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The Best Lip Liner I've Ever Tried Is Only $2


I’m a proud card-carrying member of the Sad Girl Club. I jam out to Lana Del Rey like most people do to Cardi B, and spent most of high school journaling and making playlists in my room rather than going out. I have a lot of feelings, and my beauty look has consisted of embracing that, including tear-proof eyeliners and moody lipstick. That being said, I could use some help in the lip department. I long for the flushed, pillowy lips of someone who looks like they just cried. (I just want to look as pouty as I feel, OK?)

Despite the popularity of lip fillers, I have yet to bite the bullet. I have a folder of inspiration photos saved on my phone (mostly of Lily-Rose Depp) and access to plenty of derms, but the idea of seriously changing my face—at least for about six months—is still scary to me. So that’s how I became obsessed with lip liner.

As someone who was too young to reach for MAC Spice in its heyday, I was initially a bit intimidated by the concept; which is what led me down a rabbit hole of reviews about the best lip liner. I needed something easy, but not expensive, and above all the color needed to look natural. Nearly every review told me Charlotte Tilbury’s Pillow Talk is hands down the best lip liner, but I still had a hard time justifying $22 on something I was on the fence about. So I settled for what my research said would be the next best thing: Essence Soft Contouring Lip Liner in Lost in Love.

Um, can I just say wow.

Nearly all my favorite makeup products come from the drugstore, so I’m not often surprised when the quality is great. But I definitely wasn’t expecting something that costs $2 to be so revolutionary. Every glowing review about Essence’s Lip Liner was spot on. It strikes just the right balance between waxy and creamy, so it’s easy to get a clean line without skipping or pulling on my lips. And it stays on for hours. The shade is also a flawless match for my lips, which makes it perfect for overlining without looking obvious.

For maximum pout, I’ll line just outside my natural lip with the Essence pencil, and then top it with the Fenty Gloss Bomb, and I swear it looks like I’ve had a little work done. If I want a more matte look, I’ll overline and then fill in my lips using just the pencil—that’s how good it is.

I love this pencil so much, I buy it in bulk and keep one in every bag. For $2 a piece, you can’t blame me. And for something that gives me the hot-sad-girl lips of my dreams? It’s a no-brainer.

Ulta

Essence Soft Contouring Lipliner

Buy Now

Bella Cacciatore is a beauty associate at Glamour. Follow her on Instagram @bellacacciatore_.





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L'Oréal Paris' Voluminous X Fiber Is the Best Fiber Mascara I've Ever Used


My obsession with eyelashes runs deep. When I was little, I was captivated by Bratz dolls’ huge drawn-on lashes and heavy bedroom eyes, despite not being allowed to play with them. (We were a Barbie household.) Twiggy was my beauty icon before I even started wearing makeup. When the time came, mascara was the first beauty product I was allowed to wear out of the house. To this day, I’ll apply a few coats on my lashes even when I know I won’t be leaving my apartment. It just makes me fee like myself.

In my 10-plus years as a mascara wearer, I’ve probably burned through 1,000 tubes of the stuff. I’ve racked up a solid list of favorites. However, I only earned my title as a true Lash Obsessive when I got extensions this fall. Mascara is a transformative product for sure (especially when you have lashes as sparse as mine), but it doesn’t hold a candle to the power of extensions.

Me with lash extension (RIP)

Courtesy of Bella Cacciatore

I was hooked from the get-go. My lash extensions made me feel glamorous in an old Hollywood way. I could be wearing jeans and a T-shirt, but I felt camera-ready. I understood why suddenly everyone on Instagram was trading in the mascara.. But of course, there’s a catch: Lash extensions are expensive and high maintenance. Plus, they irritated my sensitive eyes. After about three months, I kissed my extensions goodbye and returned to my stash of drugstore mascaras.

I’ve been a longtime fan of L’Oréal mascaras. (Telescopic is my OG fave.) Having tasted the extension side of life, I decided to give a new formula a go. So, I reached for the brand’s new Voluminous X Fiber Mascaraa Glamour Beauty Award Winner. And it was love at first swipe.

As the name suggests, the Voluminous X Fiber is a fiber mascara that uses a two-step system to build lashes up to almost-extension status.

The first step is a black primer. It essentially acts as a base coat for what’s to come, and is really lengthening and volumizing—I find it’s enough on it’s own for days where I want a more natural look (or don’t have time for another layer.) The second is a fiber mascara, which uses fibers to coat the lashes and really builds up the volume and drama on your lashes.

The Voluminous X Fiber formula is pitch-black, but actually feels as light as air. I love a heavy lash look, but that normally means I have to sacrifice volume. Because of the fibers, though, this product gets you that drama without having to overdo it on the product, which means your lashes stay fluffy. I wouldn’t call it a natural look (which is fine by me), but it does look more realistic than most.

Another thing I love about this mascara are the brushes. On the fiber side, it’s an elongated hourglass shape that grabs every.single.lash. Seriously, when I swipe it on, it makes it seem like my lashes doubled. The fiber side has a curved brush, which curls my lashes and adds that touch of glam that I live for.

Bella Wearing L'Oreal Paris X Fiber Mascara
Courtesy of Bella Cacciatore

I might not be able to get lash extensions anymore, but L’Oreal’s Voluminous X Fiber mascara has gotten me closer to that look than I’d ever found at the drugstore. And that’s fine by me.

Buy it: L’Oreal Voluminous X Fiber Mascara, $8, Ulta. Check out all 214 winners from this year’s Glamour Beauty Awards here.

Bella Cacciatore is the beauty assistant at Glamour. Follow her at @bellacacciatore_ on Instagram.





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Ellis Faas Creamy Eyes Is the Best Cream Eyeshadow I've Ever Used


Liquid eyeshadow is one of those products that always looks so promising in its packaging. That dewy texture whispers, “Try me—I’ll coat your eyelids with the otherworldly gleam of an angel’s halo.” But then, I pat it on and inevitably find myself disappointed. Sometimes, the color creases within a couple of hours, migrating around my eyes in sad trickles of shimmery pigment. Or, the rich shade in the tube turns into a disappointingly patchy echo of color when it meets my face. Mattes, shimmers, glitters—I’ve tried them all and come to the conclusion that this is one product that tends to look better the further away it is from you.

There is one glowing exception to the rule, which I’ve hesitated to tell people about for two reasons. First, it’s not the most affordable option around; the matte formulas are $34 a pop, while the glitters retail at $39. If you thought Lidstar was on the verge of being too expensive, then you’ll probably have some reservations about this price tag. There’s also the question of the delivery system. In its previous iteration, it featured a twist-up brush that spewed out a bit too much product every time. I loved it so much that I forgave it anyway, scooping up the excess product and carefully storing it in the tiny jars I formerly used to preserve my custom-mixed oil paints. Would everyone else want to do this too, though? Doubtful.

Happily, Ellis Faas (the brand in question) announced a surprise re-design this month. This means I can finally tell you—with zero reservations—that these are worth every penny of their price tag. The update features a precise doe-foot applicator that allows you to spread the shadows on your lids like a gloss, then blend them out with your finger. There’s no wasted product, and I now have greater control over exactly where the formula goes.

As excited as I am about the makeover, it’s not the real reason why I believe these are the best liquid eyeshadows ever created. It’s the shade selection and formula that will win your heart over. I know the colors might not look particularly special upon first glance. The browns and purples and blues seem like shades you already own, and maybe they don’t thrill you straight out of the pen. But, I’m telling you, magic happens when you apply them.

Gently dab a few dots on each eyelid—you only need the tiniest touch of product. Then, take your ringer finger and diffuse the color. You’ll find that the formula seems to evaporate into thin air as you pat it in. Once you’re satisfied with the results, stop smudging and smearing it, and it dries down instantly. Unlike most liquid shadows, I can’t feel this on my lids at all once it sets; the texture goes from wet to fully dry in seconds and doesn’t budge for the rest of the day (even if I neglect to use primer).

The results? Incomparable. Faas is an iconic makeup artist and her instinctive understanding of skin tone, light, and shadow shows in every shade. Because no matter how unwearable they may appear when swatched as thick coats of color, they’re unbelievably flattering once you actually apply them. I particularly love the mattes in Creamy Eyes E114 (Bordeaux Red), E118 (Light Blue), and E125 (Khaki Green). E125 in particular transforms into the prettiest veil of moody green—the olive-tinged smoky eye of my dreams, the one I have only ever been able to create with one of these pens.

You’ll probably accuse me of exaggerating when I say this, but the glitters are even better. Ellis Faas calls them Lights, and they come gliding out of the pen like molten rivers of metal. Yet, they dry down to that same, featherweight finish—no gritty glitter particles, no sticky remnants to be found. They’re beautiful alone, but I love pairing them with the Creamy Eyes shades to create layers of dimension. (The bronzed E303 pairs perfectly with E125, try it.) Worn together, they give my eyes the hazy sfumato effect of a da Vinci painting. Yes, I am saying that these shadows will turn you into a work of Renaissance art. It’s something you just need to discover for yourself—thank me later.

Ellis Faas Creamy Eyes, $34, ellisfaas.com; Ellis Faas Lights, $39, ellisfaas.com

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Everything We Know About the *To All the Boys I've Loved Before* Sequel


Peter Kavinsky lovers, rejoice: Netflix is officially making a sequel to To All the Boys I’ve Loved Before. This shouldn’t come as too much of a surprise. To All the Boys is based on a novel trilogy by Jenny Han, after all, and the success of the first movie almost guaranteed a second one would happen.

The news is now officially official, though, thanks to a line in a story from The Hollywood Reporter about Paramount and Netflix inking a partnership deal. One of their first joint ventures, according to THR, will be the sequel to TATBILB.

But here’s the question: What’s going to happen in this second film? The first movie took creative liberties and tied everything up in a neat bow, presumably in case a second one wasn’t in the cards. By the end of the movie, Lara Jean (Lana Condor) and Peter Kavinsky (Noah Centineo) are happily together, but that doesn’t happen in the books. Rather, Lara writes Peter a letter that’s delivered in the second novel, P.S.: I Still Love You. It’s after this that Lara and Peter share a steamy hot tub kiss on their school’s ski trip that goes viral—but, as you know, this all happened in the first movie. So where will things pick up for chapter two?

That’s still a mystery, but here’s what we know about the sequel so far:

The title: If Netflix stays true to the books, it will be called P.S.: I Still Love You.

The director: Susan Johnson, who helmed the first one, will presumably lead the ship for the second installment because she posted about it on Instagram.

The cast: No one has been confirmed yet, but Centineo told Variety that “every single person involved in the making of [the first] film wants a sequel.” So expect to see some familiar faces.

The plot: According to HuffPost, Johnson told Entertainment Tonight the sequel would likely follow what happens in the novel version of P.S. I Still Love You (minus those creative liberties, of course).

Get excited, people!

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I Spent $600 on a Suitcase, and It Was the Best Decision I've Ever Made


When I first caught the travel bug, I was a college sophomore with only about a half dozen Caribbean family vacations under my belt. Then, within a matter of 18 months, I took my first trip across the globe (to Dubai), which was followed by five more international excursions (through China, across European cities, and then a brief stint in South Africa.) During that time, I not only discovered my love for travel, but I also realized my $200 3-piece luggage set—the one with the cute red elephants that I had purchased my freshman year—simply wouldn’t cover my frequent-economy-flyer aspirations. What I didn’t know is that this would lead me on a journey through the vast, expensive world of premium suitcases.

I was looking for a bag that was durable enough to weather aggressive baggage handlers, simple enough to keep for years without it feeling dated, and compact enough that I could lug it around with no issue. Plus, I had to feel comfortable investing significant money into. I was familiar with the big-name, super-popular dedicated luggage brands, and also open to discovering new names stocked at department stores. I exhaustively browsed through reviews from travel bloggers, magazines, and e-commerce sites; I even censused my friends about their experience with different brands.

Eventually, I settled on Briggs and Riley’s Large Upright Duffle bag, which retails for $599. It’s an all-black, 29-inch piece of luggage that alone weighs 11 pounds. Out of all of the bags I looked at—hard shell, soft, traditional—it was, by, far the biggest, something that was extremely attractive to me, as I planned to spend extended periods of time living out of my suitcase.

Briggs & Riley Baseline Upright Tough Duffle Bag, $599, Amazon

The simplistic, but functional design was another major plus: It has a large main top compartment that I can put my clothes in, and another spacious section right below that can hold toiletries, shoes, and other things.

Briggs & Riley Baseline Upright Tough Duffle Bag, $599, Amazon

This was the most money I had ever spent on any single item. (It was also the first time I spent an entire paycheck.) I remember begrudgingly handing the store attendant my money and hoping on the subway back to Brooklyn with a bag that cost the same as my monthly rent. As soon as the transaction was over, I was overcome with fear: My parents and siblings had discouraged me from making such a large purchase while still in college; now, my bank account’s balance felt even more unsettling.

I tried to cure my early-manifesting buyer’s remorse by going through the usual arguments—it was an investment, I wouldn’t have to replace it for years, I had a warranty, and so forth. All my doubts and nerves started wane as soon as I started traveling with my new bag.

The inaugural trip was also my first time in Europe—and while on it, I started to realize how big of a difference good luggage makes. Yes, the basic functions (it holds things, it zips shut) are pretty much the same, but the fabrication is where you can tell how much you’ve spent. I no longer worried about the chaotic struggle most bags go through at the airport because of the bag’s abrasion and water resistance. The lifetime repair warranty was even more reassuring.

It’s been three years now since I purchased my big, black $600 duffle bag, and I’m still reaping the benefits of my version of an “investment piece”: For my corporate friends, that might mean a designer handbag—but for me, someone who’s turned travel into a habit, this feels like something worth putting my money into. When I think back about all the places I’ve traveled and the ease for which I was able to do it, I understand the value of spending on something that will not only compliment but also enhance my chosen lifestyle.

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Jonathan Van Ness Geeked Out Over All the Celebs at the Emmys, and I've Never Felt More Seen


Last night’s Emmys received a much-needed dose of electricity when Jonathan Van Ness, Tan France, Bobby Berk, Antoni Porowski, and Karamo Brown (a.k.a Queer Eye’s Fab Five) hit the stage to present the award for Outstanding Lead Actor in a Drama Series. No one was more excited to be there than Van Ness, though, who spent basically all of Emmys weekend geeking out over his favorite celebrities—so, in other words, doing exactly what you or I would do.

It all started at the Annual Netflix Emmy Nominee Toast on September 15 in Los Angeles. In between chatting up his Queer Eye co-stars, Van Ness found some time to kick it with Diane Keaton. Just look at his smile in the pic, below. He’s very aware he’s in the presence of royalty and no doubt asked Keaton, “Where the hell is your Oscar for Something’s Gotta Give?

PHOTO: Getty Images

Van Ness posted the same photo to his Instagram account and captioned it, “The defining moment of my life, like you guys. When I looked up and saw none other than Miss Diane Keaton, I clutched my pearls and gasped in a silently audible way from my heart chakra I’ve never heard. My fashion icon, my First Wives Club icon, my world. Omg.” Don’t tell me you wouldn’t post literally the same caption verbatim if you were in this situation. We all would. We all love First Wives Club.

At the same party, Van Ness also posed for a pic with Stranger Things star Millie Bobby Brown, writing on Instagram, “Eleven degrees of OMFG.” Relatable content.

The actual Emmys were just as exciting. Here, Van Ness is pictured laughing with Mandy Moore and (in my mind) thinking, “Please let me style your grandma Rebecca wig on This Is Us.”

NBC's "70th Annual Primetime Emmy Awards" - Red Carpet

PHOTO: Getty Images

It’s almost a given he’d pose for a group selfie with Will & Grace star Megan Mullally. Gay legends supporting gay legends!

IMDb LIVE After The Emmys 2018

PHOTO: Getty Images

Tina Fey would make a great addition to the Queer Eye squad, don’t you think? She could be tasked with making people funnier. (See her photo with the Fab Five, below.)

NBC's "70th Annual Primetime Emmy Awards" - Red Carpet

PHOTO: Getty Images

Van Ness later snapped a pic with The Crown star Claire Foy and called her “mom” on Instagram. Spoken like a true super-fan!

And he essentially wrote the same thing about his photo with Game of Thrones star Emilia Clarke: “Found my dragon mum.” (Van Ness created a known parody series of GoT called Gay of Thrones).

I’ve never felt more seen! Thank you, Jonathan Van Ness, for letting me know it’s OK I haven’t stopped crying about A Star Is Born since the trailer dropped. Deep down, we’re all just a bunch of stans.

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