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The Curly-Hair Celebrity Stylists Redefining Hollywood Beauty


Red-carpet hair“once meant long, straight, and shiny—no matter what your natural texture. But as Hollywood (finally!) grows more diverse, and stars like Janelle Monáe and Kerry Washington make it a point to show off creative styles that run the gamut from jewel-encrusted waves to teased-out Afros and intricate braids, we’re seeing individual flair become the norm rather than the exception. Meet four top hairstylists who have been instrumental in bringing about that major change.

PHOTO: Design by Aimee Sy.

Lacy Redway, 32, is one of the few women—not just women of color—in what is traditionally the boys’ club of high-fashion hairstylists. Having started out assisting runway and editorial greats like Guido Palau and Eugene Souleiman, she’s now outpacing them as the A-lister for everything from magazine covers to awards shows. “I like to do untraditional hairstyles on untraditional textures,” she says. “For example, doing a Marcel wave on natural hair, the way I did with Uzo Aduba [at the 2018 SAG Awards]. I love being able to educate everyone on black culture through my work and making people feel their most beautiful.”

She knew early on this was her dream job. “I was the girl in middle school braiding everyone’s hair for $10. That’s how I got my start: practicing on friends, doing zigzag cornrows and other designs. Braiding has always been a core part of my foundation, so it still comes up a lot in my work.”

The hair conversation is changing. “With there being so many more roles opening for actors of color and women, everyone has become more comfortable embracing what makes them their most authentic self. One day you can wear natural hair and one day a wig, and that’s OK. It’s more about celebrating who you are and not being put in a box.”

But there’s still work to be done. “I’m often the only person of color on set for a major photo shoot, so I try to make it my business to help other women of color. We’re still the minority. I hope that will change so we are able to feel like we belong on these sets.”

Her kit essential: Nexxus Comb Thru Volume Finishing Mist ($14, ulta.com). “This is my go-to hairspray for all textures. When I’m on a shoot where I have eight different styles to do, it’s light enough that I can easily brush it out and transition the look.”

Clients: Uzo Aduba, Jourdan Dunn, Ashley ­Graham, Ruth Negga, Olivia Palermo, Tessa Thompson

Tennessee-born Nai’vasha Johnson’s breakthrough moment was styling Zendaya’s pixie for the 2015 Grammys. Now her versatile touch with everything from voluminous curls to box braids has made the 40-year-old one of the busiest stylists in showbiz. She’s a student of all things hair: Her home is scattered with mannequins that are subject to her every styling whim, and she spends days researching historical references and consulting runway reports for inspiration. “I continuously study trends and shapes,” she says. “Studying and practicing are the most important tools to sharpen my skills.”

It’s good to stick up for what you want. “Clients are starting to put their foot down and say, ‘Listen, if you want me on your runway, then I need someone who understands my hair and my journey to be accessible to me—period.’”

Homework always pays off. “A lot of times I look to older celebs, like Diana Ross or Eartha Kitt. I really reach back and try to go from there. Opening up your books—I mean encyclopedias, not Google—makes you open up your mind and learn a thing or two.”

Don’t let others define you. “I’m known for doing really funky colors on textured hair. The color is as bright as it would be on straight hair, and the hair maintains its texture without damage. But I don’t want to be boxed in as a black hairdresser. I want to be known as a phenomenal hairdresser who knows her craft and artistry and happens to do a great job on African and African American hair.”

Her kit essential: Hicks Edges Pomade ($14, walmart.com). “I use it on the hairline for a clean look and also for super-tight ponytails. It gives maximum hold without feeling heavy.”

Clients: Logan Browning, Sasha Lane, Yara Shahidi, Zendaya

Just like the musicians she styles, Nikki Nelms has got range—you’ll see her create everything from Bardot-­inspired bouffants to Afro puffs adorned with rolling googly eyes on her clients. Safety pins, earrings, foliage, and pom-poms are all fair game for her hair art. And whether it’s seashell-adorned braids on Solange Knowles or a platinum blond pixie on Zoë Kravitz, Nelms’ looks are always eye-catchingly cool, and her influence trickles down to the masses. “Celebrities should lead the way and make people at home think, I want to do that,” she says.

Think outside the box. “Using things that have nothing to do with hair make [any style] more interesting. I’m always pushing myself to be unconventional. Sometimes I don’t even have things in my kit because it forces me to get more creative on-site.”

A hair statement isn’t always a political statement. “It’s not a movement when someone decides to be themselves. When you go on a red carpet as a celebrity and choose to be your natural self and people consider that a movement or a protest, I think that says more about the interpreter than the interpreted. What is the big deal with me wearing what I was born with?”

She’s on a mission for the next gen. “I want to show little black girls how amazing we are without needing to be cosigned. We don’t need to be imitated to know our worth.”

Her kit essential: Sebastian Shaper Plus Hairspray ($19, ulta.com). “I like to spray this on my rattail comb, then run it over the hair to smooth down flyaways.”

Clients: Solange Knowles, Zoë Kravitz, Janelle Monae

Takisha Sturdivant-Drew, 42, has always been focused: She got her cosmetology license, landed a job in a Manhattan salon, and moved out on her own all before the age of 20. It was that same salon job that led to her first celebrity client, Kerry Washington, with whom she still works more than a decade later. And while she’s not afraid to tease coils to the max (google Washington’s Met Gala Afro) or play with butt-grazing platinum wigs (she has her own extensions line called TSD Hair), she also encourages her clients to maintain optimum hair health so they can effortlessly embrace their natural texture when they want to. “I’m always telling people things like: Put this product in your hair because it doesn’t have that much alcohol, use conditioner, or don’t use the flatiron every day,” she says. “I educate them along the way.”

It takes one person to start changing what’s “normal.” “When we walk in with natural hair, [people are] like, ‘This hair is so difficult. How do you do it? Can I touch it?’ The first thing they want to do is blow it out. Kerry was one of the first to have natural hair on the red carpet. Now natural hair is just a look.”

Add some wow factor. “I love using my extensions and wigs in a creative way. Cynthia Erivo’s hair is super-short—maybe two to three inches—but when I gave her two braids past her butt, it was the biggest hit because [it captured] her edgy personality.”

She gets her ideas by steering clear of trends. “I like to be different. If everyone is straight, I want to go big and curly.I look at Instagram to see what people are doing, then I change it up. Like for the Met Gala, I knew everyone was going to have a crown. So when it came to styling Kerry, we went with the Lorraine Schwartz jewelry sitting in the hair instead.”

Her kit essential: Neutrogena Triple Moisture Deep Recovery Hair Mask ($7, walmart.com). “I use itas a leave-in on clients with curly and natural hair. I also use it to braid hair and knock down flyaways.”

Clients: Mary J. Blige, ­Cynthia Erivo, Mindy Kaling, Kerry Washington

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How Every Celebrity in Hollywood Started Wearing Lilly Lashes


Even if you haven’t touched a pair of false lashes since your junior prom, chances are you’ve probably still heard of Lilly Lashes. That’s because they’re as much of a regular on the red carpet as Kim Kardashian these days, and as visible in your Insta feed as any beauty influencer you can think of. That’s no coincidence: Kardashian, along with other celebrities like Jennifer Lopez, Lady Gaga, Cardi B, Kylie Jenner, and Shay Mitchell, are constantly sporting the brand’s mink lashes. But that raises the question: What is Lilly Lashes doing that other lashes aren’t?

Founder Lilly Ghalichi, the Texas-born daughter of immigrants, didn’t mean to dominate an industry. In fact, she was more into the law than lashes. “My whole life, I thought I wanted to be this big litigator—until I actually became an attorney,” she tells Glamour. But the buttoned-up environment felt like a total contradiction to who she was. “As a female who’s into fashion and makeup, it was very difficult to have to go to work every day and be told by the partners of my firm that I needed to wear less makeup, or that I needed to dress a little bit…not modestly, but toned down,” recalls Ghalichi.

She left the law firm after three months to begin a now-defunct swimwear line, which caught the attention of producers at Bravo’s hit reality show, Shahs of Sunset. Lilly joined the show, where she could be her glammed-up, over-the-top self, in its second season in 2012—which is when the lightbulb went off. Well, technically, it happened when she spent hours in hair and makeup for the show.

“Lashes alone would take 30 to 45 minutes,” says Ghalichi. That’s because at the time, there were only two options for falsies: human hair, which gave a natural look (a little too much so for Ghalichi) or synthetic, which is the kind most people reserve for Halloween. So she and her makeup artist went the DIY route for Ghalichi to get the dramatic—but not comically large—lashes she wanted. “We would get human hair and glue on three and four different strips,” she explains. “So we had to put the strip on, let it dry, put another strip on, let it dry, put a third strip on, let it dry, cut out the strip, and put those pieces in. I thought there had to be a better way.”

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So Ghalichi took matters into her own hands—literally. She glued sets of human-hair lashes together, tracked down a lash supplier, and sent her handiwork to them, asking if they could recreate it on a large scale. The supplier agreed to recreate them in mink, so they’d be less flimsy, and Ghalichi was down. The one problem: The supplier had a minimum quantity for orders, meaning Ghalichi had to purchase at least 100 pairs of her new lashes.

Ghalichi went all-in and purchased the required 100 sets. She had a blog at the time, and quickly wrote a post putting those spare lashes up for grabs to anyone who wanted them. “I got a sandwich and came back to hundreds of emails from girls wanting to buy the lashes,” says Ghalichi. “It was at that moment I knew that there were so many girls like me who wanted glamorous lashes, and there just wasn’t anything out there for them to buy.” A few months later, in 2013, Lilly Lashes was born.

While it sounds like an entrepreneur’s dream—come up with idea, execute it well, succeed almost instantly—that wasn’t exactly the case for Ghalichi. “It took me four years until I established a well-oiled machine,” she says. She initially struggled with input from people around her, who encouraged her to keep it natural. But Ghalichi, true to her nature, wanted to go big or go home. So she created the brand’s 3D Lashes. “We were stacking so many strips to make our one style, it was three-dimensional,” says Ghalichi. But her friends, family, and even makeup artists she worked with told her, “You know, these are just too much. I know you like them, I know a couple other girls like them, but you should make more everyday, wearable styles.”

She launched her six 3D Lash styles anyway, and they sold out within a matter of hours. That was her first aha moment—and one that taught her to trust her gut. “I let that noise, as I like to call it, affect me,” she says. “One of my biggest hurdles was learning to overcome the noise and trust my intuition and what I want to do.”

And it paid off big. One of Ghalichi’s closest friends, celebrity makeup artist Ariel Tejada, used the 3D Lashes in Miami when doing Kylie Jenner‘s makeup. “I’ll never forget,” says Ghalichi. “He left her house and texted me: ‘Hey, here’s Kylie’s address, she wants to know if you can send her more of Miami.'” Ghalichi, a self-professed Kylie Jenner fangirl, freaked out. And that was only the beginning.

Soon after, you could find celebrities, from Jenner to Jennifer Lopez, wearing her 3D Lashes. “J.Lo’s people reached out and said, ‘Jennifer doesn’t want to wear anything besides the style Tease for her Vegas residency. Can you send us 90 pairs to last her the next three months?'” she recalls. “That was all thanks to Mary Phillips, who had done her makeup and used the lashes.”

In fact, Ghalichi has her network of loyal makeup artists—whom she befriended behind the scenes at shoots for her swimwear line and during her stint on Shahs of Sunset—to credit for her brand’s huge celebrity following. “I got very lucky that I’m friends with so many celebrity makeup artists,” she says. “They were naturally and organically using the lashes on celebrities, which made the celebrities fall in love with them.” Plus, she debuted her show-stopping, they’re-definitely-not-real lashes at a time when unapologetic glamour, or whatever you’d call the opposite of no-makeup makeup, hit a high. “In the past, you didn’t want anyone to know you were wearing false lashes, you didn’t want anyone to know you were wearing hair extensions—and suddenly that reversed to where it became glamorous to have the made-up look,” she explains. Lilly Lashes was made for that demographic.

Ghalichi also takes a lot of pride in the quality of her lashes. “Our lashes will last 25 to 30 wears,” she says, which accounts for the relatively steep price of $30. (Once you do the math, though, it works out to about $1 per wear.) “Our lashes will be the best quality you can find so they’ll look the most natural on your eyes.” She’s confident in her quality in part because she serves as the brand’s guinea pig. “I design all the styles that we’ve launched, test them out, and wear them, so all the products we’ve released, I have worn and loved multiple times just in the sample making,” she explains.

Ghalichi’s best guess as to what’s made Lilly Lashes such a runaway success is that it reimagined lash designs—and, in doing so, set itself apart from other false-eyelash brands. “I think things that are disruptive in any industry will always create the biggest impact, like the Beautyblender,” she says. “A sponge has been around for years, but they did something innovative with the sponge that just took off.”

Ghalichi, who’s now six-and-a-half months pregnant with her first child, isn’t resting on her laurels, though. She has a few big developments in store, the first of which is finally giving her friends’ advice a shot and creating more natural designs. “I have two zones: no makeup and heavy glam,” she says with a laugh. “So I’m working right now to expand beyond what I wear, and you’ll see a natural collection of 3D Lashes coming out.”

She’s also working to make the line more inclusive by offering lashes for a range of eye shapes. In fact, Ghalichi has hired women of different ethnicities for the sole job of testing new lashes. “It’s not one size fits all,” she explains. “People have round eyes, almond eyes, hooded eyes—and lashes are going to look different on each.”

What’s most surprising is that considering Ghalichi’s affection for all things glamorous and excessive, you’d think that she grew up with it. But it was anything but. “I was born to two immigrant parents,” she says. “We didn’t have a lot of money growing up at all, and five of us lived in a two-bedroom house.” That context makes Lilly Lashes’ rise to fame even more magical, and serves as a testament to her work ethic.

“I thought growing up in a certain income level or a certain demographic, I could only go so far—I wasn’t as privileged as maybe a trust-fund person or went to private school—but my business has shown me that that’s not true at all,” she says. “You can go as far as you want to work.”

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Alison Brie Says GLOW's #MeToo Scene Made Her Examine Her Own Hollywood Experiences


Our favorite ladies in leotards returned to Netflix on Friday with the second-season premiere of GLOW, and, as predicted, there’s a ton the characters need to untangle as they duke it out in the wrestling ring. In a candid interview with Mashable, show star Alison Brie went into some of the issues that the new episodes are tackling (no pun intended) and shared that #MeToo figures into one of the storylines—an experience that made her confront her own attitudes about misconduct in Hollywood.

Without spoiling too much, there’s an episode where Brie’s character, Ruth, has a gross encounter with the head of a TV network. The executive seems interested in talking about Ruth’s career ambitions and invites her to his hotel, where an upsetting incident unfolds. The scenes mirrors the many casting couch stories women have come forward with amid the #MeToo movement, and Brie says they made her do some personal reflecting.

“Shooting those scenes did bring up some personal feelings for me—which I sort of didn’t expect,” Brie told Mashable. “Honestly, when I first read it I was like, ‘Is this scene bad enough? Is he really doing anything bad?’ And then I had to stop and realize, ‘Oh, wow, I’ve been in a lot of bad situations. And I’ve really normalized that kind behavior, even for myself.'”

Brie also shared that the exchange was actually written before #MeToo really took over the cultural conversation, but she added that “it was not written before sexism.” The episode introduces several complicated perspectives as the characters reckon with what happens, but as Mashable notes, the writers resist the urge to “Send A Message or make these women characters examples.” That complexity is one of the reasons we were such huge fans of the show’s last season.

Brie also went on to say that she has noticed a shift in the current zeitgeist.

“It doesn’t ever change,” she told Mashable. “But I feel like we are living in a moment of change. Like, if it’s going to change, this will be the moment where see actual change, actual consequence, actual awareness registering within our industry. Which is something that we haven’t seen before.”

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How Young Hollywood Is Changing Red Carpet Fashion


Red carpet coverage handing out superlatives like “best dressed,” “chicest” and most “fun” have made a surprising turn in recent years: Where the highest honors once went to the expected marquee Hollywood talent—Nicole Kidman, Blake Lively, and Lupita Nyong’o among them—they’re now being bestowed upon a new generation. Specifically, the teens and Generation Z-ers taking over the industry.

Think about it: When was the last time 18-year-old Yara Shahidi or Millie Bobby Brown, 14, walked a red carpet and didn’t end up on a “best dressed” roundup? Young actors have been elevated to the status of style icons, with brands like Chanel, Louis Vuitton, and Gucci helping them shape their public personas in phenomenal, often custom, pieces.

For the stylists responsible for facilitating these partnerships and shaping their red carpet presence, the work isn’t that different than with their adult clients.

“Everybody wants to feel gorgeous and relevant and super-modern,” says Jason Bolden, a stylist whose roster includes Shahidi, and actresses Storm Reid, 14, and Sabrina Carpenter, 18.

PHOTO: Getty Images

“Everybody already looks at Yara [Shahidi] as a fashion icon in her own right,” says Bolden. She’s always in custom, but then at the same time, always in sneakers.” He adds: “I always say to her, ‘You’re an alien—everything you put on just makes sense.’”

“My main thing when we’re putting looks together is that I want the clients to feel comfortable,” agrees Molly Dickson, whose clients range from Thirteen Reasons Why star Katherine Langford, 21, and Stranger Things’ Sadie Sink, 16, to Molly Ringwald and Jenna Fischer. “We might put on a dress and it might be amazing, but if they’re not comfortable in it it’s not even worth it.”

There are a few additional considerations when dressing stars who are 18 and under. For instance, Sink is steered away from looks that are too revealing or impractical for someone her age, Dickson says. (“She’s sixteen years old and she’s never really worn high heels, so finding the perfect height of heel has been the biggest challenge,” the stylist notes.)

PHOTO: Getty Images

“Her personal style is super mature and edgy and cool,” Dickson says of Sadie Sink. “The Chanel that she wore [to the 2018 SAG Awards] took my breath away.”

When picking out pieces for A Wrinkle in Time star Reid, Bolden was hyper-aware of the accessibility factor, purposefully dressing her in clothing that’s available at department stores: “Storm [wore] a Thom Browne suit, and then she wore a pair of white Air Force Ones, which anyone can do,” he recalls. “What 14-year-old girl you know is walking around in a suit and heels all day? That’s not realistic.”

Even for the oldest members of Hollywood’s up-and-coming class, conversations about staying age-appropriate arise. Such was the case with Langford’s custom Prada gown for the 2018 Golden Globes, which featured a deep plunge: “It was almost a two-hour conversation between her, her publicist, and I, trying to figure out, ‘will she be comfortable with the lower neckline in the front?,’ because Katherine hasn’t really done anything that low before,” Dickson explains.

PHOTO: Getty Images

“I like to see Katherine [Langford] as a timeless beauty, and I like to make her dress in that way,” says Dickson, noting how the actress has been working with Prada and Stella McCartney on custom designs.

Dickson adds that erring on the conservative side distinguishes Langford from other Gen-Z stars who wear “cut-outs and crop tops.” “We don’t ever put her in anything super, super revealing.”

Beyond appearing age-appropriate, there’s also career-building to think about. The red carpet is an essential platform for elevating one’s profile, especially early in an entertainer’s career. By aligning a young face with a distinct aesthetic and reputable designers, fashion can maintain—and in many cases, advance —a young star’s reputation after a breakout role.

“It’s all kind of shaping someone’s style, but also it’s shaping their image,” stylist Chris Horan says of working with his young clients, like actresses Rowan Blanchard, 16, and Maddie Ziegler, 15. Fashion, he adds, “creates the momentum that’s needed to make your career take off.”

PHOTO: Getty Images

“Maddie [Ziegler] loves Marc Jacobs—it’s great on her and I feel like it just ends up fitting well,” says Horan. “It’s still youthful and fashion forward.”

Often, one memorable red carpet look is all it takes to boost a young star’s image, but the source must be an esteemed designer for the influence to last. When Dickson arranged for Sink to wear Chanel to the Stranger Things season two premiere, it immediately sparked interest from other designers, she says: “I think when you put someone in a high-end designer that’s very well respected in the fashion industry, a lot of the younger designers will see that, and they also will want to hop on board.”

It’s not always easy to wrangle those samples, though. For some stylists, it might take some persuasion to convince brands that their client could wear the brand well, especially if their first credits aren’t deemed “adult-friendly” or awards-season bait; Bolden and Law Roach, whose clients include Zendaya, previously mentioned that “big brands” hesitated to lend their young clients samples in a roundtable for The Hollywood Reporter.

“Especially with these young girls, I think they’re put into kind of boxes,” explains Horan. “[W]ith Rowan, we had a lot of pushback for a long time because of her age and obviously the show, or the network she was on.” (Blanchard first became known for her work on Disney Channel’s Girl Meets World.)

PHOTO: Getty Images

“I feel like at the beginning [Rowan Blanchard and I] were using a lot of emerging UK designers—now, we’re leaning more toward feminine pieces,” notes Horan. “Rowan’s Gucci show look was one of my favorite ones that we’ve done in a long time. I feel like it’s that perfect example of where she is now: sixteen going on seventeen, a fun and young teenager but a little bit elevated.”

Across the board, high fashion can convince the public to take young celebrities seriously—and a stylist can be instrumental in shepherding them towards the next phase of their career.

Bolden started working with Carpenter (another Girl Meets World alum) in the fall of 2017, right after she had left the Disney Channel and started to pursue music. They had what Bolden describes as a style breakthrough in November, at the 2017 Billboard Music Awards, when the 18-year-old arrived in a bright-pink, caped Céline dress. “When it came to the follow-up questions the next day, my other stylist friends were calling me like, ‘Holy shit! Sabrina in Céline? That was amazing!’,” he recalls.

Because they’re so young, so much of these celebrities’ fashion is experimental: They’re figuring out what they like, what suits them best, and what that looks like on a very public platform. They’re also not afraid to speak up, and use their wardrobe as a means of conveying their stance on a variety of issues. This is a generation that has come up on social media, after all—and many of these stars have already used their massive followings to talk politics, social justice, and more.

PHOTO: Getty Images

“The first time I worked with her, she literally just let me do my thing,” remembers Bolden of Sabrina Carpenter. “Her first look was Loewe, which is like a really, really tough brand—she trusted me, and we wore Loewe.”

At times, the intersection of fashion and personal values is immediately apparent. There was Millie Bobby Brown’s tribute to the Parkland school shooting victims at the 2018 Kids’ Choice Awards via a custom Calvin Klein look. Yara Shahidi wore a Prada skirt printed with an homage to Angela Davis as “a reminder of the work we have to do to de-criminalize public perception of black and brown bodies” to Deadline’s The Contenders event in April. On many occasions, you’ll see these young stars align themselves with certain fashion brands because of their beliefs—and will give them a silent endorsement by wearing them on the red carpet.

“[W]hen it comes to Yara, we look for what the brand stands for as well—it has to speak to her and what she stands for,” Bolden says. “It’s very impactful when she does wear a really big fashion brand because people can kind of look at it as like oh, okay. We know exactly where this stands.”

Another example: While doing press in Los Angeles earlier this year, Sink wore Hiraeth, a new vegan clothing line by Rooney Mara—something Dickson picked out because it “was a great fit, [since] Sadie’s vegan and I’ve always admired Rooney’s style.” After the red carpet wrapped, the actress took to Instagram to share Hiraeth’s ethos and values.

PHOTO: Getty Images

“This was a really big year for her,” explains Bolden of Storm Reid. “It’s about creating these beautiful, relatable experiences that like speak larger than just the brand or the credit.” The stylist adds that, throughout the press tour for A Wrinkle in Time, Reid repeated three or four shoe styles: “That’s realistic.”

The ultimate goal for these stylists isn’t a prestigious credit or an overnight success story. “It’s about building this beautiful amount of work,” Bolden says, “and not trying to come directly out the gate with this huge range of major designers.” He points to the A Wrinkle in Time press tour as an example: He intentionally saved the most jaw-dropping, extravagant look—a custom pink Prada dress with an open back—for the very last stop, “so it was a proper build-up.”

“I think that fashion’s a way for [clients] to brand themselves as a person, that they’re not one-dimensional,” Horan concludes. “That really helps as they’re trying to get more serious roles—it gets eyes on you to view you in a different way.”





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Women in Hollywood are Celebrating Their Work with #FemaleFilmmakerFriday on Twitter


On Friday, Aline Brosh McKenna—the co-creator, showrunner, and head writer of “Crazy Ex-Girlfriend”—started the #FemaleFilmmakerFriday hashtag to shine a light on all the female directors who work behind the scenes on television and movie sets. Only 4.3 percent of directors behind the top 1,100 films from 2007 to 2017 were women, according to the USC Annenberg Inclusion Initiative—and in the 75 years since the Golden Globes began, only one woman has won the award for Best Director.

McKenna said she got the idea for the hashtag when she saw director Tamra Davis post a photo of herself working on set.

“We were planning this for 2/2 but people were excited, so let’s go for it!,” McKenna tweeted alongside a photo of her behind the camera. “My friend Tamra Davis recently posted a photo of herself directing and it inspired me, so I invited some women to do the same. It’s hard to become what you do not see. #femalefilmmakerfriday”

Other female directors, including Ava DuVernay, who directed the upcoming film “A Wrinkle in Time,”, followed McKenna’s lead and posted their own photos and messages on Twitter.

“Happy #FemaleFilmmakerFriday. I love seeing all the images of women helmers doing their work. We are a small, but mighty tribe. A few pix with my boys on #WrinkleinTime,” DuVernay tweeted.

Throughout the day, women like Amber Tamblyn, America Ferrera, Gina Rodriguez, Elizabeth Banks, Kerry Washington, and Shonda Rhimes shared their work on social media, celebrating themselves and each other.

This kind of visibility is powerful, because the more women writing shows, creating new series, and directing, the more representative and reflective of women’s experiences Hollywood will (hopefully) become. To that end, McKenna wants to make this a weekly thing—so be sure check back next week for another installment.

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Maisie Williams Thinks Hollywood Needs to Feature More Than 'One Type of Beautiful'


Maisie Williams‘s first professional role was Arya Stark on Game of Thrones, a job that’s earned her plenty of awards, a new best friend, and her fair share of fame. But even after starring as one of Winterfell’s finest for seven (soon to be eight!) seasons, Maisie feels that, thanks to Hollywood’s shallow views on beauty, there’s no guarantee she’ll be able to land another role as good as Arya.

In an interview with The Irish Times this week, the 20-year-old spoke about how she feels her looks might impact her future in acting. “It’s only now I’m starting to realize the characters that are available to me because of the way I look and the characters that aren’t available to me,” she said. “It’s a very shallow industry. And I don’t look like someone who is cast in roles that are, well, sexualized. Don’t get me wrong, I’m completely in awe of Hollywood’s leading ladies. I love looking at those totally jaw-droppingly beautiful women. But I think it’s sad that you only get to see one type of beautiful on screen.”

She’s right: Even after all the strides we’ve made in recent decades, the majority of women in movies and TV shows are still thin with classically beautiful features. Though Maisie may feel that she’s somewhat excluded from this stereotype, as a thin, white woman, she’ll likely have an easier time landing roles than will other non-white, non-sample-size actresses her age. Of course, it’s nonetheless important that Hollywood embrace diversity in all senses of the word.

Maisie also spoke about learning to embrace feminism as she spent her formative years in the spotlight. “I didn’t even know what the word ‘feminist’ meant until I became an actress. Within my family, I never felt that I had to conform to any kind of types. I had no idea about what was typically male or typically female. I didn’t even know about skin color,” she said. “I think it’s quite lovely that I was so clueless.” That said, she did admire powerful feminist icons—you know, like a certain claymation chicken. (Yes, really!) “Growing up, I loved Chicken Run, because it’s driven by Ginger, who is such a fantastic character,” said Maisie, whose next film role is in Early Man, from the people behind Chicken Run. “So to be a part of that same world, and to be playing another woman who is popular for her talents and not for her looks, and whose main story arc has nothing to do with the interest of boys, is very cool.”

Related: Sophie Turner Just Revealed Her Best Friend Maisie Williams’ Most Embarrassing Moment



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