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Madonna's MDNA Is the Ultimate Divorce Album


“It wasn’t always perfect, but it wasn’t always bad,” Madonna sings on “Best Friend,” a haunting slow-jam from her 2012 album MDNA. The song is technically only available on the “deluxe” version of the record, but that doesn’t make it any less potent. In fact, of all the tracks on MDNA presumably about Madonna’s divorce from Guy Ritchie—and there are several —”Best Friend” is the most devastating. Not since Ray of Light has Madonna been this transparent in her work. “Your picture’s off my wall, but I’m still waiting for your call,” she continues. “And every man that walks through that door will be compared to you forever more.”

These lyrics are simple, but they perfectly illustrate one of the stages of divorce: grief, mourning the loss of a relationship you thought would last forever. Full disclosure: I’ve never been divorced, but I imagine this is a key step in the healing process. It’s also probably the hardest, which gives “Best Friend” even more resonance.

Couple this with the fact that Madonna is notoriously closed-off. Any sign of vulnerability from her is novel, so for her to release a song like “Best Friend”—with lyrics like “I miss your brain, the way you think; but I don’t miss the way you used to drink”—is jarring, to say the least. It shows no one is immune to the pain of divorce, not even the Queen of Pop.

“Best Friend” is, in many ways, the pinnacle of MDNA, which Rolling Stone dubbed a “disco-fied divorce record” upon its release in March 2012. To be clear, the album makes no direct reference to Ritchie, but it’s obvious he’s the inspiration. It’s the first album Madonna released following her 2008 separation from the British filmmaker, and dozens of its lyrics explicitly discuss marriage.

“There are lyrics in here about custody and prenups and, ‘How’d you end up with all my jack?’ Did you get a lot off your chest there?” journalist Harry Smith asked Madonna in 2012 about MDNA. ” Her response? “Yes, I did.”

That’s certainly an understatement. MDNA is, without a doubt, one of the most poignant divorce albums in contemporary music. It’s EDM-oriented, sure, but Madonna’s always been her most profound in a throbbing nightclub at 3 A.M. Underneath the swirling beats of William Orbit, Benny Benassi, and the other techno maestros who helped craft MDNA is a woman trying to make sense of her marriage ending.

PHOTO: Interscope

On some songs, like “Best Friend,” that takes a somber form, but MDNA explores virtually all the emotional stages of divorce. “Girl Gone Wild,” for example, is a euphoric, four-on-the-floor ode to releasing your inhibitions after years of suppression. “I’ve got that burning hot desire; no one can put out my fire,” Madonna sings before the crashing, sledgehammer chorus kicks in. “I’m like a girl gone wild! A good girl gone wild,” she later exclaims as a pulsating bass-line fully envelopes her.

It’s an unapologetically self-indulgent anthem, filled to the brim with ecstasy, joy, and freedom. At first listen “GGW” may seem like a shallow dance track, but it absolutely reflects the relief in leaving a suffocating relationship. “There were times when I felt incarcerated,” Madonna said in 2015 about her marriage to Ritchie. “I wasn’t really allowed to be myself.” “Girl Gone Wild” is all about reclaiming that identity. “Turn Up the Radio” and “I’m Addicted,” two more exuberant songs on MDNA, evoke this same feeling.

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On the opposite end of the spectrum is “Gang Bang,” the album’s second track and perhaps Madonna’s most experimental since “Justify My Love.” Made on the tail-end of top 40’s dubstep craze, Madonna sing-talks here about shooting her lover in the head. “Bang-bang, shot ya dead,” she snarls against a grimy, thumping beat. This is Madonna’s Angry Divorce Song, and it goes there. “I thought it was you, and I loved you the most. But I was just keeping my enemies close,” she says. “Made a decision I will never look back, so how did you end up with all of my jack?” Her disdain is crystal-clear—even when it’s buried in synths.

“Jack” is most likely a reference to the $76 million settlement Ritchie received in his and Madonna’s divorce. They never signed a pre-nuptial agreement—something explored more directly on two other songs. “Gang Bang,” though, is five minutes and 26 seconds of pure rage, climaxing with a gun shot and this controversial statement: “If you’re ‘gonna act like a bitch, then you’re ‘gonna die like a bitch.” The violence is metaphorical, of course, but the anger is real. Madonna confirmed it in 2012 while promoting the song: “Je suis énervé,” she also told Harry Smith. Translation: I am angry.

But it’s a fleeting emotion. Anger is almost always just a shield for sadness—and that rings true on MDNA, too. Any aggression Madonna feels about her divorce—on this album, at least—is flushed out by melancholia. She’s grieving on “Best Friend”; realizing her mistakes on “I Fucked Up” (“Maybe I should’ve turned silver into gold, but in front of you I was cold”); and wishing for a different outcome on “Love Spent.” That last song uses money—most likely the money Ritchie walked away with in their settlement—as a metaphor for Madonna’s heartache. “I want you to hold me like you hold your money,” she sings. “Hold me in your arms until there’s nothing left.”

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Madonna eventually finds peace on “I Don’t Give A,” a song smack-dab in the middle of MDNA, in which she raps most of the words. Cringe factor aside, “I Don’t Give A” shows Madonna reconciling all those aforementioned emotions—rage, grief, relief—and emerging on the other side completely content. “Wake up ex-wife, this is your life,” she sings before lamenting about lawyers, custody agreements, and prenups. Ultimately, however, she decrees, “I’m ‘gonna be OK. I don’t care what the people say.” That’s a conclusion hopefully most people reach after a divorce—no matter how ugly it gets. The song is a kitschy send-off to Madonna’s haters—the ones who thought her split from Ritchie would somehow break her. “‘Gonna live fast and I’m gonna live right,” she says in the chorus. And she’s still doing that in 2018. She survived.

The DNA of MDNA is catharsis—that’s what makes it such a brilliant divorce record. Country albums like Willie Nelson’s Phases and Stages croon about heartbreak, yes, but they’re one-note. Divorce, however, is an amalgamation of feeling: elation, betrayal, depression, numbness, fury—the list goes on and on. Madonna hits all of those points on MDNA and then-some. Truthfully, you’ll finish the album with emotional whiplash—but isn’t that divorce? Isn’t that life? Thankfully, Madonna reached her happy place, and her harrowing journey from darkness to light is something many divorced people can relate to. Who knows? Maybe a few of them even found their salvation exactly where she did: on the dance floor.

Christopher Rosa is the staff entertainment writer for Glamour.



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Priyanka Chopra Was the Ultimate WAG at Nick Jonas' Soccer Game


Priyanka Chopra and Nick Jonas have been quite the jet-setting couple: from their engagement ceremony and party in Mumbai to hiking in northern California to recreating the engagement photos of their friends Meghan Markle and Prince Harry, they’re everywhere lately. Add to the mix the fact that they now seem to be wearing matching outfits, and you’ve got all the signs of a pretty close-knit couple. But for further evidence, one need look no further than Chopra’s Instagram, which shows the couple once again back in India—and this time, Chopra is proving to be the ultimate WAG.

Chopra, who’s filming The Sky Is Pink in Mumbai right now, showed up for Jonas’ soccer match there and documented her athletic fiancé’s skills with an Instagram slideshow. As it turns out, the match was a charity event starring not just Jonas, but also quite a few Bollywood celebs. The pics show Jonas in various states of play, from casting intense looks across the field to taking a knee with his teammates to chilling on the sidelines and…slo-mo walking.

“Bae in Bombae!! ?#friends #mumbai #football @nickjonas,” she captioned the slideshow. (The match took place in Mumbai, but hey, who isn’t down for a good pun?).

Just yesterday Jonas posted a pic of him “back in the studio,” so it seems this couple keeps quite a busy schedule.

If these two have any frequent-flyer points, I’m more than happy to take some off their hands.

Related Stories:

See Priyanka Chopra’s PDA-Filled Birthday Tribute to Nick Jonas

Priyanka Chopra and Nick Jonas Re-created Meghan Markle and Prince Harry’s Engagement Pic

Welp, Priyanka Chopra and Nick Jonas Are Now Wearing Matching Outfits



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20 Years Later, 'Felicity' Is Still The Ultimate Fall Fashion Lookbook


It’s been exactly two decades since The WB (RIP) introduced the world to Felicity Porter, a young, college-bound woman who skips out on attending Stanford to chase her dreams—and her longtime crush—in New York City. During its four-season run, Felicity inspired an entire generation of wide-eyed coeds to pursue their own big-city ambitions, somehow making a part-time barista gig at Dean & DeLuca look desirable and even… glamorous? (Felicity’s side hustle may or may not have influenced my own barista stint as an undergraduate, if we’re being honest.) The act of chopping off her signature curls for a story arc at the beginning of season two created a sort of international incident—so, her look was very much a part of why viewers loved her.

And it wasn’t just her hair. I recently rewatched the entire series, and the entire time I was in awe of how cozy Felicity always looked throughout: From the pilot to the finale, her cardigans were perfectly worn in, the jeans were distressed just so, and the coats were oversized without looking frumpy or sad. Her accessories of choice—typically scarves and messenger bags—were often styled in a way that said, “Yes, I just threw this on, but it works because I don’t really care that much about my appearance.” Basically, Felicity had effortless fall fashion totally figured out, even if her love life was kind of a disaster.

Although the way college was depicted in Felicity was, um, debatable—what freshman gets a dorm room bigger than most Manhattan apartments?—and that series finale still has me scratching my head, Felicity’s relaxed wardrobe more than makes up for those shortcomings. It felt real, from the way she layered to how the sleeves on her sweaters were a little too long. Back in 1998, costume designer Linda Serijan-Fasmer told the Los Angeles Times that the key to unlocking Felicity’s style was keeping it as simple and bare as possible: “She won’t wear anything with stretch or sheen. She doesn’t like big, groovy collars. She won’t wear anything in her hair, and she won’t paint her nails.” It’s a different kind of aspirational, but one that was actually achievable for a twenty-something-year-old woman.

In honor of the show’s 20th anniversary, I’ve gathered some of the looks that capture Felicity’s distinctly understated, campus-ready style. From toasty knits to fitted turtlenecks, she gave us a blueprint for autumnal apparel that truly stands the test of time.



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Proof Collective's Water-Repellent, Odor-Resistant Denim Jacket Might Be the Ultimate Fall Staple


I would consider a denim jacket to be a staple in anyone’s closet, yet I didn’t own one that I loved and consistently wore. And I happen to be a denim editor.

I attribute this to a number of things: I don’t wear a lot of denim (ironic, I know), I’m very picky when it comes to fit, and, in an ideal world, I need everything in my closet to be versatile enough for a variety of occasions. Plus, I tend to favor oversized, more masculine pieces, and the denim jackets available on the market for women don’t exactly cater to this—always too fitted or cropped for my liking.

If I ever felt the need for a denim jacket, I would reach for my husband’s black Levi’s trucker jacket. Even though I liked that it was too big for me, the proportions felt inherently off—it was cut differently, the shoulders and torso not aligning with my shape. I would push up the sleeves, turn up the cuffs, pull down the shoulders… But still. It wasn’t a viable solution. My husband and I also have a dog and love being active outdoors—translation: Fur, slobber, and dirt are pretty much always on our clothes.

PHOTO: Michelle Sulcov

Because this fabric is considered the workhorse of clothing, denim jackets and jeans should, theoretically be able to transition from an everyday wardrobe to an active one. In my experience, that hasn’t always been the case, though. A denim jacket can be a great as an add-on to an fitness outfit, to style up performance fabrics and tone down the overall active look—but getting a muddy paw print or soaking up in sweat usually means it goes straight into the wash.

So, when Proof Collective promised a trucker jacket made with water- and stain-repellent, odor-resistant technical fabric in the very silhouette I’d been hunting for—oversized, but cropped so it reads cool and effortless, while still being flattering—at an affordable price point? Well, I was intrigued.

Retailing at $195 (currently, it’s available for pre-order), Proof Collective’s signature jacket comes in light blue, dark blue, and faded black. And its fabric delivers on its promises: Water rolls off of the denim almost like a raincoat, and it dries quicker than a regular jacket; stains as heavy as oil or as sticky as wine can be rinsed off with water, or, if dried, removed in the wash. It’s also treated with an antimicrobial that protects against odor-causing bacteria. On top of all of that, the fabric is Bluesign-approved, meaning it’s certified environmentally-friendly and non-toxic.

I wore this jacket consistently for two weeks in the midst of summer in New York: to and from my workout classes (reluctantly putting it on while still dripping sweat); while walking my dog in sunny 90º weather (wiping the sweat from my brow with the sleeves); during one of those sporadic, torrential downpours (hesitantly sticking my arm out from under my umbrella, and watching in disbelief as the rain rolled right off); to the office and on the weekend. The jacket came out on the other side—without a hint of odor, sweat, or stain to show what it had been through.

PHOTO: Michelle Sulcov

More importantly to me, though, is that it proved to be the perfect hero item to bridge different gaps in my closet. My work wardrobe and weekend wardrobe are completely different—if I have any errands in the evening, I’ll always have to go home to change first—but this jacket is one of the only pieces I own that works for both work and leisure, morning and evening, without ever looking out of place.

After this summer—i.e. extreme weather—wear-test, I can foresee this jacket being a staple for me year-round. I love that I finally have a piece that has performance qualities while not looking like activewear and that I can wear in almost every situation without worrying about getting it wet or dirty. It might not seem like a huge deal but being as knowing the denim market is part of my job yet I myself didn’t have a tried and true jacket I could vouch for because of fit, color, style, or versatility, this discovery is an incredible addition to my wardrobe. The best part: I no longer have to share my clothes.



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How Much to Tip at the Hair Salon: Your Ultimate Guide


There once was a time when we had to devote a huge amount of effort to uncover the truth about our beauty routines. Now we’re in a golden age of transparency. You can google just about any ingredient or Yelp whatever service and a wealth of reviews are available at the ready. And with social media holding brands accountable, they’re listening to our pleas and have begun providing the information we need to make informed decisions about the products we purchase. But there’s still one place where that ease of knowledge hasn’t extended: the salon.

Even for those of us who have been getting our hair cut and colored for decades, there’s still so much confusion around tipping. Unlike some restaurants, where your receipt gives you a gentle nudge toward gratuity by listing the exact dollar amounts for a 15, 20, or 25 percent tip, the salon is much trickier, with no indication of who (if anyone) gets extra money and how much to give. Are you supposed to tip the owner? And what if multiple assistants helped with your blowout or shampoo? There’s also the issue of knowing where your money is going: There’s much more discussion around servers’ salaries than there is around our stylists’. All these factors make the equation that much more difficult.

To shed some light on what’s really going on at the salon, Glamour talked to stylists, assistants, and owners around the country to find out. From where your hard-earned cash goes to what (and who) you really should be tipping, read on for their unfiltered opinions and advice.

What Stylists Actually Make

Salons run on a few business models—most commonly commission-based and booth rentals (more on those later).

Commission, explains Siobhán Quinlan, a colorist at Art + Autonomy Salon in NYC, means that employees are paid for the services performed, of which they only keep a portion, usually somewhere between 40 to 60 percent of the price. The remaining percentage goes to the salon for overhead costs like utilities, product used (color, shampoo, conditioner, etc.), and amenities for both staff and clients.

Nicole Krzyminski, a stylist at Fringe salon in Chicago, breaks it down: “Say you’re getting a beautiful new color—your balayage, conditioning, and toning takes about three hours and costs around $250,” she says. “After accounting for the overhead fees and product costs, the stylist gets about $100 of that pretax.”

In some cases, stylists can also make money by convincing clients to buy a product that was used on them during their service. However, this represents a minuscule amount of revenue says Shira Devash Espinoza, a freelance stylist based in New Jersey. “When working in a salon, you’re constantly pushed and ‘rewarded’ to sell, but only earn maybe 10 percent of it if you’re lucky,” she says.

How They Spend It

So what happens to Krzyminski’s hypothetical $100? The majority of it, she says, goes toward licensing fees, personal supplies, and tools (blow-dryers, flatirons, curling irons), and continuing education classes. That means even on a jam-packed day, a stylist may only make enough take home pay to cover the essentials of food, shelter, and clothing.

Tips, on the other hand, help pay for the supplemental benefits that those not in the service industry take for granted. Says Stephanie Brown, a colorist at Manhattan’s Nunzio Saviano Salon, “It’s a physically demanding job, and most salons are too small to provide health benefits or paid vacations and sick days.”

Ladda Phommavong, a stylist at Third Space Salon in Austin, Texas, says that those gratuities are what helped her become the in-demand stylist she is today. “The tips I received from clients meant being able to take outside courses to hone my craft,” she says. “If clients knew I was saving up to take the master colorist course and that their tipping was directly contributing to me becoming a better stylist for them, I think they would definitely want to be a part of that.”

Freelance Isn’t Free

Many stylists choose to forgo the commission-based life and instead strike out on their own by renting booths in salons. This basically means paying a weekly or monthly fee—our stylist sources said they generally pay around $120 a week or $880 a month, depending on where they are based—to reserve a semipermanent spot to see clients. In these cases, stylists keep 100 percent of their service fee as well as their tips. The downside? “We pay for absolutely everything—refreshments, cups, capes, color bowls, foils, brushes, scissors, styling products,” says Jennifer Riney of Brushed Salon in Oklahoma City. They are also on the hook for paying liability insurance and credit card fees.

Freelancers like Sarah Finn, who rents a chair at The Ritz Day Spa & Salon in Watertown, New York, say that one big perk of being on their own is an uptick in tips. “I’ve worked at salons where my clients paid at a cash register and their tips went through many hands,” says Finn. “I don’t know if it’s just because they’re paying me face-to-face or if tips went missing at other places, but I definitely make more as a booth renter.”

Another option for freelancers is the coworking salon. Arturo Swayze, the founder and CEO of ManeSpace in NYC, is a pioneer of this relatively new setup. He provides short-term rentals for stylists who don’t need or want a regular stint in a salon. Stylists reserve a time slot, use an app to unlock the space, and see their clientele as needed. But even in this scenario, says Swayze, there is still uncertainty.

“Because the coworking model is so new, people really don’t know what proper tipping etiquettes are,” he explains. “Tipping is still an important aspect for these hairstylists. They are independent, but essentially have all the expenses of a salon owner, but they’re not drawing income from other stylists.”

“Each stylist is running their own small business in a way,” says Nicole Wilder of Paragon Salons in Cincinnati. “We have relied on tips as a part of our salaries for decades. We kind of signed up for that as part of it. But we work hard on our feet to make you feel beautiful.”

Helping Hands

Assistants are the unsung heroes of the salon industry—and some of the most neglected. They are involved in almost every aspect of your service. “Our duties as an assistant helping a stylist are to shampoo all clients for haircuts, apply toners, blow-dry, and mix color,” says Ocean McDaeth, one of the assistants at Art + Autonomy. “We’re also in charge of setting up the stylists for each service, keeping their stations as well as the salon clean, doing laundry, and greeting clients and making sure they are comfortable throughout [their visit].”

Since assistants don’t perform technical services, they’re usually paid a day rate by the salon owner. Many times the stylists they assist will also tip them out with a small percentage of the day’s take. “Being a hairdresser has a huge financial obligation. I think it’s fair to say we as assistants really do rely on our tips. Without them I have no idea how I’d survive in NYC,” McDaeth admits.

It’s important to note that assistants aren’t the norm in smaller salons and outside of big cities. High-end salons with a large clientele tend to hire assistants as a way to let a stylist book more appointments. If the assistant is washing your hair, this allows the stylist to have another client in their chair. When done well, you might not even notice your stylist or colorist is working with one or two other people in addition to you. This maximizes the stylists’ time and earning power, making assistants integral to a prestige salon’s operation.

While having assistants is a lifesaver for hairdressers, it can be a nightmare for clients if you’re trying to figure out who to tip. In large salons, you can have up to 10 different people touching your hair, notes Jon Reyman, a master stylist and co-owner of Spoke & Weal salons. He says that some (but not all) salons have what they call a tip pool for just that reason. “We have it set up so that whatever tip a stylist gets, a portion of that is distributed to the assistants at the end of the day. So if you tip your stylist, you tip everybody.”

Of course, there’s no way to know if that is your salon’s economic ecology, so in general, think about what the assistant has done for you. If they are shampooing, applying gloss, and/or doing your postcut blowout, it’s a good idea to throw something their way. (See our cheat sheet, below, for more on what exactly to give.)

The Owner Dilemma

While tipping your stylist seems like a no-brainer at this point (hopefully), owners are a whole different ball game. “It’s an antiquated practice to not tip owners,” says Michael Davis, owner of Smith & Davis Salon in Chicago. “We’re still providing a service and actually are no longer receiving a commission. All money we bring in goes into the operation of the business and paying the non-income-earning staff.” Adds his co-owner Stevie Smith, “After operating expenses, taxes, benefits, and general overhead, the profit margin for the salon is generally about 8 to 10 percent.”

Paul Norton, a celebrity stylist in West Hollywood, puts it a bit more bluntly: “Running a salon is expensive, and generally if the owner is still choosing to take clients, I can’t imagine that they thought, Finally, a chance to work just as hard if not harder and earn even less money!”

What’s In It for You?

Besides building a strong relationship with your stylist, being a good tipper also gives you access to a few perks. “Just as much as they show their appreciation, we like to show it back,” says Derek J, owner of the J Spot Salon in Atlanta. “When a client wants an extra-early or late appointment, we always keep what type of client it is in mind that’s asking.”

Adds Finn, “Those who are good tippers will be the ones a stylist will go above and beyond for; we’ll come in early or stay late or go in on a day off. If you don’t want to tip that’s fine, but let’s be real—if someone does tip more than expected, we will typically do more than expected for them too.”

Just don’t think that because you don’t tip that you’ll get subpar cut, says Reyman. “I’m not going to give you a different service because you did or didn’t tip me—I’m a professional,” he says.

Tipping Made Easy

If you’re unsure on exactly how to show your stylist how much you value them, we asked our panel to break it down to the basics. The usual gratuity for your stylist or colorist (yes, even if they are the owner) should be 15 to 20 percent of the service fee. And while assistants are sometimes tipped out by their stylists, it’s still a nice gesture to pass a little something their way. Davis says that if they simply got you settled and washed your hair, $3 to $5 is sufficient. However, if they were a little more involved, say blowing out your hair or doing a gloss service, $10 is more appropriate.

Another good rule to live by? Cash is king. Many salons don’t allow tipping with credit or debit cards since it’s harder to divvy. “When I was at my old salon where this was the policy, I often had days where I wouldn’t get tips at all because the clients would forget and not have cash or checks on them,” says Phommavong.

When all else fails, just ask. There’s no sense feeling awkward about not knowing what’s right for your situation. Not everyone is made of money—something stylists understand all too well—so don’t be embarrassed to ask them what’s kosher. “If you want to have a healthy relationship with your stylist, have the awkward conversation,” advises Reyman. “I would say, ‘I want to take care of you because you take care of me. What do you think is an appropriate tip?'”

At the end of the day, the most important thing to remember is that you and your stylist are on the same team—one that wants you to look and feel your best when you walk out the door. Says Brown, “No stylist ever wants you to leave unhappy; that’s bad for our business.”






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Zendaya Posted a Makeup Tutorial for the Ultimate New Year’s Eve Smoky Eye


If there’s one night of the whole year to go all out glam with your makeup, it’s New Years Eve. We’re talking glitter liner, unicorn highlighter, a bright red lip—now’s definitely the time to try a bold look. Party makeup, after all, was basically made for celebrating the start of the new year. There are a ton of amazing celebrities’ beauty looks that would be perfect for the occasion, but Zendaya just gave us a step-by-step tutorial for nailing her own choice of look for the evening: a (very sultry) smoky eye—with a twist.

The actress, who happens to be extremely talented when it comes to doing her own makeup, filmed a makeup tutorial with beauty influencer Alissa Ashley so the pair could take us through the process of getting two statement-making smoky eye looks just in time for Sunday’s round of parties.

For the tutorial, Zendaya went with a dark bronzey eye—a twist from the normal gray-based tones—and a glossy lip. She starts with her eye makeup, leaving her skin bare until the smoky eye is almost complete. Then she focuses on her skin, leaving her brows for last. “It’s my little treat at the end,” she says.

After priming her eyes, she smudges the CoverGirl Perfect Point Plus Eyeliner ($5.19) up from her lash line and onto her lid to create her smoky eye. She tops it off with some false lashes before patting on a bronzey shadow just in the center of her lid as an added highlight.

For the skin, Zendaya uses foundation as her base and her contour, blending them all together before setting her makeup for a seamless finish. “I use just darker shades of foundation, basically,” she says. “And I like to blend it in with a fluffy brush, so I blend my creams in with a blush brush.”

Zendaya uses the shade Shell from the CoverGirl Tru Naked Eyeshadow Palette ($9.99) as a highlight on her cheekbones. It’s a frosty shade that still looks natural and not too in-your-face, keeping all the attention on the eyes. She topped it all off with some lipgloss and some setting spray (because no one’s got time to retouch on New Year’s Eve).

Best of all, the final product is easy enough to recreate before heading out to dance off the last of 2017. Watch a sneak peek of the tutorial below…

…and then head to her website for the full how-to.

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23 New Year’s Eve Dresses You’ll Wear More Than Once





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