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Shannon Purser 'Lightly Stalked' Noah Centineo Before Working With Him


Shannon Purser and the Internet’s boyfriend Noah Centineo are the stars of Netflix’s new rom-com Sierra Burgess Is a Loser, a flawed-but-touching re-telling of Cyrano de Bergerac set in a suburban high school. Purser plays the titular character, a bullied teenager whose phone number is given to hot jock Jamey (Centineo) in a prank orchestrated by mean girl Veronica (Kristine Froseth). The catch, though, is Jamey thinks he’s texting Veronica the entire time, and Sierra does nothing to make him think otherwise—she’s too afraid that he won’t like who she actually is. Granted, it’s a little frustrating that Sierra spends so much time in this movie hiding behind a cheerleader, but the ultimate result is positive. The movie is also just delightful and charming and, at times, very, very funny.

That’s no doubt a product of the dynamic chemistry behind Centineo and Purser, who spend a majority of the movie talking behind screens but still have sparks. In a new interview with Glamour, the two young stars dish about how they met each other and got in the mindsets to film Sierra Burgess.

“I did not know who Noah was before we met,” Purser told us. “I’m pretty sure I did some, like, light stalking and watched a little bit of him on The Fosters.”

Interestingly, Centineo says he watched Stranger Things (in which Purser plays fan-favorite Barb) up until her character died. “I was like, ‘No Barb? No me,'” he said.

Purser and Centineo crossed paths IRL for the first time for a Sierra Burgess screen test, and then had lunch together at a cafeteria to learn more about each other. “[You probably ate] salad or something,” Purser told Centineo, to which he replied, “I was not that healthy back then, OK?”

Watch these two divulge more details in the video, above.

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Why Shannon Purser A.K.A. Barb Had to Quit Her Movie Theater Job Because of Stranger Things



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Kim Kardashian Is Working to Get Another Non-Violent Drug Offender Released From Prison


Nearly three months after Kim Kardashian asked President Trump to commute the sentence of Alice Marie Johnson, a non-violent drug offender who was set to spend a lifetime behind bars for her first offense in 1996, she’s now setting her sights on another act of clemency. Per Page Six, Kardashian is reportedly working with the White House yet again to pardon a man named Chris Young, who was sentenced to life in prison for marijuana and cocaine possession following a 2010 arrest.

Like Johnson, Young was a first-time offender, which makes his sentence all the more egregious in the grand scheme of the criminal justice system.

Kardashian announced her plans on Jason Flom’s Wrongful Conviction podcast, saying she spoke to the judge who issued the sentence. Interestingly, that judge, Kevin Sharp, would later resign in protest in regards to Young’s case, saying the state of Tennessee forced his hand in the sentencing. “Yesterday, I had a call with a gentleman that’s in prison for a drug case—got life. It’s so unfair. He’s 30 years old. He’s been in for almost 10 years,” Kardashian explained on the podcast. “I was on the phone with the judge that sentenced him to life who resigned because he had never been on the side of having to do something so unfair, and now he is fighting alongside us to get [Young] out.” She also said she’s frequently in contact with President Trump‘s aide and son-in-law, Jared Kushner, who she described as “passionate” about prison reform.

Round two of Kardashian’s fight for justice comes after she visited President Trump in the White House earlier this summer, where she was successfully able to convince the president to commute Johnson’s sentence. “I think that he really spent the time to listen to our case that we’re making for Alice,” Kardashian explained after their meeting. “He really understood.” But not without the most bizarre photo op of the year:

Related: Kim Kardashian’s Letter to Her Future Self





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Sustainable Fashion: Ethical Writers & Creatives Is Working to Make the Influencer Industry More Ethical


Among the friends, family, and celebrities that you follow on Instagram, there’s a chance you probably also keep up with at least one influencer, whether it’s Chiara Ferragni or Grumpy Cat. Just a decade ago, “having influence” wasn’t a viable or lucrative conceit—now, “influencer” is a job title in nearly every field, with some raking in millions of dollars in revenue. (The market as a whole is set to reach up to $10 billion by 2020, according to mediakix.) Within this ever-growing, ever-changing market, there also have been growing niches, bloggers and social media stars focusing on specific topics or lifestyles. The sustainability community has been one of the most noticeable ones—and one that’s banding together to effect lasting change on this burgeoning industry.

“Blogging can be a really isolating experience,” remarks eco fashion blogger and journalist Alden Wicker (also a Glamour.com contributor). That’s why, four years ago, she rounded up the very few bloggers in the fashion sustainability space to create a small network of like-minded women—one that would grow to be 60 members strong, and called the Ethical Writers & Creatives (EWC).

EWC is driven by two admirable goals: to improve the world with their work and to raise standards in the influencer industry. This sector has become something like the Wild West, with no clear-cut rules or guidelines to establish order and ethical conduct (despite the Federal Trade Commission’s best efforts), to prevent people from falsifying images or manipulating data, like follower count—but, united by a shared passion for sustainability and ethical responsibility, this group is trying to combat these practices and to push the community toward more sustainable practices.

EWC does this through meaningful content and reported features (membership at EWC grants you access to resources, like educational workshops and a group Slack channel to ask questions, to write such stories), refusing to take information at face value and questioning everything you’re told even widely-accepted truths (such as the widely-quoted “fact” that fashion is considered the second most polluting industry, which Wicker debunked on her website, EcoCult.) It also instituted a code of ethics that all members must abide by.

“In the mainstream influencer space, there’s a lot of frustration around the lack of standards and rules, like follower- and like-buying, photoshopping, and overall inauthenticity that can make it feel really icky to call yourself an influencer or blogger,” says Wicker, who serves as the president and COO of EWC. “We’ve become the gold standard for ethical and sustainable blogging.”

PHOTO: Courtesy of Ethical Writers & Creatives.

Members of Ethical Writers & Creatives, from left: Alden Wicker, Faye lessler, Kestrel Jenkins, and Elizabeth Stillwell.

“The sustainable fashion industry is evolving so fast, but you can’t manage what you don’t measure,” she continues. “There is so much misinformation out there and because we spread information really fast, it’s important everyone is doing it correctly. The articles we write are incredibly smart, well informed, and educational—much more than the average blogger.”

But EWC isn’t only attractive to influencers: It’s bringing in sustainable brands who want to work with them, too.

There have been between 20 to 30 brand partnerships that have been established through EWC in the past two years, according to the group’s marketing director Kaméa Chayne (who’s the curator of ConsciousFashion.co and host of the Green Dreamer podcast), with companies like Delgatto, GrunBag, Jean Franklin, and Threads Worldwide.

One of the biggest projects EWC has worked on has been with DoneGood, a Chrome extension and app that directs consumers toward mission-driven brands, the platform was promoted across multiple influencers’ sites during a two-month-long campaign.

“If you’re in the sustainability space, you can’t help but know about the EWC,” says Cullen Schwarz, co-founder of DoneGood. “EWC has assembled the leaders of the ethical influencer community, making it easy to work with all of them collectively to make a much larger impact.”

With EWC working as a liaison between the brands and influencers, a lot of the guesswork—like figuring out how much to price paid campaigns or sponsored posts—is taken out of the equation. More importantly, the group unifies all members under one pay scale, so that no one is over- or undercharging brands, making it a win-win on both sides. “These small brands know we’re not scamming them out of their money,” Wicker explains, “and on the creative side, they know they’re going to be paid for the work they do.”

PHOTO: Courtesy of Ethical Writers & Creatives.

Current and former members of Ethical Writers & Creatives at the group’s launch event in 2014. From left: Alden Wicker, Emma Grady, Juliette Donatelli, Elizabeth Stilwell.

“This group of knowledgeable women mentored me, and gave me a greater ethical awareness and eco understanding,” says Holly Rose of Leotie Lovely and social media manager for EWC, who joined in 2015. “I’m not really sure what would have happened to me had this group not existed.”

Still, in terms of “improving the world,” particularly in terms of sustainability, there’s a lot that needs to be done. That concept means different things to different people—and for some, it’s become a catch-all word for anything remotely eco- or socially responsible, from supporting local artisans to living a zero-waste lifestyle to veganism. (Differentiating all the companies that market themselves as “sustainable” is something the fashion industry as a whole struggles with as well.)

“Sometimes there’s tension between members about what it means to be ethical and sustainable, especially between those who are vegan and not vegan, but when I sense tension, that’s when I step in,” Wicker says. “We might disagree on how we’re going to get there—a better world, a better fashion industry—but we have to remember we’re all here because we care so deeply about these issues.”

As of now, the EWC is effecting change by holding larger brands accountable, calling out brands that aren’t transparent, shedding light on how toxic some biodegradable fabrics can be, spotlighting small sustainable brands, writing smart posts that addressing hard—or in Rose’s words, “not sexy”—subjects like green energy or policy. They’re working to educate readers-slash-consumers who can then make informed choices with their purchasing power.

“The ethical and sustainable fashion movement is so new—it really started in 2013 with the collapse of Rana Plaza, so a lot of us are just writing, watching, and trying to figure out how to best support the movement,” Wicker says. “Many of us aren’t really sure what’s next; we’re trying to figure that out.”

Natalie Kay, founder of the blog Sustainably Chic who joined the EWC two years ago, says long-term change will begin when bigger brands are onboard with the movement: “We can make baby steps, but to get to the masses, companies like Target need to step up to make sustainability more accessible. We need to market to everybody and find a fair price point.”

Each member of EWC might have a slightly different vision or approach to making the industry more sustainable, but they all share the same end goal: “Our motto is collaboration over competition, so we provide a space where we can support each other,” Wicker says. “I never expected the EWC to be this big or important to people, but it’s been an amazing ride and I love every single member.”

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Why So Many Fashion Brands Are Casting Their Own Employees in Ad Campaigns

Chromat’s Becca McCharen-Tran on Curvy Mannequins, Size Inclusivity, and That Major Nordstrom Buy



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Meet the Women Behind GirlTrek, an Organization Working to Make Black Women Healthier


When T. Morgan Dixon was teaching high school history in Atlanta in the early 2000s, she encountered an alarming statistic: half of all black girls in America born after the year 2000 would be diagnosed with Type II diabetes in their lifetime unless a change was made to activity levels. Inspired to do something about it, she started taking groups of students hiking, naming the outings “GirlTrek.” But Dixon’s best friend, Vanessa Garrison, told her this wouldn’t do nearly enough to confront the looming health crisis. To create lasting change, why not target these girls’ mothers—on a national level?

Garrison and Dixon first met when they were 19 and living in Los Angeles. Both were full-time students working 40 hours a week at a posh investment firm. The women began taking long walks together, discussing their lives. They both realized they’d lost aunts and grandmothers at ages that barely qualified them for AARP cards. Why had they both lost family members prematurely? Why are women of color often depressed, isolated, and immobilized? Why are black women in America dying at such high rates from preventable diseases? And why does it seem like private weight-loss companies, government interventions, and public health campaigns have all failed them? They wanted answers.

Dixon and Garrison contended in their popular TED Talk this past April that the answer to that last question is that most “healthy living” programs are overly concerned with getting women “beach bodied,” so to speak. They focus on superficial solutions that “don’t acknowledge systemic racism,” as Garrison said in the speech, while failing to confront “the trauma that black women hold in our bellies and bones, that has been embedded in our very DNA.”

Because of their passion, GirlTrek morphed from a local hiking club into the largest health nonprofit for black women in the U.S., with more than 100,000 participants pounding the pavement in chapters across the country. Their mission is to “heal our bodies, inspire our daughters, and reclaim the streets of our neighborhoods.” And how do they do it? By going on daily walks for half an hour.

That might not sound like a lot, but Dixon and Garrison knew just how crucial these walks could be to the communities they serve. Black women have prioritized the care of others over themselves for generations, they explain. “We knew thirty minutes of walking was radical for a woman with two jobs, who has kids, whose husband may or may not be in the home because he may or may not be affected by systemic or racial injustice and violence,” Garrison says.

And sure, the health benefits of walking are well-proven, but it’s the ripple effect that really matters. “Thirty minutes in the sun feels like a recharging,” Dixon says. “It’s reclaiming your time, like Maxine Waters says. You can create your own rhythm and connect with your community in an no-pressure way.” Dixon and Garrison both cite the Civil Rights Movement and the march from Selma to Montgomery as inspirations. Because, as they say, “When black women walk, things change.”

That change doesn’t just manifest in endorphins and in sovereignty over one’s schedule, but also in transforming the space where women live and how they move through it. GirlTrekkers have lobbied local governments about access to sidewalks and greenspace, and have even bought back abandoned buildings on their walking routes. Just being a visible presence can result in safer streets. Sybrina Fullerton, the mother of Trayvon Martin, is a GirlTrek member. Dixon asked the audience in her TED Talk: “I can’t help but wonder what would happen if there were groups of women walking on Trayvon’s block that day.”

GirlTrek is now taking on the audacious goal of getting one million women walking. “We want to create a new culture of healthy communities, and we need a critical mass,” Garrison says. They are targeting the fifty most high-need communities in the rural south and Midwest, also known as “the obesity belt”— areas that have been blighted by industry and devoid of healthy food choices. They are also launching a program called Black Girl Healing to train women as fitness instructors and nutrition specialists, to lead free classes in parks, healing circles on college campuses, and grocery store walks to help others find nourishing options.

This past summer, Garrison went on one of REI’s Outessa weekends in Mt. Hood, Oregon. She described doing yoga on a mountaintop. “I felt like, ‘This is amazing, this is what healing looks like for me and this is what it should look like for other black women.’” She carried that message back with her as she boarded the van to take her to the airport and drove back in cellular range. She was bombarded with text messages from an aunt who’d seen her social media postings and realized she was in Oregon. Her aunt wanted Garrison to see an estranged family member who was nearby, in Portland. After much emotional debate, Garrison said no. “I realized in that moment that that is actually what healing feels and looks like,” she says. Setting that boundary was the culmination of years of physical, spiritual, and emotional work she’d been doing for years. “It was about loving myself as much as I love other people,” she says.

Dixon, too, is working out a new definition of what healing looks like. Hers took the form of a week off—not to travel, but to rest at home with a marathon of American’s Next Top Model, to read Pema Chodron, and, of course, to walk outside.

Their organization was originally formed to confront the health epidemic that claimed the lives of their beloved female family members. But that’s not the only objective any more, says Garrison. “We also want to make space for women to create their own joy.”

Elizabeth Greenwood is the author of Playing Dead: A Journey Through the World of Death Fraud, which recently came out in paperback. Follow her on Instagram and Twitter @lizgreenwood4u





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These Are the Actors Who Now Regret Working With Woody Allen—and the Ones Who Don't


On January 1 more than 300 powerful women in Hollywood launched a movement called Time’s Up, which is aimed toward ending gender imbalance and sexual harassment in the workplace across all industries. Time’s Up is undoubtedly a product of the sexual harassment reckoning that happened in Hollywood late last year; following the explosive exposés about Harvey Weinstein in The New York Times and The New Yorker, dozens of famous women—and men—came forward with their own stories of sexual harassment, both at the hands of Weinstein and others. For the first time ever, it feels like sexual assault survivors are actually being heard and their perpetrators are receiving consequences for their actions.

But there’s one exception here: Woody Allen. In 2014 Allen’s daughter Dylan Farrow wrote an open letter to The New York Times, alleging he had molested her at seven years old. Allen was never convicted of anything, but it’s telling that his son Ronan Farrow has publicly stood by Dylan’s side. “I believe my sister,” he wrote in an article for The Hollywood Reporter. (Ronan is also one of the journalists who broke the Weinstein story.) Dylan’s accusation was first made in 1992, but little was done then—and nothing’s really happened now. In fact, Allen’s still very much a working director: His next movie stars Selena Gomez, Elle Fanning, and current awards-season favorite Timothée Chalamet. So where is the disconnect? Why is Allen still able to receive steady work—and acclaim, no less—despite this shift happening in Hollywood?

For some reason, actors, many of whom have voiced their support for Time’s Up, agree to make movies with him…and publicly ignore Dylan Farrow’s accusations. Kate Winslet, Blake Lively, Justin Timberlake—all of these stars (and more) have made movies with Allen in the past few years. Some have even sung his praises. It’s this cone of silence that keeps Allen in power.

Maybe this is going to end, though. Lady Bird director Greta Gerwig, who acted in Allen’s 2012 film To Rome With Love, said in a New York Times op-ed this week that she wouldn’t have worked with Allen had she known the allegations against him—and she won’t work with him again.

“If I had known then what I know now, I would not have acted in the film,” Gerwig said. “I have not worked for him again, and I will not work for him again. Dylan Farrow’s two different pieces made me realize that I increased another woman’s pain, and I was heartbroken by that realization. I grew up on his movies, and they have informed me as an artist, and I cannot change that fact now, but I can make different decisions moving forward.”

This statement comes just days after Gerwig side-stepped a question about Allen at the Golden Globes:

While Gerwig’s NYT piece is a start, other artists who’ve worked with Allen have not followed suit. Hollywood is ignoring his behavior because the actors in his movies are. The only way to effect change is for people to stop working with him. And the people who have worked with him need to speak out—loudly.

Here’s a nonexhaustive list of what actors who starred in Allen’s most recent films have said. Note how many of these quotes are wishy-washy, vague, or even congratulatory:

Kate Winslet (Wonder Wheel, 2017): “He understands the female characters he creates exceptionally well. His female characters are always so rich and large and honest in terms of how they’re feeling, and he just knows how to write dialogue for them to communicate all that.” —Sydney Morning Herald

Selena Gomez (A Rainy Day in New York, 2018): “To be honest, I’m not sure how to answer—not because I’m trying to back away from it. [The Harvey Weinstein allegations] actually happened right after I had started [on the movie]. They popped up in the midst of it. And that’s something, yes, I had to face and discuss. I stepped back and thought, Wow, the universe works in interesting ways.” — Billboard

Blake Lively (Café Society, 2016): “It’s very dangerous to factor in things you don’t know anything about. I could [only] know my experience. And my experience with Woody is he’s empowering to women.” —Los Angeles Times

Kristen Stewart (Café Society, 2016): “At the end of the day, Jesse and I talked about this. If we were persecuted for the amount of shit that’s been said about us that’s not true, our lives would be over. The experience of making the movie was so outside of that, it was fruitful for the two of us to go on with it.” —Variety

Cate Blanchett (Blue Jasmine, 2014): “I mean, it’s obviously been a long and painful situation for the family, and I hope they find some sort of resolution and peace.” — *Hollywood Elsewhere* via Reuters

Diane Keaton (Annie Hall, 1977): “I have nothing to say about that. Except: I believe my friend.” —The Guardian

Rebecca Hall (A Rainy Day in New York, 2018): In a statement posted to her Instagram, Hall revealed that she’ll be donating her wages from A Rainy Day in New York to the Time’s Up fund. “The day after the Weinstein accusation broke in full force I was shooting a day of work on Woody Allen’s latest movie in New York. I couldn’t have imagined somewhere stranger to be that day,” she wrote. “When asked to do so, some seven months ago, I quickly said yes. He gave me one of my first significant roles in film for which I have always been grateful, it was one day in my hometown—easy. I have, however subsequently realized there is nothing easy about any of this. In the weeks following I have thought very deeply about this decision, and remain conflicted and saddened. After reading and re-reading Dylan Farrow’s statements of a few days ago and going back and reading the older ones—I see, not only how complicated this matter is, but that my actions have made another woman feel silenced and dismissed. That is not something that sits easily with me in the current or indeed any moment, and I am profoundly sorry. I regret this decision and wouldn’t make the same one today. It’s a small gesture and not one intended as close to compensation but I’ve donated my wage to Time’s Up. I’ve also signed up, will continue to donate, and look forward to working with and being part of this positive movement towards change not just in Hollywood but hopefully everywhere.”

Timothée Chalamet (A Rainy Day in New York, 2018): The actor revealed in an Instagram post that he cannot answer questions directly about working with Woody Allen because of “contractual obligations,” but he doesn’t want to “profit” from his work on the film. Because of this, he’s donating his entire salary to three charities: Time’s Up, the LGBT Center in New York, and RAINN. Here’s his full statement:

“This year has changed the way I see and feel about so many things; it
has been a thrilling and, at times, enlightening education. I have, to
this point, chosen projects from the perspective of a young actor
trying to walk in the footsteps of more seasoned actors I admire. But
I am learning that a good role isn’t the only criteria for accepting a
job–that has become much clearer to me in the past few months,
having witnessed the birth of a powerful movement intent on ending
injustice, inequality and above all, silence.

I have been asked in a few recent interviews about my decision to work
on a film with Woody Allen last summer. I’m not able to answer the
question directly because of contractual obligations. But what I can
say is this: I don’t want to profit from my work on the film, and to
that end, I am going to donate my entire salary to three charities:
TIME’S UP, The LGBT Center in New York, and RAINN. I want to be worthy
of standing shoulder to shoulder with brave artists who are fighting
for all people to be treated with the respect and dignity they
deserve.”

Alec Baldwin (Blue Jasmine, 2014, along with the 1990’s Alice and 2012’s To Rome With Love): Baldwin took to Twitter on January 16, 2018 and said that it’s “sad” and “unfair” so many actors are distancing themselves from Allen. “Woody Allen was investigated forensically by two states (NY and CT) and no charges were filed,” he wrote. “The renunciation of him and his work, no doubt, has some purpose. But it’s unfair and sad to me. I worked w WA 3 times and it was one of the privileges of my career.” In a second tweet, he posited that Allen could even be innocent because he’s never been formally charged with anything. “This is a charge that was investigated aggressively and resulted in…nothing,” he said.”What would it take for you to at least consider that he is telling the truth?”

Rachel Brosnahan (Crisis in Six Scenes, 2016): Brosnahan is adding her voice to the chorus of actors who admit they regret working with Allen. “Honestly, it’s the decision that I have made in my life that is the most inconsistent with everything I stand for and believe in, both publicly and privately. And while I can’t take it back, it’s important to me, moving forward, to make decisions that better reflect the things that I value and my worldview,” she told The Hollywood Reporter. “Look, I had a great experience working on that project. But I do have to take this opportunity to say that, for me, I have really struggled with the decision to do that project for a long time.”

Related Stories:

Greta Gerwig and 13 Other Golden Globes 2018 Snubs We Just Can’t Get Over

Selena Gomez “Isn’t Sure How to Answer” Questions About Why She’s Working With Woody Allen

Selena Gomez and Elle Fanning Are Starring in Woody Allen’s Next Movie





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Katie Couric Just Opened Up About Working With Matt Lauer on the 'Today Show'


In November, Matt Lauer was fired from the Today show on NBC after allegations of sexual misconduct surfaced. Multiple women have spoken out about their inappropriate experiences with the news anchor, though one voice in particular remained silent in the media. Katie Couric, who co-hosted the Today show with Lauer for 15 years, did not immediately make a statement after her former coworker was fired—she said in December that she would wait to comment until she felt ready to. Now, she’s opened up about her thoughts on the matter.

“The whole thing has been very painful for me,” the news anchor told People on Saturday. “The accounts I’ve read and heard have been disturbing, distressing and disorienting, and it’s completely unacceptable that any woman at the Today Show experienced this kind of treatment.”

She went on to explain that she never experienced any inappropriate behavior.

“I had no idea this was going on during my tenure or after I left,” Couric said. “I think I speak for many of my former colleagues when I say this was not the Matt we knew. Matt was a kind and generous colleague who treated me with respect. In fact, a joke I once made on late-night television was just that, because it was completely contrary to our brother-sister relationship. It’s still very upsetting. I really admire the way Savannah [Guthrie] and Hoda [Kotb] and the entire Today Show staff have handled a very difficult situation.”

The joke she referred to is one she made on Watch What Happens Live. She told Andy Cohen that Lauer’s most annoying habit was that “he pinches me on the ass a lot.”

Couric is currently working on a National Geographic documentary series called Gender Revolution: A Journey with Katie Couric. “One of my Nat Geo episodes explores the various obstacles that are holding women back in Hollywood, Silicon Valley and beyond,” she said. “I just interviewed Elisabeth Moss about this. Harassment is just one part of the equation.”

“I think it was really moving to see so many women support each other and demand change, not only for themselves, but for mistreated and marginalized women in all kinds of industries,” she said about the Time’s Up movement, “Clearly we are witnessing a sea change and a long overdue course correction.”

Related Stories:
–Matt Lauer Reacts to Hoda Kotb Replacing Him as ‘Today’ Coanchor
–Matt Lauer’s Problematic Past With Women On NBC
–300 Powerful Hollywood Women Just Launched Time’s Up, a Massive Antiharassment Action Plan



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