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Afterpay Is Making Layaway Sexy for Millennials—But What's the Real Cost?


For months, I lusted after the Marais USA jardin heel in cherry. The vintage-inspired suede sandals have the perfect pop of color that would zhuzh up an outfit. There was just one catch: the not-so-casual price of $310. But after about six months of wrestling with whether I should treat myself, I received an unexpected email, with the subject line in attention-getting all caps: “BUY NOW, PAY LATER.” The text was short and sweet: “Introducing Afterpay. Pay in four easy installments at no extra cost, simply select Afterpay at checkout.” Suddenly my dream shoes only cost an ever-so-tempting $77.50, in four interest-free payments.

I’d vaguely heard of Afterpay. Urban Outfitters had suggested it as an option at checkout when I was buying SZA’s “Ctrl” on vinyl, and I’d seen Kylie Cosmetics tweeting about it. Soon I was noticing it on other sites I browse, like Re/Done, Everlane, Cynthia Rowley, Free People—the list goes on.

You might also recognize the buy-now-pay-later idea by another name: layaway. Layaway programs actually became common in the 1930s, then faded away with the rise of credit cards, even though big chain stores like Sears or T.J. Maxx still offer installment payment plans. But with many of these services, a store reserved the goods for you; once the bill was paid you could finally take your purchase home.

Afterpay has given this old-school system a shiny, sexy, millennial rebrand with instant-gratification results. You pay for your purchases over four equal installments due every two weeks, and you get your items immediately. (The fine print: To be eligible for Afterpay, you have to be at least 18 years old, and own a debit or credit card. According to the company, first-time customers are typically given a $500 spending limit, and you can’t spend more than $1,500 through the service). While the payments are interest free, if you miss one installment, you’re charged $8. Don’t pony up by the following week, they tack on another $8, etc.

There’s a bevy of installment plans out there now, including QuadPay, Affirm, Uplift, and Klarna, but Afterpay is quickly becoming the most popular. The company says that they have more than 1,000 American retail partners and approximately 500,000 U.S. customers—mostly women—who have used the service. Those numbers are likely to climb: In Australia, where the company launched just four years ago, more than 25 percent of all online fashion and beauty purchases are now processed with Afterpay, according to Nick Molnar, Afterpay’s CEO and co-founder. Molnar told Glamour that the company decided to expand into the U.S. because they saw similar potential in the States and that, as a millennial himself, he knew people were searching for new payment options—without credit cards. “We need mechanisms [like Afterpay] to budget using our own money and to take control of our financial situation,” he says.

Millennials have already been trying to take control of their finances. Only one out of three of them has a credit card, and they use debit cards for purchases more than other forms of payment. Experts say this could be a reaction to the 2008 recession—this age group is wary about getting in financial trouble—and overwhelming student loans. “There’s an overall shift in millennials’ attitudes toward credit cards because of student debt [which 41 percent of them carry],” says Rebecca Liebman, co-founder and CEO of LearnLux, a digital platform which helps young adults make better financial decisions. “A lot of people don’t want to get into even more debt, and that’s exactly what they associate credit cards with.”

Afterpay Is Making Layaway Sexy for MillennialsBut What's the Real Cost

Several young women told Glamour they are suspicious of using credit cards, and many said they’d never had one. “I only use my debit card,” says Naila, a 21-year-old student in Lincoln, Nebraska. “I just don’t trust myself to have a credit card.” Instead of charging her purchases and then paying them off over time on credit with interest, Naila has used Afterpay to buy a light red Fjällräven backpack ($80 over four payments of $20), and new snakeskin mules from Anthropologie ($108, paid in four installments of $27).

Most of the women I spoke to didn’t go out seeking a payment plan. They were just aimlessly online shopping when they stumbled upon this new option they’d never heard of before. And for many, in that instant the clothes and products that seemed out of reach suddenly felt affordable. Christina, a 29-year-old mom of two and aspiring beauty blogger living in New York, first learned about the service from Kylie Jenner. “I remember when she announced on social that Kylie Cosmetics would have Afterpay I was so excited because I was like, ‘Wow, Kylie’s products are so expensive!’ And I’m like, I want a palette but I don’t feel like dropping $60 on something I never use,” she says. But Afterpay gave her a way—and since then she’s used it to score a Jaclyn Hill kit from Morphe and other luxe lipsticks.

That’s why payment models are appealing to stores, too. “For a lot of our customers, spending $300 on a pair of shoes is a splurge,” says Haley Boyd, the founder of Marais USA shoes. Afterpay, she says, “really eases their purchasing power.” Many retailers report a significant uptick in orders with Afterpay, though Boyd says she has yet to see a significant boost.

Alejandra, 23, a student in Salem, Oregon, admits she’s “super bad” with credit cards. “I would just rack up purchases, then max out [my card], and at the end of the day I got myself into a hole.” But when Revolve introduced Afterpay, Alejandra still signed up, bought a leopard print jacket, and has been using the service ever since. In two months she’s spent about $700 on things like, “an Urban Outfitters record player for my boyfriend, along with some records, and a few NASA t-shirts, then Gisou hair oil for myself,” she says.

Afterpay Is Making Layaway Sexy for MillennialsBut What's the Real Cost

While all of the women I spoke with are happy with their new loot, they realize that that without Afterpay, they probably wouldn’t have been able to afford their purchases. Simone, an avid Australian Afterpay user since 2016—who provides it as an option for her own clothing company, Simone Tylee, and attributes a third of her sales to the service—acknowledges that having the option to pay in installments has made her hit “buy now” on some things she wouldn’t normally. “I’ve used Afterpay for $2,610 worth of purchases. But if I hadn’t looked that up, I probably would’ve guessed I’d spent only $1,000,” she says. “In most of those cases I would’ve been more conscious about my choices if it weren’t for Afterpay. As a self-employed adult paying for a car loan, rent, fuel, groceries, and other bills each week, I don’t believe I would’ve been able to afford these things upfront.”

Hefzi, 20, a lunch supervisor at an Elton, Illinois, elementary school says using Afterpay to shop, “makes me feel a bit less guilty [about spending], because I’m not paying in full [right away],” she says. This is something Terrence Shulman, the founder of The Shulman Center for Compulsive Theft, Spending and Hoarding, has seen with shoppers (even those who don’t have addictive spending habits). “Gimmicks like Afterpay make you think, ‘Ok, I’m not just whipping out a credit card and paying for this all at once.’ The psychology is similar to things like flash sales or offers to make a purchase without interest for a year,” he says. “But that still doesn’t mean you can actually afford it. You feel like you’re getting a deal and that’s very seductive—but it doesn’t mean you’re not spending above your means.”

While financial experts I spoke to said that Afterpay could be better than a credit card because there’s no interest, they were all very wary of the service. For one, those late fees still add up. Afterpay made $28.4 million, or one-quarter of their overall earnings, off those fees last year. And in Australia, users of buy-now-pay-later companies owe more than a whopping $900 million. The Australian Securities & Investments Commission also found that, “one in six buy now pay later users (16 percent) believed they had experienced at least one type of negative impact due to a buy now pay later arrangement. This included becoming overdrawn, delaying bill payments, and borrowing additional money from family, friends or another loan provider.” (Afterpay is too new the U.S. to have similar data here.)

Afterpay Is Making Layaway Sexy for MillennialsBut What's the Real Cost

But most of all, financial experts worry that Afterpay and its cousins only teach us to live outside our means. “When it comes to discretionary spending on things like makeup, clothes, jewelry and other non-essentials, I don’t recommend using any form of payment plan. Even a credit card,” says Stefanie O’Connell, a millennial personal finance author. “Afterpay is disturbing because it gets you into the habit of spending money you don’t have. There’s nothing wrong with the occasional luxury splurge, but if you can’t afford it—meaning you can’t afford to fund the entire purchase when you make it—it’s not worth the tradeoff of putting yourself in a position where you might have to incur additional debt or leave yourself vulnerable if an unexpected expense or emergency arises.” We need to get real about our spending: If there’s not enough in your account for the cult classic Mansur Gavriel bucket bag, empty your cart, log off the Afterpay app, and step away from the computer—no matter how alluring those four small payments look. Your savings, and your future self, will thank you.

I haven’t taken the plunge and purchased the Marais heels. Not just because it’s winter here in New York, but because I know that my bank statement at the end of says I can’t afford them. But I did recently get a call from my 20-year-old little sister who was giddy to tell me that she finally bought the out-of-her-price-range $150 KKW Beauty Glam Bible Bundle—thanks to Afterpay. And another user is born.

Samantha Leach is an assistant editor at Glamour.





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Microblading Eyebrows: What's the Difference Between Microblading, Microshading, and Microfeathering


Unless you’ve been chilling under a rock lately, you’ve probably heard of microblading, the new-ish, semi-permanent version of eyebrow tattoos. They’re not your grandma’s stamped-on brows; instead, the delicate, super-fine hair strokes look natural and realistic in a way that the first-gen versions never did. Microblading’s recent popularity has spawned microshading and microfeathering, two techniques that give you a different brow look depending on your preferences. Here’s how they differ—and what that’ll mean for you.

Microblading

Eyebrows before and after microblading

Best for: Anyone who wants a natural brow look that lasts.

What is microblading: Microblading is a technique using a super-fine pen (technically, a bundle of 12 to 15 needles) to deposit pigment into skin. The tip is so fine, in fact, that it can create hair strokes that look legit. And the needles reach only into the superficial layers of the skin, which is what makes the method semi-permanent (versus permanent, like traditional cosmetic tattoos). Think of each stroke as a little paper-cut. (We know what you’re wondering: Yes, it hurts, but your brow artist can numb the area first.) Compared to other techniques, “microblading gives a very natural look and better simulates hair,” says Betsy Shuki, makeup artist and brow expert who offers microblading services at the office of NYC plastic surgeon Scott Wells, MD.

What you should know: Prices vary based on location and artist expertise, but expect a quality job to run somewhere between $700 to $1,500. In the first few days, you might want to plan around your brows. “On the first day after microblading, clean your eyebrows with distilled water on cotton pad gently and apply aftercare cream every four hours,” says Shuki. On the second day, repeat that three times. For the next five days, do this morning and night. Your brow area might be red and scabby, so try not to schedule big things (e.g., a huge job interview or engagement photos) for the first week or two. “Also, avoid going to the gym, any excess sweating around eyebrows will prevent pigment retention and can cause infection,” adds Shuki.

How long microblading lasts: You’ll need a touch-up in about a month (the cost of this is typically budgeted into the fee of the initial service). Then, microblading can last anywhere from 12 months to three years, depending on your lifestyle. A few ways to extend it: Stay out of the sun, since it can fade the pigment, and avoid putting exfoliants (like retinol and glycolic acid) near your brows, because they’ll lift the top layers of your skin with continued use—and the color with it.

Microfeathering

PHOTO: Kristie Striecher / Striiike

Eyebrows before and after microfeathering

Best for: Anyone who wants to lightly fill out the brows they already have.

What is microfeathering: Microfeathering is a form of microblading, and a technique created (and trademarked) by eyebrow artist-to-the-stars Kristie Streicher. She’s best known for her feathered brow, a no-needle shaping method that’s all about a natural, fluffy-looking brow. This is similar to that, but with pigment. Like microblading, she uses a fine blade to create tiny incisions. “Pigment is then deposited into the incisions, resulting in an incredible natural-looking ‘eyebrow hair,'” says Streicher. Unlike microblading, which typically creates most of the brow for you, Streicher uses your existing brow hairs as the “starting base” and simply fills it in as needed.

What you should know: Microfeathering is a little more high-maintenance than microblading, only because Streicher is so exact. She requires a consultation to ensure that there’s enough natural hair to help blend the pigment into your brows. (And, even so, there’s usually a growing-out period of six to 12 months so your existing brow hairs are all accounted for.) It’s also a two-part process (all of which costs $1,000 for Streicher’s procedure). “During the first appointment, microfeathered strokes are created in some of the more dense area of the brow,” explains Streicher. “Six to eight weeks later, depending on how your skin heals and responds, additional strokes are then added.” Everyone heals differently, she says, so she can better complete the look once she knows how your skin will recover.

How long microfeathering lasts: It typically doesn’t have the staying power of microblading because “the pigmented stokes are much finer and natural looking,” says Streicher. Depending on certain factors, like your skin type (oily skin won’t hold the pigment as well), age, and skin care routine, microfeathering will usually last eight to 12 months, max.


Watch: Microblading, Microshading, and Microfeathering: What’s the Difference?


Microshading

PHOTO: Betsy Erbeli Shuki

Eyebrows after microshading and microblading

Best for: Anyone who wants brows to look more “done” (i.e. thick and filled in).

What is microshading: If microblading is like painting and microfeathering more like sketching, microshading is like an Impressionist got ahold of the blade. “Microshading technique is done using either an electric hand tool or a manual tool, which creates a soft, powdered effect that resembles eyebrow powder,” says Shuki. Instead of the hair stroke typical with microblading and microfeathering, microshading employs a stippling method, which uses repetitive dots of pigment. It’s like the pomade or powder to microblading’s pencil strokes—just semi-permanent. The overall effect more closely resembles the sort of brow you’d find on any given Instagram influencer.

What you should know: Some people could benefit from a combo of microshading and microblading, says Shuki. That candidate would have thinning eyebrows with drier skin—so, likely on the more mature side. Thinning brows can benefit from the extra oomph of shading. If you’re on the fence between the two, nothing beats checking out photos on Instagram. They’ll give you a good understanding of a brow artist’s style, so you’ll have a better idea of what to expect when you make an appointment. Plus, it shows the quality of the work, since pictures can’t hide a botched microblading or microshading job. (Also, spring for an artist with a license or certificate from the Society of Permanent Cosmetic Professionals or the American Academy of Micropigmentation, which shows that they’ve undergone the proper training.) Luckily, if you do get both, the price is about the same as it would be for just microblading. Expect to pay anywhere between $700 and $1,500.

How long microshading lasts: All good news here—there’s no difference in the lifespan of microshading and microblading. So, excluding the first touch-up, you have a solid year before you need to see your brow artist again.

Related Stories:
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This $10 Brow Tint Pen Makes It Look Like You Microbladed Your Eyebrows
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This Is Us Season 3 Review: What's Going on With Randall?


Warning: This Is Us spoilers ahead.

Beth slept on the couch last night at the end of This Is Usmid-season finale and, honestly, I was thrilled. Not because I want her and Randall’s relationship to fail, but because maybe Randall will now finally wake up from whatever’s been making him the worst for quite some time.

Seriously, what is up with Randall this season? If you’re caught up on This Is Us, then you know he’s hellbent on winning the city councilman election in Philadelphia—so much so that he’s now sacrificing the wellbeing of his family. Randall was hit with a harsh dose of reality last night when his campaign manager told him he just doesn’t have the numbers to compete with his running mate, Sol Brown. On top of that, his daughter Tess came out, and Deja, whom they just adopted, now wants to regularly visit her birth mother.

To me, all this pointed to Randall needing to drop out of the race and stay close to home. Beth—who was fired from her job and is going through it—even told Randall she can’t handle this family stress on her own. But his response was essentially, “Nope, I’m still doing this! Don’t care about your feelings, bye!”

Yes, it’s noble Randall wants to run for councilman, but his intentions are starting to feel increasingly selfish—at this point, it seems like he just wants to win the race. And I think he’s been like this for a while. Whenever Randall has some all-consuming idea, Beth is right there by his side with her support. Remember when he up and quit his job? Beth held down the fort so he could find his passion. When he wanted to buy a whole building, Beth was like, “Sure! We can afford that!” She’s always been Randall’s biggest cheerleader. Now it’s time for him to be hers.

PHOTO: NBC

Beth is clearly the one who needs support right now. When she told Randall she was fired, it didn’t sway or affect his councilman ambitions. He didn’t think to himself, “Maybe, I should take a backseat, find a 9 to 5, and let Beth figure things out like she did for me.” It was full steam ahead, no matter how she felt.

In fact, his solution to Beth’s feelings of inadequacy was hiring her for his campaign team. It always comes back to him and his needs, regardless of what he says to the contrary. After Randall told Beth he wasn’t dropping out of the campaign, she snarked, “You sure did learn how to talk like a politician.” She’s right! Anything he said about putting his family first was just lip service. When push came to shove—when Beth actually said, “Hey, I need you”—he failed. No amount of funny dad jokes or shirtless scenes is going to make up for that.

The men of This Is Us are frequently billed as perfect specimens, but it’s important to remember they’re all flawed. I’ll never forgive Jack for thinking he can buy a car without consulting Rebecca first, Kevin’s greatest asset is his abs, and Randall is completely self-centered. (Sorry, but he is!) In my opinion, the only way Randall can redeem himself is by quitting the campaign and committing to staying at home and fueling Beth’s growth. This likely won’t happen, though. He’ll probably just say some charming nonsense to make Beth temporarily forget she’s mad, even though her feelings are valid. Maybe he’ll go on to win the campaign, miraculously, and then find some other pipe dream that puts Beth’s desires on the back-burner. Again. But I really hope I’m wrong.

This Is Us season three will return January 15 at 9 P.M. ET on NBC.



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Victoria Secret Fashion Show 2018: What's Holding It Back From Size Inclusivity?


When the Victoria’s Secret Fashion Show taped on November 8, there are some things we know to expect: pink satin robes, glossy air kisses, bedazzled push-up bras, elaborate angel wings. If the casting announcements are any indication, we can also expect to see the usual army of 5’10, size-two models—not surprising for a runway show, perhaps, but a far cry from the direction much of the lingerie industry is headed.

During the past few years, Victoria’s Secret’s competitors—including Aerie, ThirdLove, and Rihanna’s Savage x Fenty—have built their brands on messages of self-acceptance and body positivity, touting diverse casts of models, Photoshop-free campaigns, and (relatively) broad size ranges. And they’ve reaped rewards in the form of sales and social media accolades. Nearly every new startup in the lingerie space has “inclusivity” baked into its mission statement. And at the mass level, retailers like Target and J.Crew now cast non-sample-sized models in marketing materials as a matter of course.

Victoria’s Secret appears to be holding their ground, a fact that some of the brand’s rivals and critics have seized upon as a marketing opportunity of their own, calling for boycotts and staging campaigns with pointed hashtags like #ImNoAngel (Lane Bryant) and #weareallangels (ThirdLove and curve model Robyn Lawley). Ashley Graham—perhaps the most obvious candidate for a spot on Victoria’s Secret’s roster, with her 7.5 million Instagram followers and ample runway experience— skewered the brand on social media last year, posting an image of herself in a lingerie set by plus-size brand Addition Elle and a Photoshopped set of angel wings on the same day VS taped its show. The caption: “Got my wings! … #thickthighssavelives.”

Graham’s post racked up nearly 775,000 likes, putting it on par with some of the most popular images from the show itself, according to an analysis by Instagram marketing firm Dash Hudson.

If Victoria’s Secret was still the seemingly unstoppable juggernaut that it was throughout most of the 2000s and 2010s, then the old argument that “if it ain’t broke, don’t fix it” might apply. But since early 2016, parent company L Brands has reported quarter after quarter of declining sales and shrinking profits. And CBS, which had aired the annual fashion show, said that ratings in 2017 were down 30 percent from the year prior among viewers aged 18-49, with just under 5 million people tuning in to the broadcast. (In 2018, the Victoria’s Secret Fashion Show has a new network home: ABC.)

PHOTO: Matt Winkelmeyer

There could be many factors at play here—new competitors in the lingerie space, changing viewership habits and shopping behavior… But the consumers Victoria’s Secret needs to connect with in order to sustain itself in the future—younger millennials and generation Z—tend to respond to brands they perceive as authentic and values-driven, and shun the hyper-sexualized imagery that appealed to previous generations, according to research firm PSFK. Gen Z, roughly defined as teens and young adults born between 1997 and 2010, will account for 40 percent of all consumers by 2020, ad agency Barkley predicts, together holding up to $143 billion in direct spending power; younger millennials, meanwhile, are now exiting their college years and generating income of their own, making them an increasingly enticing demographic for brands.

Victoria’s Secret has done an exceptionally good job at meeting these shoppers where they spend a significant portion of their time: Instagram. It has cast celebrity models like Kendall Jenner and Gigi Hadid, who boast 97 million and 44 million followers respectively, in its annual fashion show. The brand’s Angels, the select group of models on long-term contract, make frequent appearances on its social media channels. But while this online reach helps ensure the Victoria’s Secret Fashion Show is seen by hundreds of millions around the world, that doesn’t necessarily translate into sales.

“There’s a difference between buzz and buyers,” explains Jeetendr Sehdev, New York Times bestselling author of The Kim Kardashian Principle and celebrity branding authority. “And while Victoria’s Secret continues its buzz, it’s suffering on the buyers front.”

Body positivity, meanwhile, is “one of the key movements within the lingerie industry,” says Jo Lynch, lingerie editor at trend forecaster WGSN. Take the acclaim of Savage x Fenty, which closed New York Fashion Week with a runway show-performance art hybrid starring an exceptionally diverse cast of models and dancers, as “a good example of a sexier brand sending out a clear message about who the lingerie is for, and who should enjoy it: the women who wear it.”

Can Victoria’s Secret thrive with the same old formula? The brand doesn’t normally comment publicly on the lack of body diversity among its models. But decisions about its annual runway extravaganza can’t be taken lightly: The Victoria’s Secret Fashion Show takes a full year of planning and can cost upwards of $20 million to produce, L Brands’ Chief Marketing Officer Ed Razek told the New York Times in 2016.

In a statement provided to Glamour, Monica Mitro, EVP of Public Relations at Victoria’s Secret, said: “The women in this year’s show are from all over the world. They represent many stages of a modeling career and each has her own story to tell. Scrutinizing women’s bodies of any size related to the Victoria’s Secret brand is unfortunate because it puts judgement on women of any body type. Victoria’s Secret believes the body positivity dialogue should be positive. It should not be done by putting other women down, including the 60 women that are excited to be in our Fashion Show. These women represent so many important aspects of diversity that should be celebrated beyond solely focusing on their bodies.”

PHOTO: Getty

PHOTO: Getty

Razek and Mitro also sat down with Vogue this year, and, in a story published the day of the show’s taping, responded to some of the criticisms it has faced. “I think we address the way the market is shifting on a constant basis,” he said. “If you’re asking if we’ve considered putting a transgender model in the show or looked at putting a plus-size model in the show, we have. We invented the plus-size model show in what was our sister division, Lane Bryant. Lane Bryant still sells plus-size lingerie, but it sells a specific range, just like every specialty retailer in the world sells a range of clothing. As do we. We market to who we sell to, and we don’t market to the whole world.”

In terms of its fashion show casting, Victoria’s Secret puts heavy emphasis on physical fitness, messaging it’s ramped up in the past few years with its “Train Like an Angel” campaigns, which push the brand’s activewear offerings and might serve to silence critics who contend that Victoria’s Secret’s idea of “what’s sexy” is all about being thin. Models frequently talk about the intensive training regimes they embark on months before the show.

But the brand would hardly have to give up its fitness-first narrative in order to add a few curvy models to its lineup. Graham, for one, trains at New York’s Dogpound gym, where many of the Angels are regulars. Candice Huffine is a runner with her own line of size-inclusive activewear. Marquita Pring can swing a set of kettlebells with the best of them. If the show is the modeling world’s Super Bowl, as it’s often called, then a size 8 or 14 can train just as hard for it as a size 0.

And while any change is sure to bring out some haters, the praise will almost certainly drown them out, if the runways of New York Fashion Week are any indication. In recent seasons, brands like Christian Siriano that have made diversity a priority have not only been celebrated in the press, but have ultimately boosted their bottom lines.

Casting director Hollie Schliftman, who helps bring Siriano’s vision to life every season, declined to comment on Victoria’s Secret directly, but she says she understands why some brands are still holding out when it comes to their casting. “I see how people just love to do what they’re used to,” she says. “It’s hard—this industry is a really hard [one] and people are very critical and very judgmental. So it is taking a risk going out of the norm of what people are used to, but it’s so nice to see that people… that there are some designers that really just believe in what they believe in and they take the risk and they do it.”

PHOTO: Getty

PHOTO: Getty

PHOTO: Getty

Any change, though, has to come from the top, according to casting director Gilleon Smith, whose work with New York brand Chromat has also earned widespread accolades for its radical inclusivity.

“I’ve always said this a lot, but fashion is not a progressive industry,” Smith says. “It’s very traditional, which people don’t really get, but people kind of stick with who they know—what photographer, what stylist—and nobody really goes outside of that in terms of working with different creative teams unless something bad happens. So I think that Victoria’s Secret has had this formula that they use, and they have the same people continuing on the legacy and the tradition of what they’ve always done, and that is their barometer or metric for success.”

And the Victoria’s Secret Fashion Show has made significant strides in terms of racial diversity in recent years, with models of color making up close to 50 percent of the cast of 2017’s Shanghai program—that’s a vastly higher number than the 32 percent average of the Fall 2018 shows. Natural hair has also become a normal sight on the runway, after years of uniform beachy waves, to much fanfare.

Size, however, seems to be a more challenging frontier. One hurdle may be the fact that Victoria’s Secret simply doesn’t carry sizes larger than a 40DDD in bras and an XL (equivalent to a size 16) in panties and apparel, meaning many, if not most plus-size models are already sized out of the line. That could create another problem: If the brand were to cast someone like Graham, who wears a size 16, it could come off as disingenuous if Victoria’s Secret didn’t also commit to expanding its size range—more a ploy for press than a genuine desire to reach an untapped market.

Perhaps it’s a commitment to the promise of “fantasy”—an adjective it uses in its marketing materials, and to describe the multimillion-dollar bra one lucky model wears every year—over reality. This fantasy, to hear the brand’s executives tell it, is the idea that every girl can aspire to be like a Victoria’s Secret model: “It’s a celebration of powerful women by powerful women who work very hard at what they do, live a healthy life and inspire legions of admirers,” Razek told the Times in 2016.

PHOTO: Getty

Chromat’s Smith, however, has a somewhat different take: “It’s kind of like a Christmas special. It’s this whimsical fashion cartoon that everybody’s watching.” The show, in this sense, is more like pageantry than a reflection of the real world (though even Miss America dropped its swimsuit competition this year).

But does fantasy still resonate with today’s shopper? According to YouGov, a market research and data analytics firm, 70 percent of U.S. consumers between the ages of 18 and 34—Victoria’s Secret’s prime demographic—say they like seeing “real looking people” in ads.

“Consumers more than ever connect to the product through those people presenting them, so if the models are not engaging the customer or they feel like they can’t somehow relate then the casting has failed,” say Drew Dasent and Daniel Peddle, casting directors and co-founders of The Secret Gallery, who declined to comment on Victoria’s Secret’s casting choices.

“If you’re looking at Victoria’s Secret and the people who shop there, it’s people completely across the U.S. and beyond,” says Smith. “And I don’t understand why you wouldn’t want to have representation of all kinds.”

Sehdev, the brand marketing expert, says Victoria’s Secret will need to act fast and decisively if it wants to hold onto its place at the top. “It’s a highly competitive market, so it’s great that they have made some movement [in terms of racial diversity], but they have truly got to make some radical changes moving forward,” he says. “They have to really reinvent and reimagine the brand in a way that is fresh, provocative, bold, and brazen for a new generation of consumers that think, act, and feel very differently.”

Despite its recent challenges, Victoria’s Secret is still a multi-million brand with the power to make supermodels’ careers and broadcast its image of what sexy looks like to countless women around the world. It’s a mall staple, and, with its teen-geared Pink brand, the first lingerie store that many American girls shop at. With a broader range of sizes, it might be fair to say that its clientele would be nearly as diverse as the country itself.

“The brand has a specific image, has a point of view,” Razek told Vogue. “It has a history. It’s hard to build a brand. It’s hard to build Vogue, Ralph Lauren, Apple, Starbucks. You have a brand position and you have a brand point of view. The girls who have earned their way into the show have worked for it… And all of these things that [other brands] ‘invented,’ we have done and continue to do.”

The question now is what will the lingerie giant do with the influence it still wields?





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Janelle Monáe Knows She Has Your Attention. Get Ready for What's Next.


In 2018 it feels like the world is at last prepared for Janelle Monáe. Ten years ago her EP, Metropolis: The Chase Suite, arrived as if from another continent, even planet. The layered, literary R&B album referenced classic space operas like Star Trek and the works of David Bowie and Prince. It seemed to foretell a world where black girls could imagine themselves without limits. I first heard about Monáe around then, from a much cooler coworker. I remember listening to “Many Moons,” the single that merited her first Grammy nomination, as my colleague and I traded visions of black self-determination.

It was 2008, before the social media heyday, when mass portraits of black identities were still controlled by a narrow-minded media complex. But Monáe kept working her own grooves anyway. Next came The Arch-Android in 2010, which broke the Billboard top 20 with tracks so infectious even Michelle Obama put them on her workout playlist.

PHOTO: Danielle Levitt in Los Angeles. Stylist: Sean Knight; hair: Vernon François; makeup: Jessica Smalls; manicure: Sreynin Peng; set design: Carl Hopgood; production: Emily O’Meara. Calvin Klein 205W39 NYC gown, hat. Alison Lou

Calvin Klein 205W39NYC gown, $1,900, hat, $390, calvinklein.com. Alison Lou hoops, $125, alisonlou.com.

It didn’t occur to me then to wonder where in the world Monáe had come from. But as I reached out to interview her this fall, it all of a sudden seemed essential to know. Every superhero has an origin story.

This is hers: Monáe, 33, was born in Kansas City, Kansas, the product of a black working-class neighborhood called Quindaro. The area was a settlement for Native Americans and, during the Civil War, a haven for abolitionists and black people who escaped enslavement. Her grandmother still owns the house Monáe played in as a child. When she visits, the stories she was raised on flood back to her. Her grandparents, Monáe tells me, passed down the tales from their ancestors about watching slaves escape during Bleeding Kansas, a series of violent clashes in the lead-up to the Civil War. “You can still see some of the ruins there,” she says. “Just knowing that I come from a place where people were trying to be free and fighting for their survival, it makes me feel like I have a lot of people to make proud. I don’t want their work and their blood and their sweat and their tears and their sacrifices to go in vain.”

It’s because of her parents (mother, a janitor; stepfather, a post office worker) that Monáe started to wear a black-and-white tux to public appearances, she says. The outfit was her uniform, an homage to the uniforms that blue-collar workers have worn for decades.

“I’ve always taken issue with people trying to place an image on what a young girl could be,” says Monáe. “I was going to decide that for myself.”

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When Monáe released Dirty Computer in April 2018, she seemed to want to break out of even her self-imposed strictures. Her latest work is a new beginning, showing us the fullest vision of Monáe to date. She describes the single “Pynk” as “a brash celebration of creation, self-love, sexuality, and pussy power.” And in its music video Monáe flaunts pubic hair and showcases a parade of voluminous pants shaped like vaginas. “I knew that I wanted to embrace all of me,” she says. “The good, the bad, the complicated, the humble, the cocky, the many dimensions of who I was.” In December, audiences will see her in Welcome to Marwen, her first feature role since Hidden Figures in 2016. The movie is as distinctive as its leads—a combination live-action and animated film about an artist named Mark Hogancamp (Steve Carrell) who tries to recover from a brutal attack by creating a miniature World War II town. Monáe stars as his physical therapist and friend. In other words, the healer.

“I’ve always taken issue with people trying to place an image on what a young girl could be. Early on I told my parents that I was going to decide that for myself.”

Monáe was raised in the Baptist church, a place that both fostered her love of music and emphasized, in her view, that she was different from some of her fellow worshippers. “I grew up with 12 aunts that I was very close to and that loved and cared about me,” she remembers. But with their affection came a host of opinions that they didn’t hesitate to make known. “They would say, ‘Oh, no skirts above the knees,’ or, ‘You can’t wear pants,’” Monae recalls. “I would…come in and just want to express myself. You had to deal with the looks and the community saying, ‘When you come in here, you need to look this way.’ I’ve always taken issue with people trying to place an image on what a young girl could be. Early on I told my parents that I was going to decide that for myself.”

The church may have sometimes stifled her, but it was also where Monáe learned the power of activism. She went door-to-door to feed the poor. She walked around the most dangerous parts of her neighborhood, “praying with people that people [would] put down their guns.” It felt good, she says, like, “This is what I’m supposed to be doing.” Monáe has carried that commitment to activism into adulthood. She has been an outspoken and frequent supporter of the Women’s March. At the 2018 Grammys she gave one of the most powerful speeches about Time’s Up; it was an extension of her own work with Fem the Future, which she launched in 2016 to empower female music executives, filmmakers, and sound engineers. The organization is her response to her own frustrations about opportunities for women in the business. That zeal for justice will continue to permeate her artistic work; her videos in particular create worlds of both oppression and rebellion. These fictional worlds, she says, “allow us to see where we could be headed. If we don’t right our wrongs, this could be our future.”

At this moment, even as the country seems bitterly polarized, she’s focused on a path forward. “We are going to have to figure out how to protect each other better than we have been,” she says. “We have to prioritize that, do a better job of looking after each other. I think we get an F in that. We’re going to have to stop getting lost in our own individualism because we are a [community]. We literally rely on each other to survive.”

“We are going to have to figure out how to protect each other better than we have been,” Monáe says. “We have to do a better job of looking after each other.”

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And how do we do that? For Monáe—an exceptional talent but one hell-bent on collective deliverance—the best chance we have at freedom comes to us as it did to her as a child: through stories. “Having real vulnerable moments allows us to see each other in each other,” she says. “Once we can reach a level of empathy, maybe we can like each other more. Maybe we can love each other more.”

It’s a kindness Monáe has tried to extend inward over the past year in particular. Her various identities have rallied her: “I’m a part of the LGBTQIA community. I’m a black woman. My parents are working class,” she says. None of us, she adds, has “our shit together,” so why not just own it, whatever we are?

“We can pull down the fake wallpaper, break the mirror that has been lying to us and making [us] believe that we need to be perfect,” she says. “We don’t need to be perfect to be respected.”

Kaitlyn Greenidge is the author of We Love You, Charlie Freeman.

Hair: Vernon Francois at The Visionaries Agency; makeup: Jessica Smalls at The Wall Group; prop stylist: Carl Hopgood at Celestine Agency; manicure: Sreynin Peng; production: JN Production.



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*This Is Us* Season 3 Episode 6 Recap: What's in Store for Pregnant Kate?


The newest episode of This Is Us didn’t end with any cliffhangers, but after last week’s episode we’re not sure we could’ve handled any more. From learning that Jack received his signature necklace from a woman in Vietnam to Beth losing her job and Kate’s pregnancy rollercoaster, we needed a bit of a break.

But that doesn’t mean there’s any less to worry about for the Pearson clan. Kevin and Zoe are off to Vietnam to uncover answers the entire family may not be ready for, an emotionally-exhausted Beth is about to embark on a new political venture with Randall, and Kate is grappling with the excitement and concern of her maybe-baby and Toby.

With a third of the season already behind us, executive producer and co-showrunner Isaac Aptaker called us after a nine-day shoot in Vietnam and gave the scoop on what happening next. Get ready.

Glamour: Let’s talk about the necklace that Jack gave Kevin as a teenager. Kevin knows that it was given to Jack by this woman in Vietnam, but that’s if the necklace even belonged to the woman in the first place, right?

Isaac Aptaker: Totally. Yeah, he’s making a little bit of a leap there.

Glamour: One of my theories is that Nicky was actually involved with this woman, and Nicky gave the necklace to her, but when Nicky dies, she gives it to Jack.

IA: Hmmm, very interesting. Yeah, I mean, anything is possible. So far all we know is what Kevin knows, which is that this necklace was very important to his father, and eventually bequeathed to him is on this woman’s neck, and it’s very mysterious and opens up quite a lot of questions. So Kevin is determined more than ever to get some answers.

PHOTO: NBC/Ron Batzdorff

Glamour: When are we going to see this woman next?

IA: We’re sort of…at the end of the episode, as you see, we’re sort of fully launched into this story, so we’re going to pick right back up with Zoe and Kevin going to Vietnam in our next episode.

Glamour: Back in March, I floated the idea by you and Dan Fogelman that there could be a half Pearson sibling somewhere in Vietnam…

IA: Yeah, and I’m reading a bunch of that now out there. [Laughs] The Big Three-Point-Five, some website coined it. I thought that was cute. So yeah, that’s certainly going to be on Kevin’s mind, too, as he’s like, ‘Whoa, was my dad romantically involved with this necklace woman, and do I potentially have a half-Vietnamese Pearson [sibling] somewhere out there?’

Glamour: And see, back in March, Justin [Hartley] made me think I was crazy for raising the possibility of another sibling, and now it’s a possibility!

IA: [Laughs] It’s totally possible!

Glamour: You just returned from filming episodes in Vietnam. When will those episodes air?

IA: Man, they are so cool. Our first one is going to be the next one, episode seven, so we’re rushing to get those scenes done. We work weekends around here to get things done! [Laughs] That’s the first chapter of Zoe and Kevin in Vietnam, which we shot all around location in Vietnam. We shot scenes from a few episodes there, so [that] takes us up through the middle point of our season.

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PHOTO: NBC/Ron Batzdorff

Glamour: At what point will Rebecca find out about all of this, and how will Kevin digging into Jack’s past affect her?

IA: She’s totally in the loop and he’s not secretly going to Vietnam. Everybody knows. I don’t think he’s like, ‘Hey mom, I think dad may have had a girlfriend over there,’ but she knows he’s off to get some answers. And certainly I think just like our Big Three, she has a lot of unanswered questions about her husband, but she’s also in a lot of ways I think come to peace with that. And having Kevin dig [into Jack’s past] and take these skeletons out of the closet is going to cause some upset as they have to re-examine the father and husband they thought they knew.

Glamour: Let’s move on to Kate and Toby’s baby, or maybe-baby as they call it. Tell me what was behind the decision to have this pregnancy take, considering the doctor cautioned her that she only had a 10% chance of IVF working.

IA: Yes, and so far [the pregnancy] works., but it’s still a long road ahead. We felt like we only have so many characters on our show and we’re trying to show a wide variety of experiences. We felt like even though it wasn’t IVF last year with Kate and Toby, we told the story of the heartbreak of losing a pregnancy, and the [10%] thing felt like it was enough of a chance that it wasn’t so crazy that we’d love to show when IVF does work and a pregnancy hopefully does make it.

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PHOTO: NBC/Ron Batzdorff

Glamour: How many weeks along is Kate?

IA: Our writers assistant diligently keeps track of how many weeks along she is. I can’t tell you off the top of my head, but we have a chart in our timeline in our writers room to keep track of all of this. But it’s a fraught road: It’s a medically-complicated pregnancy because of a variety of factors, and it’s a high-risk pregnancy. She’s not at all out of the woods, and it’s wonderful the IVF did work and she’s pregnant, but there is a long, long road ahead and it is going to be a complicated one for Kate and Toby.

Glamour: Speaking of Toby, you really took your time in tonight’s episode to showcase what it’s like to battle depression…

IA: Depression is so common, and we’ve all either struggled with it or know someone in our lives who has, so it was so important to us to be honest and get this right, and it’s not a story where in one episode someone is depressed and in another episode they pop a pill and everything’s back to normal. It’s a process, and we wanted to depict that process. It’s a real challenge for Toby to get on the right dose and get back on his antidepressants and just sort of get back to the status quo of that guy that we know and love. And for Kate, this episode is so much about her struggle of how she can be the best partner to Toby as he goes through this. Does he need someone to push him? Does he need someone to say take all the time you need? This is all unchartered territory for Kate, too, and she’s trying to figure out the best way to support her husband.

This is Us - Season 3

PHOTO: NBC

Glamour: Let’s turn to Beth. Is stress purely the cause of what she’s going through right now having lost her job, or is there something else health-wise going on? That’s not to say stress can’t cause health issues, because it definitely can, but obviously fans are still worried Beth is the woman in question that Randall and Tess are going to see in the future.

IA: We never intended for this to feel like a story about Beth’s health and Beth being in jeopardy. [Instead] it’s what happens when this alpha professional shark of a woman, who’s worked at one company and really grown it for her entire career, has the rug ripped out from under her and is all of the sudden unemployed and what that does to your whole sense of self when so much of it is wrapped up in your professional identity. So we see this ripple effect that’s going through her whole personality and she snaps at her kids, which is so, so uncharacteristic of Beth.

Glamour: I’m worried about Beth and Randall’s income, since Randall obviously isn’t making money campaigning for public office, Beth lost her job, and now they have another kid in the house to take care of.

IA: [Laughs] Totally. It’s a fair question. Randall did very, very well at his previous job, and he’s only been out of that for a little over a year, so I think he built up quite a nest egg for them. Beth’s only been unemployed for a matter of weeks, and when you’re let go like that, you do get a severance, and then they also have William’s building, so they are also getting rental income from that property. You don’t have to worry about them yet, but it is something we’ve talked about as Randall embarks on this campaign. What is the financial strain that he’s putting on the family when no one has a 9 to 5 at the moment?

Glamour: Finally, let’s talk about Jack and Rebecca. Dan Fogelman originally teased this super romantic, Ghost-like scene this season that ended up being Jack doing the dishes and Rebecca helping him, but I thought tonight’s scene with the boxing gloves was way more romantic! Are we going to see more of that this season, especially in their courting period?

IA: Oh, totally! That’s our favorite stuff. The show can get so sad because we do take on so much, but we always want to find those moments of levity. And I agree—that one really snuck up on us. In the writing it just felt like a cute little scene, and then in editing when you see Mandy and Milo give it their all, you’re like, ‘Wow, this is really romantic!’ They are so good at playing that and we love giving them that type of stuff. Especially, like you said, when they’re in their twenties and falling in love. We’re diving back into that time period actually in a big way in the next new episode. They have a very romantic one coming up!

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PHOTO: NBC/Ron Batzdorff

Glamour: Yes, milk that sexiness for all its worth! [Laughs] And finally, as we approach the halfway point in this season, what can you say about what’s to come?

IA: The next episode [airing on November 13] is one of my favorite episodes we’ve ever done, and I haven’t even seen the final cut yet cause we’re still editing in the Vietnam pieces. But it’s a really special episode. We’re going to dive back into Jack and Rebecca sort of right where we left them, which is deciding to go to Los Angeles, so it’s a road trip episode where Jack and Rebecca are heading to LA. We are picking up on Jack in Vietnam [also] on a road trip of sorts, and then Kevin and Zoe are not on a road trip, but they are on a much bigger trip as they begin their adventure and arrive in Ho Chi Minh City. So there’s a ton of scope to it. We’re in L.A., and we’re in Vietnam in two different time periods, and you don’t see that a lot in one hour of television.



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