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Keanu Reeves Is Everyone's Favorite Actor


In a recent interview, Keanu Reeves reportedly revealed he’s a “lonely guy.” “I don’t have anyone in my life,” he adds, “but if it does occur, I would respect and love the other person. Hopefully it’ll happen for me.”

The story quickly went viral because, duh. Keanu Reeves, a national and cinematic treasure, is lonely? If that’s true I volunteer as tribute to keep him company. I’d cook Alison Roman’s spicy chickpea stew while we heart-to-heart about, like, where our souls go when we die. We’d have a really nice time, I think.

Others on social media feel the same way:

It’s heartbreaking to think Reeves is lonely because, like Tom Hanks and Chris Evans, he’s on a very short list of universally beloved men. There are multiple articles with the headline “Proof That Keanu Reeves Is the Nicest Guy in Hollywood” which is enough proof for me that he’s the nicest guy in Hollywood. His work is so iconic that a hip NYC theater is hosting a retrospective on his films this summer; in April, Glasgow, Scotland threw a KeanuCon festival. Even Sandy Bullock, literally Miss Congeniality, has a crush on him.

Let me love you.Emma McIntyre/Getty Images

The good news: His rep told Huffington Post the interview was “fabricated.” Thank God Reeves is doing just fine, but the moment did lead to a discussion on social media—and among the Glamour team—about his allure. When I dropped the article into Slack, a conversation about our favorite things about Reeves quickly took off.

Khaliha Hawkins pointed to a lesser-known Reeves film, 1995’s A Walk in the Clouds, as proof of his versatility as an actor. “Keanu is known for his action roles, but he’s always been a rom-com star in my mind,” she explained. “A Walk in the Clouds is full of drama and rom-com tropes, so, this movie has it all.”

Samantha Leach said she keeps seeing nostalgic photos of Reeves in her Instagram feed, to her delight. “If you’re deep down the rabbit hole of ’90s nostalgia Instagram like I am, photos of Keanu Reeves and River Phoenix around the time of My Own Private Idaho pop up a lot,” she told me. “The smolder that guy gives off as a ’90s indie star is unreal, like, c’mon. More important, whenever he’s pictured with River Phoenix he looks so protective of him. River was struggling with addiction by that point and with every pose Keanu looks like he’s trying to convey, “Let me save you, River” through his eyes. It’s how much he cares that truly makes him sexy.”

Keanu Reeves holds River Phoenix in My Own Private Idaho in 1991
Keanu Reeves and River Phoenix in My Own Private Idaho in 1991.©New Line Cinema/Courtesy Everett Collection

For Kim Fusaro, the love for Reeves started early and hasn’t wavered. “I saw Keanu in Point Break in the theater because my friend’s mom escorted us, two pre-teens, to the counter and cleared us for tickets. It was my first in-the-theater rated R movie,” she said. “A decade later I went with the same friend to see Keanu’s band, Dogstar, at a shitty Providence, R.I., bar, another venue that we definitely weren’t old enough to be in. He was worth bending the rules and breaking the law for.”

I didn’t know Reeves has a band, but that only adds to my love for him. That surprising side of Reeves is what Christopher Rosa likes, too. “He’s a great actor—and so, so hot—but my love for him is rooted in something else entirely: conspiracy theories,” Rosa said. “There are so many wild rumors about Reeves on the Internet, and they’re either all true or all complete B.S. Like this one about how he paid for a stranger’s kidney transplant. Or when everyone was convinced he saved dozens of cats from euthanasia. And there’s the old folklore that he drives a Honda and lives in a normal apartment despite having millions. We do know he takes the subway, so perhaps that last one is true. Regardless, the Internet is out here posting theories about him like he’s a Game of Thrones character, and I’m here for it.”



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Everyone's Wearing This Brand at Coachella


At Coachella, you expect to see a lot of flower crowns and fringe. But this year, celebrities are bringing a touch of Fashion Week to festival season through their outfits.

During Weekend 1 of Coachella, people like Gigi Hadid, Emily Ratajkowski, and Kylie and Kendall Jenner upped the ante on festival street style with pieces from the beloved Scandinavian label Ganni. The brand has been around since 2000, but in recent seasons it’s found a captive audience among the Fashion Week crowd, with its colorful, playful, contemporary-priced pieces. (Ganni basics are around $200, while more eye-grabbing items will hover between $300 and $600.) So it makes sense for these models and trend-setters to gravitate towards these vibrant animal prints and dance-friendly silhouettes for their off-duty desert days. After all, not everyone can pull off custom full-look Balmain for the occasion.

Ahead, see—and shop—the Ganni pieces celebrities wore to Coachella 2019.



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Meet KiKi Layne, the If Beale Street Could Talk Actress Everyone's Talking About


There’s something familiar about KiKi Layne when you meet her, even though she’s on the brink of super stardom. Her smile is contagious, the kind that only belongs to that person in high school who was everyone’s best friend. Her infectious laughter is disarming. And when the 26-year-old talks about watching The Lion King and Selena repeatedly as a kid—so much so that it would drive her brother crazy—you laugh and remember doing the same. Talking to her is like catching up with an old friend, the one you always knew would make it.

As the breakout star of Barry Jenkins’ buzzy If Beale Street Could Talk, the film adaptation of the James Baldwin novel in theaters now, Layne plays Tish Rivers, a woman trying to prove her lover’s innocence while pregnant with their first child. Layne says it was the special combination of Baldwin’s writing and Jenkins’ directorial prowess that initially drew her to the screenplay. “Reading the script, I thought it was amazing how it’s this really beautiful love story,” Layne says. “You’ve got these two young black people who are soulmates, but they’re dealing with issues that are just as present today as they were when the book was written in the early ‘70s.”

PHOTO: Bruce Glikas/Getty Images

Jenkins’ interpretation of Baldwin’s story brings a complexity and humanity to the reality of black people’s experiences, so much so that Layne knew immediately she needed to be a part of it. If Beale Street Could Talk effectively highlights how systemic oppression affects black relationships and thwarts the power of black love. In particular, Layne speaks to the difficulty of filming the movie’s prison scenes, knowing full well that those scripted moments are a reality for many black women today. “I was very aware that this isn’t some general story,” she explains.

To prepare for the role, Layne relied heavily on the life of Kalief Browder—a young black man who spent two years in solitary confinement on Rikers Island awaiting trial for allegedly stealing a backpack—and the impact his prison sentence had on the people he loved. “I watched the docuseries about his life and paid attention to what everything was doing to his family and the people who were left behind to try to fight for him,” Layne says. “They were experiencing this with him, too.”

“To see a young black woman being loved for just who she is—her hair, her skin, her clothes—is powerful.”

Working alongside such powerful black actresses as Regina King and Teyonah Parrish, Layne also understands the movie’s ability to challenge the stereotypical narratives around black women’s strength. “Working on this film gave me a different perspective on what a ‘strong black woman’ looks like,” she says. “I don’t think I’d ever seen a strong black woman who had the characteristics of Tish—someone who was vulnerable, open; so loved and loving.” Playing Tish, Layne says, enabled her to reimagine both what power is, and what it could be. “I’m hoping that seeing this film and more images of black women being really comfortable in their skin gives a broader perspective of what strength looks like for us,” she explains. “For a while, the perceptions have been very narrow.”

And she’s right. The acceptance of black women’s natural beauty is rare in today’s mainstream media, but throughout the film, the combination of Layne’s beauty and Jenkins’ meticulous eye create a series of standout moments. “In this film, you see a black woman being loved so hard for just being her natural self,” she says. “To see a young black woman being loved for just who she is—her hair, her skin, her clothes—is powerful. She doesn’t have much, but what she has is enough.”

Yet, even as the entertainment industry and society at large still struggle to include black women within its standards of beauty, Layne is glad they’re not waiting. “We’re seeing more black women saying: ‘This is who I am; this is what I’ve been given.’ And it’s beautiful.” She continues: “It’s especially important in the time of social media where there are so many images of this very specific type of woman that’s supposed to be beautiful, sought after and sexy. To see women rejecting that and embracing who they really are, it’s really powerful.”

IfBealeStreet3.jpg

PHOTO: Allstar/Annapurna Pictures

IfBealeStreet1.jpg

PHOTO: Allstar/Annapurna Pictures

It’s rare that black women’s stories are told with the same veracity this film offers. Layne knows this, and considers herself lucky to be entering the industry at a time when movies like If Beale Street Could Talk are being made. “We are in a moment where there are just so many more platforms and outlets and opportunities for us to get our stories heard,” she says. “Instead of asking for permission, we’re seeing more artists and creatives taking control over the stories we tell. That’s a powerful time to enter.”

Thinking beyond this film, or even her next project—a screen adaptation of Richard Wright’s 1940 novel Native Son—Layne aspires for a career that’s not just fruitful for herself, but also for others. Recognizing the reality of black women’s experiences in the entertainment industry, the actor hopes her career creates more opportunities for young black women everywhere. “I want to push the boundaries on the roles that have historically been given to actresses who look like me,” she says. “There is so much more we can do. There always has been.” The way she says this—with a gleam in her eye that shows an honest, genuine determination to make a difference—makes you believe her.

KiKi Layne is going to do that, and more. And we’ll be all the better for it.

Candice Benbow is a writer and activist living in New Jersey.



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Revisiting the 'Friends' Episode Where Everyone's Awkward About Money


The most painfully awkward episode of Friends isn’t the one where Ross gets that God-awful spray tan or Chandler and Rachel eat cheesecake off the floor. Nope, that honor goes to the fifth episode of Season 2, “The One With Five Steaks and an Eggplant,” when the six friends get uncomfortably real about a topic all twenty-somethings think about: money.

If you blocked this cringe-worthy episode from your memory, here’s a quick synopsis: Rachel, Phoebe, and Joey start feeling like Chandler, Monica, and Ross aren’t aware that they make less money than them. What seems like pennies to some—$33 dinners, $50 Hootie and the Blowfish tickets—is actually difficult for the others to swing. They have a terse conversation about this at a restaurant that goes nowhere. Chandler makes awkward jokes.

The Rich Friends’ solution to this drama is to comp the Poor Friends’ Hootie and the Blowfish tickets, which comes off more condescending than sincere. The Poor Friends reject the tickets, so the Rich Friends go without them and have a blast. The next day, the Rich Friends say they “missed” the Poor Friends at the show but won’t feel bad for making more money than them. Everyone starts arguing and then, as if on cue, Monica gets fired, instantly turning her into a Poor Friend.

Why these 27-year-olds morphed into screaming toddlers when they talked about money is still a mystery. They are six highly-functioning, intelligent people, for crying out loud. It shouldn’t come as a surprise to the Rich Friends that Rachel (a waitress who turned down her inheritance), Phoebe (a massage therapist), and Joey (a struggling actor) aren’t exactly rolling in the dough. But, for some reason, it was. There’s a lot to break down about this episode—and not much of it is good. There are some important lessons in here, though, so let’s just get down to it:

How it went

Joey: “We three feel that sometimes you guys don’t get that we don’t have as much money as you.”

Monica: (Seemingly self-implodes)

Chandler: (Head practically falls off)

Ross: (Winces like he’s getting a root canal)

[embedded content]

How it should’ve gone

Monica, Chandler, and Ross (in unison, like a choir of angels): Wow, thanks for bringing up that topic, fellow friends and human beings. Let’s have an honest conversation about our financial situations so we can better set our social expectations going forward!

At the end of the episode, Joey says their money fight is “stupid,” and Phoebe notes they shouldn’t let “this kind of stuff” get in the way of the group dynamic. Both of these sentiments are incorrect, though. On the contrary, money isn’t stupid; it’s an important component to how we live our lives and interact with others.

And the only way to make sure it’s not a “thing” is to talk about it. Having an open, nonjudgmental rapport with your friends about money allows you to just straight-up say, “I can’t really afford [XYZ] right now” and have the world not end. In Friends’ instance, though, their awkward, chilly approach to money practically ensures it will always be a problem for them. This doesn’t mean that Chandler, Monica, and Ross have to forego pricey activities, either. It just means they shouldn’t assume that everyone’s on the same playing field as them. Talk first, then ask for cash.

How it went

Chandler: [Here are] six tickets to Hootie and the Blowfish!

Joey: (Kicks and screams)

Phoebe: (Breathes fire)

Rachel: (Frowns)

[embedded content]

How it should’ve gone

Phoebe, Rachel, and Joey (in unison, like cheerleaders): Wow, thanks for the gesture, friends and fellow human beings! In the future, could you run something like this past us first? We don’t want you guys to start feeling like you have to pay for everything now.

The Rich Friends weren’t intentionally trying to belittle the Poor Friends here, so Phoebe, Joey, and Rachel didn’t have to respond as aversely as they did. However, the emotions they feel here are certainly valid. If you just told your friends you were struggling with money, and then they turned around and bought you something expensive, that might feel like “charity,” as Joey put it. Again, this all comes back to communication. I’ve had friends spot me for things when I can’t afford them, but we always discuss it prior so it doesn’t feel like a hand-out—and, more often than not, I return the favor down the line. They should’ve just talked about this first—as normal adults do.

How it went

Chandler: I’m sorry we make more money than you, but we’re not ‘gonna feel guilty about it. We work really hard for it.

Joey: And we don’t work hard?

Chandler: Sometimes we like to do stuff that costs a little more.

Joey: Oh, and you feel like we’re holding you back?

Chandler: Yes.

All the friends except for Monica, who’s about to get fired: (Launch World War III inside Central Perk)

Cut to the 2:48 mark in the video, below, to see this scene.

[embedded content]

How it should’ve gone

Chandler: I’m sorry that our financial situations are different, friends and fellow human beings! Instead of bragging about it, we’ll be sure to talk the logistics of an outing before all agreeing to go.

Joey, Rachel and Phoebe (in unison): That would be amazing. Thank you!

(Everyone hugs, and Monica doesn’t get fired—because that was some bullshit.)

The most frustrating part about this episode is that the friends’ money awkwardness never gets resolved. Instead, it’s put on the back-burner once Monica tells them she lost her job, and it’s never mentioned again. This episode is 22 minutes long but no one ever faces “the money thing” head on—and that’s the problem.Would that have been as funny? No, which is perhaps why the episode wasn’t arced that way. Friends is a sitcom, after all.

But it would’ve been more realistic. After seeing this episode, I was afraid to talk to my friends about money. I was worried they’d react the same way as Chandler, Ross, and Monica here, but they didn’t. The dialogue I have with my social circle about money is honest and kind, which makes planning things easy, and judgment-free. Had the six friends just done that they probably could’ve gone to that silly concert together. And Phoebe could’ve had her eggplant.



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Everyone's Comparing Kylie Cosmetics' New Concealer Range to Fenty Beauty


For an industry that’s all about expressing yourself, the beauty world definitely moves in packs. Take how things went down with the Urban Decay Naked Heat palette: once everyone fell in love with its mix of bronzey-red colors, tons of other brands came out with their own spins. Now, people are wondering if something similar happened with Kylie Cosmetics’ new concealer line. News broke today that the brand is dropping 30 shades of concealer, and the Fenty Beauty comparisons are already taking over Twitter.

Which might seem a little weird, given that Kylie Jenner is the one behind the expansive line. But here’s the theory: people think that when Fenty Beauty broke ground and released its foundation in 40 colors, it proved once and for all that there’s money to be made from catering to everyone’s shades. Fenty’s foundation shades ranged from light enough for an albino woman to the deepest possible shades, and the dark colors sold out ASAP—driving home the message that women of color are ready to buy. As one of the first brands to include women of all colors in its starting shade range, there’s no denying that Fenty set a new precedent for beauty brands.

So on the upside, people agree that it’s a welcome change that Kylie’s concealers are so inclusive from the get-go. Up until basically now, that hasn’t been the norm—foundation and concealer products from mainstream brands would typically launch in around 10 colors, most falling into fair-to-medium shades. Products for women with darker skin tones would roll out later, if at all.

Granted, some other brands were making wide foundation ranges in life pre-Fenty. But the timing is turning some people off, according to Twitter. No one knows when Kylie started developing her concealers, but some are reading it like she saw the money that Fenty made from its inclusivity, and broadened the concealer’s shade range in response. Kylie made $18 million in one day on her last holiday collection, so no one can say she’s not a savvy businesswoman.

However you feel about the concealers’ backstory, they do look good. People on Twitter also speculate that if the similarities between Kylie Cosmetics and ColourPop are to be believed (both lines manufacture their products in the same factory), ColourPop’s concealers might be good dupes. Pricing on Kylie’s concealers is TBD, but given that you have to order both sight unseen, and ColourPop’s line sticks to 12 colors? Kylie might win this one.

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Here’s Kylie Jenner Getting a Haircut With Kitchen Scissors





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