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The Real Reason Behind Nancy and Steve's Problems on 'Stranger Things'


Warning: Spoilers ahead.

It’s clear from the first episode of Stranger Things‘ season two that all is not well between Nancy (Natalia Dyer) and Steve (Joe Keery). They’re both still reeling from Barb’s death, and the guilt is putting a strain on their own relationship. Nancy can’t even help Steve with his college admissions essay without things turning sour.

Their relationship hits a low point at the Halloween party in episode two: Nancy gets incredibly drunk and essentially says everything between her and Steve is “bullshit.” She’s tired of them pretending like nothing’s wrong; they know Barb is dead—and she blames herself for it—but they haven’t said anything to anyone. Steve is heartbroken by Nancy’s speech; it makes him question her love for him, their relationship…everything. Their dynamic completely changes as a result.

And then there’s Jonathan (Charlie Heaton). He’s the one who ultimately drove Nancy home from that Halloween party. (Steve abruptly left after his fight with Nancy.) Jonathan and Nancy’s friendship has grown leaps and bounds since last season, and things start escalate once she and Steve are on the outs.

Naturally, this love triangle is one of the most talked-about subplots of the show—so we scored inside scoop about it straight from Dyer and Keery. The actors have some interesting thoughts about where Nancy and Steve are headed—and where Jonathan fits into the mix. Read on to learn more.

The best scenes in this season have nothing to do with the Upside Down and everything to do with the relationships among the characters. What about for you?

Natalia Dyer: “For me, this show is much more about the characters and the relationships. It’s always been such an ensemble show. That’s my favorite part. I find it’s very character-driven. The Duffers take these ’80s tropes and really flush them out and give the characters complexity. A lot of it comes from the writing. I love how everyone relates to each other, and it’s fun to see how they do it in different ways.”

So what’s your interpretation of where Steve and Nancy are by the end of the last episode?

Joe: “At the end of season one, we were kind of pretending that nothing happened. We were holding each other back in a certain way—but in order to move forward, we had to go to these separate places. It first seemed this season like she was hurting him, and he takes it as Nancy just hurting him, but they both have to progress forward. To do that they have be apart. They both have had to come to terms with that. They realize why they were attracted to each other in the first place, and that those things still exist. But I also don’t think they’re going to force each other to be together.”

Natalia: “They definitely care about each other and still love each other, but you’re totally spot on, Joe, in that they have to figure themselves out apart from each other. After the end of season one, their relationship was a bit of a safety blanket. For that to be healthy, you have to figure out what it is outside of that safety blanket.”

Joe: “And you never really forget your first love.”

Do you think they’re right for each other?

Joe: “I think about at that age, and who I was at least, the amount that I’ve changed…I’m such a different person, and I can only imagine that they’ll continue to change as well. It’s so hard to say if they’re destined to be together. Maybe it will work out, but I do know that he cares about her more than anyone he’s cared about in his life. He loves her and is worried about her, but he has to grow, too.”

What about their relationship works? And what are some reasons they aren’t great together?

Natalia: “I think there’s a good balance between them, and they are each other’s first love. That’s a very strong thing! They really, really do care about each other. They’ve gone through an experience that’s really bonding in a way, but they need to figure themselves out. I think, like any relationship, something’s going on. They may need to be away from each other and figure out their stuff and see where that puts both of them.”

Joe: “Oh man, there are things I learned about their relationship this year that are kind of telling. It makes me not so sure. In the first season, it’s this love sick thing—they’re both in the throes of beginning this relationship. Then when you catch up with them at the beginning of season two, you can see that there are some issues dealing with what happened. In season two, one of the big arcs for Steve is this transformation. It’s a growing-up story for Steve. He learns how to put people before himself, specifically Nancy and the people that he loves. That’s something he hasn’t had to do before.”

What does Charlie Heaton (Jonathan) think about Nancy, Steve, and Jonathan’s love triangle? Does he have an opinion?

Joe: “I don’t think we necessarily have like opinions, like, ‘Oh man…” But because we are playing the characters, we do have these ideas of what we think will happen or why the characters are kind of right for each other. I can’t really speak on behalf of Charlie, but what I can say is that Charlie does such unbelievable work this year. He’s one of the people on the show that I would love to work more with. I really think he’s such a talented guy. I learn so much from that dude being on set.”

Maybe I’m reading too much into this, but Steve takes Dustin to the dance and they have a sweet moment in the car where he gives him advice. Then, later on during the dance, Nancy has a moment with Dustin too. I felt like it was a way of uniting the characters even while they’re apart.

Joe: “He’s our son!” [Laughs]

Natalia: “I really have no idea where that’s going to go for them.”

Every episode of Stranger Things season two is streaming on Netflix now.



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Dacre Montgomery on Billy, the Sexy-but-Scary New Addition to 'Stranger Things'


Caution: This post contains minor spoilers for season two of Stranger Things.

Newcomer Billy (played by Zac Efron lookalike Dacre Montgomery) is a welcome addition to Hawkins, Indiana…for horny teen girls and suburban moms, that is. To everyone else, he’s a nightmare almost on the level of the Demogorgon. And like most burgeoning psychopaths, the deeply disturbed teenager has two sides: his true self—a dark being who terrorizes his younger stepsister, Max, and her friends—and his public persona, a suave and sexy heartthrob with piercing blue eyes and a winning smile.

It’s a hard balance to pull off authentically, but executive producer Shawn Levy says Dacre was the obvious pick for the part. “He’s absurdly pretty and ridiculously charming in real life too,” Shawn explains. “We feel like Dacre was genetically engineered to be a heartthrob. As soon as we saw his audition, he got the part. We’ve never cast anyone else without a callback, except Dacre. We saw his tape from Australia, and in three lines, the Duffers and I were texting each other. We were like, ‘He’s Billy. Book him right now. Lock him up right this frickin’ minute.'”

Their gamble paid off: Dacre manages to make even somebody as maniacal as Billy seem somewhat redeemable, most notably in a scene where we realize a lot of his behavior was learned from his equally scary father. “Initially Billy’s perceived as a maniac, but I think there are many redeemable qualities about him,” Dacre tells us. “We get some exposition around that with his father, to see why he is the way he is. The Duffers and I had a discussion early on this season about giving Billy something like that, because humanizing the antagonist is the best thing to do for the character. I tried to do that, but doing that scene helped push that along.”

“I mean, he’s an awful human being, but you know where it’s coming from,” Sadie Sink, who plays his stepsister Max, adds. “Once you see his dad, you’re like, ‘They’re both awful human beings.’ It’s a sad family situation. The relationship between Max and Billy is definitely intense, but it was fun to film because it challenges me as an actress. You feel so bad for her, but you feel bad for Billy because you find out where his anger is coming from, so it’s very complicated.”

That complicated relationship between Max and Billy didn’t extend offscreen, though. “Sadie seems a lot older than she is. She’s definitely an old soul, but we had fun,” Dacre explains. “That probably sounds ludicrous, because a lot of the scenes are intense, but we get along well. There was no chemistry read prior, so we had never met each other. She has a wonderful family that comes to set with her as well, so it felt extremely secure and safe. I don’t like to think I’m a person that’s going to throw something crazy at her. I’m not going to put her in any situation that makes her feel uncomfortable. I have a sister that’s the same age difference, and she’s my only sibling, so I feel close to that relationship.”

It helps to see a more human side of Billy, but the best scene with him, hands down, is when he runs into Karen Wheeler (Cara Buono). The two share a brief (and hilarious) moment of flirtation that many fans are hoping will be revisited in season three. That chemistry between Cara and Dacre was there from the start, though. “I took a picture of Dacre at the read-through,” Cara reveals. “We were sitting next to each other, and he was just so charming and handsome and lovely, so I said, ‘I just want a picture to commemorate this moment.’ I didn’t know what they were planning, because they tell you things are going to happen one way and then they save it for another season. So when the scene came up, I thought, This is very interesting going on with Karen Wheeler! It was just a lot of fun to shoot it. We all tried not to laugh. Dacre is a phenomenal actor and very, very sexy.”

“That scene is an instant classic,” Shawn adds. “The way Dacre takes that cookie at the end was not scripted. Dacre improvised, kind of like Brando with the peach in A Streetcar Named Desire, to make it something kind of animalistic and dangerous, but also, ‘I need to have sex with him right now.’ All of that in one!”

But don’t expect Billy to get a total redemption story in season three. “I think something far more sinister is going to happen,” Dacre shares. “It’s resting at the surface level to an extent, so I think a lot of stuff is going to happen. I would like to see Billy fall in love. That would humanize him even more and be a contrast, if something more sinister does happen and we’ve got this love story happening on the sidelines. I don’t write the show, obviously, but the Duffers are extremely collaborative.”

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'Stranger Things' Executive Producer Confirms Barb Isn't Alive


If you’ve noticed an unusually high number of people calling in “sick” from your office today, we know why: They’re all staying home to binge-watch season two of Netflix’s Stranger Things. No, really, it’s a whole thing. But it’s actually worth the risk of annoying the boss because the show’s return does answer lots of lingering questions fans have been speculating about since finishing season one last summer.

People are still wondering about one particular storyline, though: The fate of beloved character Barb, played by Shannon Purser. Many theorized she was—spoiler alert—still alive and would make it out of the Upside Down, and they had pretty convincing evidence to back the idea up. But unfortunately, Justice for Barb isn’t going to happen. Ever.

“The theory that Barb was alive got annoying,” the show’s executive producer Shawn Levy told us at the Stranger Things premiere in Los Angeles Thursday night. “That seemed a little delusional. I love Barb, I’m the one that killed her in the swimming pool, but that was never going to happen.” In fact, Levy said he wants to finally, once and for all, make it clear that Barb will not be returning in future seasons. Sorry, Barb!

That’s not the only fan theory that’s turned out to be wrong, though. “People were really obsessed with what that black car was that Hopper got in,” he said. “I’m hopeful that season two gives some clarity to the fact that he basically did a deal with the Hawkins feds to keep his mouth shut, cover their tracks, and basically keep Eleven safe. Hopefully, that’s been answered.”

But what about the idea that this could all be a dream of Eleven’s? “Oh, that’s madness and completely untrue,” he said. “I mean it. When I was a fan of Lost, people guessed at the purgatory outcome and then they said, ‘No, no, no.’ But then it kind of was! So, we’re not bullshitting here. This is not a dream of any character’s. This is for real.”

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Natalia Dyer's New Hair Is So Different From Her 'Stranger Things' Look—and So Good


Just a few days before the long awaited release of Stranger Things season two, Natalia Dyer did a very un–Nancy Wheeler thing. While we’re used to seeing the actress with a shaggy brown bob similar to the eighties-style waves Nancy wears on the show, Natalia has a new hairstyle that’s a far departure from what we’ve seen since she catapulted to overnight stardom. Think more slapping-Steve-in-the-face-and-shooting-a-Demogorgon badass than Barb’s timid “good girl” best friend. While her new cut still grazes her shoulders, she’s traded it in for brow-sweeping bangs, blunt ends—a trend taking off among celebrities—and a lived-in dirty blond hue that’s going by the name of “cream soda” as of late.

Like how the Upside Down happened or where Eleven’s been taking the Eggos Hopper leaves for her, we’ve got theories on why the sudden change. Around this time last year, she mentioned an interview with Glamour that her life has changed tremendously since the release of the show’s first season. “Living in New York, just getting stopped on the street often and having people talk about the show is crazy and wonderful. It’s great! But it’s definitely something to get used to,” she said. “People do recognize me. I walk around with sunglasses, and I think I’m hidden, but they see me.”

It’s possible that this hair change had some deeper roots—no pun intended—that were tied to wanting a less recognizable look. Or, hey, she’s got a busy press tour coming up and wanted something new. Whatever the reason, it looks great.

PHOTO: Getty

CFDA/Vogue Fashion Fund Show and Tea at Chateau Marmont

PHOTO: Getty

In the meantime, while we patiently await the show’s premiere tomorrow, we’ll leave you with this teaser about Nancy’s season-two look that Natalia revealed in our October 2017 issue: “I told the people in the show’s hair department, ‘Next season, I’m down. Perm my hair.'” TBH, not a crazy thing to ask for.

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The Moms of 'Stranger Things' Are So Important, but Nobody Ever Talks About It


As we eagerly anticipate season two of Netflix’s hit series Stranger Things, can we just take a minute to appreciate how great the moms are? One of the running themes of the show is the necessity of mothers and mother figures for kids, but we don’t talk about that enough! And yet, it was one of the best aspects of the first season.

But first, let’s back up. In case you haven’t seen Stranger Things (in which case, why are you reading this?), there are two main moms on the show: Joyce Byers (Winona Ryder) and Karen Wheeler (Cara Buono).

Joyce is the mother of Jonathan, an artsy outsider, and Will, whose disappearance is the inciting incident that sets the first season into motion. Joyce is equal parts nutcase and badass. An overworked single parent, she still provides a supportive and loving home for her two sons. But she kinda loses it when Will disappears—understandably so. She’s shaky and bug-eyed the way only Winona can be; and in her grief and confusion, she refuses to believe that Will is dead, even when she sees his body with her own eyes. Joyce even figures out a way to communicate with Will through the famous alphabet light wall. It’s Joyce’s stubborn determination to find Will that gets police chief Jim Hopper (David Harbour) involved. She doesn’t give a shit that people think she’s crazy or bothersome; she’s finding her son, and that’s that. By the end of the season, she’s in another dimension getting Will back from a creepy monster. That’s what moms do.

Her foil—or more accurately, her counterpart—is Hopper. We see in flashbacks that his young daughter contracted an illness years earlier and, despite all his fatherly love and care, she died. Now, I’m not suggesting that dads aren’t as strong as moms or that cancer and being sucked into the Upside Down are somehow comparable. Nor, I think, is the show. But the pairing of these two parents of “lost” children still sets up a situation in which Joyce, essentially through sheer force of will, did the impossible thing Hopper was unable to do, and it’s a powerful moment. Despite all the sci-fi equipment, super heroics, and technical knowledge of basically every other character, Mama Byers is the biggest secret weapon in Hawkins.

Then we have Mrs. Wheeler, a more traditional ’80s housewife and the mother of popular and studious Nancy, AV club member Mike, and toddler Holly. Her husband is more or less just a guy around the house, and we find out from Nancy that they married when Karen was young and her husband was…not so young. Her whole thing is being a wife and mother, and she’s essentially a good person—Karen is sympathetic to Joyce when others aren’t, tries her best to deal with teenage Nancy, and is firm but not harsh with Mike and his friends. Sure, there’s a lot she doesn’t notice; most obviously, that her son Mike is keeping Eleven as a guest in their basement for, like, a week. And no, she’s not as overtly “badass” as Joyce. But her motherly super heroics are of another quality: The measure of a parent isn’t always the parent’s behavior, it’s the kids’, and Karen has raised incredible kids. Despite the rest of the town’s somewhat comic apathy, Nancy will not rest until she finds out what happened to her best friend Barb. And Mike doesn’t just let Eleven stay at the Wheeler house, he feeds, clothes, and comforts her. Mike and Nancy are incredibly caring and tenacious, and I don’t think they learned it from their dad. That’s all Karen’s doing.

In fact, Mike knows this. He knows that because of his warm and loving family—held together by his mother—he is safe, safe enough even to take risks and help others. When Eleven is hurt, he tells her, “Just hold on a little longer, OK? He’s gone. The bad man’s gone. We’ll be home soon, and my mom…she’ll get you your own bed. You can eat as many Eggos as you want.” He’s echoing what almost every young kid thinks at some point or another in their life: Everything will be OK because Mom will fix it.

PHOTO: Netflix

Karen Wheeler (Cara Buono)

Which brings us to Eleven, a case study in being unmothered. She’s skittish, deprived of human warmth and contact, and, with only her cruel “papa” figure (Matthew Modine) raising her, totally cut off from her femininity. Her hair is short—the first person she meets outside the lab takes her for a boy—and she’s enchanted by the sight of herself in a wig and dress. It’s not because, as some have interpreted, the show wants to enforce a rigid idea of what it means to be a woman. It’s because being a “girly” girl was never even an option for Eleven. She never had anyone to show her. To her, that dress means normality—even freedom.

Eleven is the third lost child of the series, and we get to meet the women who lost her: her mother and aunt. Eleven’s mom was told she miscarried the daughter in her womb but, like Joyce, refused to believe her child was truly gone. Eventually, it’s implied, that frustration, plus drug use and possible interference by the evil lab, drove her out of her mind. She now spends her days half-asleep in front of the television, while her sister takes care of her. (It’s female compassion all the way down on this show.)

Eleven never gets to meet the woman she was stolen from in season one, but she does, finally, get a mom. For her whole life, she has been subjected to traumatizing experiments in sensory deprivation tanks by men who see her as a powerful tool, not a little girl. But to help rescue Will, she agrees to go into another makeshift tank. This time, though, something is different: Joyce is there. As Eleven prepares to get into the tub, Joyce tells this silent, feral child, “You’re a very brave girl. You know that, don’t you? Everything you’re doing, for my boy, for Will…for my family. Thank you.” Then, she takes Eleven’s hands and leans in close. “Listen, I am gonna be there with you the whole time,” she says. “If it ever gets too scary in that place, you just let me know, OK?” Eleven has never known a mother’s love in her young life—now she’s got one telling her she’s allowed to feel fear, that she’s supported and brave. When Eleven starts to whimper in the tub, Joyce whispers, “It’s OK, it’s OK, it’s OK. We’re right here, honey. It’s OK. I got you. Don’t be afraid. I’m right here with you. It’s OK, you’re safe.” It gives Eleven the courage to continue. Eventually, she delivers this message from Joyce to Will: “Your mom, she’s coming for you.” Can you imagine a more comforting message? When Eleven finally comes out of her trance, she cries in Joyce’s arms, who tells her, “I got you. I got you. I got you, honey. You did so good. Are you OK?” For the first time, Eleven might actually be OK because Mom is there. It’s my favorite scene.

So, as you dip into the wild world of season two, be on the lookout for incredible acts of maternity. They are there, tenfold, but I won’t spoil it for you. Just promise that when you finish, you’ll remember to call your mother. She’s worried sick about you!



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We Finally Have Closure About Why Barb Had to Die in 'Stranger Things'


Stranger Things season two is set to premiere on Netflix on October 27, but one beloved character will be missing: high school student Barbara Holland, AKA the inimitable Barb. Of course, we’ve known this for a while—she was killed in season one by The Monster/Demogorgon in the Upside Down pool—but that doesn’t make our grief less real. But even though she’s gone, the Internet was captivated by her, falling for her epic eye roll, coke-bottle glasses, and her loyalty to her best friend, Nancy Wheeler. (Jimmy Fallon even spoofed her death on The Tonight Show.) But we still need closure—namely, why did she have to die in the first place??

Gaten Matarazzo, who plays compass genius Dustin Henderson, shed some light on the matter Saturday night at the BAFTA pre-Emmy tea party.

“She has passed. She is dead,” Matarazzo told Elle in no uncertain terms. “The character was written to die.”

Ah. He went on to explain that the point of Barb’s character was merely to illuminate how vulnerable everyone actually was to the Upside Down and the Demogorgon.

Matarazzo continued: “That was what the character was, and I think that bringing her back would kind of defeat the purpose.”

Barb’s fate is certainly unfortunate, but Matarazzo did reveal some good news. Her mysterious disappearance hasn’t been forgotten by himself, Will, Mike, Eleven, her best friend Nancy, and the rest of the crew. He also reiterated to fans that there will be #JusticeForBarb in the show’s second season—a plot point that will delve into her backstory.

Although we will sadly never get to relate to Barb’s social awkwardness and third-wheeling tendencies ever again, she will live forever in our hearts, the hashtag, and perfect Halloween costumes for years to come.

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