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Some Critics Say the Biracial Actors in 'Crazy Rich Asians' Aren't Asian Enough—But I Call Bullshit


A few weeks ago, a friend texted me about dim sum using only Chinese characters. “Oh no, you’re fake Asian. Hold on,” he continued before he translated his order into English for me. “Fried dough, scallion pancakes with egg, and soy milk.”

“You mean you tiao, but okay,” I replied. “My family only eats it with juk.” I speak very little Cantonese—I’m talking 20 words at most—but when it comes to dim sum, I know how to order.

We’ve been friends for years, and while I can usually put up with his antagonistic brand of teasing, it’s been getting to me lately. I’m “only” half-Asian, something the world feels the need to remind me of at every turn, like when the guy at dim sum hands me a fork and I hear my dad say my name as he’s speaking Cantonese to my Nainai. But I’m also Italian, which for some reason didn’t come up when the popular girl in seventh grade called me a chink, and when everyone—at the coffee shop, in the cab—plays the “but where are you really from?” game. I might be made up of two ethnicities, but I don’t really count as either.

That’s why I’m probably more offended than most at the “controversy” surrounding some of the cast members of Crazy Rich Asians and why, conversely, their inclusion is so legitimizing to me. Henry Golding, the male lead, and supporting actress Sonoya Mizuno are both half-Asian—and thus, according to some critics, not Asian enough to star in the movie. Actress Jamie Chung referred to Golding’s casting as “bullshit” in an interview. (She later apologized.) One op-ed about Golding had the candid title, “We’d Love to See a Full Asian Lead for Once.”

PHOTO: Sanja Bucko

I understand the frustration at the constant whitewashing in Hollywood. (See: Scarlett Johanssen playing a Japanese character in Ghost in the Shell, Emma Stone starring as a woman of Hawaiian descent in Aloha, and Matt Damon somehow playing the hero in a movie literally entitled The Great Wall, as if we haven’t been defending that shit for centuries.) It’s so rampant that a producer even suggested casting a white woman for the lead to Crazy Rich Asians author Kevin Kwan—who, of course, gave it a hard no.

But to impose whitewashing narratives onto biracial people feels like erasure of half of who I am. And, for me, it’s not “whitewashing,” anyway. It’s more like “whatwashing”: What are you? What’s your background? It’s what so many mixed-race people who don’t pass as white have to contend with on a daily basis.

Since when does being more than one thing cancel the other out? According to Golding, who’s Malaysian and English, some people implied he won the role because he’s half-white, as if being biracial comes with special perks. Please. Science, for what it’s worth, backs me up here. (See how Asian I am?) A 2008 study from UC Davis found that Asian-Caucasian mixes are twice as likely to suffer from psychological disorders, like depression, anxiety, and substance abuse, than full Asians. Lauren Berger, one of the authors, surmises that a lower or conflicting ethnic identity—that is, the extent to which someone ascribes to one identity over another—may contribute to it.

It’s hard to establish any sort of ethnic identity when I keep receiving conflicting messages about what that identity is. I’m too white for my Chinese friends to consider me a “real” Asian, but still Asian enough to catch the occasional slur. And I don’t understand why other people are slicing and dicing my ethnicity in the first place, something both Golding and Mizuno have called out. “If I can’t play that [Asian] part, what can I play?” Mizuno asked in an interview earlier this month. “A part that’s half Japanese, a quarter English, and a quarter Argentinean? How many parts are there for that?”

Golding concisely summed it up in an interview with Glamour: “It was quite strange that people were saying I wasn’t Asian enough. It’s like, ‘Oh, you’re not Asian enough to play an Asian role.’ So what does that mean for people who come from mixed heritage? I grew up in Asia; I’m Malaysian. You can try to justify how Asian you are, but you’re never going to make everybody happy … When does the point come that these stereotypes are thrown to the wind? Making something the norm is the only way of not making it a talking point.”

However, I think one reason for it may be my own doing. I refer to myself as “half”: I’m half-Asian, or, if I’m feeling generous, half-Chinese and half-Italian. I’ve been saying it for as long as I can remember, mostly because it’s succinct and typically satisfies whoever’s rude enough to ask. And it’s accurate (although recent results from 23andMe suggest that there’s some Mongolian and North African mixed in there).

PHOTO: Courtesy of Deanna Pai

But maybe I should start to replace the word “half” with “both.” I am both Chinese and Italian. One doesn’t have to negate, or overpower, or defer to the other. It’s like how my comfort food is fried rice with lap ceung, but I’m also freakishly good at making dragged pastas like cavatelli. Both can be true.

In a new interview, Golding described this ownership over identity in a way that made me tear up. “There was always a struggle with being Asian and not being Asian enough. It’s going to be down to me to own my race,” he said. “Once you’re secure with yourself, it doesn’t matter who the fuck says whatever.”

It’s validating to see people like me confront similar feelings in real time. They get it! And better yet, they’re talking about it. Sure, the haters will hate. They’ll say we’re fake Asians, that we’re not Asian enough, that we’re watered down. But that won’t make it true.

Deanna Pai is a writer and editor currently based in New York.



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How Henry Golding Got Cast in 'Crazy Rich Asians'


Little-known fact: Henry Golding, 31, basically landed the starring role in Crazy Rich Asians, the big-screen adaptation of Kevin Kwan’s best-selling 2013 novel, because he made an unforgettable impression…on an accountant. The film marks not only Golding’s acting debut but also Hollywood’s first all-Asian cast in 25 years (yes, really). Here’s how the former hairstylist turned TV host won the role of ultra-wealthy Nick Young, and how he’s changing the representation game in the process.

GLAMOUR: Crazy Rich Asians is one of the most anticipated movies of the year, and it’s your first role…ever. How does that even happen?

HENRY GOLDING: My background is in broadcast television—I used to be a travel host for BBC, Discovery, and National Geographic. The filmmakers were literally at the eleventh hour trying to find an appropriate Nick Young, and the accounting lady said, “I met this guy Henry Golding at an event about five years ago, and I thought he was the epitome of this character.” [Director] Jon [M. Chu] fell down the Instagram hole and was like, “I’ve got to get ahold of this dude.” We met on Skype, I sent some tapes, and they flew me to L.A. for a chemistry read . I was offered the role two and a half weeks later, which was life changing.

GLAMOUR: You received backlash because of your mixed heritage—your mother is Malaysian and your father is British. How did it feel to have to defend yourself?

HG: It was quite strange that people were saying I wasn’t Asian enough. It’s like, “Oh, you’re not Asian enough to play an Asian role.” So what does that mean for people who come from mixed heritage? I grew up in Asia; I’m Malaysian. You can try to justify how Asian you are, but you’re never going to make everybody happy…. I was raised on Hong Kong movies with Asian stars, so I’m still learning about Hollywood underrepresenting certain people. When does the point come that these stereo­types are thrown to the wind? Making something the norm is the only way of not making it a talking point.

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GLAMOUR: What’s the impact you’re hoping to have on Crazy Rich Asians audiences?

HG: This is going to bring together a whole new wave of storytellers who’ve always thought that they weren’t good enough because they were Asian, or they don’t stand the same sort of chances that other people have—we’re hoping to leave a stepping stone to bigger and greater things. We’re really excited for the new generation of youngsters to be inspired to do their own thing and make it the norm.

GLAMOUR: You live in Singapore, but given your Hollywood trajectory, could an LA move be in your future?

HG: I’m in discussions at the moment with my wife, the big boss. We have thought about moving, but we’re extremely settled in Singapore. Would I love to spend some time in California? Hells yeah. It’s a beautiful state—you’ve got the mountains, the ocean, the freedom. You’ve got everything! But I live in one of the safest countries in the universe. So if we’re starting to have kids in the future, where do I want my kids to grow up? What do I want to provide for them? I’d love to throw caution to the wind and move to LA and live the dream, but adulting gets in the way. You know, adulting sucks, it really does!

GLAMOUR: Your wife, Liv Lo, is a fitness junkie. Does she whip you into shape?

HG: She tries her hardest, but she’s given up on me. [Laughs.] Once in a while I’ll drop in to a yoga session with her, but she’s phenomenal at it, so I look like an idiot.

GLAMOUR: Nick Young is known for making grand gestures. Are you a romantic?

HG: You know, it’s bad saying this, but I think I should be doing it more. You know what? I think you’ve spurred me on to being a little bit better.

GLAMOUR: What’s your guilty pleasure?

HG: I go through phases of infatuation with the stupidest, silliest things. I’m well above the age of playing Fortnight—and I haven’t told anybody this—but I watch stupid Fortnight videos after a long shoot day. It’s so sad. [Laughs.] My wife pretty much shut down my computer game playing really early into the relationship, so I have to do it vicariously through the teenagers playing this game. I know all of the top players’ names. It’s embarrassing.

GLAMOUR: Before your TV career, you were a hairdresser. Were you the type of stylist who clients confided to while in the chair?

HG: When you’re in a seat getting your hair done, there’s this instant trust. People just tell you all sorts of things! But I think it’s because we’re not used to having that proximity to strangers, so when somebody is able to get into your space subconsciously, you think they’re a close friend or relative, so you tend to open up a lot more.

GLAMOUR: Ever get the itch to grab your clippers on set?

HG: I was in the habit of carrying my scissors, under the impression that maybe I’d cut the crew’s hair if I had the chance. I still blow-dry once in a while. It’s therapeutic!

Crazy Rich Asians is in theaters on August 15. Golding can next be seen in the thriller A Simple Favor, out September 14.



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*Crazy Rich Asians* Is a Hit With Critics—and Why That's So Important


Crazy Rich Asians isn’t even out yet, and Hollywood is already raving about it. The highly-anticipated adaptation of Kevin Kwan’s hit novel has an impressive 100 percent rating on Rotten Tomatoes, based on 19 reviews. Granted, there’s a chance this rating could drop as more come in, but the fact it’s currently at 100 percent all but confirms Crazy Rich Asians is headed for a Certified Fresh Rating—and, hopefully, box office success.

“Seeing this kind of onscreen representation is incredibly satisfying, especially via Kwan’s rich page-turner,” reads the review from Time Out. “A loving take on Kwan’s books, bundled up in a wildly entertaining package,” says Kate Erbland from IndieWire.

And these are just two of many stellar reviews from top critics. In addition to their actual reviews, many of them took to Twitter to express their enthusiasm for the movie. “After seeing #CrazyRichAsiansMovie I wanted to reread the book and rewatch the movie, AT ONCE. It made me that happy, and not just because of the outfits (though they are stellar),” Moira MacDonald from The Seattle Times tweets.

Crazy Rich Asians picked an auspicious date to lift its review embargo, but by delivering a satisfying, highly entertaining romantic comedy, the filmmakers have made their own luck,” writes Brian Lowry from CNN.

And here are some more tweets from critics:

“I wanted to rewatch CRAZY RICH ASIANS as soon as the credits started rolling. It’s a wonderful romantic comedy with culturally distinct (but universally relatable) stakes. It’s also a moving-as-hell affirmation of Asian American identity,” tweets Inkoo Kang from Slate.

“#CrazyRichAsians takes the fairy tale trope that has defined our cultural understand of romance, and gives it new life by showing that it doesn’t belong to blue-eyed, blonde haired Cinderella,” writes Anne Cohen for Refinery 29.

This bout of critical acclaim is coming on the heels of #GoldOpen, a social media campaign started by digital media entrepreneur Bing Chen to make sure Crazy Rich Asians has a banner opening weekend. “EVERY MOVEMENT NEEDS ITS MAFIA,” he tweeted earlier. “That’s why 100+ of us have bought out theaters to give #CrazyRichAsians a #GoldOpen. Join us and buy your tickets NOW for opening week on @Fandango.com.”

This early praise should certainly help drive viewers to movie theaters next weekend. After all, the 24/7 nature of our news cycle makes positive reviews impossible to ignore—and with people’s time and funds limited, they want to make sure they’re seeing something good.

The early Twitter response to Crazy Rich Asians seems to mirror this Rotten Tomatoes slam drunk. Check out some responses, below:

Crazy Rich Asians hits theaters August 15.

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Constance Wu's Hand-Embroidered 'Crazy Rich Asians' Premiere Dress Took 765 Hours to Make


At the red-carpet premiere for Crazy Rich Asians on Tuesday, Constance Wu embraced the extravagance her character Rachel comes face-to-face with in Kevin Kwan‘s 2013 novel and its upcoming film adaptation. The actress went for allout glamour in a gorgeous gown designed by British label Ralph & Russo (yup, the very one that made Meghan Markle‘s engagement portrait dress). And the amount of detail that went into the high-neck, strapless style is truly spectacular.

According to Vogue, Wu’s premiere look took more than 750 hours to make; 490 of those were spent hand-embroidering more than 200,000 Swarovski crystals onto the fabric. If you’re too enthralled by photos of the dress to pull up your calculator app, that translates to more than 31 days spent crafting the garment. Casual.

PHOTO: Michael Tran

Micaela Erlanger, Wu’s stylist, told Vogue that, beyond matching the opulent lives of the film’s characters, certain aspects of the “couture red-carpet moment” held even deeper significance for the actres, and for Hollywood as a whole: “In history, tassels have almost always been a symbol of power and prestige, not to mention they make for a glamorous detail. This movie is so important for so many reasons, and I felt that Constance should look both powerful and glamorous.” (Among those reasons? Crazy Rich Asians is the first Hollywood film to feature a majority Asian cast since 1993’s The Joy Luck Club.)

Constance Wu's 'Crazy Rich Asians Premiere' Dress Had 90 Carats of Diamonds 3

PHOTO: Emma McIntyre/Getty Images

And lest you think that Wu and Erlanger would go easy on the accessories, given how spectacular the gown is, think again. The actress finished off her Ralph & Russo gown with pink pear-cut diamond drop earrings by Lorraine Schwartz that clocked in at a whopping 90 carats. She carried a boxy, reflective silver clutch, and donned sky-high ivory platform pumps with bedazzled stacked stiletto heels. (Hey, Erlanger literally wrote a book on accessorizing, so she wasn’t going to skimp on the add-ons.)

Warner Bros. Pictures' "Crazy Rich Asians" Premiere - Arrivals

PHOTO: Alberto E. Rodriguez

“The gown itself is such a statement, but we really wanted to complete the look with the perfect accessories,” Erlanger told Vogue. Mission definitely accomplished.

Related: Constance Wu Plays American Dream or Scream



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'Crazy Rich Asians' Supporters Are Using This Hashtag to Make Sure It Slays at the Box Office


Crazy Rich Asians hasn’t even hit theaters yet, but it’s already slated to make movie history. The film, starring Constance Wu and Henry Golding, almost cast a white female in the leading role, but thanks to the author of the source material, Kevin Kwan, that’s not happening—and it’s a major win for representation.

Supporters of the movie, though, don’t just want Asian Americans to feel seen; they want it to slay at the box office. That’s why there’s a hashtag circling on Twitter right now, #GoldOpen, that’s all about making sure people buy a ticket to Crazy Rich Asians for its opening weekend.

It started when Crazy Rich Asians director Jon Chu said the film is “more than just a movie,” but a “movement.” That prompted digital media entrepreneur Bing Chen to take action. “EVERY MOVEMENT NEEDS ITS MAFIA,” he tweeted. “That’s why 100+ of us have bought out theaters to give #CrazyRichAsians a #GoldOpen. Join us and buy your tickets NOW for opening week on @Fandango.com.”

More theaters and influencers followed suit after Chen’s tweet. “We’ve joined the #GoldOpen movement and bought out a whole theater at the @alamodrafthouse for our #crazyrichaustin VIPs! #crazyrichasians,” the Austin Asian American Film Festival tweeted shortly after Chen’s initial proposal.

Many people are jazzed about this movement too:

It’s frustrating some people in Hollywood still think minority-led films can’t be financially successful, despite the fact that’s been proved wrong many, many times. (Please see Get Out and Girls Trip for just two recent examples.) Hopefully, a killer weekend for Crazy Rich Asians will shut that notion down for good. The film hits theaters everywhere August 15.

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Hollywood Wanted a White Actress to Lead 'Crazy Rich Asians'—So Author Kevin Kwan Fought Back


Crazy Rich Asians, which hits theaters this month, features an unprecedented feat in Hollywood: a principal cast entirely of Asian descent. It’s also, simply put, a really delightful romantic comedy. The movie follows a professor (Constance Wu) who travels to her boyfriend’s old stomping grounds in Singapore to attend an opulent wedding. (She’s also there to meet his ridiculously wealthy family, NBD.)

The movie, an adaptation of the 2013 novel written by Kevin Kwan, is being heralded as a major win for representation—but a new Hollywood Reporter feature reveals some behind-the-scenes drama nearly kept it from being a faithful big-screen experience.

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Kevin told the publication he rejected numerous “lucrative” offers and instead optioned his film for a mere $1, passing on the large paycheck to ensure he maintained involvement with creative and development decisions. This was after, Kevin said, one disastrous pitch that strongly recommended he change the Asian heroine to a white woman. (“It’s a pity you don’t have a white character,” he was told by the producer.) “To say, ‘I’m going to do this for a dollar,’ the only other person I know who does that is Stephen King,” Brad Simpson, one of the film’s producers who fought for Kevin’s vision, explained of this significance. “You don’t want to just be another piece of development. With a movie like this, peopleare never going to have to make it, and it could get lost.”

Kevin and the film’s director, Jon M. Chu, also rejected an enticing offer for Crazy Rich Asians to be a Netflix-exclusive film—”dangling complete artistic freedom, a greenlighted trilogy and huge, seven-figure-minimum paydays for each stakeholder”—but the duo ultimately decided the need to bring Asian actors to the bonafide big screen was more of a priority. “Jon and I both felt this sense of purpose,” Kevin explained. “We needed this to be an old-fashioned cinematic experience, not for fans to sit in front of a TV and just press a button.”

The results will soon speak for themselves—Crazy Rich Asians will be released, not on a streaming service, on August 15.



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