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Coronavirus: Here Are All the Ways to Get Your Culture Fix While Stuck at Home


In just a matter of days, the coronavirus pandemic has drastically altered the American way of life. Many schools and restaurants are closed, along with museums, aquariums, and movie theaters.

On the positive side, we live in an age where technology offers us opportunities to virtually tour many of these spots from the Met to the Royal Opera House in London. Channeling our anxiety and pent-up energy into more productive and educational activities is never a bad thing, right?

To that end, here’s a running list of way to get your culture fix while you’re stuck at home, socially distance from the world.

Museums

The Metropolitan Museum of Art, the Musée d’Orsay, the Museum of Modern Art (MoMA), the National Gallery in Washington, D.C., the Tate, and the Art Institute of Chicago—those are just a handful of the museums who have online galleries available for viewing. Check out Google’s handy arts and culture home page for an easy guide. Or check out their social media pages for some art history lessons.

Art Experiences

Yayoi Kusama: Infinity Mirrors: The Japanese artist’s exhibit has been traveling the country, but you can get a taste of what it’s like now via video.

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Banksy murals: Check out the street work of the mysterious artist from the comfort of your couch.

Symphonies, Plays, and Ballets

Vancouver Symphony: The orchestra’s final live performance (for a while) on March 15 was live-streamed and is still available for viewing here.

Berlin Philharmonic: Check out multiple beautiful performances in this online treasure trove of classical music.



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Snooki Reflects on the Pouf, GTL'ing, and Her Pop Culture Legacy


Probably bronzer, because I know bronzers aren’t in right now.

Back to that more is more look?

Yeah, I love plastering bronzer on me. Even though I broke out terribly from it. But just the era of bronzer and everyone wanting to be orange was amazing.

Is there a trend you never want to come back again?

No, I feel like I love everything. Well, when it comes to us and our looks, I feel like I loved it all. I think even the high hair and the tan skin, I wouldn’t mind doing that once in a while.

So the pouf isn’t dead? It could come back?

No, the pouf is dead. But high hair, I mean, that’s always OK.

Is reality TV—or being in the public eye in some way—something you want to continue doing now that you’re retiring from Jersey Shore or are you hoping to take a break from it?

I definitely don’t want to quit [being on TV]. It’s my job, and I love it. I just need something that fits me and my lifestyle. Leaving the kids for days on end and doing things I’m not comfortable doing anymore, I can’t do it. But there’s an opportunity where I can do a show that fits me being a mom and still lets me enjoy myself, that’s what I’m looking for right now. Work, have fun, be myself, and then come home to be a mom at the end of the day. I need a balance.

How was it being back on the show? I’m sure that was exciting, but also tough, like you were saying with your kids.

Well, yeah, it was definitely exciting and I loved it. But then I was getting too depressed not being with my kids. The days were dragging, and I was just forcing myself to be in that situation. I hated that feeling.

Was it hard to be back around that lifestyle? I mean, the early Jersey Shore days were all about partying. Get drunk, go to the shore, go out, cabs are here—that was the thing. In your thirties, was it more difficult to be back in that scenario?

No, I still loved it. But doing it every single night? I’d be out at the bar when I’d rather be home snuggling with my kids. I missed them. It was just like, What am I doing? Once in a while I love going out. I love going to a club. I love going to dinner and drinking. It’s not like I’m saying I hate partying. It just needs to be a balance. I need to still be a mother at the same time.

What are you looking forward to most in the next decade?

Oh, God. I hope I’m still alive. I don’t know. Maybe another kid? We’ll see. I just want to be the best mom that I can be to my kids, obviously. And, hopefully find my next career move. I just want it to be a positive environment for me—no drama. I’m not here to fight with people. I just want to have a good time, laugh, and then call it a day.

Lindsay Schallon is the senior beauty editor at Glamour. Follow her on Instagram @lindsayschallon. This interview has been edited and condensed.





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104 Women Who Defined the Decade in Pop Culture


In January 2010, Avatar was leading the box office. Kesha’s “Tik Tok” was dominating the airwaves. And Tiger Wood’s multiple affairs, which came to light two months before, was the scandal of the moment.

A lot has changed in the decade following, much of it for the better. Frozen II, an animated movie about two sisters saving their kingdom, is one of the highest-grossing films of all time. Kesha has become one of the many faces of the #MeToo movement after she sued her former producer Dr. Luke for emotional and physical abuse. And the scandal of the moment? The Hallmark Channel is being called out for removing an ad that featured two women kissing. The network has already apologized and reinstated the spot.

We wanted to show just how much has changed by reflecting on 100 women who were at the center of pop-culture this decade. Because looking back at the people who brought us the most entertainment and distraction—both good and bad—over the past 10 years helps us better understand where we’ve been as a society and where we still have room to grow.

It wasn’t an easy task. In part because you could make the argument that anybody who played a role in the things we watched, read, listened to, and scrolled for could be considered women of influence in their own way. But this list isn’t about females that had one great year or a single big moment. It’s about the ones whose impact will continue to felt during the next decade, or those who were emblematic of the 2010s because they represented a specific time and place that can never be recaptured.

A few caveats: We ended up with 104 women for reasons you’ll see, and this list is about looking back, not forward, so several women we love didn’t make the cut because we believe they’ll be defining culture in the next decade. (We see you, Lizzo, Billie Eilish, and Phoebe Waller-Bridge!) Other women—your Oprahs and Dolly Partons, for example—are so legendary that their influence goes well beyond just one decade, even though their contributions to this one have been vast. Not every woman who made the list had a positive impact, either. This isn’t about who we like best or would invite to our dream dinner party. It’s simply 104 women who made a lasting impression in movies, TV, books, and celebrity culture over the past 10 years.



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What Sweetbitter Gets Right—and Wrong—About Toxic Restaurant Culture


“[I think] Sweetbitter can’t tell the difference between making a joke about how a piece of ginger looks phallic and blatant racism and sexual harassment,” says Sophie*, 29. She’s worked as a barista, waitress, and bartender over the years and has, along with the other women interviewed here, watched the first season of the show.

In the real world, Sophie says she’s experienced harassment with disturbing frequency: She remembers seeing a chef snap the exposed thong of a server who had bent over to pick something up. In another incident, Sophie says she went to her boss, a restaurateur who encouraged staff to report harassment, in tears over the harassing texts a male coworker had sent after they got in an argument at work. The coworker was disciplined, and the texts stopped.

Macall Polay/STARZ

To Sophie, the most demoralizing aspect of restaurant work is actually mistreatment from customers—an issue which Sweetbitter addresses more directly in season two. One memory still makes her shudder: While working as a cocktail waitress, a customer commented that her “bra fit really well.” She felt she couldn’t tell him off without risking her job.

Sweetbitter focuses on sexual tension and partying, but it doesn’t really show how draining and demeaning it can be to work in the industry,” Sophie says. “Being treated like you’re second class or like you’re an idiot [by customers] gets exhausting.”

Lilly*, 29, has worked in food service for over a decade. She says one of her biggest challenges has been watching women, herself included, get overlooked for raises and promotions while male colleagues confidently sought out and were awarded these accolades. And like Sophie, she’s dealt with abusive customers.

“I was talked down to, spit at, shamed, and made to feel ‘less than’ for no other reason than my job. Classism is alive and well,” she explains. “Tess is an earnest twenty-something who always looks adorable. That was not my reality. I felt disgusting and mortified constantly.”

Sweetbitter does get a lot right, though. “I thought the way Tess was objectified seemed pretty accurate,” Lilly says. “She’s young and therefore immediately the target of aggressive flirtations. She’s also constantly navigating unwritten rules. I do think the show captures that sense of being brand new and entering a fully-formed universe.”

The scenes in which the staff enjoy free drinks at the bar after the restaurant’s closed are also familiar to the women I talked to. Sophie recalls feeling pressured to participate in these nightly rituals to build camaraderie amongst the team. Once, she agreed to take shots with a fellow server in the bathroom during dinner service, worried she’d alienate her coworkers if she refused. When they were caught, she nearly lost her job.



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Pixar's New Short Film Purl Takes on Toxic Bro Culture at Work


Pixar movies have long been as popular with adults as they are with the children they’re created for. Who didn’t bawl their eyes out during Inside Out or Up, regardless of how old you are? But the first offering from Pixar‘s new SparkShorts program, Purl, was made specifically with us adults in mind. The animated short is a searing takedown of toxic bro culture in the workplace.

The film centers on Purl, a talking ball of pink yarn, who is the newest hire at the aptly-named B.R.O Capital. We follow Purl through her first day at work, and watch as she navigates a sea of white men clad in suits. These dudes make dirty jokes, love happy hour, and act more like they’re pledging a frat than conducting a business meeting. After she’s consistently ignored at the water cooler, talked over, and shut out of drinks with her coworkers, Purl decides to conform to her office’s culture to fit in. She changes her appearance, parties with the boys, and tells borderline misogynistic jokes.

While Purl’s wise-cracking, one-of-the-boys persona makes her a hit at the office, it doesn’t take long until she’s confronted by the fact that she’s only further perpetuating their harmful behavior. When a new hire—another ball of yarn—shows up on the floor, Purl’s first instinct is to ignore her and stick with the boys. But she soon realizes that she must stand in solidarity with the new yarn ball, in order to make her transition to B.R.O Capital easier than Purl’s.

In a flash forward, we see the office has become a much more inclusive place thanks to Purl. There are now just as many yarn balls as men in suits, and they work in perfect harmony. The ending can feel like an oversimplification of how to combat men behaving badly in the workplace—if the 2017 criticism of Pixar’s own “boys-club” work culture is any indication, this is extremely difficult terrain to overcome—but the film is still a powerful example of what it feels like to be an outlier at work. Whether you’re a woman, trans, a person of color, or a ball of yarn, Purl is an extremely relatable symbol for the need for diversity in the workplace.

Kristen Lester, the first-time filmmaker of Purl, wrote the film for this very reason. “A few times during my career in animation, I would be in situations similar to those in the short and I would feel very alone,” she tells Glamour. “I hoped that by making the short people would watch and know that they are not alone and that being accepted for who you are is possible.”

Many women have already taken to Twitter to share how much the film resonated with them. “I feel so seen by this Pixar “Purl” short about diversity! I even have girly desk decorations too, and it took me years to feel comfortable putting them out. Purl could be any woman in tech, we all know that feeling of trying to fit in with the boys,” one wrote. Another tweeted, “#PURL is all of us girls trying to fit in a man’s world. Pixar has done a lot but nothing hits me as close as this short.”

You can watch the film in its entirety, here.

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Samantha Leach is an assistant culture editor at Glamour. Follow her on Twitter @_sleach.





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A Culture Editor's Impulse Buys: $200 of Potions, Swedish Sweets, and More


It wasn’t so much that I wanted to hibernate in December (and spend all the dollars on quilts, coats, and pillow forts that would have made that happen) as much as I wanted to slather. The weather on the East Coast has been temperate, but the palpable shift in season hit me like a Nor’easter storm. Then it made me crave moisture.

Let me just kick off this tale of ceramides with a disclaimer: I’m in fact not much of an impulse clothes shopper. As the staff of Glamour can attest, I show up to work each week in the same Everlane GoWeave pants, cast of Demylee, AYR, and Vince sweaters, and three Ganni dresses. (I like to repeat outfits so much that 90 percent of photos of me on social media look as though I had them taken on the same afternoon.) But whatever restraint I have when it comes to clothes evaporates in the face of creams, tonics, serums, pastes, and potions of all manner. With a much-anticipated trip to Rome between Christmas and New Year’s, I managed to resist most non–skin-care temptations this month. It is, I think, most chic to indulge on the other side of the Atlantic. But what did I give into? Overpriced oils from Aesop, creams from Ole Henriksen, and a cone of hot roasted chestnuts in half a dozen piazzas in Rome.

The Sweater I Snapped Up to Wear on the Banks of the Tiber: $138
I’m no influencer, but even I can’t resist the charms of a vacation outfit. I spotted this Demylee x J.Crew sweater while I browsed the retailer’s site in a doctor’s office. Do I know on some level that I look jaundiced in marigold? Yes. But could I resist this adorable balloon-sleeve sweater? No. Before I could overthink it, it was paid for and I had a full photoshoot planned in the shadow of the Pantheon.

The Clutch That I’m Convinced Will Get My Life in Order: $89
Listen, I could draw up a firm budget, become a batch-cooker, clean the bathroom, and organize all the books I own…or I could skip all that and just invest in this “Grand Slim Zip Clutch” that I found on sale at Of a Kind and have since become convinced will transform me, in one brilliant blue instant, into a woman who never forgets to stock up on toilet paper. I picked the clutch.

The Roll-on Oil That’s Supposed to Cure All That Ails Me: $31
I think we’ve established that I’m a sucker for serums and lotions of all kinds, but I have a particular affection for niche products. Think lip plumpers. Bubble masks. Balm cleansers. I had walked into Aesop to pick up a scrub for a friend (her Christmas gift) when I spied a tube labeled “Ginger Flight Therapy.” Packed with ginger, lavender, and geranium, it’s meant to be applied to “neck, temples, wrists, and abdomen in times of stress, nausea, or weariness.” It’s America in 2019! All times are stressful. I had to have it. Weeks later, I’m not quite sure if it has fixed our democratic institutions or the persistent headache I just can’t kick, but it smells delicious.

The Book I’ve Bought for Three Different Friends: $16.80 x 4 = $67.20
I read Educated by Tara Westover in one sublime week in November and gifted it to four friends in December. It’s a beautiful memoir about Westover’s childhood in rural Idaho, her survivalist parents, and what we mean when we talk about the value of an “education.” I’ve never read another book like it, and each time a friend has asked me for a recommendation since, I just order another one from Amazon and have it shipped to her front door.

A Banana-Laced Brightener (and Four More Cosmetic Enhancements I Became Convinced I Needed): $226.47
Until the second I purchased this cheerful Ole Henriksen “crème”, I would have insisted I didn’t believe in the concept. I’ve tended to believe that creams aimed at “fine lines” and “puffed lids” are nice-scented scams. Minuscule quantities of moisture, marked up at an outrageous price! I didn’t want to fall for them. But then I started to see this adorable cream heralded on websites, positioned on store shelves, and hiding in friends’ medicine cabinets. (I peeked! I couldn’t help it.) It’s supposed to brighten dour complexions and make concealer glide over dark circles like a dream. I had to have it. So while I had intended just to restock the liquid liner I’ve used since high school (Stila’s Stay All Day), I somehow ended up at checkout with Sachajuan Scalp Shampoo, my ‘gram-bait Ole Henriksen cream, Tatcha Silk Canvas Protective Primer, Tatcha Water Cream, and a free sample of the Milk Makeup Blur Stick.

Boots for Inclement Weather That Are Also Purple: $280
I had stopped into Cole Haan on a whim when I spotted a pair of so-hideous-these-could-be-Prada boots. When a helpful clerk mentioned that the shoes were 100 percent waterproof, I had a sudden vision of me in inclement weather, unaffected! The boots do come in black, which is the version I first tried on. But then I went wild and made a split-second decision to become a different person; one who wears maroon. I was in and out of the store in 20 minutes.

All the Roasted Chestnuts I Could Stomach in Rome: $28.50
I don’t eat meat, which means street food options tend to be rather limited for me. Most of the time it’s a stale hot pretzel or bust. Then I landed in Rome and discovered the best portable sustenance—hot chestnuts. Roasted over coals and piled into paper cones, a stack of chestnuts goes for about five euro. A dozen or so of them are warm, delicious, and leave just enough room for another scoop of gelato an hour later. I picked them up close to half a dozen times on vacation and wish I’d done it even more. The perfect seasonal snack.

The Carry-on Bag I Was Forced to Check Against My Will: $96.80
Does a person need free will in order to impulse shop? If so, then scratch this one from the record. I had sailed onto the plane in New York with what let me just assert is a small suitcase. But when I tried to board in Rome, the woman at the gate insisted it wouldn’t fit in the overhead bins and compelled me to check it—for a steep fee! Cries that other people’s suitcases were at least as big as mine went unanswered. Reader, I checked it.

The Swedish Sweets I Bought My Boyfriend to Celebrate His New Job: $22
Some people recommend the Metropolitan Museum of Art. Others will enthuse over Bergdorf’s or some luxurious restaurant in Tribeca. But the one place I recommend to all tourists is tucked into a small street in the West Village. It’s a modest storefront. It doesn’t shill fashionable coats or leather goods. It sells Swedish candies, and it’s the happiest place on earth. Please, I beg you: Go to Sockerbit if you’re ever in NYC. I passed it a mere 10 minutes after Jason called to tell me he’d just gotten offered a dream job. I had to go in. Now did I also have to purchase 32 ounces of peach skulls, watermelon sours, and caramel licorice? I don’t want to answer that question.

The Newsletter I Subscribed To Because the Title Alone Justified the Cost: $30
The brilliant writer Lyz Lenz (read this for a taste of her genius) launched a newsletter in December titled “Men Yell at Me.” Its elevator pitch? “Behind-the-scenes stories from a life of reporting and making men mad.” I know; I was sold in about three milliseconds too. I paid $30 for an annual subscription, and based on the first installments alone, I feel I can assure readers it’s a worthwhile investment. I laughed. I seethed. I felt so much righteous, white-hot rage I could have powered an electric stove. Join me!

Mattie Kahn is a senior editor at Glamour.



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