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The Glass Runway: Our Exclusive Survey on the State of the Fashion Industry


Think of fashion and you most likely think of women—the stiletto heels, the supermodels, the feminist-​slogan tees. Stereotypical? Yes. But there is some truth to the oft-memed words “Women be shoppin’.” Fashion is fueled by women: We spend, on average, three times what men do on clothing for ourselves and others, according to The NPD Group, a global market research firm—more than $159 billion in 2017. So you’d think the top of the industry would be filled with female designers and executives, right? Sadly, not so.

According to one industry report, fewer than half of leading womenswear brands have a female designer at the helm, while another found that only 14 percent of major brands are run by a female executive. Some recent shakeups at the top have been heartening (Clare Waight Keller took the reins at Givenchy as the first female artistic director in the house’s 66-year history; Stella McCartney gained full control of her eponymous brand), but others were heartbreaking (Phoebe Philo, the designer many women felt understood them the most, stepped down from Céline only to be replaced by a man).

Source: Business of Fashion

To find out what’s holding women back in fashion, ­Glamour teamed up with the Council of Fashion Designers of America and the consulting firm McKinsey & Company to survey 535 professionals throughout the industry about their ambitions, opportunities, and setbacks. We also sat down with more than two dozen women and men at various levels to go deep on how, if at all, gender has impacted their careers, and to help develop concrete solutions to address inequalities where they exist.

The title of our survey, The Glass Runway, comes from a study about gender inequality in the fashion industry that discusses the language that’s often used to describe designers and their work—men’s designs tend to be praised as innovative and groundbreaking, while women’s are described as practical and wearable—but our survey found the biases go much deeper than words. Despite this, companies that manage to be diverse and inclusive are some of the brightest success stories in fashion and retail right now. Old Navy, for example, is one of the country’s fastest-growing apparel brands among major retailers. President and CEO Sonia Syngal says parent company Gap Inc. has “a culture of equality that’s demonstrated through hard facts.… We have a female founder, we have female leadership representation at every level, and we have equal pay for equal work.” All of which, she says, has freed up time and energy to focus on moving the business forward.In other words, tackling these problems is good for women but also good for business. So first, let’s take a good, hard look at the barriers.

The Awareness Problem

In our interviews, 100 percent of women said that gender inequality is a problem in the industry, compared with less than 50 percent of men. This disconnect, experts told Glamour, may be because a lot of women already do work in fashion. Unlike investment banks or tech firms, where the dearth of women is obvious at a glance, in designer showrooms and studios, women are everywhere. Enrollment at New York’s Fashion Institute of Technology, one of the country’s top fashion schools, was 85 percent female in 2016, and women overwhelmingly fill the entry-level jobs in the industry. One designer recalled that in her program, “there were maybe four male students. But,” she quickly pointed out, “at the top level of the industry there are very few women, and it is noticeable.”

Lack of senior leaders isn’t the result of some kind of ambition gap, either. At the entry-level stage in their career, women are 17 percent more likely than men to aspire to become top-level executives. But midcareer women hit a wall—and our survey found that, by the time they get to the VP level, men are 20 percent more likely than their female peers to aspire to be a top exec. That’s a tremendous swing.

Source: Glamour x CFDA Glass Runway Survey

Women we spoke to had countless examples of the big and small hurdles they faced. Designer Carly Cushnie, who cofounded Cushnie et Ochs in 2008, recalled reviews that focused as much on her appearance as on the dresses she sent down the runway: “So much of the criticism was like, ‘Oh, you have to look like you wear those clothes. You have to be a certain size.’ Whereas a man can do sexy and it’s genius.” She has also seen how the men-are-brilliant idea affects funding, and recounted her experience walking into a room of male investors who said things like, “So you’re running the company?” and, “There’s nobody else here?” She says, “It’s also harder for women to get financing, to get business loans. A lot of female designers are not looked at in the same regard as a man in terms of being both a designer and a businesswoman.… You’re looked at as more of a risk, especially in an industry that is generally risky for any investor.”

The “How Do You Get Promoted?” Trap

With women feeling so ambitious at the beginning of their career, it’s not surprising that they are also more likely than men to ask for a promotion at junior levels. But as women hit the middle- and upper-management levels, they seem to get discouraged, with women half as likely as men to go for a bigger job. Almost every female interviewee, even those who described themselves as assertive and highly ambitious, said they’d struggled with asking for promotions. Several female industry veterans said they’d felt “lucky” just to be hired or promoted at all.

Part of the challenge: the lack of clarity around what it takes to move up in many companies. After working at a fashion PR agency for several years, said one executive, “I was bringing in new clients and doing the work of a senior person, but I did not receive an increase in pay or a promotion.” A female manager at a menswear brand echoed her complaint: “I always ask for concrete guidance on how to be promoted. I do all those things right, and it makes no difference.” Even with two decades of experience, she says, she hasn’t been able to get clear answers about what it would take to get to the next level and whether her salary is aligned with her job description. “It’s hard to know what is fair if you don’t know [the criteria],” she says. Others said assignments and promotions could seem maddeningly arbitrary. A public relations executive said that as the only woman of color in the room, she was often singled out early in her career for streetwear projects, and while she took advantage of the opportunities, “It’s kind of like, Why do you assume I’m going to know what’s going on in that neighborhood?” she said. “I didn’t grow up there. I grew up upper middle class, but you’re pinpointing me to talk about the street campaign.”

Another retail executive recalled a meeting with a more senior male exec in which he told a room full of mostly female staffers about how he got promoted from an assistant buyer to a buyer role in a year and a half. “He said his boss, who was also a man, liked him and how he’d planned a holiday party,” she recalls. “He was saying this like it was a source of pride or a bragging point. And we were all sitting around with our mouths hanging open because we’d watched our male peers race up the ranks while women at the company were rarely promoted.” They aren’t imagining it: Our survey found that at more junior levels, 25 percent fewer women than men get promoted without asking; by the time they reach management positions, 72 percent fewer women get plucked for a promotion without asking, compared with their male peers.

Source: Glamour x CFDA Glass Runway Survey

Tied to that, of course, is pay: Many women knew they were paid less than their male colleagues. “I always went into [salary talks] with low expectations,” one executive said. Even now, running her own company, another said she has “stress and doubts” when negotiating with clients: “As women, it’s something we have to heal in our programming.”

The Mentorship Gap

Navigating company culture and promotions often comes down to the advice employees are—or aren’t—getting from their superiors. At all levels, men get more feedback than women do on how to advance their careers, our survey found. And although research has found that, since the #MeToo movement, many male managers have stepped back from mentoring women, men in fashion (an industry in which gay men often hold a lot of power) seemed deterred by outdated attitudes: “As a man, I am worried about women being more sensitive and getting offended when I give them feedback, so I do it less often,” said one producer of fashion shows and other events. Disappointingly, this was a sentiment expressed by several male interviewees. Mentorship, however, has been proved time and again to help close the gender gap.

The Work-Life Balance Snag

Studies have found that becoming a parent can sideline a woman’s career and is the biggest factor in gender pay disparities. These trends play out in fashion too. One president at a fashion brand suggested that women were opting out of higher-level positions because of motherhood: “At the VP level, women may decide to lean back and be less inclined to ask for a promotion because they are juggling increased responsibilities at home.” Half of all VPs with children said that motherhood had been an obstacle to getting ahead, and in interviews many women said they waited, or planned on waiting, to have kids until they were in a senior-level position so they wouldn’t be “left behind.” One former retail executive told us that when she got promoted to the VP level, she put off her marriage for a year and didn’t think pregnancy was an option because the job was so demanding.

Unfortunately, our interviews found these aren’t totally unwarranted fears. “It’s horrible to say, but one of the things we always considered when we were evaluating several candidates for a job offer was whether they were recently married and likely to start having children soon,” admitted a former human resources manager for a fashion brand. “We were much more likely to offer the job to a single woman or a woman who was older; this never, ever came up with men.” Women with children were also often passed over for promotions, she said: “The manager would say, ‘This position requires more time than you’re able to give.’ ” (FYI, it is illegal to discriminate against an employee or prospective employee on the basis of pregnancy—current, past, potential, or intended. If this has happened to you, you may have grounds to file to a complaint with the EEOC or your state employee-rights agency. For info, visit workplacefairness.org.)

Mothers who did manage to make it to the C-suite said they had to make a conscious decision to let go of the inevi­table guilt of not being able to give 100 percent at home or work. “I expected the fact that there would be things that fell through the cracks,” said one retail CEO. “Women have been socialized to feel an immense amount of guilt about missing things—we have to stop giving anyone the idea that they have to be perfect.”

PHOTO: Mat Maitland

So How Do We Solve This?

Fashion, says Steven Kolb, president and CEO of the CFDA, needs to push for more gender equality at the top, especially since women are at the core of the business. But he believes the industry is well poised to do so: “We’re a creative industry, and I think creative people have a strong sense of humanity, and you see that in how we interact with each other,” he says. “Now we need to look at how to translate that to more tangible opportunities for women in their careers and in their lives so that they can continue to flourish and grow.” No one is saying it will be easy or that anyone will get it perfect on the first try (no company has nailed it—in fashion or any field). But our survey found there are ways to move the industry forward, and many of them are universal enough for any company—even yours if you don’t work in fashion. Some of the most important steps:

First, recognize the problem. If 100 percent of women say there’s a problem, then guys, it’s time to listen up. Tracking and sharing gender-related metrics is one of the most essential steps a company can take toward creating a more equitable workplace, experts told us. After all, if you don’t know where the problems are (or assume, like many, that you don’t have any), it’s unlikely anything will get fixed. Take the experience of one top retail executive, who recalled ordering a companywide salary review several years ago and was surprised by the sometimes “bizarre” pay gaps between people in similar positions—female employees working in the menswear department were paid higher than their female counterparts in womenswear. The company was able to level the playing field but only once it was armed with the data to do so. A few other companies have helped set the bar for pay transparency and fairness: In 2014, Gap Inc. became the first Fortune 500 company to announce that it had achieved equal pay for equal work (three out of its five brands are led by women). At Tapestry (which owns Coach, Kate Spade, and Stuart Weitzman) chief executive Victor Luis was among the more than 400 to sign the CEO Action for Diversity & Inclusion pledge, promising to make concrete changes in the workplace. Key to these programs is that they’re all ongoing; they aren’t one-​and-done solutions to a continuing issue. Tracking metrics helps everyone stay accountable in the long-term.

Make the criteria for success clear. Companies of all sizes can reduce how bias affects promotions and salary negotiations by making compensation and review processes as straightforward and transparent as possible. Larger firms might take a cue from Kering, which owns brands like Gucci and Balenciaga, and have their HR team train managers to prepare for evaluations and share concrete examples of employees’ performance. Even at relatively small companies, several executives said that formalizing evaluations and including more objective criteria has made the process less of a burden over time and given employees and managers the opportunity to have valuable conversations about goal setting and career advancement. It’s also critical to retaining great talent: Women, our survey found, were up to three times more likely than men to say they have considered leaving fashion altogether in order to get better access to leadership roles.

Build mentorship opportunities. Women are more likely than men to say that they never interact with senior leaders. If you’re a senior leader, you can change that! One PR executive said that when she’s hiring new employees, she makes a point of ensuring that women of color in particular are in the candidate pool: “It’s the first group that’s canceled out in terms of consideration.” Having a diverse company also gives her an edge over other, more homogeneous teams; it’s a business decision as much as a matter of principle, she says. “There are different groups of editors to invite, different groups of influencers, different people out there to reach.” In other words, more possible customers.

Many interviewees also shared the advice they give to those who are struggling with asking for a promotion or advocating for themselves: “Nobody else is going to do it for you—it’s you or nobody,” said one. Another said she’s found that sometimes your direct manager isn’t the best person to go to, so it’s worth developing a good rapport with someone up the chain. Finally, one said she tells employees (particularly female ones) not to settle once they’re in a role: “Push yourself and tell [your boss] you’re ready to do something if you want to do it…. Spell it out.”

PHOTO: Mat Maitland

Be an ally. Fashion may celebrate the individual, but no one succeeds without a little help from those around them. In interviews it became clear that both male and female allies can play a role in creating an inclusive workplace. Remember those guys who said they were afraid of how women react to feedback? They might try taking notes from a former boss of Old Navy’s Syngal. When she began managing her peers for the first time, it was, she says, “a big transition.” “I remember one time bursting into tears in my boss’s office and of course being so embarrassed afterward. He just looked at me and said, ‘Women cry and men yell. It’s sort of what we do,’ ” she recalls. “He completely understood the societal behaviors that we all live in, and he was fantastic.” Whether women react with anger or tears at work, they tend to be penalized for it more than men, so leaders who can take both in stride are particularly valuable. Men and women alike also need to be allies by calling out bias where they see it, whether it’s a sexist comment in the boardroom or inappropriate behavior on a photo shoot.

Get behind work-life balance programs. While a bootstrapped operation may not be able to match a billion-dollar brand when it comes to, say, paid parental leave or skills trainings for women in leadership positions, there are other areas where even small companies can excel, like offering flexible work hours to employees and fostering an inclusive environment from the top down. Numerous studies have shown that things like flextime tend to increase productivity and boost companies’ bottom line, yet less than a third of the men and women we surveyed said their companies have any such policies. (It’s also possible that many don’t know about them—employees we surveyed struggled to identify concrete equality initiatives at their companies, and more men than women said their employers had them in place, suggesting leaders need to make their policies much clearer to everyone.)

And while offering things like flextime is a start, Brian McComak, Tapestry’s senior director of inclusion and diversity, says, “It is important for leaders and people managers to demonstrate their support and lead by example.” One fashion-events producer, who has worked for both corporate and boutique firms, said the best experience she’s had has been at a small women-owned-and-run company because motherhood hasn’t felt like a taboo subject to discuss. “The comfort of being able to talk openly and freely about the demands of children has been one of the biggest reasons why I’ve continued working with them and why I feel so happy to be in a place that’s supportive.”

Even if you don’t work in fashion, you interact with the industry in other ways, whether it’s through the clothes you shop for, the magazines you read, or the Instagram accounts you follow. And when more women are involved—not just as workers but as business owners and creative visionaries—we all win. Before Maria Grazia Chiuri took the reins at the house, it would have been tough to imagine a model walking down the Dior runway in a T-shirt reading “We Should All Be Feminists.” Trailblazing women have likewise been behind the push for a more size-inclusive industry (thank Chromat’s Becca McCharen-Tran and powerhouse plus-size modeling agent Susan Georget, among others) and for more awareness of ethics and sustainability (Stella McCartney and Vivienne Westwood, to name two). Independent women-run brands have moved the needle through their designs too: Rosie Assoulin has proved that evening wear can be both whimsical and wearable (and include pockets!), while Rachel Comey has made block heels and wide-leg jeans cool-girl staples. When we support brands like these, we show that women are a priority—and our wardrobes are all the better for it.

Hilary George-Parkin is a journalist in New York City who writes about fashion, culture, and technology.



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Kate Moss and Naomi Campbell Reunited on the Louis Vuitton Runway


Back in September, the fashion world collectively lost their minds when a crew of OG supermodels reunited at Versace’s Spring 2018 show for a dazzling finale. So imagine the scene at Paris Fashion Week Men’s, when two of the most iconic names in fashion, Kate Moss and Naomi Campbell, walked down the same catwalk for the first time in years. Yup, it was major.

This wasn’t any ordinary fashion show: Moss and Campbell came together again to send off Kim Jones, who, after seven years at the helm of menswear at Louis Vuitton, presented his final collection in Paris. In matching monogrammed trench coats, they made a special, surprise finale appearance, reminiscent of that Versace moment from the fall. And while their ’90s runway appearances are the stuff (or struts?) of legends, the model duo proved they still have it—and can show the new generation a thing or two about how to dominate the catwalk.

While Campbell hasn’t been absent from Fashion Week lineups for long (she most recently walked a few shows during the Spring 2018 womenswear season), more time has passed since Moss made her way down the runway—in fact, this is her first official appearance since Louis Vuitton’s Fall 2013 presentation, five years ago, per Vogue. It’s been even longer since both Campbell and Moss appeared as part of the same show, though, despite basically running the circuit in the ’90s and early aughts, which makes this reunion all the more incredible.

PHOTO: Estrop

Louis Vuitton : Runway - Paris Fashion Week - Menswear F/W 2018-2019

PHOTO: Dominique Charriau

The casting came from Jones himself, it seems. On Instagram, he shared backstage Polaroids of Campbell and Moss, explaining how their appearance at his final Louis Vuitton show “was really a thank you and reference to @themarcjacobs early 2000s Vuitton and the fact that he was the one that gave me the opportunity to be @louisvuitton”. (Jones ascended to the top menswear position at the company when Jacobs was its creative director.)

More than simply marking the end of Jones’ time at Louis Vuitton with a grand finale—really, there’s no better way to go out than with two legends wearing in your designs—casting Moss and Campbell makes a strong point about age inclusion on the runway: At 44 and 47 years old, respectively, they’re older than the majority of models we see cast in fashion shows and ad campaigns. Their continued presence in the industry confirms what we already knew: Models can kill it on the runway at any age.

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Ashley Graham on the Difference Between Tokenism and True Size Inclusivity on the Runway


September’s runways at New York Fashion Week were nothing short of historic: A record-shattering number of size-diverse looks—208, to be exact—appeared on the runways some of fashion’s most notable brands. While those model appearances marked a major shift in what designers consider a runway-worthy body, model Ashley Graham tells Glamour that there’s still plenty of work to be done to reach genuine size inclusivity in the fashion industry.

Earlier this month at the Glamour Women of the Year kick-off party with Barneys New York, Graham cited “seeing curves on the runway” as one of the most fundamental shifts in the fashion industry of 2017. “To me, that’s like, whoa. Major round of applause.” This year, she was the first-ever plus model to walk for Michael Kors (and she did so both for Fall 2017 and Spring 2018!), and to cover an issue of Vogue (another moment she rightfully considers major.) “We shouldn’t be surprised [by size inclusivity] anymore—we should just be celebrating it and being like okay, what’s the next thing? Where else are we gonna see us?”

To Graham, size inclusivity isn’t casting a single curve model in a show flooded with sample-size models and calling it progress—which we’ve seen on past runways and in ad campaigns aplenty. She recalls having conversations with designers who want to put curves on the runway, but fear it might feel like tokenism. The key to making it an honest, authentic effort? “[It’s] when there’s not just one [curve model, but] there’s multiple,” Graham says, “and you bring ’em back.”

PHOTO: Astrid Stawiarz

Ashley Graham walking in the Prabal Gurung Spring 2018 fashion show during New York Fashion Week.

“I think if designers start thinking that way,” of incorporating size diversity into their runways and presentations organically, “then that’s how the change really happens,” Graham explains. “And that’s where you see the movement really not being a movement, but being really normal.” A few people have been living up to those terms, she says—Christian Siriano, Prabal Gurung, and Michael Kors, in particular.

Graham also highlights how retailers like Nordstrom are introducing new store concepts where all sizes, from petite to plus, are merchandised together as another important development in size inclusivity, and one that’s worth keeping an eye on. In addition to simply having all the product in the same section, “I think that buyers need to start educating their customer and saying like, ‘Hey, you know what? Prabal does go up to a size 22, Brandon Maxwell does go up to a size 22, would you buy it if we had it in the store?’ Because I think women who are above a size 14 don’t know that designers that major actually have their size.”

As we look to 2018, Graham is hoping we not only continue to build on the momentum from this year, but also start innovating and pushing beauty standards for plus-sized models. “I think that in the curvy world, what you see when you see a model is an hourglass, flat stomach, cute face… and I think that [we should be] looking beyond a body, looking beyond a face, looking at what a woman is actually doing, and how she’s changing the world around her. That’s what, to me, a supermodel is in 2018.”

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The Spring 2018 Runway Shoe Trends You Need to Know


If you ask me, the true Instagram stars of the Spring 2018 runways were the shoes. Sure, those candy stripes and Leg o’ Muttons we spotted on the apparel front were pretty impressive, but it was the footwear that truly brought all these looks home, from the sky-high stilettos coated in plastic to the Baja-style ankle-wrap sandals. Come March, there will be no room in your closet for boring shoes. No matter your preference of heel hight, there’s a footwear trend for you awaiting in the spring collections. Here’s a crash course on the seven shoe styles we’re betting on big for next season.



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Balenciaga Sent Platform Crocs Down the Runway, and People Have Mixed Feelings


If there’s one thing about fashion week you can count on, it’s that a handful of designers will debut something so radical, jaw-dropping, or amazing that it’ll get people outside the industry talking—and tweeting. And this season, Balenciaga takes the cake, as it sent models down the runway in platform Crocs for its Spring 2018 show in Paris. Yep, those are Crocs. Except these came with a nearly four-inch platform and patch-like “charms” plugged into the shoe’s signature pinholes. Take a look.

Can’t decide how you feel about them? Neither can the Internet. As soon as yellow, pink, and grey versions of the platform clogs were seen in Paris on Sunday, people immediately went to Twitter to voice their reactions.

The fashion house actually teamed up with Crocs to create this “very innovative” foam shoe that, according to a press release, the Crocs team was very excited about and that they feel “once once again demonstrates the relevance of our iconic clog in today’s fashion and style world.”

They certainly are iconic. And some people seem to be really into the elevated (literally) version of these very not-fashion shoes.

But not everyone.

It may seem like a crazy concept right now, but then again, white platform Tevas were one of 2016’s hottest shoes among street style stars. And who would have guessed that? These seem a bit less accessible, what with their super-high platform, super-bright color, and—we assume—super-high price tag, but we’ll all just have to wait until spring of next year when these are available for purchase to see if they can make it out in the real world—and not get mocked.

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Jane Fonda, 79, Just Slayed the Runway at Paris Fashion Week


PHOTO: Dominique Charriau

Actress and icon Jane Fonda just made her runway debut, walking in L’Oreal’s Paris Fashion Week show Saturday night—and she gave the pros a run for their money.

All eyes were on the 79-year-old dressed in a floor-length zebra-print dress, an epic diamond choker, and a smokey eye as she walked down L’Oreal’s first-ever show on Paris’ Champs-Élysées. Fonda, of course, looked chill as hell, waving and throwing peace signs to seated fans. See for yourself below:

Le Defile L'Oreal Paris : Runway - Paris Fashion Week Womenswear Spring/Summer 2018

PHOTO: Dominique Charriau

Le Defile L'Oreal Paris : Runway - Paris Fashion Week Womenswear Spring/Summer 2018

PHOTO: Antonio de Moraes Barros Filho

Le Defile L'Oreal Paris : Runway - Paris Fashion Week Womenswear Spring/Summer 2018

PHOTO: Dominique Charriau

Other L’Oreal ambassadors including models Doutzen Kroes and Maria Borges, and fellow actress Helen Mirren also walked and sported a variety of L’Oreal makeup looks created by creative director, Val Garland.

Fonda’s no stranger to speaking openly about gaining confidence with age: She told Mind Body Green in 2016, “After I turned 60, I began to understand who I was, and I became young again. Now I’m in sight of my 80th birthday and feeling pretty good about life!” Still, there’s clearly a time and a place to discuss her looks. Last week, Fonda had a viral moment on NBC’s Megyn Kelly Today when the host took Fonda’s appearance on the show as an opportunity to pry about plastic surgery.

“You admit that you’ve had work done, which I think is to your credit. And you look amazing. Why did you say, I read that you said, you’re not proud to admit you had work done. Why not?” Kelly asked Fonda.

Fonda stared back at Kelly and said, “We really want to talk about that right now?” And then proceeded to pivot back to her new movie: “Good attitude, good posture, take care of myself — but let me tell you why I love this movie, Our Souls at Night, rather than plastic surgery.”

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