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'Making the Cut' Is More Than Your Typical Fashion Competition Show


At this moment in time, it’s hard to think about shopping for much besides groceries, paper towels, sanitizing wipes, and maybe a new pair of sweatpants. With uncertainty touching every industry, it’s about saving money for most of us.

Which is why it might seem like questionable timing for Amazon Prime Video to launch its new fashion competition series, Making the Cut, which literally wants viewers to shop. But the producers of the Heidi Klum and Tim Gunn-hosted series don’t necessarily agree. If anything, they say, they’re proud to invest in a show that’s less about creating an expensive runway look, and more about launching a global brand that’s affordable (all items are around $100 or less), size inclusive (US sizes will range from XXS to XXL), and has worldwide appeal.

Amazon

“We know it’s a crazy time,” says executive producer, Sara Rea, by phone from Los Angeles. “My hope is that we can offer some levity and an escape.”

The 10-episode series has all the ingredients to do that, starting with hosts and executive producers Klum and Gunn, who help guide the contestants, offer constructive feedback, and explore each city along the way. The former Project Runway alums have partnered with Rea (who also executive produced Project Runway) to reinvent the genre by going bigger and bolder, while also being realistic to the needs of consumers.

“We spent 10 years together doing everything we could to invent and reinvent Project Runway—but under tight parameters,” Rea says. “We always had big ideas, so when this opportunity presented itself [where the consumer can buy the winning look after each episode in Amazon’s marketplace], we wanted to blow it out of the water and do something super-special and super-different.”

Klum tells Glamour that’s the main reason she wanted to be part of this new endeavor as well. “What inspired me was getting to do things that I couldn’t do for 17 seasons on [Project Runway], like traveling. It was important to show our contestants different places around the world—such as Paris, Tokyo, and New York—to help inspire them, plus amazing guest judges [like Naomi Campbell, Joseph Altuzarra, Nicole Richie, Chiara Ferragni talk about their life story and their experience.”

Heidi Klum and Naomi Campbell goof around
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I Won the Miss America Swimsuit Competition, but I Couldn’t Be Happier That It’s Canceled


Shortly after winning the Miss America swimsuit competition—and making the top 10 in the pageant overall—I was signed by my first television agent, who was a senior partner at one of the best agencies in the business.

It was 2003, and back then—before Instagram, YouTube, and the sheer volume of reality TV we have now—talent scouts all watched pageants to suss out the next big thing. At 37, I am among the most senior of the millennials. Coming of age in the nineties and early 2000s, before social media existed, a surefire way for a young woman with no celebrity connections to make it on TV and get her voice heard was by having a title like Miss Virginia or Miss New York. Pre-Twitter, the pageant was one of the few remotely feasible outlets that let you “go viral” in a positive way.

Thus, ambitious, talented young women across the country, myself included, saw parading around in high heels and a swimsuit as a semi-inconvenient hurdle to jump over to achieve our life goals. We were future award-winning journalists, rocket scientists, esteemed actors, lifesaving oncologists—and we all thought that spraying our bikinied behinds with “butt glue” to keep wedgies at bay and painting our teeth with Vaseline to keep lip gloss from staining our bright white smiles was a great way to move toward these goals.

Nancy’s first wave after being crowned Miss Virginia

Over time, with the rise of social media as a platform, and especially over this past year of #MeToo and Time’s Up, that age-old system has officially stopped working—last week the Miss America Organization canceled the swimsuit competition.

“We are no longer a pageant,” Gretchen Carlson, the organization’s new board of trustees chairwoman, announced. “We are a competition. We will no longer judge our candidates on their outward physical appearance. That’s huge.”

It is huge. While its clout has been diluted over the years, and despite rebranding efforts, the Miss America title is still synonymous with a beautiful, hot body. Rebuking swimsuits, as Miss America has done, along with nixing the evening gown competition, means that essentially the original purveyor of American beauty standards is saying #EffYourBeautyStandards.

It is an unexpected enigma, to say the least, and I welcome it wholeheartedly.

When I competed for Miss America 15 years ago, 10.3 million viewers watched ABC as I was called into the top 10 (about 5.6 million watched last year’s show). As I tottered gingerly on high heels that I never fully managed to dominate, Bachelorette sweethearts Trista Rehn and Ryan Sutter excitedly told the audience that I had won the preliminary swimsuit competition, which to the world meant that I had the best body in my group.

I did not, not by a long shot. In preparation for the pageant, I lost over 50 pounds during my senior year at Harvard, where I majored in women’s studies and wrote my junior thesis on minorities in the Miss America Pageant. While I looked great, even my youthful 21-year-old skin hadn’t fully snapped back from the weight loss without some sagginess. Nor did my weight loss cure my self-esteem issues—I hated my body as I walked that stage, a fraught discovery that became the impetus for my career as the best-selling author of photography-driven health books Pregnancy, OMG! and Body Drama, which feature tons of un-air-brushed images of women of all body types.

And I definitely didn’t have the best walk; in fact, I stumbled and nearly fell on the nationally televised Miss America stage—a nightmare fuel that haunted my dreams for months.

What I did have, however, was the “best” #thinspo story, which I honed for months with an interview coach who reminded me constantly that the Miss America swimsuit competition was won “from the neck up.” (Meaning that if the judges liked me in my interview and wanted me to do well in the pageant, they’d be more forgiving of the spray tan streaks and stretch marks.)

When the time came, I squeezed into a perfectly tailored $400 gold-plated sunshine-yellow size zero bikini and pranced around the stage for about 20 seconds in heels purchased from a quirky Manhattan store that seemed to cater exclusively to drag queens and pageant girls. My performance was enough to snatch that coveted diamond-shaped Lucite award and $2,000, which was, ironically, about half of what I had spent on personal training, spray tanning, seaweed wraps, and body waxing to get my body “swimsuit ready” for the Miss America stage.

PHOTO: Debra Morrison

Nancy with her husband, actor Rupak Ginn, and their two children, August, six, and Nancy, four

Despite my many substantive accomplishments since, even today as a grown woman with a legit mom bod who rocks an XL bathing suit, I am often introduced to new people, whether in auditions or at wine nights with friends as “a beauty queen.”

I didn’t just win a onetime swimsuit award; I had won a lifetime of societal acceptance.

I am extremely proud of how I’ve used my smidgen of social capital to stand at the forefront of the body-positivity movement and help many women, and myself in the process, find self-acceptance. During my reign as Miss Virginia, I marched for choice, performed in The Vagina Monologues, and visited countless schools across the state, where I spoke to thousands of young women and men about a variety of topics important to me, including the then revolutionary concept that feminism wasn’t a dirty word and that boys could be feminists too.

The only reason any of these kids listened to me was because I had a crown on my head, the 2003 version of 150,000 Instagram followers. Would I have been just as successful as I am in my adulthood even if “Miss Virginia” and “swimsuit winner” weren’t in the first paragraph of my biography? The answer is probably no. But for this next generation of young, ambitious women, it’s different.

Time is up for the pedestaling of an individual based on looks. I recount my experience not to lambast the Miss America pageant of yesteryear but to showcase how far the organization has come.

Options to inspire and motivate young people have expanded infinitely. We don’t need a Miss America anymore—the many screens we are tethered to show us a diverse array of wonderful female role models like Tarana Burke, Issa Rae, Gabi Fresh, Michelle Obama…the list goes on and on.

Time is up for the pedestaling of an individual based on looks. I recount my experience not to lambast the Miss America pageant of yesteryear but to showcase how far the organization has come. The first Miss America was crowned in 1921, a mere 11 months after American (white) women gained the right to vote. Increasingly, the nearly 100-year-old event, which started as an Atlantic City tourist draw, has often seemed like a societal anachronism, flying in the face of each new wave of feminism. But it is important to not discount the fact that the diversity of its 91 winners is evidence of its incremental and meaningful evolution. Long before the commercialization of the body-positivity movement and corporate-mandated inclusive advertising, back when the peach crayon in the box was almost always called “flesh,” the Miss America pageant introduced the world to the idea that deaf women, black women, women with short hair, Asian women, opinionated women, children of immigrants, and more could all be considered “beautiful” and “successful” on a global scale. For hundreds of thousands of women from all walks of life, the pageant’s influence on beauty ideals, while nowhere near perfect (considering the limited range of body types), was and remains mind-boggling powerful.

Nancy won the Miss America swimsuit competition in 2003.

Even if Miss America’s rallying cry for a new era of equality turns out to be a swan song for the competition at large, they have determined that it is better to go out in flames on the right side of history, and this is an honorable and brave call.

The loss of a tradition is worth a future of possibility.


GLAAD-award-nominated on-air personality Nancy Redd is the best-selling author of the new book Pregnancy, OMG!, the first-ever diverse photographic guide for expecting women. Nancy’s other books include Body Drama and Diet Drama. Two weeks after graduating from Harvard with a degree in women’s studies, she won the title of Miss Virginia and became a preliminary swimsuit winner at Miss America 2003. She lives in Los Angeles with her husband and two children.



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The Miss America Pageant Will No Longer Include a Swimsuit Competition


In a move meant to modernize in the era of #MeToo, the Miss America pageant will no longer include a swimsuit competition.

The organization’s new Board of Trustees chairwoman, former Fox News anchor and Miss America 1989, Gretchen Carlson appeared on Good Morning America to make the big announcement. (Carlson took charge of Miss American earlier this year after the Huffington Post discovered emails from former CEO Sam Haskell and other leaders in which contestants were slut-shamed, body-shamed, and called vulgar names.)

“We are no longer a pageant,” Carlson told GMA. “We are a competition. We will no longer judge our candidates on their outward physical appearance. That’s huge.”

Carlson said they will also be revamping the evening gown portion of the program. Instead contestants will be asked to wear clothing that makes them feel comfortable and confident—an expression of their own personal style.

“We’ve heard from a lot of young women who say, ‘We’d love to be a part of your program but we don’t want to be out there in high heels and a swimsuit,’ so guess what, you don’t have to do that anymore,” Carlson said. “Who doesn’t want to be empowered, learn leadership skills and pay for college and be able to show the world who you are as a person from the inside of your soul. That’s what we’re judging them on now.”

“We are now open, inclusive and transparent and I want to inspire thousands of young people across this country to come and be a part of our program,” she continued. “We want you and we want to celebrate your accomplishments and your talents and then we want to hand you scholarships.”

Carlson also hopes to put more focus on the talent and scholarship aspects of the competition going forward.

Reaction online has been fairly positive so far.

But, of course, there are some upset about the changes.

As for whether or not the competition’s new direction will affect ratings—we’ll just have to wait until September to find out.





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The Winners of Our #NewView Film Competition Convinced Us That The Future Of Film Is Female


In the year 2017, just 11 percent of the directors of Hollywood’s top-grossing films are women. How crazy is that? Yet, Patty JenkinsWonder Woman earned $821 million in box office sales, and proved to us and the world that women are more than capable of creating a successful AF film. So Glamour set out to help improve those measly numbers. We partnered with Girlgaze to launch the #NewView film competition, which provides young aspiring female directors with the ultimate prize: a chance to direct their own work. Meet our five winners, picked by epic judges (Shonda Rhimes, Zendaya, and more!) and watch their inspiring videos below.


Party Dress

Party Dress

Directed by Molly Fisher

What the director says:
“It’s a short film about Harper Klein, a 12-year-old tomboy who attends a birthday party in a pink party dress,” says Brooklyn director Molly Fisher, 30. “While it’s not necessary autobiographical, the story is extremely personal: I was once a melancholy tomboy who didn’t fit in to the girl cliques or the boy cliques.”

What the judges loved:
“This humanizes the struggle some feel when they don’t fit in their body.”
—Gia Coppola, filmmaker

“Beautifully and heartbreakingly told…. Tender and real, with a great lead performance.”
—Geena Davis, actor, founder of the Geena Davis Institute on Gender in Media

What she won:
Molly will direct a fashion video for South Coast Plaza with a $5,000 minimum production budget, with at least 10% of the total approved cost to be paid to Molly as her fee.


The Looking Ceremony

The Looking Ceremony

Directed by Fany de la Chica

What the director says:
“This film follows Isa, a real gypsy living in Andalusia, Spain, as she experiences a tradition in which older women in her family confirm her virginity,” says New York City director Fany de la Chica, 33. “She must decide whether she marries her fiancé or escapes with her true love.”

What the judges loved:
“These enforced traditions are hard to break free of, so I was moved by the context of the local women in this film.”
—Amanda de Cadenet, CEO and founder, Girlgaze

“A stunningly portrayed compelling perspective and peek into a young woman’s life struggling to find her own path.”
—Chloë Grace Moretz, actress and activist

“I love how it portrays a culture with strong traditions, but with a modern protagonist taking her destiny into her own hands.”
—Crystal Moselle, filmmaker

What she won:
Fany will shoot a video for THEOUTNET.com with a minimum production budget of $40,000 with at least 5% of the total approved cost to be paid to Fany as her fee.


Q.U.E.E.N.

Q.U.E.E.N.

Directed by Brittany “B.Monét” Fennell

What the director says:
Q.U.E.E.N. follows 16-year-old Imani, who struggles to find her voice,” says director Brittany “B.Monét” Fennell, 27. “Through self-discovery and a little bit of courage, she faces her biggest fears at a rap battle.”

What the judges loved:
“I love the raw talent the girl demonstrates while exposing the harsh truth that not every battle can be won.”
—Bela Bajaria, vice president of content acquisition, Netflix

“It crackles with personality and originality while it takes us on an emotional journey in such an impressively short amount of time.”
—Shonda Rhimes, writer, producer

“B.Monét manages to break my heart in two and a half minutes with the moving mother-daughter relationship at the core of this piece.”
—Jill Soloway, artist

What she won:
Brittany “B.Monét” Fennell will shoot a LuMee video with the theme “2 Sides to Every Story,” using LuMee lighting and a minimum production budget of $5,000, with at least 10% of the total approved production cost to be paid to Brittany.


Pocket-Sized Feminism

Pocket-Sized Feminism

Directed by Valerie Schenkman

What the director says:
“The spoken-word piece ‘Pocket-Sized Feminism’, by Blythe Baird, felt like a rally call,” says Chilean American director Valerie Schenkman, 30. “This documentary shows women reading the poem to camera paired with footage from the D.C. Women’s March. It shows that women will mobilize to speak their truths.”

What the judges loved:
“It touched on the issues women face, through the strong and relatable voices of our mothers, sisters, and friends.”
—Lilly Singh, entertainer

“It showcases our unity versus our division.”
—Regina K. Scully, producer, documentary filmmaker, and founder and CEO of the Artemis Rising Foundation

What she won:
Valerie will shoot a Birchbox promotional video with a minimum production budget of $5,000, with at least 10% of the total approved production cost to be paid to Valerie as her fee.


The Black Mambas

The Black Mambas

Directed by Jess Colquhoun

What the director says:
“I tell the story of Leitah, a 23-year-old mother who is part of the South African anti-poaching unit The Black Mambas,” says director Jess Colquhoun, 24, of the documentary. “I was in awe of the fact that night and day, rain or shine, these group of unarmed woman act as the park’s ear and eyes to any sign of danger.”

What the judges loved:
“Having been to the bush in Africa, I found it captured the beauty and power of the women who protect it.”
—Jada Pinkett Smith, actress, producer, and activist

“The Black Mambas shows brave women doing what women can do.”
—Sheila Nevins, president of documentary films and family programming, HBO

“She reflected a rarely seen point of view on an untapped storyline.”
—Victoria Mahoney, director

What she won:
Jess will shoot a 2018 Glamour Women of the Year-related video with a minimum production budget of $5,000, with at least 10% of the total approved production cost to be paid to Jess as her fee.


About #NewView
These incredible films were selected from more than 800 entries. In addition to receiving a $3,000 prize, our winners will be directing short films
for our #NewView sponsors Birchbox, LuMee, THEOUTNET.COM, and South Coast Plaza as well as Glamour. The Utah Film Center also awarded each honoree $5,000. Special thanks to our entrepreneurial adviser, Katia Beauchamp, and all of our judges: Amanda de Cadenet, Amandla Stenberg, Bela Bajaria, Chloë Grace Moretz, Cindi Leive, Crystal Moselle, Dawn Ostroff, Dee Rees, Ellen Kuras, Geena Davis, Gia Coppola, Inez van Lamsweerde, Jada Pinkett Smith, Jill Soloway, Kimberly Peirce, Lilly Singh, Rashida Jones, Regina K. Scully, Sam Taylor-Johnson, Sharmeen Obaid-Chinoy, Sheila Nevins, Shonda Rhimes, Tracee Ellis Ross, Victoria Mahoney, Zendaya.



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