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Meghan Markle Continues to Make the Case for the Bateau Neck at the Queen's Young Leaders Awards


Meghan Markle took a break from her custom Givenchy streak (from her first Royal Ascot, her first solo appearance with the Queen, and, of course, her wedding) to grace us with another incredible designer Duchess moment—this time, courtesy of Prada.

As The Sun reported, the Duchess of Sussex wore a belted, blush-toned skirt suit by the Italian fashion brand to the Queen’s Young Leaders Awards, which she attended with Prince Harry. And, as expected, our favorite former USA Network Original Series star looked stunning.

PHOTO: WPA Pool

Markle paired the tailored ensemble with a black leather clutch (also prada) and black suede pumps (from Aquazzura, the same brand that designed her bespoke wedding reception shoes).

The Prada number is reminiscent of two of the Duchess of Sussex’s now-famous looks. Like her Givenchy Haute Couture wedding gown, the top featured a bateau neckline, which elegantly exposed a bit of the collarbone; and, like her Trooping the Color Carolina Herrera dress, it had button detailing across the front.

Her Majesty Hosts The Final Queen's Young Leaders Awards Ceremony

PHOTO: WPA Pool

According to The Sun, this is the first time Markle attends the Young Leaders Awards, which honor “exceptional young people” across the Commonwealth “dedicated to making lasting change in their community and beyond.” The program began in 2014, and ends this year. Prince Harry kicked it off with a speech, in which he made sure to give the Duchess a sweet shout-out: “I, together with my wife, Meghan, look forward to convening young people from around the Commonwealth to hear your ideas, work with you to build platforms for you to collaborate and form partnerships, as we travel around in our work,” he told the audience.

Related Stories:

How the ‘Meghan Markle Effect’ Could Leave a Lasting Imprint on the Wedding Industry

Prince Harry Reportedly Gives Meghan Markle Fashion Advice

The Genius Reason Why Meghan Markle Wears Her Shoes Too Big





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How Young Hollywood Is Changing Red Carpet Fashion


Red carpet coverage handing out superlatives like “best dressed,” “chicest” and most “fun” have made a surprising turn in recent years: Where the highest honors once went to the expected marquee Hollywood talent—Nicole Kidman, Blake Lively, and Lupita Nyong’o among them—they’re now being bestowed upon a new generation. Specifically, the teens and Generation Z-ers taking over the industry.

Think about it: When was the last time 18-year-old Yara Shahidi or Millie Bobby Brown, 14, walked a red carpet and didn’t end up on a “best dressed” roundup? Young actors have been elevated to the status of style icons, with brands like Chanel, Louis Vuitton, and Gucci helping them shape their public personas in phenomenal, often custom, pieces.

For the stylists responsible for facilitating these partnerships and shaping their red carpet presence, the work isn’t that different than with their adult clients.

“Everybody wants to feel gorgeous and relevant and super-modern,” says Jason Bolden, a stylist whose roster includes Shahidi, and actresses Storm Reid, 14, and Sabrina Carpenter, 18.

PHOTO: Getty Images

“Everybody already looks at Yara [Shahidi] as a fashion icon in her own right,” says Bolden. She’s always in custom, but then at the same time, always in sneakers.” He adds: “I always say to her, ‘You’re an alien—everything you put on just makes sense.’”

“My main thing when we’re putting looks together is that I want the clients to feel comfortable,” agrees Molly Dickson, whose clients range from Thirteen Reasons Why star Katherine Langford, 21, and Stranger Things’ Sadie Sink, 16, to Molly Ringwald and Jenna Fischer. “We might put on a dress and it might be amazing, but if they’re not comfortable in it it’s not even worth it.”

There are a few additional considerations when dressing stars who are 18 and under. For instance, Sink is steered away from looks that are too revealing or impractical for someone her age, Dickson says. (“She’s sixteen years old and she’s never really worn high heels, so finding the perfect height of heel has been the biggest challenge,” the stylist notes.)

PHOTO: Getty Images

“Her personal style is super mature and edgy and cool,” Dickson says of Sadie Sink. “The Chanel that she wore [to the 2018 SAG Awards] took my breath away.”

When picking out pieces for A Wrinkle in Time star Reid, Bolden was hyper-aware of the accessibility factor, purposefully dressing her in clothing that’s available at department stores: “Storm [wore] a Thom Browne suit, and then she wore a pair of white Air Force Ones, which anyone can do,” he recalls. “What 14-year-old girl you know is walking around in a suit and heels all day? That’s not realistic.”

Even for the oldest members of Hollywood’s up-and-coming class, conversations about staying age-appropriate arise. Such was the case with Langford’s custom Prada gown for the 2018 Golden Globes, which featured a deep plunge: “It was almost a two-hour conversation between her, her publicist, and I, trying to figure out, ‘will she be comfortable with the lower neckline in the front?,’ because Katherine hasn’t really done anything that low before,” Dickson explains.

PHOTO: Getty Images

“I like to see Katherine [Langford] as a timeless beauty, and I like to make her dress in that way,” says Dickson, noting how the actress has been working with Prada and Stella McCartney on custom designs.

Dickson adds that erring on the conservative side distinguishes Langford from other Gen-Z stars who wear “cut-outs and crop tops.” “We don’t ever put her in anything super, super revealing.”

Beyond appearing age-appropriate, there’s also career-building to think about. The red carpet is an essential platform for elevating one’s profile, especially early in an entertainer’s career. By aligning a young face with a distinct aesthetic and reputable designers, fashion can maintain—and in many cases, advance —a young star’s reputation after a breakout role.

“It’s all kind of shaping someone’s style, but also it’s shaping their image,” stylist Chris Horan says of working with his young clients, like actresses Rowan Blanchard, 16, and Maddie Ziegler, 15. Fashion, he adds, “creates the momentum that’s needed to make your career take off.”

PHOTO: Getty Images

“Maddie [Ziegler] loves Marc Jacobs—it’s great on her and I feel like it just ends up fitting well,” says Horan. “It’s still youthful and fashion forward.”

Often, one memorable red carpet look is all it takes to boost a young star’s image, but the source must be an esteemed designer for the influence to last. When Dickson arranged for Sink to wear Chanel to the Stranger Things season two premiere, it immediately sparked interest from other designers, she says: “I think when you put someone in a high-end designer that’s very well respected in the fashion industry, a lot of the younger designers will see that, and they also will want to hop on board.”

It’s not always easy to wrangle those samples, though. For some stylists, it might take some persuasion to convince brands that their client could wear the brand well, especially if their first credits aren’t deemed “adult-friendly” or awards-season bait; Bolden and Law Roach, whose clients include Zendaya, previously mentioned that “big brands” hesitated to lend their young clients samples in a roundtable for The Hollywood Reporter.

“Especially with these young girls, I think they’re put into kind of boxes,” explains Horan. “[W]ith Rowan, we had a lot of pushback for a long time because of her age and obviously the show, or the network she was on.” (Blanchard first became known for her work on Disney Channel’s Girl Meets World.)

PHOTO: Getty Images

“I feel like at the beginning [Rowan Blanchard and I] were using a lot of emerging UK designers—now, we’re leaning more toward feminine pieces,” notes Horan. “Rowan’s Gucci show look was one of my favorite ones that we’ve done in a long time. I feel like it’s that perfect example of where she is now: sixteen going on seventeen, a fun and young teenager but a little bit elevated.”

Across the board, high fashion can convince the public to take young celebrities seriously—and a stylist can be instrumental in shepherding them towards the next phase of their career.

Bolden started working with Carpenter (another Girl Meets World alum) in the fall of 2017, right after she had left the Disney Channel and started to pursue music. They had what Bolden describes as a style breakthrough in November, at the 2017 Billboard Music Awards, when the 18-year-old arrived in a bright-pink, caped Céline dress. “When it came to the follow-up questions the next day, my other stylist friends were calling me like, ‘Holy shit! Sabrina in Céline? That was amazing!’,” he recalls.

Because they’re so young, so much of these celebrities’ fashion is experimental: They’re figuring out what they like, what suits them best, and what that looks like on a very public platform. They’re also not afraid to speak up, and use their wardrobe as a means of conveying their stance on a variety of issues. This is a generation that has come up on social media, after all—and many of these stars have already used their massive followings to talk politics, social justice, and more.

PHOTO: Getty Images

“The first time I worked with her, she literally just let me do my thing,” remembers Bolden of Sabrina Carpenter. “Her first look was Loewe, which is like a really, really tough brand—she trusted me, and we wore Loewe.”

At times, the intersection of fashion and personal values is immediately apparent. There was Millie Bobby Brown’s tribute to the Parkland school shooting victims at the 2018 Kids’ Choice Awards via a custom Calvin Klein look. Yara Shahidi wore a Prada skirt printed with an homage to Angela Davis as “a reminder of the work we have to do to de-criminalize public perception of black and brown bodies” to Deadline’s The Contenders event in April. On many occasions, you’ll see these young stars align themselves with certain fashion brands because of their beliefs—and will give them a silent endorsement by wearing them on the red carpet.

“[W]hen it comes to Yara, we look for what the brand stands for as well—it has to speak to her and what she stands for,” Bolden says. “It’s very impactful when she does wear a really big fashion brand because people can kind of look at it as like oh, okay. We know exactly where this stands.”

Another example: While doing press in Los Angeles earlier this year, Sink wore Hiraeth, a new vegan clothing line by Rooney Mara—something Dickson picked out because it “was a great fit, [since] Sadie’s vegan and I’ve always admired Rooney’s style.” After the red carpet wrapped, the actress took to Instagram to share Hiraeth’s ethos and values.

PHOTO: Getty Images

“This was a really big year for her,” explains Bolden of Storm Reid. “It’s about creating these beautiful, relatable experiences that like speak larger than just the brand or the credit.” The stylist adds that, throughout the press tour for A Wrinkle in Time, Reid repeated three or four shoe styles: “That’s realistic.”

The ultimate goal for these stylists isn’t a prestigious credit or an overnight success story. “It’s about building this beautiful amount of work,” Bolden says, “and not trying to come directly out the gate with this huge range of major designers.” He points to the A Wrinkle in Time press tour as an example: He intentionally saved the most jaw-dropping, extravagant look—a custom pink Prada dress with an open back—for the very last stop, “so it was a proper build-up.”

“I think that fashion’s a way for [clients] to brand themselves as a person, that they’re not one-dimensional,” Horan concludes. “That really helps as they’re trying to get more serious roles—it gets eyes on you to view you in a different way.”





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Twitter Thinks Millie Bobby Brown Is Young Natalie Portman's Doppelgänger


Millie Bobby Brown is known for her unique look, from the preteen pixie cut she sported after shaving her head for her breakout role in Stranger Things to her designer fashion sense. But recently, as Mashable pointed out, Twitter has discovered Millie actually is fairly similar to another celebrity: a young Natalie Portman. Talk about strange things.

It’s hard to unsee the resemblance once you’ve checked out some of the side-by-sides of Millie and a Star Wars: Episode I – The Phantom Menace–era Natalie. But strangely enough, this isn’t the first time the former Queen Amidala has had a celebrity doppelgänger. While on set for the Star Wars prequels, Keira Knightley worked as her double.

The Millie-Natalie connection is so close, though, we’re busy figuring out exactly who Natalie would play in Stranger Things 3. (Eleven’s secret half-sister? A second aunt who’s more open to the idea that she can chat with her mother through lamps?). The resemblance between Millie and Natalie is downright uncanny. As one person succinctly put it, “I NEED ANSWERS.”

Related: Millie Bobby Brown’s Take on Shaving Her Head for ‘Stranger Things’ Is Incredibly Empowering





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Model Ashley Graham Opens Up About Her Own #MeToo Moment as a Young Model


Another day, another #MeToo moment.

This morning on The View, the hosts and model Ashley Graham got into a discussion about fashion photographer Terry Richardson and the allegations of sexual misconduct against him. Graham revealed that as a young model she agreed to work with the acclaimed photographer, in spite of the rumors she’d heard about him. Like many aspiring models before her, she wanted to work with the “best of the best” and have those “images in your portfolio.” She says that her Richardson shoot was “normal enough,” but that she did have fears about becoming a victim as well and that he might ask her to remove her shirt.

While Graham may have been lucky that day, she was sadly not so on another set, shooting a big campaign when she was 17. She describes a truly awful experience for any woman, but especially a young one. Graham says a photographer’s assistant lured her away asking to talk with her and then pushed her into a closet: “He exposed himself and said, ‘Look at what you did to me all day long. Now, touch it.'” Insert shudder here. Thankfully, she was able to run out but says she feared that if people in the industry found out what happened that she would be the one labeled “difficult.”

Graham says that if she knew then what she knows now, that all these women would be standing up and saying “Me too,” she would have spoken out—loudly. “The movement is working,” she says. “And I really feel like there are women who are standing up and saying, ‘No. Me too. And I’m going to watch out for my sisters on set.'” View cohost Whoopi Goldberg adds that “it’s going to be much harder for people to get away with…people are watching.”

And that’s something we all hope for during this time of #TimesUp and #MeToo—that women (and men) feel increasingly empowered to speak out about what is happening to them or to someone around them in hopes of stopping the painful and toxic behavior that has been a norm for way too long.

You can watch Ashley’s full story below:

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This Video of Young Girls Dancing To Beyoncé's 'Freedom' Will Give You Chills


PHOTO: Courtesy Project Everyone

There’s a lot to be mad about in the world today. (Think: Trump, Congress, Harvey Weinstein, the wage gap… you get the idea.) Which might be why this new video is really resonating with us.

Beyoncé lent her song “Freedom” to the #FreedomForGirls campaign just in time for the International Day of the Girl on Wednesday. It features fierce little girls, ages 5 through 11, singing along to the power anthem. And they. Are. Angry.

The #FreedomForGirls campaign is promoting the UN’s Global Goals, an ambitious set of objectives for what the world should look like by 2030. It’s a partnership between Project Everyone, UNICEF, and the Bill & Melinda Gates Foundation. The video was directed by MJ Delaney.__

This is the second time Delaney has teamed up with Project Everyone to create a video promoting the Global Goals. Last year, she used the classic Spice Girls song “Wannabe” to ask girls what they really, really want. (Answer: equality.) But this year, Delaney decided to strike a very different tone. “Happy, smiley joy doesn’t really cut the mustard now,” she says. “A lot has happened globally, and I wanted to do something defiant and angry and demanding.”

Also, Delaney says, “I feel like the only place you can go after the Spice Girls is Beyoncé.”

So what are the girls mad about? Violence against girls (which kills a girl every 5 minutes), child marriage (1 in 4 girls is affected), trafficking (71 percent of victims are female), female genital mutilation (63 million girls have undergone it), access to education (130 million girls are out of school), and HIV/AIDS (girls are twice as likely to be infected). For starters.

The Global Goals can create a world free of all of that injustice by 2030. But the only way to get there is by pressuring world leaders into action, and inspiring individuals to make a difference in their own communities. “Hopefully, we can use the Global Goals to define this spirit of defiance and optimism and demanding that we all feel,” Delaney says. “Every single person in the world has the ability to change something.”

To take action, share the film with what #FreedomForGirls means to you. You can also visit the Global Goals website for more information on groups that are working toward gender equality around the world.



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These 22 College Women Will Change Your Perspective on What It's Like to be a Young Woman in America Right Now


In late spring, we started work on a feature that had a simple premise—to stop writing about young women in America right now and start hearing from them. We reached out to student photographers in 22 colleges across the country—from Abilene Christian University to New York University—and asked them to take a portrait of other women on campus who inspire them. We then interviewed the subjects. The results were extraordinary.

Forget everything you think you know about what it’s like to be a young woman right now. These girls are grappling with complex issues around race, sexual identity, and campus safety in Trump’s America—and they’re doing it with a level of self-awareness and compassion that is seriously impressive.

A lot has happened in the months we’ve spent talking to these women, from debates over climate change and healthcare to the violence in Charlottesville, and these voices feel more relevant to the cultural conversation than ever. Their perspectives are clear, strong, and transcendent. As one student proudly told us, “I want to tell the world that I’ve always been the girl I am; now the only real difference is I’m fearless enough to show it.” — Laurel Pinson

For more inspiring college women, check out Glamour’s College Women of the Year—and learn more about the 2018 competition!

PHOTO: Lauren Franco

Alex Soto, 19

Sophomore at Abilene Christian University; Interior Design major

I’m from San Antonio, about four hours away from my school. I play rugby here and there was no women’s team [when I started]—the men’s team told me I was welcome to be a part of their family and compete. It’s a tough sport, and I amped up a million times by playing with the men. I wanted to share this passion with other women, and I’ve successfully recruited up to eleven girls and counting and have competed against the biggest teams in Texas at multiple tournaments.

“The world simplifies college women and assumes all the
changes we go through are some stunt for attention
because we don’t know who we are yet.”

Going to a Christian university, it’s not hard to meet people with extreme religious views who shun those who express their individuality. One day I wore these beautiful red velvet, bell bottoms that I hunted for everywhere, khaki heels, a white-and-navy-printed tank, a tri-color headband, and hoops. I wish I had a camera crew shadowing me so I can stress just how many people stared, laughed at me, and tapped their friends to point them in my direction. I got so many double takes for simply wearing a particular style that stood out. But I didn’t stop wearing my clothes; I didn’t take alternate routes to avoid people.

The world simplifies college women and assumes all the changes we go through are some stunt for attention because we don’t know who we are yet. In high school, we’re often surrounded by closed-mindedness; college is our first real shot to express ourselves. I want to tell the world that I’ve always been the girl I am; now my only real difference is I’m fearless enough to show it.
— As told to Jessica Militare


Emily-Barbero-CalPoly.jpg

PHOTO: Haley VanBaale

Emily Barbero, 19

Junior at California Polytechnic State University; Mathematics major

I’m in the CalPoly Tractor Pull club. We travel around the state and students build these modified tractors that drag metal. It’s a competitive distance sport, and I’ve met so many great people—I’d never even heard of tractor pulling before. I hang out with the tractor-pulling club, but I’m also a Math major and I have friends that are English majors—it’s exciting to hang out with different groups of people. In high school I felt much more secluded.

College women still have loose stereotypes attached to them. They’re either the raging party girl or the studious library geek who never goes out. We can be both; there’s a middle ground between the extremes. I’m a math major and whenever I tell people that, they’re like ‘what really?’ And then they’re like “Oh, so you want to teach.” Where for men they’re like “Oh, so you’re trying to go into engineering.’ People assume that college women can’t play the same roles as college men.
— As told to Jessica Militare


PHOTO: Lindsay Rothrock

Ilana Rivera, 22

Senior at Wheaton College; Psychology major

It’s hard to feel powerful in a predominantly white Evangelical university as a woman of color. After the election, I was terrified for what healthcare would look like for people who are differently abled like myself. But I’ve protested, and I’m trying my hardest to do what I can and to tell myself that I am powerful and that my voice matters.

“There’s a misconception that people with disabilities can’t pursue
higher education, and that’s completely wrong.”

There’s a misconception that people with disabilities—either with mental or physical limitations—can’t pursue higher education, and that’s completely wrong. I [have myasthenia gravis and] almost have my bachelors degree. It took a little bit longer, but people with disabilities are still capable, and we can do things just as well as anybody else can. Maybe [they’re] different things, and maybe we need a little bit of assistance, but it doesn’t lessen our value and it doesn’t lessen my value in society.
— As told to Kate Friedman


PHOTO: Qiuyang Shen (Lynette)

Chain Wang, 21

Recent graduate of William & Mary; bachelor’s degree in psychology and philosophy

I noticed my sexuality pretty early, like when I was five or six. First I realized that I didn’t want to be confined by “girl” or “female.” Then I realized that I got really shy in front of girls. So I figured, probably I like them.

I kept all of that to myself until I went to college. I didn’t want to tell my parents because I figured they’d be pretty shocked and strongly disagree with all of my decisions. And I knew [Beijing], China, wasn’t going to work for my sexuality. So I decided on William & Mary because I knew the undergraduate program was pretty famous.

I met my partner at the library during finals week. We had a one-night thing. Then we had another one-night thing. And then we had another one-night thing. It’s just kind of happened. Now it’s been one year and three months. She’s really sweet. She makes me feel really good. Her mom was really open and accepting when she found out about us.

“Even though I want to be a male in the future, I don’t want
to deny my 20-year history of being a female. That’s why
I decided to just be gender non-binary.”

I came out to my mom between my sophomore and senior year (I finished my undergrad degree in three years instead of four, so I didn’t have a junior year). She was visiting me over the summer, and the conversation just kind of happened. She cried. But the first thing she said was “It’s OK, we know homosexuality is not a crime or a disease.” Then she told my dad. They are the kind of couple who hold hands when they are on their lunch break from work, so they don’t keep secrets from each other.

When I started college, I knew I wasn’t just a girl. Still, I wouldn’t have imagined changing that part of myself. But throughout college, I kept thinking about it. And this summer, I decided that I’m going to start taking testosterone. I want for you to see a straight heterosexual male when you look at me. But even though I want to be a male in the future, I don’t want to deny my 20-year history of being a female. So that’s why I decided to just be gender non-binary.
— As told to Ashley Edwards Walker


PHOTO: Elise Korfonta

Niazayre Bates, 19

Sophomore at Ithaca College; Theatrical Production Art major

I’m from Los Angeles, and upstate New York is so different. I saw snow for the first time here. I stand out in Ithaca like a sore thumb being a black woman with long white braids. I was in a grocery store once, and a woman came up to me all excited and said that her husband had seen me around campus. L.A. culture and upstate N.Y. culture are entirely different beasts; I end up feeling slightly out of place because I can’t be that same person I was back home—which is also a good thing.

As I woman I definitely feel afraid to ask for help. For me, asking for help is admitting weakness—that I can’t do what everyone else can do on their own, and a sense that I’m taking up my professor’s time. Both reasons are completely ridiculous. I want to show other young women that I struggle, and that asking for help from teachers, classmates, and older students is normal.
— As told to Samantha Leach


PHOTO: Jiayue Yu

Cici Pan, 21

Senior at School of Art Institute of Chicago; Photography major

College has made me more confident and hardworking. I was kind of lazy at the beginning of college, skipping classes and failing them. It was the first time I felt like a grown up, so I was doing what I wanted instead of what I was supposed to do. At one point my counselor suggested I should maybe take a break. She was like, “We’re not here to push you to do stuff. You really have to want it and do the work.” I had to write an appeal to a council to prove I could make my classes.
— As told to Ashley Edwards Walker


PHOTO: Williejane Dent

Ellie Gordon, 22

Fifth-year undergraduate at Oregon College of Art and Craft; BFA in ceramics, working in mixed material sculpture

In high school I felt like an outsider. I was afraid of being myself and speaking my mind. I wish I could go back and say, “It doesn’t matter! No one is going to stop talking to you because you’re gay! And it’s okay to talk about your feelings and to share what you think!” I feel like I’ve kind of come into my own, and in my art too. I still have a lot of growing up to do though. I still make a lot of mistakes, I still get in fights with my girlfriend, I still say stupid shit I wish I could take back, but I’m a lot truer to myself now.

As a woman in college I feel a little misrepresented—even at my small art school, most of the professors and heads of departments are white males. It’s changing—our drawing and painting department head is a woman. I want to be a college professor one day. I want to hold a classroom, I want to teach theories and concepts. People think college is an equal opportunity for men and women—you’re both getting educated. Yes, you’re both getting an education, but there’s still so much male energy at the top.

[To any incoming freshman:] Don’t let anyone assign the feminine gender to your art; just because you’re a woman does not mean you need to make work about being a woman—that is not every piece of who you are. Make sure you stand your ground and have a voice, and don’t let men interrupt you. I used to let men mansplain all over me, but in the past year or two I’ve tried saying, “Hey you just interrupted me and I’m going to finish my thought and then you can say your thought.” Women are very underrated in the art world—the ratio of men to women artists in museums is just not fair. We women have to stand our ground because people will put you down for reasons that have nothing to do with your art, and everything to do with your gender.
— As told to Jessica Militare


PHOTO: Aisha Jemila Daniels

Hannah M. Clark, 22

Fifth-year senior at Howard University; Computer Science major

Every woman wants something different out of life. […] When somebody makes a decision that is different from mine, that doesn’t take away my choice or make what I believe any less relevant. […] Also, it’s important to realize that college is just college. It’s a place you go to equip yourself with a skill set, but it’s not forever. Once those four years end, the rest of the world will be waiting at your doorstep. That’s why it’s important to always have your eye on whatever your goal for coming to college was. It saddens me when I hear older people say that college was the best four years of their life because it’s like, Well, you have at least fifty years ahead of you! I think it’s always good to think about things in the context of a lifetime.
— As told to Ashley Edwards Walker


PHOTO: Adriana M. Sedillo

Amanda Romero, 31

Senior at University of New Mexico; Fine Arts major with a concentration in photography

I was a college dropout twice. First, I went to community college, but I was only going to school part-time since I also had a full-time job. I had one more class—a physics class—before I could officially enroll in the sonography program. I’m horrible with math, and I ended up failing it a couple times. On the third go-around, I found out I was pregnant. I was 23 and I wasn’t married. That’s when I dropped out the first time.

A year after my daughter was born, I decided to go back to school. I changed my major to art so that I could focus on photography—something I’d always loved to do in high school. I completed my associate’s degree and decided to go for my bachelor’s, enrolling at the University of New Mexico that fall. But in November of that first semester, my brother, my only sibling, committed suicide. I’d always been extremely close with him, and his death devastated me. I tried to convince myself to push through and just finish out the term, but I couldn’t. That’s when I dropped out for the second time.

When I re-enrolled a year later, I was still reeling from my brother’s death. But luckily I had an amazing teacher in one of my photography classes who I could talk to. She convinced me to channel my grief into my art, and for that I will forever be grateful.

Now, if everything goes according to plan, I’ll graduate in May 2018. When I see freshmen and sophomores in my classes talking about football games and all the fun stuff that I wish I had done when I was their age, sometimes I feel sad or as if I’m behind. But no matter what, I keep going. There’s always going to be bumps in the road. But there’s also always going to be a way that you can navigate through them and get it done. Even though it’s taken me this long, and even though it’s hard sometimes, I’m still doing it.
— As told to Ashley Edwards Walker


PHOTO: Zenobia Marder

Shani Strand, 22

Recent graduate of Oberlin College; double major in Studio Art and English

I think the majority of students of color, especially black students, have felt unsafe on campus. Oberlin gets racial threats—specifically toward its black student population, but also its student of color population—almost every year. It can be a very tense place in terms of where it is in Ohio and how politically liberal the school is. One year, the black student union put out a list of demands that got a lot of public heat and people started threatening the black student population. The POC community is just really small there. Supportive, but small. So you’re aware that you’re in an incredibly limiting environment in the way that you can participate in black culture. And the isolation that you feel from the black communities you come from, or that you would like to participate in, can get really frustrating.

I wanted to leave at the end of my sophomore year. I think a lot of it was stuff that was happening at home with my parents and their relationship. It was an interracial marriage; my mom is from Jamaica and my dad is white and from Long Island. I think they were doing that thing where they stay together for the kids, but the kids kind of know that they shouldn’t. They decided to get divorced after I left for college. Also, my dad is a transgender woman and she was transitioning. So I was very overwhelmed with things in terms of gender, sexuality, politics, racial politics. It was hard being 400 miles away and getting phone calls from each of my parents every day. But even though it was really hard at Oberlin sometimes, I’m still pretty happy with the experience I had overall.
— As told to Ashley Edwards Walker


PHOTO: Sarah C. Sanchez

Mehnaz Ladha, 21

Senior at Ramapo College; Communication Arts major

My great-grandparents migrated from the province of Gujarat in India to East Africa. Both of my parents were born and raised in East Africa, and migrated to the U.S. Throughout high school [in New Jersey], I stood out as a Muslim American wearing a hijab, and the headscarf essentially defined me. But that changed when I started college; the hijab was no longer a marker of what I am, but rather who I am. Covering for me has become a symbol of modesty, beauty, and empowerment.

“Throughout high school, the headscarf essentially defined me.
But that changed when I started college; the hijab was no longer
a marker of what I am, but rather who I am.”

My safety on campus became more apparent after the recent presidential election. I found myself being extra cautious of what I’d say around others—especially after hearing anti-Muslim rhetoric from public figures. But their comments also motivated me to prove others wrong and show them what being a Muslim really means. Friends and faculty at school have reached out to see how I’ve been doing, and the support has reassured me that I am a member of the Ramapo community just as much as anyone else.

Young Muslim women in college are ordinary girls working hard to make a name for themselves. Much like everyone else, they want to earn a degree, find a secure job and lead a happy life. Being Muslim is just another facet of my identity that not only defines what I believe in but also shapes my character.
— As told to Jessica Militare


PHOTO: Lea Winkler

Samantha J. Lozada, 22

Recent graduate of NYU; specialized study on critical theory regarding race, gender, and colonialism

[My hometown of] Concord is a small town. Well, I mean, not too small, but it’s the suburbs of Boston. Growing up, I didn’t feel that much connection with the place; it’s pretty conservative socially […] I came into myself [at NYU].

I think that currently in the US there’s an idea that—well, this is a very anti-progressive thing—but that school is a place where people learn social justice-oriented or reactionary ideologies, rather than coming into their own understanding. Like the the idea that they went to school and became a radical feminist because they were brainwashed by this or that, or they became more anti-capitalist because of this or that. These things invalidate progressive ideologies, especially with people going to college. It’s not really what they think or feel—it’s what we can understand from the news, it’s people telling them instead of thinking for themselves.
— As told to Samantha Leach


PHOTO: Ohemaa Dixon

Nicole Jenkins, 18

Sophomore at Syracuse University; English major

One thing I wish I’d known before starting college is that people are coming from all different types of backgrounds. I definitely did not realize that at first and took offense to some things. It took a while, but one day I realized like OK, this person is from Colorado. I don’t know how they were raised. So maybe they just don’t know the same things that I know.

People think our generation is on our phones all the time, just trying to socialize, using Snapchat too much, whatever. But really we’re using these things to help us fulfill our goals. Like people will post their artwork to social media saying, “I have an art gallery setup at this time, come through.” And definitely with protests and demonstrations and stuff like that, we use Snapchat, Instagram, Twitter, all that stuff to bring people together and build a community. So I think it’s really useful and that we’re using it the right way to further our goals.
— As told to Ashley Edwards Walker


PHOTO: Katie Chapin

Clara DeWesse, 24

Senior at Montana State University; Photography major

I grew up in Portland, so moving to Montana was like a 180 in a lot of ways. Portland is really socially progressive. It was super easy to be who you wanted to be and express yourself however you wanted to. It was big to be part of a scene, but you didn’t necessarily have to choose just one. Like, I was a punk, then I came out as queer when I was 14. So I had both of those communities, which was a ton of fun and allowed me to explore in a lot of different ways. To be immersed in the alternative here in Montana is wild.

Montana is very rural. People do sports, fish, ski, rock climb, mountain bike. It’s pretty dominated by intense masculinity and is fairly conformist in terms of how people think women should look. When I first I came to Montana I was definitely like, “I’m an urbanite. I’m so much more cultured than everyone.” […] Living in Montana has taught me to dig deeper than the surface level with people. And I’ve learned that I’m not that special. Everyone is human.

A big thing that’s empowering about being in a small place is that your voice can be much louder. In my work, I focus on femininity and gender dynamics. In Portland, all my ideas, it was like preaching to the choir. People are already so radical that nothing really shocked anyone. But in Montana, I’m presenting work to a community of people who haven’t seen something like what I’m doing in a contemporary context, possibly ever. Even if people are totally offended it’s like, “OK, cool. I’m glad you saw something that made you somewhat uncomfortable because you live in a place that is so comfortable.”
— As told to Ashley Edwards Walker


PHOTO: Jordan Coady

Chloe Bristow, 19

Sophomore at Western Washington University; double major in Cellular Molecular Biology and Psychology

When you’re in high school, it’s hard to know if you’re truly self-motivated. Because you have parents and the high school community who are there to make sure you do what you need to do. But in college, all of that falls away. You realize it really is on you to find out if you’re at school because you want to be there.

When I first got to school, I was really overwhelmed with the fact that if I failed or didn’t do good, it was on me. But at the same time, when I did succeed, it was empowering to know that it was because I chose to.
— As told to Ashley Edwards Walker


PHOTO: Jessi Almquist

Taylor Carroll, 21

Junior at Virginia Tech; Creative Technologies major

Virginia Tech is near my hometown, so I actually still live in the house I grew up in. I know I’m not getting the same experience as other students—living at home can be limiting and isolating—but I’m saving a lot of money on rent, so that’s an upside.

I feel pretty safe on campus, even at night. My aunt is in law enforcement, and was a first responder on the shooting here in 2007—she’s shown me how the security on campus has tripled and that they have all kinds of safety protocols in place. Even ten years later, the tragedy has definitely made Virginia Tech very community-driven. You can’t even go two feet on campus without seeing a “we will prevail” sign because it’s true—we made it through a very difficult time and still managed to come out of the other side with love and trust.
— As told to Kate Friedman


PHOTO: Mary Kathryn Carpenter

Casi and Ari Gibson, 22

Recent graduates of University of Alabama; Casi majored in Restaurant, Hotel and Meetings management and Early Childhood Development; Ari majored in Restaurant, Hotel and Meetings management and Marketing

Casi: Tuscaloosa, Alabama, is really confined and very different from the Chicago area [where we grew up]. The strong Southern values and principles were a bit of a culture shock for us. At UA, Greek life is huge; we didn’t join a sorority, but we involved ourselves in organizations we felt passionate about. I wish I would have known that in college, academics isn’t the only thing you should focus on. Your social life and experiences shape you and mold you. […] It’s not easy being a young women in college, or in the world really. There are so many different assumptions and things you have to prove about yourself, and as black women, we have to prove a lot more and work a lot harder.

Ari: You don’t have that core base of family and friends or your support system at home—so you’re in it by yourself. At school you have to find your little niche in your little corner of the world to be successful. I was lucky to have my twin sister with me.
— As told to Kate Friedman


PHOTO: Mercede Mae Johnson

Candace Harrison, 20

Sophomore at Diné College, a tribal university; pursuing a fine arts degree

Before going to college, I didn’t know how many challenges the Navajo nation faced. In high school, I wasn’t taught the Navajo language. Then, during my first semester, I took a Navajo history class. Our instructor explained how our language is part of our roots. So many people in my generation speak English that Navajo language is going to disappear if we don’t change. So now I’m taking classes and trying to spend more time with my grandparents. When they talk to me in Navajo, instead of ignoring it or asking for help translating, I try to learn it.

“Before college, I didn’t know how many challenges the Navajo nation faced.
I never really cared about my traditions. Then I took a class in Navajo history.
Now I think of myself as an indigenous woman. It means you are strong.”

[…] I never really dressed in traditional outfits before college. But now that I’ve learned more about my culture, I’m a lot prouder. Every once in awhile I try and put on my traditional outfit: a dress or a skirt and velvet top, a sash belt, a concha belt, and you wear turquoise jewelry. Before, I never really cared about my traditions. Now I think of myself as an indigenous woman. That means knowing who I am, knowing my language and my homeland. It means you are strong.
— As told to Ashley Edwards Walker


PHOTO: Lucy Xiangyu Wang

Stephanie Siow, 23

Recent graduate of Yale University; Global Affairs major

My worldview is different about so many things since going to college. […] One of my best friends grew up on a farm in Wisconsin. Before meeting her, I had no idea what a life like that would look like—talking about milk and beef prices, the Midwest culture, Culver’s, stuff like that. My roommate: she’s half-Japanese, half-African American. And she grew up in the most liberal part of California. You just have so many people coming together from such different backgrounds who all care about all different things. You’re forced to try and empathize.

People often have this idea of college women being very vocal and advocating for things like sustainability without actually getting things done. I think that’s really untrue. I have so many friends who contribute on campus and off. My roommate started an academy called Powerful Beyond Measure that brings at-risk youth girls from California to Kenya. One of my suitemates from my freshman year started the Organization for Racial and Ethnic Openness to promote conversations about racial issues on campus. I co-founded the Southeast Asian Movement to engage youths on Southeast Asian political and social issues. I could go on and on and on! College women are taking ownership of the stuff that they care about because they want to make a difference in this world.
— As told to Ashley Edwards Walker


PHOTO: Anna Brody

Jess Farran, 24

Recent graduate of Savannah College of Art and Design; Bachelor’s degree in fine art and photography

The last few years have been hard for me—my dad left and we had two deaths in our family. I think being so far away at school allowed me to deal with it independently. Sometimes I wished that I had a support system at that time, but I am thankful that I was the only person I was able to rely on. That time really shaped me into the person and woman I am now.

People assume women in creative fields are dumb. They think that’s all we can do, or all we feel like we’ve been made to do. Like, “Oh, of course a girl would go into fashion,” or, “Of course she wants to be interior design, because that’s what society made her to be.” But we have so much choice in what we do, and it should not be questioned or doubted. I didn’t pick a creative field because I thought it was easier for me—if anything I think it’s more challenging. Don’t doubt others based on societal norms, even if they fall into tropes. They still have a choice in what they do.
— As told to Kate Friedman


PHOTO: Jessi Havens

Nina Falu, 19

Sophomore at Madison Area Technical College; hopes to major in occupational therapy

Our generation of women in college, there’s more of a work mentality. We are all on this grind to get our degree and make sure that we’re financially set. The women in Madison are really independent; […] we’ve had influences like Nicki Minaj and Beyoncé saying, “Go to school, you don’t need a man.” So my friends and I have always been like, “I’m going to do this and no one’s going to stop me. I am a woman, and I am proud.”

Growing up as a black girl with really curly hair, I’ve always just been cast aside. There’s even times where people have said “You’re so much smarter than I thought you were because you look this way.” For me, that’s motivation to keep going. I’m done with letting other people assume things about me because they don’t like the way my skin is or they think I’d look prettier if I was another way. It’s our turn now.
— As told to Ashley Edwards Walker


With additional reporting by Samantha Leach



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