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'Jane the Virgin' Star Justin Baldoni Wants to End Toxic Masculinity: 'The Glass Ceiling Exists Because Men Put It There'


Since the shocking sexual harassment allegations were first reported against Hollywood mega-producer Harvey Weinstein in October, there’s been an avalanche of accusations against other power players in media, business, and yes, Hollywood. (If you, too, are having a hard time keeping up, we created this—horrifying, frankly—list of the latest men facing allegations, which we’re updating.)

In the wake of all these accusations, the concept of “toxic masculinity” has become a hotly debated topic. How are we (or “the patriarchy”) as a culture subtly reinforcing the kinds of stereotypes that may lead to detrimental behavior patterns? These stereotypes, like the idea that men are supposed to be “strong” and never show emotions, can easily lead to misogynistic ideas or acts. (Picture, say, a certain American president dismissing certain comments made on a certain Access Hollywood tape as “locker room talk”—typical male banter, made in jest, and not to be taken seriously.)

One of the emerging voices in this conversation is a surprising one: Justin Baldoni, an actor best known for his work as the—often shirtless—Rafael on Jane the Virgin.

At the TEDWomen conference in New Orleans, Baldoni gave an impassioned talk on the subject, saying the characters he’s often asked to play actually feel all too similar to the one he’s been encouraged to play all his life: a stereotypical man’s man. “This is the script that we’ve been given,” he said. “Girls are weak, and boys are strong…. I came here today to say as a man that this is wrong, this is toxic, and it has to end.”

Baldoni has started leveraging his impressive social following—1 million on Instagram, 160,000 on Twitter—to tackle this issue head-on, and, as he tells it, he got a really great response [from women]. In an effort to court more male followers, he started posting more content that felt stereotypically male—workouts, meal plans, etc.—and lo and behold, not only did men start to engage with him, but a men’s fitness magazine even offered to feature him as one of their “game changers.” (The irony of the moment was not lost on Baldoni.)

But Baldoni isn’t giving up. He’s developing an online talk show, titled Man Enough, and he’s putting himself out there at conferences like TEDWomen. “I believe that as men, it’s time we start to see past our privilege and recognize that we are not just part of the problem, fellas, we are the problem,” he said during his TED speech. “The glass ceiling exists because we put it there. And if we want to be a part of the solution, then words are no longer enough.”

I spoke with Baldoni at TEDWomen following his talk to discuss the correlations between these masculine tropes and pressing issues like sexual harassment in the workplace. (And yes, I asked if he ever worries about doing exactly what he rails against—taking command of a conversation in the women’s space and “mansplaining” it.) Read his responses, and watch his speech at TEDWomen below.

Glamour: Let’s first address that Glamour’s audience might not necessarily be the demo you’ve said you want to reach. What are the men’s brands you want to be interviewing you about this stuff?

Justin Baldoni: I think as a young man, I would collect Men’s Health and Men’s Fitness and GQ, Esquire, and all those magazines. As an actor, it was always kind of a bummer that none of them ever wanted to talk to me…. Part of it is also because I’m on a feminist show, primarily watched by women…. I’ve had my reps tell me, bluntly: “Men’s magazines are not going to write about you because you’re too feminine and because you don’t attract a male audience.” That’s just where it becomes frustrating because the men that I really want to have dialogue with are not listening unless their girlfriends tag them or their girlfriends send them something that I said…. And that’s a bummer because in reality I’m not telling them they have to be different. I don’t think that men have to change. I don’t think there’s anything wrong with men inherently; I think it’s what we’ve learned and the roles that we play.

“The glass ceiling exists because we put it there. And if we want to
be a part of the solution, then words are no longer enough.”

Glamour: I’m sure it’s anxiety-inducing to speak at TEDWomen because you run the risk of mansplaining a women’s issue.

JB: I actually hired a very good friend of mine who’s a very powerful feminist, and I had her tell me and make sure that nowhere in my talk was I mansplaining. There’s no way that I could have given this talk without the support and help of women, there’s just no way. By nature I would have mansplained something because I have the privilege of being a white male and I’ve been mansplaining my whole life—that’s just the way it is. I did everything I could to take out any part that could potentially be that, or to just be aware of what I was saying, because I really wasn’t trying to talk to women, I was really trying to talk to men.

Glamour: Working at a women’s media publication, we speak pretty openly about the “lady media” tropes that now feel incredibly not modern. For example, the myth of “having it all.” What are some of the men’s media tropes that you’ve run into?

JB: I’ve got to be honest, it breaks my heart when I look at both…. Men’s Fitness reached out to me to be a game changer, and what was interesting was that they knew about me for a few years, but it wasn’t until I started talking about working out—like how I tore my pec and I kind of followed my journey the whole way—that they were able to sell it up the chain. And that’s the bummer; it has to be, “Oh yeah, he’s a regular dude too,” because that’s the entry point. But at the same time that’s also a gift because I now understand the psyche of the system. If I want to talk to men, I do have to kind of be a man…. Because if I’m a “girly man,” then they’re not going to listen, but if i can do more pull-ups than you and if I can do that crazy workout that I guarantee can kick your ass, then you’ll listen to me, right? Like all right, cool, maybe I’ll start a whole fitness plan, maybe I’ll do something masculine-focused because I’m cool being a Trojan horse. I have to imagine that I was built the way that I was for a bunch of different reasons, but I have the heart that I have for a reason as well.

If I can be an entry point to help men recognize that being feminine and masculine is OK, then that’s beautiful work that I’m honored to do.… I hope that male fitness magazines and male magazines in general can put as much emphasis on men that are leading with their hearts, and men that are championing women, and men that are standing for equal rights as they do with the men that are making billions of dollars playing sports and men that are alpha males.

Glamour: In your talk, you also discuss sexual harassment and the “Me Too” phenomenon, and it must be acknowledged that women aren’t the only victims. Did you ever feel like you were harassed or victimized on set?

JB: When I was 21 or so, I was very new in the business. I had just done my first show and a girlfriend at the time had gotten me a spa certificate to go to Burke Williams in West Hollywood. I remember there were hot tubs and steam rooms and all kinds of stuff, and it’s kind of fancier people, wealthier guys. I went and jumped in the hot tub and I saw a guy kind of look over. I saw him look over at me, jump out of the other hot tub, and jump in with me, and he said, “Oh what do you do?” And I said, “Oh I’m an actor,” and he said, “Oh I’m a producer,” and he started talking about all of the movies he’s done and all the people he knows. He’s friends with Clooney, Cheadle, and this person and this person, and he slowly started to try to get me to take off my pants because I had my bathing suit on and he was naked.

And I remember the way he did it, using his power and what he does and who he knows as a way to make me feel less than, like I wasn’t going to be as successful as the other guys who’d been in the same hot tub with him, naked. I just remember that feeling and having a moment of saying, “Well, should I do that? And where does that lead?”… I remember a split second [of thought], and then going, “What? No,” and just leaving. I could imagine how hard and painful that must be for a woman. I mean I was stronger and bigger than the guy, and [then there’s] the fact that no one is going to believe you if you’re a woman because your voice is already not heard…. I’ve also experienced [harassment] as a man from women of power…. I’ve had my ass grabbed multiple times by powerful women.

I just think the system is broken, but thank God we’re now at a place where, as gross as it sounds, the infected pimple is finally being popped and healing can actually begin…. And then the other thing men are going to have to start doing now is recognizing when they did it and didn’t realize it. I think that’s when the other side of the “Me Too” movement is “I’m Sorry.” I guarantee at some point in my life there is a woman or two that I in some way made uncomfortable by saying something or doing something that was chauvinistic or sexist. There is one million percent probability that that exists, and all I can do is say, “I’m sorry, I was naive, I was young, I screwed up, and I’ll try to do better.”

“We’ve built in this system—the opposite of accountability—and now
it’s time to figure out how, as men, we can break that system.”

Glamour: For men who may have been enablers—either inadvertently or because they were intimidated—do you have any script or recommendations for guys to help combat this behavior in the moment?

JB: Well, can you be man enough to actually say something? The fact is that so many of us men are so terrified of losing our standing with our other male friends or our standing at our jobs because, at the end of the day, it’s a fraternity. The hierarchy of power is just a big fraternity, and if you go against one of your brothers, then you’re breaking this thing they call “the guy code.” Growing up, how many times did I hear “bros before hoes”? Just think about it. First of all, how demeaning, how sexist. What are we saying about women, and how we’re saying the importance is us, not them. Right? It’s the worst thing you could say, but all young boys, teenagers, guys, we get it. So you have a 17-year-old boy that witnessed another boy date-rape a girl? Bros before hoes. Are you going to break the guy code? We’ve built in this system—the opposite of accountability—and now it’s time to figure out how, as men, we can break that system, and it starts with showing what a real man is. A real man is someone that says, “Hey man, we’re still friends, but that’s not cool.”

Or if it’s a director or someone that’s in power, you could say, “I want to bring this up because I’m worried about you and this could be perceived the wrong way.” Every situation is different…. Men have to start small because it takes a lot of courage to stand up to another man and go against everything you’ve been conditioned to say…. Or in some cases it’s so obvious that you do need to stand up and say something. Like if you’re hanging out and you see a girl who’s so wasted and your buddy’s not, say, “No, don’t take her home, man, what are you doing?” Stop him. I think that it’s going to take some strong men to be willing to stand up and do that, so, hopefully, now thanks to the bravery of women, that men will finally find the strength to do the same thing.

This interview has been condensed and edited for clarity.

Watch Justin Baldoni’s speech at TEDWomen 2017:



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Some Genius Put a Plaque Where Trump Made Those 'Access Hollywood' Comments


It’s been just over a year since the infamous Access Hollywood tape leaked—the very one in which then reality star and now president Donald Trump bragged about “grabbing women by the p–sy”—and TV producers at a Burbank, California, film studio recently marked the occasion with a dishonorary plaque.

A photo of the tablet was shared on Facebook by visual effects artist Seth Gottlieb (who works on the CW show Legends of Tomorrow), who explained, “In dishonor of our President, the producers of my show have created a plaque commemorating his comments to Billy Bush, which happened on our lot.”

The plaque not only referenced the Access Hollywood tape but what Trump managed to accomplished after it was made public, reading: “On this spot in September 2005, Donald J. Trump bragged about committing sexual assault. In November 2016, he was elected president of the United States.”

According to Legends producer Phil Klemmer, the marker remained posted for just 15 minutes, but “the truth remains.”

For those who might have blocked out the entirety of the 2016 campaign (and who could blame you?), the tape captured Trump gloating about kissing and groping women without their consent (“When you’re a star they let you do it. You can do anything,” he said).

Following the release of the tape, numerous women came forward with allegations of sexual harassment and misconduct against Trump. The President has continued to deny the accusations, and on Friday, White House Press Secretary Sarah Huckabee Sanders confirmed that the administration supports Trump’s assertion that all of the women are lying.





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This Taylor Swift Fan Theory Explains Why She Put a Baby's Voice in 'Gorgeous'


Taylor Swift doesn’t sing the first word in her new song “Gorgeous”—a baby does. Like, a literal baby. No one knows whose baby this is. Maybe it’s Blake Lively and Ryan Reynold’s toddler, James. (That’s the popular theory right now, at least.) Maybe it’s a showbiz baby whose job is to say cute words in pop stars’ songs. Is this the same baby who Madonna Autotuned crying for her unreleased song “Autotune Baby?” The one who tells Christina Aguilera she “owns the throne” in “Vanity?” Who knows, man. Your guess is as good as mine.

One mystery fans are making headway in solving, however, is why Swift chose to include a baby’s pipes in “Gorgeous.” It’s a strange choice at first listen, but a closer look at the song’s lyrics helps connects the dots.

In the song, Swift waxes poetic about how she’s furious she can’t act on her feelings for a new guy because she has a boyfriend. “You should take it as a compliment/That I got drunk and made fun of the way you talk,” she sings at the top of the track. “You should take it as a compliment/That I’m talking to everyone here but you,” she muses later. These are both pretty immature ways to deal with emotion—it’s almost like she’s back in high school—but a Reddit user theorizes this is completely intentional. Yup.

According to them, this is Swift’s way of showing that love and crushes can easily turn adults into babies. They lose sight of logic and simply obsess over what they want but can’t have—just like a young child complains about wanting candy or toys or a later bedtime. To drive this point home even further, Swift added an actual baby’s voice to the song. She’s the baby here, according to the Reddit user. (Well, that’s what this dude’s turning her into, at least. And, let’s be honest, we’ve all been there.)

Here’s the theory in the Redditor’s words:

“She realizes that she’s extremely attracted to him and interested in
him, but also acknowledges that these thoughts are wrong considering
she is not broken up with the other guy,” the Redditor writes. “This
seems like a scenario that could happen to any person, at any
age…She also admits there is nothing she wants more than what she
can’t have, like a child upset over not getting a toy that they want.
They continue, “Yes, these feelings of displacing blame on another
person and viewing someone as a thing she can’t have are childish. But
that still doesn’t mean at 27 she can’t feel them. I think the child’s
voice in the beginning is no coincidence but an allusion to her
self-awareness that these feelings are pretty juvenile.”

Makes sense, right? Leave it to Swift to turn a baby’s coos into social commentary.

Related Stories:

Taylor Swift Told Fans Her New Song “Gorgeous” Is About Joe Alwyn

Taylor Swift’s New Album Is Reportedly Full of Diss Tracks



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Easy Halloween Costumes You Can Put Together From a Single Zara Haul


The art of the clever Halloween costume is highly underrated; the incredible skill needed to pull off an on-point, creative get-up with minimal effort, even more so. Ease is arguably more crucial year, since the season two premiere of Stranger Things is slated for the Friday before October 31—which means we’re spending the weeks leading up to it planning our binge-watching rather than brainstorming our wardrobes. (And, no, we’re not just going to re-wear our Eleven costumes from last year… at least, not all weekend.)

Instead, we’re looking to the places we already shop to source our festive get-ups. And, just as always when we need new clothes in a pinch, Zara is proving to be a surprisingly solid option for easy Halloween costumes. In fact, we put together eight, based on the fast-fashion retailer’s new arrivals, which include some pretty specific but costume-ready pieces—including a unicorn T-shirt and a disco-ready metallic dress. Read on for some unconventional costume inspiration, courtesy of Zara’s website.



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Watch This: 14 Movies and TV Shows to Put on Your Radar This Week


Here’s a fun experiment: Turn on your television and try to count the amount of movies and TV shows playing right now. Now multiply that by seven. That’s how many things are available to watch during any given week—which makes actually choosing something overwhelming AF.

That’s where we come in. Welcome back to “Watch This,” Glamour.com’s new column that gives you the scoop on the best movies and TV shows to watch week to week. So much good stuff is airing over the next few days—from the premiere of American Horror Story: Cult to the return of Bravo’s addicting series Below Deck. Definitely earmark the 14 movies and TV shows we included in this list, below. They’re this week’s undisputed highlights.

Sunday, September 3

Deadline: Crime With Tamron Hall: Hall’s addicting series about the real stories behind true crimes returns for a fifth season. No need to catch up on this show in order to watch Sunday: Each episode tackles a new case, and not only explains how a crime happened, but why. 10 P.M. EST on Investigation Discovery

ABC’s Fall Preview: Out of all the networks, ABC has the most promising fall lineup of new TV shows. Tune in Sunday night to catch a glimpse of the programs ABC has on deck, from The Mayor to Marvel’s Inhumans. 7 P.M. EST on ABC

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Monday, September 4

Biggie: The Life of Notorious B.I.G: A&E’s special about Biggie is the first one to be authorized by his estate, so diehard fans should definitely check it out. Jay Z, Nas, and other rappers give commentary on Notorious B.I.G., who was fatally shot at 24 years old. 8 P.M. EST on A&E

Obsessed: In honor of Beyoncé’s birthday, it’s imperative you revisit her incredible 2009 film Obsessed, a Fatal Attraction tale about a secretary (Ali Larter) who becomes enamored with her boss (Idris Elba). Beyoncé plays Elba’s wife, who doesn’t take too kindly to Larter’s, erm, crush. Insert obligatory, “You think you’re crazy? I’ll show you crazy” reference. Available to rent on Amazon

Tuesday, September 5

American Horror Story: Cult: The highly-anticipated seventh season of AHS returns tonight. Starring Sarah Paulson and Evan Peters, this politically-charged chapter focuses on a woman’s intense fear of clowns—and Donald Trump. Girl, same. 10 P.M. EST on FX

Below Deck: Bravo’s insanely addicting series about hot people working on a boat returns for its fifth season. It’s like Vanderpump Rules, but on the ocean! Titanic meets Turtle Time, if you will. 9 P.M. EST on Bravo

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Wednesday, September 6

You’re the Worst: Jimmy and Gretchen’s tumultuous next chapter begins Wednesday. A quick rundown for those unfamiliar with this one: It centers on two romantic non-traditionalists, Jimmy and Gretchen, who meet at a wedding and begin the most dysfunctional relationship in TV history. But it’s funny! 10 P.M. EST on FX

Eric & Jessie: Game On: Eric and Jessie James Decker’s reality series returns after a three-year hiatus. There’s nothing more entertaining than watching two hot married people do hot married things. 10 P.M. EST on E!

Thursday, September 7

Thirteen: Celebrate Evan Rachel Wood’s birthday by watching Thirteen, the searing 2003 drama about the horrors of being a teenager. Wood plays Tracy, a 13-year-old girl whose life spirals out of control when she befriends the school’s resident cool girl (Nikki Reed). It’s like Mean Girls, except way more terrifying and without the humor. Available to rent on Amazon.

Snow White and the Huntsman: Watching Charlize Theron play the Evil Queen in this film never gets old. Skip Happy Hour on Thursday and revisit this 2012 gem. 8 P.M. EST on FX

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Friday, September 8

Home Again: Witherspoon is absolutely delightful in this bright comedy, which centers on a single mom who lets three (very hot) twenty-something dudes move in with her. Madeline Martha Mackenzie would not approve. In theaters

It: Stephen King’s classic story about a group kids who battle a horrifying clown comes to life (again) in this new film, which stars Bill Skarsgård as the murderous Pennywise. In theaters

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Saturday, September 9

CopyCat Killers: Watching the new season of CopyCat Killers, which explores people who copied crimes they saw in Hollywood films, sounds way more fun that going out, TBH. 9 P.M. EST on Reelz

The Holiday: Cameron Diaz and Kate Winslet swap houses—and lives—in this charming 2005 comedy. Who cares if it isn’t December? This film will warm you up regardless. 8:30 P.M. EST on E!

Related Stories:

These 38 Movies and TV Shows are Leaving Netflix in September



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