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Heather McMahan Is Building Her Comedy Empire One Aperol Spritz at a Time


Kelsey Crane also had tickets in Atlanta and coordinated her outfit around McMahan. “One of Heather’s favorite stores is Old Navy,” Crane explains. “She often talks about how she’s an Old Navy girl and how they should sponsor her because they’re the perfect fit for her ‘thick neck and thin ankles,’ so me and my friends wore Old Navy graphic tees.” She adds that they “popped some White Claw” before the show, in McMahan’s honor.

So, yes, McMahan’s brand is strong. So strong, in fact, that Old Navy recently came calling with an invitation to visit their headquarters in the Bay Area. “They told me they got such crazy messages from my followers,” McMahan says. “Like, ‘She’s your number one fan, why isn’t she on every billboard?’ They felt as if they had to bring me in, or someone was going to burn the place down. I feel like Ariana Grande.”

It’s a far distance from where McMahan was a few years ago. After the loss of her father to cancer in December 2015, she left Los Angeles and her fledgling acting career—think credits in made-for-TV movies like Bride to Maybe and Merry Ex-Mas—behind to move in with her mother, Robin, in Atlanta. It was supposed to be a temporary living arrangement to help her mom and sister, Ashley, adjust and grieve, but it lasted until this past summer when McMahan moved to New York with her fiancé, Jeff Daniels. (No, not that Jeff Daniels—hers is an engineer.)

“When I moved home, I was in 100% survival mode,” McMahan tells me. “I had a wonderful relationship with my dad. He was the love of my life.”

She says she went through “a deep depression” for about a year following his death—something that intensified her career frustrations. “I’d spent the last nine years going on auditions for roles I wasn’t right for, driving across L.A. traffic from Hollywood to Santa Monica at 5 p.m. on a Friday for a role you know they already gave to someone else,” she explains. “Your soul leaves your body at one point.”

Thinking she was done with comedy and acting forever, McMahan applied for a flight attendant position with Delta Airlines. But they said…no. So she took the rejection as a sign: Stick with what you’re good at. “I’m a liability and probably would have been sent to HR on the first day anyway,” she jokes. Now? They’re a sponsor.





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It Took a Fire in My Building to Understand Marie Kondo's Method


The mess has to increase before it decreases. Any organizing expert will attest to that. In Marie Kondo’s playbook, for example, a person who’s serious about decluttering has to first take stock of what she owns in all of its voluminous bounty. That means creating mountains of personal stuff in categorical heaps and owning up to mankind’s extraordinary ability to accumulate. As Kondo says in her book as well as her hit Netflix series, Tidying Up With Marie Kondo, “It is so important to see everything you have and hold each item in your hands.”

Kondo’s wildly popular self-help guide The Life-Changing Magic of Tidying Up, published in 2012, endorses that approach. By taking stock of what you own all at once, you can more easily select the items worth saving—or in Kondo’s terms, things that “spark joy.” Creating a joyful home is the nexus of a happy life, she believes, and in Tidying Up With Marie Kondo, the decluttering guru visits the homes of everyday people to guide them through that arduous but purposeful task.

For those who have yet to check it out, the show will remind you strongly of Queer Eye, another Netflix reality series centered on self-improvement. Both rely on experts who are skilled in their fields and embody the enthusiastic optimism of life coaches. Kondo understands that to emerge from a life rut, you often need to start with the physical and work your way in toward self-awareness. As she sees it, decluttering is inevitably an emotional endeavor. She knows that humans have an inexplicable attachment to old belongings, and she creates space, both literally and figuratively, for those possessions to be honored.

I left behind belongings that sparked the most joy in general, like artwork and photo albums, and packed only the things that sparked joy right now.

In episode three Kondo visits the Mersier family, who moved from a large house in Michigan to a smaller apartment in Los Angeles but never downsized their things in the process. The father, Douglas, feels remorseful about discarding sentimental objects like an engraved cup his godmother gave him years ago. His wife, Katrina, inclined to roll her eyes at such vestiges of childhood, comes around when she sees Kondo’s sensitivity to it, ultimately saying, “I love the way [Marie] doesn’t make any of the family members feel bad about what they want to keep. I’m learning.”

Because Kondo’s goal is sparking joy—and not, say, improving utility—she facilitates a personal path toward home improvement. A blender in excellent condition serves no purpose to someone who hates cooking, while an heirloom with no ostensible function might fill a room with warmth.

For my own part, I have a decently healthy relationship to stuff. I have a habit of buying cookware and books, but I keep countertops clear and shelves organized. I’m allergic to all forms of tchotchke. My only hoarding vice is saving birthday cards, letters, and ticket stubs that live in disorganized splendor in my night table drawer. So because my clutter levels are on the lower end of the spectrum, I never thought I needed a thorough assessment of possessions in the manner Marie Kondo prescribes.

It took a fire to change my perspective.

PHOTO: Denise Crew/Netflix

The blaze ignited on the third floor of my Brooklyn building; though the flames never reached my first-floor apartment, the water certainly did. It was New Year’s Eve 2017. I rushed home from a family gathering soon after the fire department left, feeling nervous and uncertain about what I’d find. No one in the building was hurt, luckily, and the fire was extinguished, but copious amounts of water had seeped through the walls. Inside my apartment the hardwood floors undulated like waves from the water buildup. The walls were bulbous from moisture, which signified the likelihood of mold. Everything smelled. Adding to the situation was the timing of it all: My husband and I were planning to put our place on the market that week in pursuit of a bigger home for ourselves and our two little boys. That was an absurd prospect now. We would have to find a temporary place to live. We were grateful for home insurance.

Soon after, we packed up and moved to an Airbnb while repairs started in our home. Most of our possessions were left to collect dust under plastic covers, and I packed a couple suitcases with a few essentials. I left behind belongings that sparked the most joy in general, like artwork and photo albums, and packed only the things that sparked joy right now: my winter boots, the sweaters I wore on repeat, a couple dresses, jeans, the book I had started reading, and another book in case I finished the first. For my boys, I packed a selection of clothes and a tiny assortment of toys: a Lego set, puzzles, picture books. Traveling lightly triumphed over abundance.

We stayed at our temporary lodging for two months. It was a tight space, and we had only a few personal things with us, but we felt so lucky the fire had not been more damaging. More so, living with less made us feel thankful for the comforts we usually enjoyed, like having the space and seating to host friends for meals. Even the ability to say “This is temporary” is a luxury.

It’s funny how the more you have, the more you’re accustomed to having.

When we moved back home, our floors were brand-new and our possessions suddenly looked more plentiful than ever. Look at all this stuff I owned. A KitchenAid! Serving platters! Extra bedding and pillowcases. Dozens of shirts. I barely missed most of these items or even acknowledged their absence. (OK, I did miss the KitchenAid.) The difference between beloved possessions and excess stuff had never seemed starker. I donated a lot that week—baby gear we didn’t need, clothes, books, kitchen supplies—and felt more appreciative of the items I kept.

We finally put our home on the market and bought a new place, coincidentally down the block from the little Airbnb. As we got settled in our new place, I bought Marie Kondo’s book so this home would feel light and peaceful. I didn’t want to take the extra space for granted.

It’s funny how the more you have, the more you’re accustomed to having. Much of Kondo’s cleverness, therefore, is homing in on the inverse relationship between bounty and gratitude. To enhance the latter, you need to confront the former and assess its value. Netflix’s Tidying Up With Marie Kondo may have ridiculously banal content—watching people clean out their closets and drawers—but the emotional toll of letting go is a surprisingly moving experience. The episode in which Frank and Matt, two writers with an attachment to old books and papers, host Frank’s parents for the first time in their shared home was genuinely emotional to watch. And I laughed knowingly as the two of them read old birthday cards at their table and agreed to discard most of them. It even inspired me to crack open my night table drawer and, in true Marie Kondo style, greet the mess.

Lonnie Firestone has written for Departures, Vanity Fair, and Playbill.



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Senate Interns Hoping To See Taylor Swift Crowd Capitol Hill Building


Given the political climate in the country at the moment, it’s likely a stressful time to be an intern on Capitol Hill. So who can blame anyone on the Hill for getting a wee bit excited upon hearing a rumor that Taylor Swift would be at the Russell Senate Office building on Wednesday for a meeting?

The idea that the “Look What You Made Me Do” singer could be roaming the halls seemed viable enough. Even considering that, historically, she shies away from political conversation (to the point that she is often criticized for her silence). She was, after all, in Washington, D.C., as part of her Reputation tour.

“Very important news: Sources say Taylor Swift will be in Russell Senate office building at some point today for a meeting,” tweeted reporter Juliegrace Brufke.

Enter the Swift hunt frenzy. All it took was that rumor of her appearance to send interns and young staffers on mission to spot the singer.

Obviously, it was all documented on social media, with one journalist joking that “all work” had stopped.

Roll Call reported that some believed Swift was meeting with New York Senator Kirsten Gillibrand, but her office said that was not true. And Fox News got word that “high level sources on both sides of CapHill” said there was no “‘official’ expectation for Taylor Swift to appear at the Capitol complex” on Wednesday.

So it seems that Taylor Swift remains publicly apolitical when it comes to making moves on Capitol Hill. She has, of course, flexed her political muscle elsewhere, supporting victims of sexual assault in the past and donating to the March for Our Lives, writing on Instagram, “No one should have to go to school in fear of gun violence. Or to a nightclub. Or to a concert. Or to a movie theater. Or to their place of worship.”

As for those staffers and interns, they didn’t go home empty-handed: Iconic actress and lifelong political activist Jane Fonda was in the building on behalf of the National Domestic Workers Alliance in partnership with the Alianza Nacional de Campesinas.

We’re glad at least somebody noticed.





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My Journey Into the Gig Economy: Folding Underwear, Walking Dogs, and Building Furniture


Like Athena emerging fully formed and dressed for battle from the head of Zeus, many talented women who joined the professional world during the Great Recession have faced unprecedented challenges. I’ve tried a few unconventional methods of making rent, but even I never could have anticipated the recent Thursday evening I spent folding a stranger’s underwear. Let’s get to that episode in a second. First, about me—I’m a journalist, proud of my profession despite its frequently meager dividends. But sometimes I wonder: Could the gig economy (which, really, is a reductive little phrase used to describe easy-entry odd jobs that, when cobbled together, theoretically add up to a reasonable living or, at the least, a lucrative side hustle) make my rigidly budgeted life more comfortable? I decided to see what results might come of a full-court-press effort, and a willingness to try almost anything once.

Before I got started, I reached out to a few contemporaries to find out how they’d brought in the most cash on the side. I’d gotten my first taste of paid writing work as a college freshman, when the author-illustrator Molly Crabapple commissioned me to write an ode to her friend (a “retired, pragmatic contortionist,” according to Crabapple) in the form of a sestina. However, for the purposes of this experiment, my usual methods of accruing capital were out of bounds.

A culture reporter friend used to make 10 dollars a day texting men through an app called Phrendly that paid out a small amount for every reply to her messages. A fashion world friend, Dominic DeLuque, once picked up lizard food for an eccentric who tipped horribly, shuttled iced coffees to an agoraphobic neighbor, and transported a suitcase to a shady client on the Upper West Side (only realizing later the cargo was most likely drugs) for about $20 per odd job. I wasn’t in the mood to smuggle narcotics or go through the process of establishing relationships with oddball New York strangers, so those options were out, too.

For my first go, I tried out Craigslist. A flower shop in Morningside Heights was looking for an assistant; a “research facility” called MediaScience sought panelists; a gentleman’s club in Midtown needed extra (scantily-clad) help on Super Bowl Sunday. I sent CVs and emails flurrying all over New York City. Not one response.

Undaunted, and remembering the capable man I’d hired to help me move last summer, I went about the process of registering to be a Tasker on TaskRabbit. I paid a $20 registration fee, indicated what I thought were fair rates for the suggested tasks—assembling Ikea furniture, $30 an hour; and so on—and submitted my application. Almost automatically a form email appeared in my inbox. “Hi Helen,” it read. “At this time, we do not have the demand for Taskers in the city and categories you’ve specified, so we will not be moving forward with your registration.” I laughed out loud. But my rejection made sense: If it’s nearly impossible to get a job interview at The New York Times or Goldman Sachs, it stands to reason you’ll be fighting hordes for the considerably smaller scraps too. Ruling out Uber driver, SAT tutor and plasma donor, I sought out other options.

Luckily, deliverance soon arrived in the form of a friend who needed help caring for her brand-new puppy, a 16-week-old Klee Kai named Juneau. I would take him for an afternoon walk and give him lunch for $40 per visit. Our first outing was glorious: the two of us sailed through Central Park. Strangers and their dogs cooed over him. But disaster struck during our second appointment. After a blissful hour’s walk, I struggled with the antique front door of the owner’s apartment. YELP! I spun around to see the puppy, trapped in the heavy oak door, and rushed to free the poor little guy. I neglected to mention the incident to his owner in my otherwise exhaustive follow up text about Juneau’s every bark and bowel movement, and prayed to the dog walker gods that the pup hadn’t suffered any internal injuries.

Next, I trumpeted my services on Twitter. An acquaintance responded—she needed some help with laundry. A day later I made a house call to my client, who asked, “Do you have a problem with washing and folding period-stained sheets?” I waved my hand as if to say “Perish the thought,” and steeled myself like Indiana Jones preparing to raid a cave. I was tasked with washing everything she owned—jeans, sweatshirts, nine pairs of matching socks, the aforementioned sheets—and I went home $20 richer and with a vivid mental image of her boyfriend’s Under Armour boxers.

Ultimately, my weeklong experiment netted me $100 total, but once you factor in the multiple subway trips and the cash I spent on Red Bull for fuel, it would be generous to say I’d scraped a $90 profit. If I’m honest, I kind of expected pathetic results. I’ve always been skeptical of the gig economy. It creates a fantasy that, if you can profit off your every marketable skill, you can subvert the hardships of my much-maligned, profoundly misrepresented generation (including insurmountable student debt, too many music-streaming services to choose from, and the escalating cost of vape pens). Millennials are raised to be brutally hard workers, even if some of us (me) are probably doomed to spend the rest of our lives writing jokes online. We deserve better than what the gig economy has to offer.

Helen Holmes is a freelance journalist living in Brooklyn.



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NASA Honors 'Hidden Figures' Heroine Katherine Johnson With a Research Building Named After Her


PHOTO: Courtesy of 20th Century Fox

It has been a big year for Katherine Johnson, the “human computer” who served as the brains behind NASA’s launch of astronaut John Glenn into orbit. Hidden Figures, the movie based on her inspiring—though, until recently, largely unknown—career premiered in January 2017. Taraji P. Henson portrayed Johnson onscreen, and the film won for outstanding performance by a cast in a motion picture at the Screen Actors Guild Awards. Even more importantly, the film and its portrayal of Johnson is being credited with galvanizing more young women to consider careers in science and technology. Now, in a very much overdue honor for the trailblazer, NASA has just dedicated a new facility to honor the mathematician: the Katherine G. Johnson Computational Research Facility.

Johnson was celebrated at the building’s ribbon-cutting ceremony earlier this week. In a pre-taped interview before the ceremony, the 99-year-old was asked how she felt about the recognition she was receiving. “You want my honest answer?,” she says. “I think they’re crazy.” Johnson then went on to acknowledge her coworkers, many of whom also remained unrecognized until Hidden Figures made a splash on the big screen. “I was excited at something new, always liked something new,” she said. “But give credit to everybody who helped. I didn’t do anything alone but try to go to the root of the question and succeeded there.”

PHOTO: Photo courtesy of NASA

ICYMI, NASA has been planning a much-talked about mission to Mars, the calculations for which could very well be done in Johnson’s new building. It that were to happen, says Johnson, “I’ll be exceedingly honored, greatly honored.”

Johnson also took a moment during her interview to share her advice for the young NASA engineers who will work at her namesake building. “Do your best, but like it,” she says. “Like what you do and then you will do your best.” Johnson credits that and her strong work ethic for her own success.

Watch her inspiring interview below:

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Related Stories:
Meet the Incredible NASA Women You’ve Never Heard of in the New ‘Hidden Figures’ Trailer
‘Hidden Figures’ Is Already Inspiring Women to Seek Careers in Science and Tech
Would You Go to Mars? Meet the Four Women Astronauts Who Can’t Wait to Go



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