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The Crown Season 3 Has So Many Secret Meanings in the Hairstyles


There are so many levels on which you can enjoy the latest season of The Crown. There are the historical elements which can lead you into a internet deep dive about events like the tragedy at Aberfan or Prince Charles’ investiture as the Prince of Wales. Then you’ve got the soap opera elements about the messy, dramatic, dysfunctional drama going on behind the palace walls, what with possible coups, love quadrangles, and royal marriages falling apart. But one of my favorite aspects of the show will forever be the hair, makeup, and styling.

We got to chat with Cate Hall, the show’s hair and makeup designer about what went into the incredible hairstyles of Queen Elizabeth, Princess Margaret, Princess Anne, Camilla Shand, and even Prince Philip and Prince Charles. Currently in production on season four (when we will finally meet Diana), she spilled all of her onset styling secrets and the incredible amount of research and meticulous detail that goes into recreating the looks of some of the most famous people in the world.

“I spent months doing picture and video archive research to build a library of chronological reference books to include our principal royals and also our extensive supporting cast of recognizable faces,” she says. “Using these ‘bibles’ of images, one for each royal and one for each block of episodes, I was able to track how their looks evolved over the 13 years covered in season three and start to make a plan for how we might represent these changes on screen. I wondered if going to the bother of having photo books printed was a waste of time but was so gratified to see the whole team and also the cast checking back in and referencing them throughout the shoot.”

It sounds like a totally fascinating process. “Of course, we pay attention to the finer details, and they inform our wider choices, but where typically we start by giving the actor everything we can that might work, for example teeth or plumpers (an appliance set inside the mouth to change the shape of their face), we nearly always then gradually strip these layers away until we reach a point that is believable and real,” Hall explains. “We actually deliberately avoid too literal a representation of the character, since being too verbatim also rings false. Because we are dealing with human beings not mannequins, we have to make choices that sit and move naturally with the actor. Every choice we make has its base in trying to create a comprehensive story world that the viewer can lose themselves in without anything jarring or sticking out; the less noticeable the hair and makeup, the better.”



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All the Hidden Meanings in Sansa’s ‘Game of Thrones’ Finale Dress


This post is dark and full of spoilers. You have been warned.

There’s only one thing fans can agree on when it comes to the Game of Thrones series finale: Sansa Stark is a queen. I mean that both literally and metaphorically: Not only did she become queen of the North after the region separated from the other six kingdoms, but she ascended her throne in a very badass dress. A dress that, unsurprisingly, was covered in hidden meanings.

We’ve long known that an outfit or hairstyle on Game of Thrones is never simply just for aesthetics. Whether it’s a sigil’s placement on a coat or a distinct dress pattern, the costume design and hair and makeup often the first place the showrunners and costume designer Michele Clapton will embed details about the characters’ development. Their outfits tell as much a story about who they are—and who they’ve become—as their actions. And no one has demonstrated that more than Sansa.

“I think you can see that she is influenced throughout her journey until she finally comes into her own style in season seven,” Clapton told Glamour before the season eight premiere. “The look is a culmination of her difficult story. The ‘Little Bird’ initially copied the style of Cersei, when she first arrives in Kings Landing. She then retreats to the cut of her mother’s costume, a refuge, showing how she feels, wounded and scared, but she can’t speak it…. She tells of her pain through embroidery and color.”

The show’s finale—and Sansa’s coronation outfit—then represent the strength and power she now represents. Take a close look at both of these GIFs, below. Notice the small details in Sansa’s sleeves and the wolf stole around her neck. All of these shades have deep, special meanings—and some of them might surprise you.

Let’s start with those aforementioned sleeves, which are printed with leaves from the Weirwood trees in Winterfell. These trees are grown only in the North, so naturally Sansa would reference them somewhere on her dress.

The sleeves are also covered in fish scales, a subtle nod to the House of Tully (her mom Catelyn Stark’s house). If you recall, Sansa’s mother was killed during the Red Wedding, so her representing House of Tully at her coronation is a nice full-circle gesture to her mother’s legacy.

Sansa’s breast plate is also adorned in tree branches—yet another nod to the Weirwood forest. Refinery 29 points out that the branches on this piece of armor are a good omen: The North is strong and resilient but, above all, peaceful. That’s refreshing.

The wolf stole, as you probably know, is the House of Stark’s token, so it’s no surprise we see it on this finale look. Sansa’s crown is essentially in the shape of a wolf too. Talk about some family pride.

Fans are living for all of these hidden references. Check out just a few of their tweets, which have even more photos of Sansa’s gorgeous dress.

Clapton has done it again.



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All the Hidden Meanings in the Hairstyles on 'Game of Thrones'


The inevitable is finally happening. After close to a decade, HBO’s Game of Thrones is finally nearing its end and we will soon know who will end up sitting on the Iron Throne.

But until then, one of the biggest joys of being a fan is dissecting every little detail in trailers and cast interviews, looking for clues as to what will happen to the characters we love—and love to hate (hi, Cersei). But there may be some surprising hidden messages we’ve missed over the years in the ever-evolving hairstyles of Daenerys, Sansa, Cersei, and, yes, even Arya.

Whether you noticed or not, the hairstyles (like everything else on this show) were meticulously planned and thought out—right down to the shades. Kevin Alexander, GoT‘s lead stylist, told Deadline in 2011 that the colors corresponded to the houses of Baratheon, Lannister, Stark and Targaryen—with the Lannisters being more blond and the Starks tending toward red, for example. And during a 2013 (circa season three) interview with Fashionista, Alexander’s attention to detail was on full display.

The fandom has certainly had many beauty-based theories over the years. Like when one Reddit user posited that Dany was styling her hair in homage to her dead husband, Khal Drogo. Or last season when people freaked out that Sansa’s hair started to resemble early-season Cersei’s—everyone started wondering if that meant she was turning toward the dark side.

And then there’s the whole discussion around why Cersei’s hair is still short (after being chopped off during her imprisonment). Could it just be a style choice or does it mean something more as we head into the final season?

Here’s everything we know about the ladies of Westeros’ hair so far, and what fans have speculated their styles might mean.



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From Alexandria Ocasio-Cortez to Ilhan Omar, The Secret Meanings Behind the 2019 Congresswomen's Fashion Choices


The swearing-in ceremony of the 116th U.S. Congress was an emotional one, as an historic number of women and a slew of “firsts” joined the House of Representatives. And even before members of the new class took their oaths, several shared their excitement about this moment on social media—clips and photos from the Washington, D.C. airport, snaps of the name plates outside of their offices, images of their families, who’d tagged along for the ride… and, in at least one case, an #OOTD.

Rep. Rashida Tlaib of Michigan, the first Palestinian-American woman and one of the two first Muslim women to serve in Congress, announced she’d be borrowing a traditional thobe from her mother to be sworn in. Rep. Ilhan Omar of Minnesota, who joins her as the other first Muslim woman and is also the first Somali-American person elected to Congress, became the first to wear a hijab and declared she’d challenge a 181-year ban on headwear on the House floor when she arrived in D.C. And given that Rep. Alexandria Ocasio-Cortez of New York was fielding criticism from conservatives about her wardrobe weeks before her official start date, many anticipated what she’s wear to take her oath.

Fashion choices can speak volumes when a woman is in the public eye—and especially when she’s in public service. It can communicate power (see: Speaker Nancy Pelosi’s viral Max Mara coat), identity (like how members of the Congressional Black Caucus wore kente cloths to President Donald Trump’s 2018 State of the Union address, following his disparaging comments about African nations) and even an agenda (when she was First Lady, Michelle Obama had a whole strategy for championing American designers and for tailoring her fashion choices to wherever she was going.) The incoming congresswomen understood that. And their swearing-in outfits reflected it.

Ahead, see how six U.S. Representatives used fashion on their first day on Capitol Hill to send a message to their constituents—and Americans at large—about who they are and what they stand for.



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*Riverdale*'s Madelaine Petsch the Hidden Meanings in Cheryl Blossom's Wardrobe


On-screen, Cheryl Blossom is the meanest of mean girls (but with layers) in all of Riverdale, the all-American town with an increasingly high murder rate. (Recent example: After torching Thorndale, her family home (and narcotics manufacturing-base) and mother in the process, she went a step further by threatening mommy dearest’s breathing ability in a borderline murderous power play. And that was just in the season premiere.) But off-screen, Madelaine Petsch, the actress who plays the fiery-haired Queen Bee on the CW’s soapy dark drama, which veered into Zodiac Killer territory last week, is pretty much the polar opposite: “Nice to meet you guys!” she said to a fan who approached Petsch for a picture at the airport while she was on the phone with Glamour. (She very politely took a quick break from the call to make the guy’s day—and we can’t blame people for being obsessed.)

Still, the newly-restored River Vixen HBC has essentially become the show’s standout fan favorite, with her shade-throwing and extremely gif-able one-liners—as well as for her predominantly black-and red wardrobe, put together by costume designer Rebekka Sorensen-Kjelstrup.

“I’m the only character who’s allowed to wear red on the show, which I find hilarious,” Petsch laughed. Although, things are changing for Miss Blossom. Spoiler alert: “I have some exciting news—in the next episode, I get to wear blue,” she said. “It’s a big moment for me.”

PHOTO: Dean Buscher/The CW

Cheryl wearing a white dress in Season 2, Episode 1 of Riverdale.

Because with Mrs. B (willingly or not) taking a step back from the family business, Cheryl is now the top Blossom. Her matching set-filled wardrobe is evolving, along with her character arc. “Last season, I feel like Cheryl was almost forced to be ‘put together’ all the time and when she had a hair out of place—or she was wearing white, instead of red—you knew something was about to go down,” explained Petsch, bringing her ghostly apparition-esque arson outfit to mind. “That was because she was so controlled by her parents that they always wanted her to be perfect. I imagined they hired her a hair and makeup team, kind of thing.”

Chapter Five: Heart of Darkness

PHOTO: Diyah Pera

Cheryl Blossom wearing white in Season 1, Episode 5 of Riverdale.

The upcoming shock of blue signifies Cheryl “slowly taking reigns out of her mom’s hands,” according to the actress. The new Head Blossom will still wear her signature palette, but in doses: “We’re really playing with different colors, but incorporating the red in smaller accessories and details, like my nails or my spider brooch, versus overall being red-on-red-on-red. Although, I still do have those days, as well.”

Eagle-eyed viewers and Riverdale fashion conspiracy theorists probably noticed the return of Cheryl’s creepy-chic spider brooch, which we saw throughout the first season. It reappeared in court early on in Season 2, accessorizing her red, black, and white witness outfit (you know, when she lied under oath during F.P.’s trial.) Maybe Jughead, played by Cole Sprouse, gave it back to her after the season finale. Or, more likely, she has loads of arachnid-themed jewelry, which maybe weren’t incinerated in the fire.

Chapter Two: A Touch of Evil

PHOTO: Dean Buscher/The CW

Cheryl wearing her spider brooch in Season 1, Episode 2 of Riverdale.

“Absolutely,” Petsch said about the return of her ominous accents. “It’s my favorite accessory. I have some cool spider earrings, as well.”

Speaking of, Cheryl’s accessorizing game was on-point at the fundraiser to save Pop’s Chock’lit Shoppe — you know, former “DEATH DINER,” now Jingle Jangle-dealing central. The Riverdale High ladies all wore the same retro T-shirt and hot-pants outfits. But, in a pure fire power move, the high school junior differentiated herself with a pair of matching over-the-knee wine-hued boots. “We’re all wearing this uniform, right? But still Cheryl finds a way to make it her own,” Petsch said. “A really huge part of who she is, is that she always wants to stand out. It’s definitely a desperate cry for attention and that’s why she’s wearing those thigh-high boots.”

RIVERDALE

PHOTO: Bettina Strauss

Cheryl wearing knee-high boots in Season 2, Episode 2 of Riverdale.

The actress also sees Cheryl’s retro noir-inspired style as an unspoken way of communicating her complicated persona—in addition to her talent for turning a phrase, which, to be honest, is probably a defense mechanism. “She’s got so many facades up, I feel the only way she feels she can express herself is through the way she appears,” Petsch explained. “The only thing she genuinely feels she has control over is her appearance this season.”

Chapter Eleven: To Riverdale and Back Again

PHOTO: Katie Yu/The CW

Cheryl wearing a red gown in Season 1, Episode 11 of Riverdale.

But a Cheryl Blossom fashion evolution is nigh. Beware, another outfit spoiler: “I wore pants yesterday [for an upcoming episode]. Can you believe it?” Petsch laughed at the development that might be “crazier than a serial killer on bath salts.” (Cheryl one-liner reference, by the way.) “We’re definitely changing things up and we’re having a lot more fun with designers and making her more fashion forward—and less just skirts and crop tops every day.”

Unsurprisingly, Petsch sometimes finds herself tempted by Cheryl’s wardrobe, but mainly the accessories, like a pair of Christian Louboutin pumps and Valentino Rockstud ankle-strap heels. Truth be told, she actually covets another character’s style the most and you haven’t met her yet. “Toni Topaz—she’s a Serpent and [played by] my best friend off the show, Vanessa Morgan,” the actress said. “I’ll go to her fittings sometimes just so I can pick pieces out and be like, ‘I’m going to go buy that later!’”

Chapter Nine: La Grande Illusion

PHOTO: Diyah Pera

Cheryl wearing her signature red in Season 1, Episode 9 of Riverdale.

Despite her coveting another character’s aesthetic, Petsch does admit that playing Cheryl Blossom has affected her own style and how she expresses herself in real life, just not in a way you might expect. “I wear so much skintight clothing and bright colors on the show that I’m always in black [off the show] and I almost never have my hair and makeup done,” she said. “I’m at the airport right now, and I’m literally wearing giant sweats and a guy’s sweatshirt. Very different.”

The actress’ choice of off-duty athletic-wear is more than just about comfort. “If I want to be noticed or I’m okay with being noticed, I’ll definitely actually put together an outfit,” she explained. “But a lot of time, I’m wearing bigger hoods and putting my hood over my hair, so people can’t see it,” she said, about her dead giveaway (pun unintended) feature.

She’s also taking advantage of the current sportswear trends to both enjoy relaxed silhouettes and experiment outside of her sartorial comfort zone with edgier, streetwear designers. And she partially has boyfriend Travis Mills, who—fun fact!—originally auditioned to play Jughead, to thank for that.

“My boyfriend is super fashionable as well, so we have a lot of fun together,” she said. “He’ll send me links to stuff and he’s like, ‘this is super cool, you should cop it.’ He knows what’s cool before everyone else does.” Some labels he’s recommended to her include Heron Preston and Virgil Abloh’s Off-White. “I never was into the underground designers until very recently, so that’s a fun thing for us to do together and it’s a fun way for me to express myself in general. I don’t know if it emotes anything for me because I don’t feel like regular people do that. Do they?”

Well, Petsch isn’t totally a “regular” person, especially considering her many opportunities (and obligations) to dress up for the red carpet. For those occasions, she consults longtime stylist Adena Rohatiner, whom she credits for urging her to be more open-minded about venturing outside her sartorial comfort zone. “I’ve learned how subjective fashion is, like, I could love something and she could hate it and vice versa. It’s so interesting,” Petsch said. “And it’s really just about you feeling good. Like who cares what everybody else thinks? As long as you feel good in it and you feel confident in it and you feel powerful in it then like, who really cares?”

Petsch’s last memorable outfit moment took place at September’s Environmental Media Awards, to which she wore a divine puff-sleeved and sheer paneled Red Valentino LBD, which she and Rohatiner saved for “the right occasion.”

27th Annual EMA Awards - Arrivals

PHOTO: Jeffrey Mayer

Petsch wearing Red Valentino at the Green EMA Awards.

“It was one of those moments from the minute I put it on, I felt so good and right for anything,” she recalled. “I was presenting that night—and it was my first time presenting an award—and I felt confident. It’s crazy how clothing can do that for you. I guess I kind of just negated the answer I said earlier: ‘Oh yeah, I don’t really emote through my clothing.’ Now I’m like, ‘I feel super confident when I wear this.’ See, I’m contradicting myself. I didn’t even know I did that, but I guess I do!”

It’s okay. The real life Cheryl Blossom is just too nice for us to get mad at or anything.

Related Stories:

Riverdale‘s Madelaine Petsch on Why Cheryl Blossom Doesn’t Need a Love Interest: “She’s an Independent Woman!”

Riverdale Has the Best Fashiony Halloween Costumes of 2017

Where You Can Buy Veronica’s Wedding Dress From Riverdale‘s Season Two Premiere



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Jay Z Has Revealed the Meanings Behind Rumi and Sir Carter's Names


PHOTO: Instagram @beyonce

The world was forever changed when Beyoncé and Jay Z welcomed twins on June 14. We all waited, with varying levels of patience, to learn their names—eventually revealed to be Rumi and Sir Carter. We waited even longer to see the first photo of the twins, which was released when they were 1 month old. However, we’ve continued to wonder about where the inspiration behind the names Rumi and Sir came from—although hints and theories abounded, we haven’t had any official confirmation. Until now: Jay Z has finally spoken out about the meaning behind the twins’ names.

Thanks to Beyoncé’s mother, Tina Knowles Lawson, we already had an idea of how Rumi got her name. Just after Bey revealed the first photo of her beybies, her mom posted an Instagram that seemed to imply that Rumi is named after the 13th-century Persian poet of the same name. The photo she posted featured a few stanzas from the poet’s work, and her caption read, “This is poetry by the 13 th century poet ‘Rumi’ it’s not only beautiful but logical ❤️ love number three ❤️Sometimes we are the reason we can’t find love!! We have to work on ourselves first to be whole❤️”

This week Jay Z confirmed our idea that Tina was giving us more than a poetry lesson when he went on the podcast Rap Radar to speak with hosts Elliot Wilson and Brian Miller. “Rumi is our favorite poet, so it was for our daughter,” he said.

Jay Z then went on to speak about the inspiration behind “Sir”:

“Sir was like, man, come out the gate. He carries himself like that. He just came out, like, Sir,” he said.

And there you have it: theories confirmed and curiosity satiated. But can we get more adorable pics, please?

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