where we began: north of the wall. The army of the dead have found big ass chains somewhere to recover the dragon from the depths of the frozen lake. Once he’s back on solid ground, our Night King graces the dragon with his magic touch, and we get an echo of this season’s poster images: a single blue eye as it becomes a zombie dragon. This is a game changer and one of the show’s biggest cliffhangers (and a popular fan theory). There’s no known precedent for an undead dragon and what type of fire (or ice) it might breathe. It would seem that in addition to a fatal ice spear, the living dragons now have another looming threat. Let’s cling to the hope that even in death, Dany’s dragon might stay loyal to its mother. I have a feeling we’ll find out whether or not that’s true the hard way.

And some things we can’t forget:

-MVP for this episode go to those badass fire swords. Imagine if every battle on this show had those?!

-The moment between Jorah and Jon about Jon’s sword Longclaw was so nice. Jorah’s father meant so much to Jon way back when, and it’s a nice gesture for Jon to offer the sword that’s been synonymous with him to it’s “rightful owner.” It’s hard to argue with family lineage, but I’m happy to see the sword stay in Jon’s possession. It’s basically an extra limb for him at this point.

-Arya has some girl power moments this episode. Her angry talks with Sansa are heavy with identity themes, and when she’s recounting her archery story, about how the rules said she couldn’t shoot and be a knight, she says, “the rules were wrong.” Later, she returns to this thought in her room with Sansa and says, “The world doesn’t let girls just decide what they’re going to be.” Arya was the right person to say these quotes, but that doesn’t meant they don’t apply to both women in the conversations. Sansa followed the rules, and they weren’t right for her either. She definitely didn’t get to choose what happened to her.

-Is Jon so sad about Dany’s dragon because of the dragon friend he made last week that might have stirred up some Targaryen feels? TBD. Beric also mentioned that Jon doesn’t look like Ned. This whole season basically has been ‘Will Jon Find Out Who He Really Is Watch 2017’.

-Speaking of Beric, his “death is the enemy” conversation with Jon is a pretty great double meaning for this episode/season/show. So is his “we’ll all be right behind him unless the Lord of Light is kind enough to send us a bit of fire” eulogy to Thoros, which was actually major foreshadowing.

-Am I expected to believe that Jon survived a winter wind storm, a very physical fight with an army of dead men, a fall into a frozen lake, a fast ride on horseback through the frozen north of the wall, almost dying of cold, and his man bun stays in place? Can we get a hair tie recommendation from this guy?

-For the zillionth time this season, I got major Harry Potter vibes from the battle. Remember when Harry and Dumbledore go into the cave in book six and have to fight of a lake full of bewitched corpses with fire after Harry is dragged under? Sound familiar?

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-Also, when Jon kills the white walker leader it felt like this moment from the last movie:

-It’s 2017 and we don’t have high speed air travel, but Dany has the best transportation in Westeros. Can we get a dragon please?

Miss our other Game of Thrones recaps from this season? Check out:



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