The first trailer for the fifth and final season of Fuller House is finally here. Though it teases lots of family-friendly fun, fans were quick to notice it’s missing one important thing: any mention of Aunt Becky.
Lori Loughlin famously portrayed Aunt Becky in the early ’90s classic TV show, Full House and then reprised her role in the Netflix revival, Fuller House. However, things hit a snag for Loughlin when it was revealed that she allegedly paid hundreds of thousands of dollars to scam her children’s way into the University of Southern California. Loughlin is now facing an impending court battle and has pleaded not guilty.
The season five trailer picks up right where season four left off with the Tanner crew. In the clips, Stephanie Tanner (played by Jodie Sweetin) and Jimmy Gibbler (played by Adam Hagenbuch) finally get to bring home their new daughter, who happened to be carried by surrogate Kimmy Gibbler (played by Andrea Barber).
The trailer also gives fans a sneak-peek at what’s to come for D.J. Tanner (played by Candace Cameron Bure) and her on-again high school sweetheart Steve Hale (played by Scott Weinger)—something that truly made every fan of the original show giddy. But, that’s not all. In the two-minute trailer, fans also catch a glimpse of the rest of the OG cast including Bob Saget, Dave Coulier, and John Stamos. AKA, everyone but Loughlin.
“It was really sad, and we could feel her absence,” Barber told People about Loughlin’s absence during the final season of filming. “It just felt like there was a hole in the whole season but also in that final episode. She should’ve been there, and I’m sorry that she wasn’t.”
And, in a recent Instagram post, Bure stopped short of supporting Loughlin in her court battle; however, the actress did explain that the bonds run deep with the entire Full House cast.
“We’ve had these friendships for more than 30 years and it’s just sad to leave them,” she said. “Have tears with us and hug along with us, because that’s kind of what we need, is the comfort and the love.”
Watch the trailer below before the first half of the fifth season drops on December 6:
Listen up, haters, Demi Lovato and her “fuller figure” are speaking. After seeing a story in the Inquisitr with a headline about her “fuller figure,” Lovato took to her Instagram Story to call out the outlet for finding her body shape newsworthy: “I AM MORE THAN MY WEIGHT,” she wrote.
In her post Lovato—who has been open about her history with eating disorders—explained that “unlike the past,” the headline about her body didn’t necessarily trigger her. Instead, her issue with the article was that this publication, and the reporter behind the story, thought it was OK to be writing about her size at all. “I’m angry that people think it’s OK to write headlines about people’s body shapes,” she wrote. “Especially about a woman who has been so open about being in recovery from an eating disorder. I am not upset for myself but for anyone easily influenced by this diet culture.”
She goes on to call out “toxic” stories like this. “Too many people today base their ideal body weight off of what OTHERS tell us we should look like or weigh. Articles like this only contribute to that toxic way of thinking,” she wrote. “If you’re reading this: Don’t listen to negative diet culture talk. You are more than a number on a scale. And I am more than a headline about my body shape.”
But here’s where this story gets really awesome. The writer actually responded to Lovato and apologized to her personally, according to a screenshot of their conversation that she posted on Instagram. “You’re an incredible talent and you’re right, your body is not all you are,” the writer said. “This is a lesson learnt.”
The Inquisitr left the post—and the problematic headline—live in the interest of “transparency,” but added an author’s note. “Firstly, a sincere ‘Thank you’ to Demi Lovato for her grace and patience in our exchange,” it reads. “While I wrote this story with the best of intentions, I totally appreciate and understand her perspective on the matter and culture in general, and I truly appreciate her taking the time to have a dialogue with me about it. As Demi said to me, ‘Our voices are all we have to create the biggest change on this planet.'”
Lovato lives that message. The singer has an impressive history of using her voice to speak out about weight shaming, whether it has to do with her body or not. Earlier this year the artist responded to a horrifying fat-shaming ad on Instagram promoting a game involving “obese” vs. “pretty” princesses. “This is absolutely harmful to anyone who is easily influenced by societal pressures put on us by diet culture to constantly be losing weight in a world that teaches us to equate our value and worth with the way we look and especially anyone in recovery from an eating disorder,” she wrote in January. “So please Instagram, keep this bullsh*t off mine and others’ feeds who could easily be affected by this disgusting advertisement. With how aware people are becoming of mental health and mental illnesses, I expect you guys to know better by allowing this advertisement to be allowed on your app. And shame on the game.”
As Lovato put it in her post, “Change is made by raising your voice, speaking your truth, and spreading love and compassion, not hate.”
When Fuller House premiered on Netflix nearly three years ago, a whole generation of ’80s and ’90s kids were excited to check back in on the Tanner family. What followed was a fervor of binge-watching, trend pieces, and Michelle Tanner GIFs, but the buzz tempered by the second season. (How rude.) There were still milestones—an Emmy nomination for Outstanding Children’s Program in 2018, for example—but the sitcom mostly settled into a comfortable routine.
By the end of season three, though, that shifted. Fuller House returned to its roots while simultaneously laying the groundwork for its future. Becky, Jesse, and Danny decided to move back to San Francisco so Danny and Becky can host Wake Up, San Francisco again; DJ and Steve reunited; and Fernando bought the Gibbler house. These events allowed the series to keep the family-friendly vibe, while tapping into more modern storylines: namely, the non-nuclear family structure.
Full House (and, as a result, Fuller House) has always been about a non-nuclear family—but it was because of circumstances like the death of Danny’s wife or DJ’s husband, not choice. That’s not the case in season four, which premieres on Netflix today: One of the main storylines will center on Kimmy Gibbler (Andrea Barber) being a surrogate for Stephanie Tanner (Jodie Sweetin).
PHOTO: Mike Yarish/Netflix
The seeds for this actually began back in season one, when it was revealed that Stephanie is unable to have children. Then, in season three, she discovered she had a few eggs left but wouldn’t be able to carry a baby. Enter surrogacy as an option. But Stephanie was in a serious relationship with her boyfriend (and Kimmy’s brother), Jimmy Gibbler, and wasn’t sure if she felt comfortable asking him to be the father should one of her eggs be viable. Turns out he was, and by the season’s end an embryo was implanted in Kimmy. Now she’s pregnant—whether it’s a single or multiple birth is TBD.
It’s a sign that Fuller House isn’t stuck in ’90s nostalgia that Stephanie and Jimmy aren’t married or engaged or even concerned about it. They’re just a couple in love who want to have a baby together. Imagine that happening on Full House with Jesse and Becky? For 30-something Stephanie, her biggest priority is starting a family—not worrying about her forever partner.
“It’s definitely not your traditional sitcom storyline of boy meets girl and they have a baby. I think this is more relevant.”
“It’s definitely not your traditional sitcom storyline of boy meets girl and they have a baby,” Andrea Barber tells Glamour.com. “I think this is more relevant. For a lot of people having a child is not so straightforward—it’s complicated and messy. I’m glad the show went there and didn’t just drop it in season one. It’s been evolving for four seasons.”
The story of Stephanie’s fertility was originally creator and former executive producer Jeff Franklin’s idea. When season one premiered, he told TV Line he wanted one of the three lead women to not have kids—for now. “The backstory I created for her was that she’s a free spirit, traveling the world. She’s into her career and into having fun, and I thought this would be a really interesting aspect to that character—and touching,” he said at the time.
However, executive producer and co-showrunner Steve Baldikoski says that before Franklin departed the series last year he made it known that he wanted season four to be about Kimmy’s surrogacy. “In the last moments of season three, we revealed that Kimmy was pregnant with Stephanie and Jimmy’s baby,” Baldikoski says. “The challenge for [executive producer and co-showrunner] Bryan Behar and I was exactly how that would play out for the year. We wanted to have something that was real and tangible to pull Full House into the modern era of Fuller House.”
So, unlike other sitcoms that have tackled surrogacy (see: Friends, Superstore, The New Normal), the focus will be more on the relationship between Kimmy and Stephanie rather than the baby.
PHOTO: Mike Yarish/Netflix
“Kimmy is so happy that she’s finally an important part of Stephanie’s life,” Barber says. “She’s been rejected by Stephanie for many years; now these characters are bonding in a way they’ve never been able to before. Kimmy doesn’t want to let go of that. [She doesn’t want] to feel like an incubator. She wants to feel more important than that, which I think is pretty valid.”
It is valid, given viewers have watched these two evolve from an eccentric 10-year-old and a precocious 5-year-old to the adult women they are today. “They’ve literally watched us grow up on TV,” Barber says. “To watch this fictional character go through such important life moments is incredible and so poignant.” That’s why she wanted the writers to explore Kimmy and Stephanie’s “mature friendship” as a sisterhood. “I’ve just been delighted for the last two seasons to have these wonderful, funny, tender moments with Jodie [Sweetin].”
Of course Full House has always tackled big subjects—DJ’s eating disorder; the death of a close family member—but they were settled in the span of a 22-minute episode. For that reason alone, Baldikoski and Behar wanted to see Stephanie’s fertility storyline through. “Bryan and I like dealing with these real issues over the entire season, not just a single episode,” Baldikoski says. “We like to think that if you’re going through something, it’s best to deal with it in a realistic way and carry it through a season. It’s not just one and done.”
“It’s a life-changing moment that we’re all going through—and as realistic as it can be for a sitcom.”
Baldikoski relied on personal stories and research to prep for the storyline. “While Fuller House is not a medical show or a drama, we do have writers who are very familiar with [surrogacy] and had different experiences with that. So we relied on a little bit of that and also sent people off to do research. Without invading anyone’s privacy, there was a lot of sharing about our writer’s experiences and the experiences of friends and friends of friends.”
Barber, a mom of two, hasn’t had personal experience with surrogacy, so she turned to one of her closest friends who did. “Her cousin was her surrogate,” she says, adding that she understands the complexities that come with that. “I would suspect…surrogates don’t want to feel just like baby machines. They want to feel important too.”
As for the birth scene, which will happen toward the end of the season, Barber had a request for the writers: make the labor as realistic as possible. “Sitcoms tend to do really silly births with lots of screaming, and it isn’t like that,” she says. “I wanted there to be an emotional connection, a tender moment between the women. They honored my request—and Jodie’s request—that it just not be a silly birth. There’s silliness trying to get to the hospital, of course, but when it comes to the actual birth scene it’s not gratuitous or over the top. It’s just a wonderful moment, and that’s what I had been hoping for for two seasons. They did it.”
Barber adds that you’ll still see lots of realistic sweat and awkward expressions. “It’s not a flawless, beautiful, ‘my makeup is perfect’ birth. It’s a life-changing moment that we’re all going through, and as realistic as it can be for a sitcom.”
PHOTO: Adam Rose/Netflix
The producers also got the rights to Joni Mitchell’s “The Circle Game” to play over an emotional montage. “I’m choked up as I talk about it,” Baldikoski says. “If it doesn’t make Fuller House fans choke up, I don’t know what will. It’s a beautiful scene. Andrea is amazing, Jodie is amazing, Candace is amazing, Adam [Hagenbuch, “Jimmy”] is amazing. We are very proud of it.”
As to whether the episode will serve as a series finale or season finale, Barber and Baldikoski hope there’s a season five in Fuller House‘s future. After all, there are plenty of stories that can stem from this surrogacy. “Usually surrogates don’t live in the same house as the birth mother,” Barber says. “I would love for them to explore that.” And what effect will this new baby have on Kimmy’s teen daughter, Ramona, and her partner, Fernando? How will Kimmy’s relationship with Stephanie change once the baby arrives? “Those are some pretty rich story areas that we have to deal with going forward,” Baldikoski says.
Whatever happens, Baldikoski hopes this will resonate with viewers. “Families come in all shapes and sizes. You don’t have to be a nuclear family anymore. People can feel comfortable with whatever family situation they have as long as they are loved. We want to show that the Fuller/Tanner clan is very inclusive. We’ve even included the first openly gay teenager on the show [this season], who is a friend of Ramona’s. As DJ says, ‘The door is always open.’ That’s our guiding philosophy of the show: Everyone’s welcome.”
Fuller House season four is now streaming onNetflix.
