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Riverdale's Skeet Ulrich and Marisol Nichols Are Leaving the Show


At this point, Riverdale fans are used to the wild turns in the show’s plots. From demonic possessions to Archie’s turn in a prison fight club, the CW show is not afraid to get weird on the regular.

Now, another twist is coming by way of two season one cast members leaving the show at the end of the current fourth season. Skeet Ulrich, who plays Jughead’s dad F.P. Jones, and Marisol Nichols, who stars as Veronica’s mom Hermione Lodge, are both set to depart. In a statement to Deadline, Ulrich said, “I’m incredibly grateful for the friendships I’ve made on Riverdale, and I will miss seeing everyone on a daily basis. I’m proud to have been part of such a talented group of people, in front of the camera and behind. But I’ve decided that it’s time for me to move on to explore other creative opportunities.”

The actor also posted about his departure on Instagram. “I can’t even begin to thank you all for the unwavering support and love!! It is remarkable and deeply appreciated. I may be leaving Riverdale but my experience over the last four years will never leave my heart. A very special thanks to @writerras for giving me this opportunity ❤️”

“I had an incredible time bringing Hermione Lodge to life and working with my amazing cast, who became family,” Nichols said in a statement. “We had so many wonderful times together during the highest of highs and the lowest of lows. We really do have the best fans ever. I am looking forward to the next chapter and am excited about the future.”

“Okay, it’s official,” she wrote on Twitter. “Best fans ever. Been reading all ur tweets. Tku for the love & support. We’re still filming Riverdale till April so still more to come, and then 1 month till #spiral #saw movie comes out! Beyond excited. Nothing but ❤️ for all of u.?”

While it’s not yet clear how the characters will be written off, Riverdale‘s creator made it clear this is just how things go on the show. “Part of life in Riverdale—and part of growing up—is saying goodbye to people,” Roberto Aguirre-Sacasa told Deadline. “I’m grateful to Skeet and Marisol for their incredible work on the show these last four years, and we all wish them well on their future endeavors. FP and Hermione will never be far from our hearts. And, of course, they’re always welcome back in Riverdale.”

Riverdale has already been renewed for a fifth season.



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*Riverdale*'s Hart Denton on the 'Darkness' That Bonds Chic and Betty Cooper


Last we saw Chic Cooper, he was hovering over newfound sister Betty as she slept, freaking out anyone with a pulse—or at least an obsession with Riverdale. In tonight’s episode, we’ll finally find out why he decided to break into her bedroom and watch her (though, is any excuse going to be good enough?).

“You can’t pin Chic just yet,” Hart Denton (who plays Chic) tells Glamour. “You have to understand this is a strange and foreign situation for him to be in, but you’ll ultimately enjoy watching him the most if you are slow to judge. Trust me.” (Side note: That’s some Cheryl Blossom-level confidence right there.)

From what we know, Chic is involved in the “fantasy fulfillment” business, and it has nothing to do with helping folks gain access to Disney’s Club 33. “I was told he makes his living via webcam and that he didn’t care who was on the other side of the screen,” Denton says. “He was going to survive at whatever cost.” In tonight’s episode, the Cooper clan will not only find out more about how Chic has financially supported himself all these years, but just how detrimental it’s been to his emotional health.

In the exclusive clip below, Chic tells Betty that he has “a pretty good collection of scars” he can show her (OK, ew), and they both realize they cope with their anxiety by digging their nails into the palms of their hands. “It’s bonding,” Denton points out. “Betty and Chic share the same blood, inside and out. She has darkness, he has darkness. Confiding in one another makes this strange utopian transition just a bit easier for Chic. She’s never had that scapegoat to confide in. She does now.”

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As for the bigger picture, Denton hopes that exploring Betty and Chic’s anxiety can help anyone struggling with the same difficulties. “Anxiety is heartbreaking,” he says. “It deprives people of the best versions of themselves. We all experience it on different levels but certain people experience it in ways others will never understand.”

Except, of course, for Betty. Still, Denton says that Chic’s world expands a little more every episode, and certain connections to other Riverdale characters will begin to surface. “I was so surprised, so I can only imagine how [shocked] the fans are going to be,” Denton teases.

Until then, check out the drama that unfolds at the family breakfast table in the video above. And for more about what’s to come this winter on Riverdale, don’t miss our interview with creator Roberto Aguirre-Sacasa here.



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*Riverdale*'s Madelaine Petsch the Hidden Meanings in Cheryl Blossom's Wardrobe


On-screen, Cheryl Blossom is the meanest of mean girls (but with layers) in all of Riverdale, the all-American town with an increasingly high murder rate. (Recent example: After torching Thorndale, her family home (and narcotics manufacturing-base) and mother in the process, she went a step further by threatening mommy dearest’s breathing ability in a borderline murderous power play. And that was just in the season premiere.) But off-screen, Madelaine Petsch, the actress who plays the fiery-haired Queen Bee on the CW’s soapy dark drama, which veered into Zodiac Killer territory last week, is pretty much the polar opposite: “Nice to meet you guys!” she said to a fan who approached Petsch for a picture at the airport while she was on the phone with Glamour. (She very politely took a quick break from the call to make the guy’s day—and we can’t blame people for being obsessed.)

Still, the newly-restored River Vixen HBC has essentially become the show’s standout fan favorite, with her shade-throwing and extremely gif-able one-liners—as well as for her predominantly black-and red wardrobe, put together by costume designer Rebekka Sorensen-Kjelstrup.

“I’m the only character who’s allowed to wear red on the show, which I find hilarious,” Petsch laughed. Although, things are changing for Miss Blossom. Spoiler alert: “I have some exciting news—in the next episode, I get to wear blue,” she said. “It’s a big moment for me.”

PHOTO: Dean Buscher/The CW

Cheryl wearing a white dress in Season 2, Episode 1 of Riverdale.

Because with Mrs. B (willingly or not) taking a step back from the family business, Cheryl is now the top Blossom. Her matching set-filled wardrobe is evolving, along with her character arc. “Last season, I feel like Cheryl was almost forced to be ‘put together’ all the time and when she had a hair out of place—or she was wearing white, instead of red—you knew something was about to go down,” explained Petsch, bringing her ghostly apparition-esque arson outfit to mind. “That was because she was so controlled by her parents that they always wanted her to be perfect. I imagined they hired her a hair and makeup team, kind of thing.”

Chapter Five: Heart of Darkness

PHOTO: Diyah Pera

Cheryl Blossom wearing white in Season 1, Episode 5 of Riverdale.

The upcoming shock of blue signifies Cheryl “slowly taking reigns out of her mom’s hands,” according to the actress. The new Head Blossom will still wear her signature palette, but in doses: “We’re really playing with different colors, but incorporating the red in smaller accessories and details, like my nails or my spider brooch, versus overall being red-on-red-on-red. Although, I still do have those days, as well.”

Eagle-eyed viewers and Riverdale fashion conspiracy theorists probably noticed the return of Cheryl’s creepy-chic spider brooch, which we saw throughout the first season. It reappeared in court early on in Season 2, accessorizing her red, black, and white witness outfit (you know, when she lied under oath during F.P.’s trial.) Maybe Jughead, played by Cole Sprouse, gave it back to her after the season finale. Or, more likely, she has loads of arachnid-themed jewelry, which maybe weren’t incinerated in the fire.

Chapter Two: A Touch of Evil

PHOTO: Dean Buscher/The CW

Cheryl wearing her spider brooch in Season 1, Episode 2 of Riverdale.

“Absolutely,” Petsch said about the return of her ominous accents. “It’s my favorite accessory. I have some cool spider earrings, as well.”

Speaking of, Cheryl’s accessorizing game was on-point at the fundraiser to save Pop’s Chock’lit Shoppe — you know, former “DEATH DINER,” now Jingle Jangle-dealing central. The Riverdale High ladies all wore the same retro T-shirt and hot-pants outfits. But, in a pure fire power move, the high school junior differentiated herself with a pair of matching over-the-knee wine-hued boots. “We’re all wearing this uniform, right? But still Cheryl finds a way to make it her own,” Petsch said. “A really huge part of who she is, is that she always wants to stand out. It’s definitely a desperate cry for attention and that’s why she’s wearing those thigh-high boots.”

RIVERDALE

PHOTO: Bettina Strauss

Cheryl wearing knee-high boots in Season 2, Episode 2 of Riverdale.

The actress also sees Cheryl’s retro noir-inspired style as an unspoken way of communicating her complicated persona—in addition to her talent for turning a phrase, which, to be honest, is probably a defense mechanism. “She’s got so many facades up, I feel the only way she feels she can express herself is through the way she appears,” Petsch explained. “The only thing she genuinely feels she has control over is her appearance this season.”

Chapter Eleven: To Riverdale and Back Again

PHOTO: Katie Yu/The CW

Cheryl wearing a red gown in Season 1, Episode 11 of Riverdale.

But a Cheryl Blossom fashion evolution is nigh. Beware, another outfit spoiler: “I wore pants yesterday [for an upcoming episode]. Can you believe it?” Petsch laughed at the development that might be “crazier than a serial killer on bath salts.” (Cheryl one-liner reference, by the way.) “We’re definitely changing things up and we’re having a lot more fun with designers and making her more fashion forward—and less just skirts and crop tops every day.”

Unsurprisingly, Petsch sometimes finds herself tempted by Cheryl’s wardrobe, but mainly the accessories, like a pair of Christian Louboutin pumps and Valentino Rockstud ankle-strap heels. Truth be told, she actually covets another character’s style the most and you haven’t met her yet. “Toni Topaz—she’s a Serpent and [played by] my best friend off the show, Vanessa Morgan,” the actress said. “I’ll go to her fittings sometimes just so I can pick pieces out and be like, ‘I’m going to go buy that later!’”

Chapter Nine: La Grande Illusion

PHOTO: Diyah Pera

Cheryl wearing her signature red in Season 1, Episode 9 of Riverdale.

Despite her coveting another character’s aesthetic, Petsch does admit that playing Cheryl Blossom has affected her own style and how she expresses herself in real life, just not in a way you might expect. “I wear so much skintight clothing and bright colors on the show that I’m always in black [off the show] and I almost never have my hair and makeup done,” she said. “I’m at the airport right now, and I’m literally wearing giant sweats and a guy’s sweatshirt. Very different.”

The actress’ choice of off-duty athletic-wear is more than just about comfort. “If I want to be noticed or I’m okay with being noticed, I’ll definitely actually put together an outfit,” she explained. “But a lot of time, I’m wearing bigger hoods and putting my hood over my hair, so people can’t see it,” she said, about her dead giveaway (pun unintended) feature.

She’s also taking advantage of the current sportswear trends to both enjoy relaxed silhouettes and experiment outside of her sartorial comfort zone with edgier, streetwear designers. And she partially has boyfriend Travis Mills, who—fun fact!—originally auditioned to play Jughead, to thank for that.

“My boyfriend is super fashionable as well, so we have a lot of fun together,” she said. “He’ll send me links to stuff and he’s like, ‘this is super cool, you should cop it.’ He knows what’s cool before everyone else does.” Some labels he’s recommended to her include Heron Preston and Virgil Abloh’s Off-White. “I never was into the underground designers until very recently, so that’s a fun thing for us to do together and it’s a fun way for me to express myself in general. I don’t know if it emotes anything for me because I don’t feel like regular people do that. Do they?”

Well, Petsch isn’t totally a “regular” person, especially considering her many opportunities (and obligations) to dress up for the red carpet. For those occasions, she consults longtime stylist Adena Rohatiner, whom she credits for urging her to be more open-minded about venturing outside her sartorial comfort zone. “I’ve learned how subjective fashion is, like, I could love something and she could hate it and vice versa. It’s so interesting,” Petsch said. “And it’s really just about you feeling good. Like who cares what everybody else thinks? As long as you feel good in it and you feel confident in it and you feel powerful in it then like, who really cares?”

Petsch’s last memorable outfit moment took place at September’s Environmental Media Awards, to which she wore a divine puff-sleeved and sheer paneled Red Valentino LBD, which she and Rohatiner saved for “the right occasion.”

27th Annual EMA Awards - Arrivals

PHOTO: Jeffrey Mayer

Petsch wearing Red Valentino at the Green EMA Awards.

“It was one of those moments from the minute I put it on, I felt so good and right for anything,” she recalled. “I was presenting that night—and it was my first time presenting an award—and I felt confident. It’s crazy how clothing can do that for you. I guess I kind of just negated the answer I said earlier: ‘Oh yeah, I don’t really emote through my clothing.’ Now I’m like, ‘I feel super confident when I wear this.’ See, I’m contradicting myself. I didn’t even know I did that, but I guess I do!”

It’s okay. The real life Cheryl Blossom is just too nice for us to get mad at or anything.

Related Stories:

Riverdale‘s Madelaine Petsch on Why Cheryl Blossom Doesn’t Need a Love Interest: “She’s an Independent Woman!”

Riverdale Has the Best Fashiony Halloween Costumes of 2017

Where You Can Buy Veronica’s Wedding Dress From Riverdale‘s Season Two Premiere



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Riverdale's Veronica Lodge Was Supposed to Be Another Brunette Bad Girl—Now She's Something Greater


Much has been made of the many changes Riverdale made to the original “Archie” comics mythology. In 2017, Archie isn’t a blithe doofus who lucked into the affections of not one, but two gorgeous women—now he’s a varsity football player with washboard abs and a budding songwriting career. Meanwhile, Miss Grundy is a sexy librarian of a music teacher, Josie and the Pussycats are a woke neo-soul group, Jughead is a brooding, budding-writer cutie with a way less-lame hat, and, of course, Riverdale is the epicenter of a Twin Peaks-style murder mystery that seems to involve every citizen in the whole damn town. (I also don’t remember the comics featuring so much way-obvious Cover Girl product placement, but that’s a topic for another essay.)

While most of these changes are welcome in that they diversify the formerly white-bread town, humanize formerly two-dimensional characters—and hell, just make them hotter—there was one change that gave me very conflicted feels: the decision to de-villainize Veronica Lodge.

Years of exposure to formulaic TV means that even if you never touched an Archie comic, you still knew exactly what to expect the moment Veronica first stepped on screen. She was the mysterious new girl in town, a raven-haired siren with a dark past, sophisticated enough to casually drop Capote quotes in the middle of Pop’s Chok’Lit Shoppe, beautiful enough to captivate Archie at the precise moment when sweet, pining Betty Cooper is trying to stammer out the old “What are we?” speech.

I’m not ashamed to admit that I had a near-Pavlovian reaction to Veronica’s appearance. When a girl like that steps out of a limo and into a suburban burger joint, you know it’s about to get real. Clearly, she was there to sprinkle some much-needed spice on bland old Riverdale, be Betty Cooper’s arch nemesis, seduce Archie with her HBIC charisma, and entertain us with endless scheming and catfighting. Veronica Lodge had arrived—and I wanted her to get her bitch on in the baddest way.

Only, this Veronica is a lot more complicated than that.

This Veronica sweeps into town in a swirl of rumors about her not-so-well-kept secret: her father, Hiram Lodge, was arrested in a high-profile fraud case that turned Veronica from—in her own words—“a shallow, toxic rich bitch who ruins everything in her path” into a laughingstock. Now, she’s thoroughly “humbled” and determined to shed her bad-girl rep in Riverdale.

Dear reader, if you could have seen my face the moment Veronica announces her bad-girl-gone-good intentions, it would have looked exactly like this gif.

How could this shady queen we had only just met be on the path of good? Why could there not be a Riverdale prequel set in 2015, in which we savor the sight of Veronica Lodge running her private New York prep school with an iron fist? This girl wears a sheath dress, stilettos, and pearls to high school—you know she can serve Georgina Sparks realness when she needs to. But if Veronica Lodge’s good-girl aspirations were almost a dealbreaker, it’s only because of my lifelong love for a very specific archetype: the Bad Girl Brunette (we’ll call her BGB for short).

What is a BGB? She’s self-assured, headstrong, maybe a bit domineering (think Jackie on That 70s Show). Sometimes she’s troubled and weird (Allison Reynolds in The Breakfast Club), sometimes she’s rich, sophisticated, and wise beyond her years, making her a one-liner dispenser par excellence (Buffy’s Cordelia Chase). At her worst, she’s a scheming, unapologetically selfish alpha-bitch (Courtney Shayne in Jawbreaker or Dynasty’s Alexis Carrington). She’s often—and this is key—unapologetically sexy. Even more terrifying, she’s fully aware of her power over men (think Twin Peaks’ seductive schoolgirl Audrey Horne).

In short, the BGB knows what she wants and is not afraid to demand it. In a pop-culture landscape often lacking in complex depictions of women, it can be totally, vicariously thrilling to see a female character own her power and sexuality. And, OK, I’ll lay it out on the table: I’m a moody brunette weirdo myself and not ashamed to admit I get my life watching BGBs own the room. I’ve always found these characters easy to root for, even (or especially) when they’re a little bit evil.

Of course, not everyone feels that way about BGBs. For every person like me who eagerly breaks out the popcorn every time a ball-busting brunette steps on screen, just as many people hiss. That’s because BGBs are often asked to play another, less glorious role—that of the rival to a perky blonde lead.

Examples of the blonde vs. brunette trope abound in every form of pop culture, from TV and movies to teen lit. Think Beverly Hills, 90210’s drama-queen Brenda competing with poor little rich girl Kelly over Dylan’s affections. Cordelia Chase’s mean-girl wisecracks at Buffy Summers, who’s literally trying to save the world. Vivienne Kensington scheming to humiliate Elle Woods in Legally Blonde (like Reese Witherspoon in a Playboy Bunny costume is ever not winning). Haughty rich girl Lila Fowler stealing boys from Cali-queen twins Elizabeth and Jessica Wakefield in “Sweet Valley High.”

But the fact that the BGB’s selfishness and scheming makes them hated by some has always struck me as hypocritical. After all, the last 20 years of television have been defined by men exhibiting antisocial behavior that puts almost any raven-haired temptress to shame. Think Tony Soprano, a neurotic teddy bear with a body count to rival Jason Voorhees. Don Draper, who slept with and/or lied to 98% of the women in Manhattan. Or Walter White, who cut a ruthless path of destruction as he built an international drug empire. Next to these genuinely disturbed dudes, even the bitchiest, most backbiting BGB looks downright quaint. If we cut female characters the same slack we did men, these women—powerful, sexual, funny, and yes, sometimes even selfish or sadistic—would be celebrated anti-heroes, not villainesses you love to hate.

PHOTO: Maarten de Boer

But back to the whole blonde vs. brunette thing. It’s as tired and misogynist as tropes get, which is why I’m glad Riverdale lives to upend it at every chance. Yes, Betty and Veronica circa 2017 have their ups and downs and petty jealousies over Seven Minutes in Heaven. And Veronica does want and (spoiler alert) eventually gets Archie. But beyond an early misstep, Veronica also takes pains to be respectful of Betty at every point, even swearing allegiance to her over Archie because, as V puts it, she feels like they “were meant to be best friends, like, it’s my destiny.” Betty eventually gets over Archie, starts dating Jughead (who’s hotter in my book anyway), and the four sip milkshakes in Pop’s like best buds. It’s all so heartwarming. Meanwhile, because Veronica and Betty aren’t wasting energy competing against each other for a dude’s attention, they can join forces to avenge actual injustices—from solving the murder that’s at the heart of season one to getting revenge on a bunch of sexist jocks slut-shaming girls at school.

So, if Riverdale deprived me of a bitchy brunette antagonist, it gave me something much cooler and even kind of revolutionary. It dares to imagine a world beyond female competition, where women consciously decide to value each other, and to stomp all over the false good-girl/bad-girl dichotomy that holds us all down.

Season One ended with a new mystery and a slightly re-sparked rivalry, when Veronica notices Archie suddenly pining for Betty now that she’s with Jughead (ugh, dudes). But I’m pretty sure they’ll get over it and get on with the business of being badass, crime-fighting, injustice-exposing best friends. These girls prove that blonde or brunette, heroine or villainess, girl next door or new girl in town, when women get along, they get shit done.



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