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Making Your Jeans Blue Takes a Lot of Water. This New Process Could Change That.


You’ve read the headlines about how polluting fashion is, how brands have been guilty of greenwashing products in their marketing, and how shoppers are demanding sustainability more than ever. It’s not just newcomers building conscious businesses, being vocal, and advocating for change in the industry. More and more, we’re seeing heritage brands course-correct, investing their resources and know-how into real innovation. The latest contribution comes from one of the most well-known American denim companies, and it’s addressing one of the most contaminating steps that goes into making a pair of jeans.

Wrangler decided to tackle indigo dyeing—“because it has the most significant visual and ecological impact on the planet,” Roian Atwood, the brand’s Senior Director of Sustainability, tells Glamour in Valencia, Spain, during a visit to the factories that are producing its new collection. (Disclosure: Wrangler paid for my travel and accommodations for the purpose of reporting this story.) “When you see a blue river ecosystem, there’s no way morally, ethically, and from a good corporate citizenship standpoint that that is okay.” Documentaries like 2016’s RiverBlue and 2018’s Fashion’s Dirty Secrets have brought attention to the issue of water waste and contamination as a direct result of clothing manufacturing at a global level. Still, when something as popular and enduring as denim requires thousands of gallons of water just to dye it its signature blue, you need more than awareness to address the problem.

“The reality is that, if we can cut it off at the source, if we can create a technology that has no waste water and that minimizes the water consumption, we’ve solved for a really big industry issue,” Atwood says. That’s what two years of research, testing, and collaboration between the iconic Americana brand, Texas Tech University, Gaston Systems, and the Spain-based fabric manufacturer Tejidos Royo hopes to be bringing to the table.

Wrangler is introducing Indigood, which it bills as its most sustainable denim to date and the first ever to use a foam dyeing technology. According to the brand, it uses 90 percent less chemicals and 60 percent less energy than the traditional dyeing method, and it creates zero water waste.



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Ariana Grande Reveals How Writing "Get Well Soon" Helped With Her Healing Process


Ariana Grande is opening up about her mental health, this time in song form.

In a new interview for Paper magazine’s new issue, the singer revealed that the song “Get Well Soon,” a collaboration with Pharrell Williams on her new Sweetener album, is about her struggles with anxiety.

During the interview, Sivan comments that the song “shook [him] to [his] core,” and asked Grande how she was able to be so vulnerable on the track.

“[Pharrell] kind of forced it out of me, because I was in a really bad place mentally,” she revealed. “I’ve always had anxiety, I’ve had anxiety for years. But when I got home from tour it reached a very different, intense peak. It became physical and I was not going out at all, and I felt like I was outside my body.”

“I’d have these spells every now and then where I felt like I was having déjà vu, but like 24/7 for three months at a time. It was really weird, and all that was on my mind. [Pharrell] was like, ‘You have to write about it. You need to make this into music and get this shit out, and I promise it will heal you.'”

It turns out, he was right. “It definitely helped,” Grande told Sivan. “It still took me a few weeks to feel better, but looking back at it now from a healthier place, it’s probably one of the most important songs I’ll ever write.”

The lyrics to the song are incredibly powerful, and it’s no wonder that Sivan felt like he was “punched in the gut” the first time he heard it: “Want you to get better/My life is so controlled by the what-if’s…/ Is there anybody else whose mind does this, mmm?…/ Is there such a ladder to get above this?” they read.

In an emotional interview earlier this week, she explained why it was so important to her to put a song like “Get Well Soon” into the world. “It’s just about just being there for each and helping each other through scary times and anxiety,” she said on Beats 1 radio. “There’s some dark shit out there, man, and we just have to be there for each other as much as we can because you never fucking know. I just wanted to do something to make people feel good and less alone.”

Related Stories:

All the Lyrics on Ariana Grande’s New Album That Are (Probably) About Pete Davidson

Ariana Grande’s ‘God Is a Woman’ Video Gorgeously Melds Sensuality and Divinity

Pete Davidson Made a Hidden Romantic Tribute to Ariana Grande at VMAs



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James Van Der Beek: “Getting It Right Is a Process”


I use a screenwriting software called “Final Draft.” Love the program. Hate the name. “Final” Draft? Really?? I’m trying to bridge that first tentative connection between inspiration and manifestation, and already I’ve got the word final hanging over my head?

Okay, maybe I’m being sensitive. But as an actor, evolution has been key to my professional survival. At 20, I was cast in a zeitgeist-defining TV series. By 27, I was adrift. I’ve since managed to work my way back into a very exciting flow, but there are definitely a few projects along the way I’m hoping you either never saw or have long since forgotten. No need to go on IMDb. Really. Just keep reading.

Recently, I staged a full-on reinvention. I co-created, wrote, executive produced and starred in my own show (about a DJ, of course). And while it garnered the best reviews of my career, boy was it a process. Exhilarating highs were matched by debilitating lows spent questioning, “Is any of this good?” But what I eventually realized is, you have to allow the process to benefit your work. A first draft is a guess. A “final” draft…is just a best guess. If you’ve done it right, you’ll discover so much along the way you’ll look back almost embarrassed by what you didn’t know—couldn’t have known—while banging out that first humble effort on Final Draft.

But the age we live in isn’t big on process. It’s a “gotcha” culture, high on “likes,” followers, and scathing zingers that feel true, whether they are or not. And labels. The internet loves its labels.

I was reminded of this in October, amidst the first wave of Harvey Weinstein allegations. I saw brave women challenged on everything from credibility to timing to—most appallingly—complicity in the violation of their own human dignity. Here they were, re-claiming their narrative and transforming a moment of powerlessness into one of resolve and getting backlash for it.

It pissed me off.

As someone who’s dealt with harassment and abuse on a few levels, it’s my understanding that people cope with it the best they know how at the time. You can’t judge their process. I retweeted an article illuminating this, added a few words of support backed up by a passing mention of my own experiences with powerful, abusive men, and went to bed.

I awoke to discover a backlash of my very own. Most of it was easy to dismiss—until I got called out for not naming names and saw speculation naming dear friends and mentors as possible perpetrators. I felt sick. I was just trying to help. But that didn’t matter. I quickly clarified the perpetrators were not famous, and had either already been punished or were dead, but the damage had been done. Should I have just shut up?

Fear of getting it wrong can be so paralyzing it’s tempting to stay quiet. But that creates its own problems. So how to navigate?

It’s something I struggle with even as I write this. Legendary acting teacher Stella Adler said, “In your choices lies your talent.” And I’ve always loved that, because it puts the power in our hands, in every moment, to get it right. It’s not about any past role, review, nasty comment, or mistake, and it’s certainly not about someone else’s complete disregard for our dignity, or our initial response to it (or even our second).

“In your choices lies your talent” means, to me, that the source of our prowess is our instincts. That we’re not defined by any kind of win-loss record but by how diligently and honestly we keep watch for what we’ve yet to discover. And that, as long as we reserve the right to keep evolving and making our own choices, no draft of ourselves can ever be labeled “final.”

James Van Der Beek is an actor, writer, and executive producer on Viceland’s What Would Diplo Do? He will next appear in Ryan Murphy’s FX series Pose.





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Taylor Swift Shares the Songwriting Process Behind 'Gorgeous' in This New Video


If you’ve been furiously googling “Who is Taylor Swift‘s ‘Gorgeous’ about” for the past week (while also trying to get the song out of your head), we may finally have the answer.

On Wednesday Swift released a behind-the-scenes video showing the making of “Gorgeous.” In it, she basically spends six minutes playing around with the lyrics of the song’s first verse at various instruments, and TBH, it isn’t the most riveting piece of content she’s ever released. (This is a girl who recently dressed up as naked cyborg version of herself, after all.) But there is one very important piece of information in the video that may settle the “Who is this damn song about?” debate for good, and it all has to do with the song’s most controversial lyric, which was apparently changed between the original and final version.

The phrase that made it into the song (and sparked a million Swift vs. Harris comment wars on social media) is “I’ve got a boyfriend, he’s older than us / he’s at the club doing I don’t know what.” It makes it seem like she’s referencing Calvin Harris, the DJ she dated in 2015. He’s older than she is, it’s his job to be at a club…the shoe more or less fits. But as we learn from the behind-the-scenes footage, the line was originally written as, “I’ve got a boyfriend, he’s older than us / I haven’t seen him in a couple of months.”

Watch, below:

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Could this be the peak into Hiddleswift folklore we’ve been waiting for?

Swift already confirmed that the gorgeous fellow in the song is her current boyfriend, Joe Alwyn. But fans have still been left confused about the timeline of who she was dating when she met him. Alwyn and Swift allegedly met at a Kings of Leon concert four months after she and Calvin broke up, which is why the “in the club line” was such a head-scratcher. My personal theory? The song is really about falling in love with Alwyn while she was dating Tom Hiddleston, and in true T. Swift style, she changed the lyric on the recorded version to keep it purposely vague.

The Reputation album debuts on November 10, so even though this mystery may finally be figured out, there is a lot more googling in our futures.

Related: How Taylor Swift is Counting on Fashion to Change Her ‘Reputation’



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