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'Wonder Woman 2' Will Be the First Film to Adopt New Anti-Sexual Harassment Guidelines


In light of the #MeToo and #TimesUp movements, the Producers Guild of America announced Saturday night (January 20) that it’s implementing new guidelines to combat sexual harassment and misconduct on film and TV sets. This change is long overdue, of course, but luckily these new standards will go into effect soon: They’ll start with the production of Wonder Woman 2, according to Vanity Fair Hollywood Correspondent Rebecca Keegan.

Wonder Woman 2 will be first film to officially adopt new #PGA policies on sexual harassment, PGA presidents announce at #PGAwards,” Keegan tweeted Saturday night, when the Producers Guild of America Awards took place. It’s still unknown exactly when production on Wonder Woman 2 will start, but it’s expected to hit theaters on November 1, 2019.

Brie Larson and Lupita Nyong’o talked about these new guidelines at last night’s Screen Actors Guild Awards, with Larson saying, “We’re so excited to say that—with collaborations with Time’s Up and your union members here in this room—there will be a new code of conduct to ensure that there is safety on set, so we can continue to be vulnerable, continue to be empathetic, and do the strong and great performances that we’ve seen brief glimpses of here tonight.” Nyong’o added, “It gives us joy to celebrate portrayals that show human nature with all its imperfections, and to do so with a union whose job it is to protect actors as they do that job.”

This new code of conduct is a strong indication that the Time’s Up movement is doing more than just raising awareness: It’s pushing the dial forward and effecting real, sustainable change. Hopefully, other industries will follow suit and implement similar guidelines in the workplace.

Related Stories:

Wonder Woman 2 Will Have Another “Great Love Story,” Says Director Patty Jenkins

Gal Gadot Confirms Brett Ratner Isn’t a Part of Wonder Woman 2

Wonder Woman Sequel: Here’s Everything We Know So Far





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Nicole Kidman Literally Looks Unrecognizable on the Set of Her New Film


In 2003, Nicole Kidman won her first—and only—Academy Award for portraying Virginia Woolf in The Hours. She was absolutely the front-runner to take home the gold that year for several reasons: First, her performance was incredible. But she also transformed herself, physically, to the point where she wasn’t even recognizable. (Her nose in particular garnered some serious attention.) It was an awe-inspiring change, to say the least, and Kidman’s made a habit of reinventing her looks on screen ever since.

Exhibit A: Her upcoming film, Destroyer, in which she plays a detective who’s placed undercover with a gang. A photo of Kidman on set hit the Internet Tuesday (December 12), and she looks totally unrecognizable. Like, I’m pretty sure this isn’t Nicole Kidman.

The actress is rocking a shaggy, Farrah Fawcett-esque brown bob in the pic, along with tan-orange skin that’s absolutely the product of makeup. The artists on set also made her eyes more sunken in, as if she’s been up all night. And that makes sense for the film, thematically: She’s a stressed-out cop who’s trying not to blow her cover. That sounds exhausting.

Check out the photo for yourself, below.

PHOTO: Backgrid

Tatiana Maslany and Sebastian Stan are Kidman’s co-stars in Destroyer, which is directed by Karyn Kusama. Kidman said a while back she’s making a conscious effort to work with a female director every 18 months, and it seems she’s staying true to her word.

Destroyer is slated for a 2018 release. Kidman will no doubt scoop up another Oscar nom for her performance.

Related Stories:

Nicole Kidman Is Championing Women in Hollywood: “To Be an Advocate, You Have to Actually Put Things Into Action”

Nicole Kidman and Alexander Skarsgard Kissed at the 2017 Emmy Awards and Twitter Can’t Deal

Nicole Kidman Got Awkward When Talking About That Kiss With Alexander Skarsgård at the 2017 Emmy Awards



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The Winners of Our #NewView Film Competition Convinced Us That The Future Of Film Is Female


In the year 2017, just 11 percent of the directors of Hollywood’s top-grossing films are women. How crazy is that? Yet, Patty JenkinsWonder Woman earned $821 million in box office sales, and proved to us and the world that women are more than capable of creating a successful AF film. So Glamour set out to help improve those measly numbers. We partnered with Girlgaze to launch the #NewView film competition, which provides young aspiring female directors with the ultimate prize: a chance to direct their own work. Meet our five winners, picked by epic judges (Shonda Rhimes, Zendaya, and more!) and watch their inspiring videos below.


Party Dress

Party Dress

Directed by Molly Fisher

What the director says:
“It’s a short film about Harper Klein, a 12-year-old tomboy who attends a birthday party in a pink party dress,” says Brooklyn director Molly Fisher, 30. “While it’s not necessary autobiographical, the story is extremely personal: I was once a melancholy tomboy who didn’t fit in to the girl cliques or the boy cliques.”

What the judges loved:
“This humanizes the struggle some feel when they don’t fit in their body.”
—Gia Coppola, filmmaker

“Beautifully and heartbreakingly told…. Tender and real, with a great lead performance.”
—Geena Davis, actor, founder of the Geena Davis Institute on Gender in Media

What she won:
Molly will direct a fashion video for South Coast Plaza with a $5,000 minimum production budget, with at least 10% of the total approved cost to be paid to Molly as her fee.


The Looking Ceremony

The Looking Ceremony

Directed by Fany de la Chica

What the director says:
“This film follows Isa, a real gypsy living in Andalusia, Spain, as she experiences a tradition in which older women in her family confirm her virginity,” says New York City director Fany de la Chica, 33. “She must decide whether she marries her fiancé or escapes with her true love.”

What the judges loved:
“These enforced traditions are hard to break free of, so I was moved by the context of the local women in this film.”
—Amanda de Cadenet, CEO and founder, Girlgaze

“A stunningly portrayed compelling perspective and peek into a young woman’s life struggling to find her own path.”
—Chloë Grace Moretz, actress and activist

“I love how it portrays a culture with strong traditions, but with a modern protagonist taking her destiny into her own hands.”
—Crystal Moselle, filmmaker

What she won:
Fany will shoot a video for THEOUTNET.com with a minimum production budget of $40,000 with at least 5% of the total approved cost to be paid to Fany as her fee.


Q.U.E.E.N.

Q.U.E.E.N.

Directed by Brittany “B.Monét” Fennell

What the director says:
Q.U.E.E.N. follows 16-year-old Imani, who struggles to find her voice,” says director Brittany “B.Monét” Fennell, 27. “Through self-discovery and a little bit of courage, she faces her biggest fears at a rap battle.”

What the judges loved:
“I love the raw talent the girl demonstrates while exposing the harsh truth that not every battle can be won.”
—Bela Bajaria, vice president of content acquisition, Netflix

“It crackles with personality and originality while it takes us on an emotional journey in such an impressively short amount of time.”
—Shonda Rhimes, writer, producer

“B.Monét manages to break my heart in two and a half minutes with the moving mother-daughter relationship at the core of this piece.”
—Jill Soloway, artist

What she won:
Brittany “B.Monét” Fennell will shoot a LuMee video with the theme “2 Sides to Every Story,” using LuMee lighting and a minimum production budget of $5,000, with at least 10% of the total approved production cost to be paid to Brittany.


Pocket-Sized Feminism

Pocket-Sized Feminism

Directed by Valerie Schenkman

What the director says:
“The spoken-word piece ‘Pocket-Sized Feminism’, by Blythe Baird, felt like a rally call,” says Chilean American director Valerie Schenkman, 30. “This documentary shows women reading the poem to camera paired with footage from the D.C. Women’s March. It shows that women will mobilize to speak their truths.”

What the judges loved:
“It touched on the issues women face, through the strong and relatable voices of our mothers, sisters, and friends.”
—Lilly Singh, entertainer

“It showcases our unity versus our division.”
—Regina K. Scully, producer, documentary filmmaker, and founder and CEO of the Artemis Rising Foundation

What she won:
Valerie will shoot a Birchbox promotional video with a minimum production budget of $5,000, with at least 10% of the total approved production cost to be paid to Valerie as her fee.


The Black Mambas

The Black Mambas

Directed by Jess Colquhoun

What the director says:
“I tell the story of Leitah, a 23-year-old mother who is part of the South African anti-poaching unit The Black Mambas,” says director Jess Colquhoun, 24, of the documentary. “I was in awe of the fact that night and day, rain or shine, these group of unarmed woman act as the park’s ear and eyes to any sign of danger.”

What the judges loved:
“Having been to the bush in Africa, I found it captured the beauty and power of the women who protect it.”
—Jada Pinkett Smith, actress, producer, and activist

“The Black Mambas shows brave women doing what women can do.”
—Sheila Nevins, president of documentary films and family programming, HBO

“She reflected a rarely seen point of view on an untapped storyline.”
—Victoria Mahoney, director

What she won:
Jess will shoot a 2018 Glamour Women of the Year-related video with a minimum production budget of $5,000, with at least 10% of the total approved production cost to be paid to Jess as her fee.


About #NewView
These incredible films were selected from more than 800 entries. In addition to receiving a $3,000 prize, our winners will be directing short films
for our #NewView sponsors Birchbox, LuMee, THEOUTNET.COM, and South Coast Plaza as well as Glamour. The Utah Film Center also awarded each honoree $5,000. Special thanks to our entrepreneurial adviser, Katia Beauchamp, and all of our judges: Amanda de Cadenet, Amandla Stenberg, Bela Bajaria, Chloë Grace Moretz, Cindi Leive, Crystal Moselle, Dawn Ostroff, Dee Rees, Ellen Kuras, Geena Davis, Gia Coppola, Inez van Lamsweerde, Jada Pinkett Smith, Jill Soloway, Kimberly Peirce, Lilly Singh, Rashida Jones, Regina K. Scully, Sam Taylor-Johnson, Sharmeen Obaid-Chinoy, Sheila Nevins, Shonda Rhimes, Tracee Ellis Ross, Victoria Mahoney, Zendaya.



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All the Best Looks From the 2017 Venice Film Festival


The Venice Film Festival is known as the world’s oldest—and it also happens to consistently deliver those red-carpet moments we’ll remember for years. (We’re still not over Kristen Stewart‘s Chanel Haute Couture get-up from last year’s festivities, for instance.) As some of Hollywood’s biggest stars cruise the canals and, later, walk the red carpet, they’re decked out in looks worthy of their own awards: Already, we’ve been wowed by Amanda Seyfried in Alexander McQueen, Laura Harrier in Miu Miu, Rebecca Hall in pretty much everything… The list goes on. Check out all of our favorite gowns from the 2017 Venice Film Festival, ahead.



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