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Gigi Hadid Just Revealed What's in Her New Maybelline Collection


PHOTO: Instagram / @gigihadid

With a modeling portfolio like Gigi Hadid’s, sometimes it’s hard to know where her true aesthetic lies. That’s just the way modeling works: you take on the identity of whatever brand you’re working with and rep the lifestyle they ask. And while she frequently posts straight-up cool snapshots from her life, she’s undeniably mysterious. So when news broke that Hadid was taking her Maybelline partnership a step further, and developing her own full collection? No one knew what to expect, other than the obvious: it was going to be really friggin’ pretty. And with the products revealed today, that assumption is safely confirmed.

Where most collabs stick to new spins on pre-existing products, the partnership is a line-up of new products revolving around Hadid’s world-traveling lifestyle. According to the brand, that means an eye contour palette, tinted primer, black gel eyeliner, black liquid eyeliner, black fiber mascara, an iridescent liquid strober and matte lipstick.

The first promo images also dropped today, featuring Hadid in nude lipstick and inky black, winged eyeliner.

It’s a sharp twist from the glowing look she showed off from the collection’s palette, which you might remember from blinding you.

That duality might just be intentional: the shots that Maybelline, Hadid, and her makeup artist, Erin Parsons, have posted all center around the cool-toned East Coast collection. The brand says that it was “inspired by Hadid’s love of the perfect nude,” and we have a sneaking suspicion that means there’s more to come.

Over on Ulta’s account, they posted a photo of tawny, warm-toned swatches from Hadid’s West Coast Glow palette, teasing that there are actually “two full collections” along with the Jetsetter palette. We’ve reached out to the brand for confirmation and will update when we hear back, but it would make sense. Hadid was born and raised on the West Coast, but spends tons of time in New York, so she would know both coasts pretty well—and the Jetsetter palette could be the go-anywhere bridge that connects them.

Nothing like some makeup detective work to start the weekend. The full collection (and everything that entails) will be available at Ulta on October 22. The second we know more, we’ll keep you posted.

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'Riverdale' Season 2 Episode 1 Recap: Fred Andrews' Fate Is Finally Revealed


Today’s the day! The sun is shining! And Riverdale is finally, finally back! Tonight’s episode was a doozy, to say the least. We learned more about Fred Andrews’ shooting, plus Bughead and Varchie turned up the heat. So let’s just dive into the details, because I know that’s what you care about. Warning: Spoilers ahead.

We open the episode with a pretentious voiceover from Jughead. I forgot how much I disliked his beanie until this exact moment. Anyway, Archie—who is better than Jughead, don’t @ me—doesn’t have a license but is driving his father, Fred, to the hospital because, remember, Fred was shot. Whether or not he lives or dies is still a mystery, but a psycho dream about Fred missing Archie’s graduation makes me think it’s bad news.

Pan to Betty, who’s awkwardly telling her mother (Alice) about her almost-sex with Jughead, whom Alice loathes. Alice makes some shady remarks about the Southside Serpents, which I love because I’m not Team Jughead. Meanwhile, Veronica is drinking the champagne her mother got for her father because she’s a queen. Their fun is interrupted, though, when Archie calls them—and Jughead—about Fred’s shooting. There’s a shot of Jughead dramatically hopping onto a motorcycle and rushing to the hospital, which is just ludicrous. Who is he? The Dark Knight?

At the hospital, Archie tells his friends about the shooting; he feels guilty, but Jughead makes him feel better by calling him “Pure Heart the Hero,” which is cringe-worthy. My new favorite character, Alice, gives Jughead the stink eye at the hospital and insinuates the South Side Serpents had something to do with Fred’s shooting. Archie calls his mom—Molly Effing Ringwald—to tell her the news.

The salt-and-pepper snack sheriff (Kevin’s dad) pulls Archie aside to get more information about the shooter. Jughead tags along because he’s nosy and lives for the drama. When the sheriff insinuates a South Side Serpent did the deed, Jughead flips out. The sheriff asks Archie what the assailant did after shooting his father; Archie hesitates, like he knows something, but doesn’t say anything. Jughead catches onto this fuckery and suggests the shooter’s motive wasn’t just robbery. Jughead asks Archie why he hesitated to tell the sheriff the full story, and he says it’s because he thinks one of the South Side Serpents who worked for Fred could’ve done something. Jughead agrees to check this out, because of course he does.

In another weird almost-death dream, Fred has visions of his dead relatives literally knocking on his trailer to take him to the afterlife. These are eerie, and I want them to stop.

Veronica’s shook because she doesn’t know how to deal with Archie being sad. She can only handle him when he’s, like, hot and shirtless. They leave the hospital together to get Archie some non-blood-splattered clothes, and Veronica’s uneasy about how to handle the situation.

The first thing Archie wants to do when he gets home is walk his dog. He doesn’t want to change his bloody clothes. He just wants to walk his damn dog. Veronica’s creeped out, but goes along with this anyway.

Meanwhile, Jughead confronts the South Side Serpents about what Archie told him at the hospital. They agree to look into it, but who the hell cares about this because minutes later Veronica gets naked and hops in the shower with Archie. (!!!) Keep in mind that Archie is washing his father’s blood off his skin. And Veronica’s turned on! This isn’t hot! This is deranged! WTF kind of vampire shit are Archie and Veronica into?!

Betty tells Kevin that Jughead told her he loves her—and that she said it back. Kevin, the genius he is, tells Betty she needs to stay far away from Jughead because he’s a South Side Serpent. I mean, I get that’s the logical reason to stay away, but I think Betty should ditch Jughead just because he’s insufferable and wears beanies.

Then, Chery Blossom shows up in the hospital looking bomb AF and spews some lies about how a candle started the fire at Thornhill. (Remember, she torched her house in a rage last season!) Her mother is burned really badly and is rushed into a hospital room; Cheryl hovers in the hallway and smiles, looking iconic, as per usual.

Meanwhile, post-sex, Archie flips out on Veronica for losing Fred’s wallet—which she didn’t even do. Archie’s just being a jerk. Archie tells her to leave, but because Veronica’s a saint she refuses and instead comforts him as he cries into her arms. It’s tender. OK, Archie’s back in my good graces.

The salt-and-pepper snack sheriff makes Archie pick from a line-up of masked robbers, which seems like a pointless exercise. These men…are wearing masks, and Archie saw the shooter for a split second. How could he possibly identify someone? This is dumb, but they’re doing lots of close-up shots of Archie’s beautiful eyes, so I’m fine.

Jughead goes on a convoluted rant about how it’s “entirely conceivable” Fred’s shooting was intentional. Veronica asks Jughead and Betty to go to Pop’s Chock’lit Shoppe to look for Fred’s wallet. They go. I’m bored.

Veronica insinuates that her mother could’ve shot Fred because she has a motive: She knew Hiram Lodge and Fred wouldn’t get along, and because Fred wouldn’t sell his half of his construction company to them, it’d be easier if he was gone.

But good news: Fred Andrews is stable! Archie goes to his hospital room and starts saying positive things in the hopes he’ll wake up. Fred has another scary death dream. Wow, they’re dragging this out.

Pop, who owns Pop’s Chock’lit Shop, tells Betty and Jughead that he doesn’t think the assailant was a robber. Betty confronts Jughead about joining the South Side Serpents; he says he isn’t going to join and says that he’s moving into F.P.’s trailer—not with his foster parents. He wants to wear F.P.’s jacket and ride his motorcycle and live in his trailer to be close to him. Betty’s worried. I’m worried. The bottle of water I just finished is worried. Betty doesn’t want him to get hurt, which is understandable. Side note: Why am I so bored by their relationship?

Cheryl goes full-on Baby Jane and threatens to kill her mother if she tells anyone the truth about the fire. It’s a really creepy scene, but I love Cheryl and would jump off a cliff for her. Yas, queen. Read your awful mom for filth! You look so good!

Archie tells his friends that he was paralyzed with fear when the assailant shot Fred. He just got on his knees in the moment and closed his eyes until he heard the shooter leave Pop’s—so it’s totally possible this guy nabbed Fred’s wallet. Archie’s ashamed, but he honestly needs to go easy on himself.

Then Archie walks in on Cheryl creepily kissing Fred on the forehead. She says she’s giving him the kiss of life, which would sound weird coming from anyone but Cheryl. Again, Cheryl can do no wrong.

Oof! Another psycho-death dream. This time it’s Veronica in that wedding dress, which explains all those photos that leaked a few months ago. Minutes later, Fred wakes up…unsurprisingly.

Betty comes around and tells Jughead she’s cool with him “exploring” the South Side Serpents if it’ll make him feel closer to his dad. This is a horrible idea. My evidence? The bloodied-and-beaten dude the Serpents interrogated in F.P.’s trailer about Fred’s shooting! These guys are bad guys! Take your beanie and run, Jughead!

Veronica comes home, and guess who’s waiting for her?! Her father, Hiram Lodge, who eerily says it’s “disrespectful” that she wasn’t there to greet him. Her dad is hot. This family is hot. Veronica shadily tells her parents that Fred Andrews woke up and saunters off.

Holy shit! Ms. Grundy is back! And she’s making out with another student! Also, WTF again! But Fred’s shooter is now killing Ms. Grundy! Who is this guy?! This is literally how the episode ends, and I just can’t.

Parting thoughts: This show is so goddamn magnificent. I’ve missed you, Riverdale.

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'This Is Us' Season Two Episode Three Revealed New Clues About Jack's Death


Was your head spinning at the end of tonight’s This Is Us episode, too? There were so many flashbacks to unpack, including new scenes of Kevin and Kate on the night Jack died and the days (or was it months?) leading up to his passing. And in the process, new clues were dropped throughout the episode; not only did we find out how that scrappy dog became part of the Pearson family, but we might have uncovered a side of Kevin that was never even on our radar.

The good news is that the writers of tonight’s episode—executive producers and co-showrunners Isaac Aptaker and Elizabeth Berger—understand your confusion. They may not be able to answer everything we’re dying to know, but they were happy to clarify the episode’s biggest moments and what to look out for as the season unfolds. But be warned: If you haven’t seen tonight’s episode, then proceed with caution.

When Kevin and Stallone are in the middle of filming their movie, Ron Howard says to Kevin, “Remember, [Stallone] is like a father to you and he’s going to die on your watch if you don’t save him.” Was that meant to indicate Kevin feels like he wasn’t able to save Jack?

Elizabeth Berger: I definitely think it’s triggering feelings of Jack; Stallone is an actor Jack loved, so having to do a scene where he’s saving him from death is a big mixture of complicated emotion. It’s not necessarily touching on the specifics of his death, but touching on having lost the father he loved so much.

Later on in the episode, Kevin tells Kate, “I don’t need to walk around and be sad and damaged just like you are.” That was such a powerful line that called back to last week’s exchange of words between Kate and Rebecca. Was there something more to his comments we don’t know about yet?

Isaac Aptaker: That’s one of my favorite lines from the episode. What that line speaks to is last season we saw Kate start to do a lot of work when she went to the weight loss camp and it sort of broke her open and moved her closer to being able to talk about what happened to her dad and the tragedy of her family. Kevin hasn’t done any of that, and that’s kind of him putting on his defense mechanism because he’s scared his sister is making this progress and he’s unable to. He lashes out in the moment, but what’s really going on there for Kevin is he’s a little bit almost jealous of his sister that she’s been able to move on with her life and deal with her feelings.

PHOTO: Ron Batzdorff/NBC

The last five minutes of tonight’s episode were loaded with flashbacks and clues, starting with the moment we see teenage Kate approach Kevin and Sophie asleep in a car to tell them about Jack’s death. Then we see another flashback of Kevin being in the hospital with a cast on his leg, and Jack puts a necklace around his son’s neck. What was the significance of that necklace?

Isaac: It’s a necklace that we will reveal the significance of later in the season, but that’s the necklace that Kevin as an adult wears around his neck every day.

Elizabeth: It’s one that we’ve seen Jack wearing throughout the series.

Later in present time, Kevin calls Kate to apologize for his words and says, “Kate, it’s really hard for me with Dad.” This, of course, is the first time we see him verbally acknowledging the pain from Jack’s death. Justin Hartley’s performance was absolutely beautiful, so please tell me we’ll see more to this side of Kevin.

Elizabeth: Justin was absolutely amazing. Kevin has a lot bottled up and moves through life being charming and friendly, but as we saw last season in terms of how much he was there for his siblings, there’s so much more to him than meets the eye. There’s a lot churning beneath the surface. Part of his journey, even within the season, is going to be bringing some of that up and being able to verbalize his feelings on Jack’s death.

When Kate and Kevin get off the phone, Kate looks longingly at Jack’s urn and says, “He’s just like you.” At that moment we see Kevin pulling out some prescription drugs because obviously he’s in pain from his knee injury on the film set. Were you alluding to an addiction problem there? He hesitated at first when taking the pill, which one doesn’t normally do. What should the audience be thinking in that last minute of the episode?

PHOTO: Ron Batzdorff/NBC

Elizabeth: They should be thinking, I wonder what’s going to happen! [Laughs] There’s a more sort of obvious interpretation in terms of…it’s an episode where Jack has been struggling to verbalize his feelings and speak out loud about everything he’s been going through. And yes, perhaps Kevin might be like him in other ways that we explore.

Last season when Randall’s hands started shaking, my first thought was, “I hope he doesn’t have Parkinson’s or a neurological disorder.” Surprisingly—and refreshingly—it wasn’t that at all. That’s why I ask, am I reading too much into this? Or could Kevin really have a problem with addiction?

Elizabeth: We are glad you are wondering because, yeah, you’re gonna have to stay tuned.

Isaac: It’s open to interpretation. With Jack and Kevin last season, in the episode “Jack Pearson’s Son,” where Kevin [comes to Randall’s aid], it shows all the positive ways Kevin is like his father, and how he is there for his brother and a support system for Kate. Then this year, in this episode, we’re looking at the less than exemplary ways that Kevin is like Jack with the withholding of feelings. So yeah, whether or not that also encompasses addiction is something that we’ll have to wait and see.

Let’s move on to Jack and Rebecca. He tells her he feels like he’s holding on by a thread. Obviously he’s referring to his alcoholism, but was that statement made to foreshadow his death?

Elizabeth: That line in the moment speaks truly more to his emotional state. I don’t think there’s anything too hidden in that.

Meanwhile, it was interesting to see Rebecca and Miguel’s ex-wife, Shelly, together since it adds a whole other layer to how Rebecca and Miguel became a couple. Have we established whether Shelly is alive in the present day?

Isaac: We have not. We’ve said nothing about Shelly’s whereabouts in the present day.

Is that a story we are going to see explored this season? The fact that Rebecca is talking about her sex life with Jack to Shelly would make me think things are going to get awfully complicated down the line with Miguel. What can you speak to about that?

Isaac: There’s definitely something that will come up at some point. We’ve told the audience and shown that Rebecca and Shelly were best friends for a big part of their adult lives, so certainly once Rebecca does get with Miguel, whenever that is, the Shelly side of the equation is something that will need to be dealt with.

Elizabeth: We are going to delve a little bit more into Miguel and Rebecca’s relationship this season because there’s a lot to be explored there. We will get a better sense of what happened there.

PHOTO: Ron Batzdorff/NBC

It was so sweet to see Jack with this stray dog at the end, but obviously heartbreaking because we know Kate was holding this same dog closely on the night Jack died. What can you tease coming up?

Elizabeth: I don’t know how much we can tease, but we definitely are going to give some really big answers this season, as Jessica Radloff Dan Fogelman has promised. We hope that people consistently feel like they are receiving satisfying information.

Isaac: It’s the question on everyone’s mind, and we’re going to tell the story exactly as we’ve always intended to, which we think will play out in a very satisfying way.

Just tell me we will get a lot of future scenes with Milo and this stray dog.

Elizabeth: There will be definitely some of that. [Laughs]

Isaac: I feel like that should be a calendar. We should sell that at the NBC store: Milo and this dog. Or maybe there’s a spin-off we should create. There’s no dialogue, just Milo playing with a dog for a half hour.



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Jay Z Has Revealed the Meanings Behind Rumi and Sir Carter's Names


PHOTO: Instagram @beyonce

The world was forever changed when Beyoncé and Jay Z welcomed twins on June 14. We all waited, with varying levels of patience, to learn their names—eventually revealed to be Rumi and Sir Carter. We waited even longer to see the first photo of the twins, which was released when they were 1 month old. However, we’ve continued to wonder about where the inspiration behind the names Rumi and Sir came from—although hints and theories abounded, we haven’t had any official confirmation. Until now: Jay Z has finally spoken out about the meaning behind the twins’ names.

Thanks to Beyoncé’s mother, Tina Knowles Lawson, we already had an idea of how Rumi got her name. Just after Bey revealed the first photo of her beybies, her mom posted an Instagram that seemed to imply that Rumi is named after the 13th-century Persian poet of the same name. The photo she posted featured a few stanzas from the poet’s work, and her caption read, “This is poetry by the 13 th century poet ‘Rumi’ it’s not only beautiful but logical ❤️ love number three ❤️Sometimes we are the reason we can’t find love!! We have to work on ourselves first to be whole❤️”

This week Jay Z confirmed our idea that Tina was giving us more than a poetry lesson when he went on the podcast Rap Radar to speak with hosts Elliot Wilson and Brian Miller. “Rumi is our favorite poet, so it was for our daughter,” he said.

Jay Z then went on to speak about the inspiration behind “Sir”:

“Sir was like, man, come out the gate. He carries himself like that. He just came out, like, Sir,” he said.

And there you have it: theories confirmed and curiosity satiated. But can we get more adorable pics, please?

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This 'Riverdale' Season 2 Trailer Might've Revealed a Major Spoiler


PHOTO: ©CW Network/Courtesy Everett Collection / Everett Collection

The first Riverdale season 2 trailer dropped a few weeks ago, and it was … confusing. It didn’t tell us anything about the plot at all. Jughead said some pretentious stuff about Archie’s “poker face;” Cheryl Blossom creepily stared at her badly-wounded mom; and Betty looked sad. That’s it. That’s all that happened—but fans still freaked out about it for weeks.

Which means they’re definitely going to flip over the new Riverdale promo that just dropped. It’s only 30 seconds long, but it’s packed with drama. Betty and her mother have a face-off! Archie and Veronica take a steamy shower together! F.P. is questioned by the police! (Remember, he’s still in jail even though he didn’t kill Jason Blossom.)

But the most noteworthy thing that happens in this promo is at the very beginning. In a very solemn voice, Sheriff Keller tells the crew, “May I have everyone’s attention? I have some tragic news to share.” This might be a leap, but does this confirm Archie’s dad, Fred, dies?

In the season one finale, Fred was shot by a masked man inside Pop’s Chock’lit Shoppe, and a big question going into the second season is whether or not he lives. What other tragic news could Sheriff Keller be sharing besides Fred’s death?

Granted, this is just a theory. It’s totally possible he’s referring to another “tragic” event down the line—this is Riverdale, after all—or this could be some kind of nightmare Archie’s having. Also, I’m 99 percent sure that’s Fred’s voice we hear at the end of this teaser, so maybe that’s confirmation he actually lives?

Watch the trailer and decide for yourself, below:

[embedded content]

We’ll find the answer out for sure when Riverdale‘s second season premieres October 11 on The CW.

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