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How Carlin Ross, the Woman Who Orgasmed on the Goop Lab Netflix Show, Came, Saw and Conquered


Carlin Ross spreads her legs and moves the lamp deeper between her thighs.

“Isn’t it beautiful?” a voice just over her shoulder says.

“It is,” Ross agrees, staring at herself in a mirror, transfixed. She drops her hands, delicately, smoothing them over the outline of her vulva.

For just $12.99 a month, you can join the millions of people who’ve watched Ross touch herself on camera whenever you want. But if you’ve devoured Love Is Blind or Tiger King, you’ve already shelled out for Ross’s show-and-tell. She’s on Netflix.

Carlin Ross is the woman who was filmed having an orgasm on The Goop Lab, Netflix’s TV show with Gwyneth Paltrow about her lifestyle empire, Goop. Ross and her coconspirator, the famed 90-year-old sex educator Betty Dodson, school Paltrow and her Goop employees on human biology, sexism, and self-doubt, and then Ross demonstrates as Dodson coaches her to an orgasm, using a special technique. The camera crew—and anyone who has a Netflix password—has full permission to look on.

How did a fast-talking New Jersey mom who was raised a Christian fundamentalist wind up teaching Gwyneth Paltrow the difference between a vulva and vagina? How did a former property lawyer help Goop—a women’s lifestyle brand famous for dubious claims about women’s genitals—create a revolutionary piece of sex education? What was she doing last month at a Walgreens in suburban Jersey ringing up a carton of cigarettes, a packet of condoms, and a box of hearing aids?

Ross is a nice lady from the suburbs who has a serious sweater collection, a kid, and a dog. Still, the answer to all of these questions is that she does what she wants and doesn’t take any shit. (Also, the condoms were for sex toys that she hands out during workshops; the cigarettes and hearing aids were for Dodson, who has taken to smoking and drinking Champagne in her 90s.)

Ross spits facts and talks about sex education like a rapper—because she can and because she feels she has to.

“I really believe that not telling young women about their bodies or giving them access to health care is systematic abuse at the level of genocide,” Ross says, a few minutes into our interview.

“You have to love your body to have an orgasm,” she says. “You have to feel entitled. The most unattractive man in the world still feels entitled to an orgasm. But women, we always feel like, ‘Maybe if I’m skinnier?’”

And: “If you’ve had an orgasm, you’re not a virgin.”

And: “Sexual freedom for women is a life goal, my reason for being.”

And on the controversies surrounding Goop: “There are so many controversies out there; it just seemed like a pimple on the ass of controversy.”

She has to be this succinct. In her decades as a sex educator, she has answered thousands of questions on her and Dodson’s site. “There are only really 10 to 15 questions, and they all boil down to the same thing,” Ross says. “‘Am I normal?’”

Rest easy—the answer is yes.

Ross grew up on the South Shore of Long Island with religious Christian parents who didn’t believe in TV, but did believe in a somewhat radical message of body acceptance—though raised almost a half-century apart, both Ross and Dodson credit their openness around sex in part to their parents walking around their homes naked. It was an abstinence-only education, but one that also involved her mother calmly explaining that the purpose of the clitoris is for sexual pleasure. It was a loving, “Amish-lite” life. And then she went through puberty.

“When you’re a girl, right, everyone listens to you in your family, and your family friends, everyone is nice to you,” Ross says. “And then you get your breasts, and all of a sudden your standing changes, and you become something else. You’re supposed to regulate male sexuality, and your dad’s friends are saying fresh things to you, and groping on mass transit happens.”



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For Angelica Ross, Getting Ready Is About Power, Confidence, and Womanhood


It’s been a month for Angelica Ross, and it’s not even over. A non-exhaustive list of things the actor, entrepreneur, and transgender rights activist has done so far in September: star as Nurse Rita in FX’s American Horror Story: 1984, host the 2020 Presidential Candidate Forum on LGBTQ Issues, deal with online harassment from a group of angry Bernie bros, and attend the Emmys for her breakout role as Candy on Pose. (The show was nominated for Outstanding Drama Series.)

Despite all this, Ross says she wasn’t stressed at all leading up to the award show on Sunday, September 22. “I’m very fortunate to have an amazing team, so I could focus on filming American Horror Story 1984 and hosting the LGBTQ Presidential Forum,” she says. Also: “Regardless of the Emmys outcome [for Pose], I knew we were already walking in as winners, because we have truly changed the culture.”

Here, Ross—in her own words—takes us through her getting-ready process for the Emmys. “I cannot lie,” she tells Glamour. “I love a red carpet, a purple carpet, a glitter carpet. However you color the runway, I aim to slay.”

“My look was created by hairstylist César DeLeön Ramirêz, makeup artist Yolonda Frederick, and stylist Brandon M. Garr. I was incredibly excited to wear a custom creation from Michael Costello.”

“When we first started talking Emmys, there was only one name that immediately came to mind: Michael Costello. He supported my career even before I blew up on the scene. He’s dressed me for several red carpets, including the major milestone of accepting the GLAAD Media Award for my interview with Trevor Noah. I just knew that Michael would create a show-stopping moment.”

“I’m wearing Martin Katz diamond earrings. The diamonds were truly spectacular. The Brilliant Bezel earrings are set in Platinum, accented with two round diamonds and set with 110 diamonds. They’re valued at $87,500.”





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Everything Tracee Ellis Ross Wore to Host the 2018 American Music Awards


Remember that time Tracee Ellis Ross hosted the 2017 American Music Awards and planned nine full outfit changes, from vintage Halston to sparkly-and-fringed Michael Kors? If you were expecting anything less for her second go at the gig… Well, you must not be too familiar with Tracee Ellis Ross’s approach to fashion.

The Black-ish star headlined the 2018 AMAs, and she brought some show-stopping looks with her. She and stylist Karla Welch had been teasing her wardrobe on social media ahead of the big event. This time, Ellis Ross revealed, they took a very meaningful approach to picking out her wardrobe: The host showcased black fashion designers throughout the evening, from Pyer Moss on the red carpet to Dapper Dan for Gucci for her opening number. (You might remember that Issa Rae also wore exclusively black designers when she hosted the 2018 CFDA Awards back in May.) “We have a really specific theme this year—a story that I’m telling about who is making all of the clothes… That feels really special to me and very exciting, and that was sort of our guiding force and kind of the marching orders I gave Karla in how to go out and hunt for things in that particular theme,” Ellis Ross told People ahead of the show. She shared all of her outfit credits on Twitter.

From the red carpet to the send-off, see every single outfit and designer Tracee Ellis Ross wore to host the 2018 AMAs.

We bring you the trends. You make them your own. Sign up for our daily newsletter to find the best fashion for YOU.





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Tracee Ellis Ross Opened the 2018 American Music Awards With an Amazing Dance Medley


Tracee Ellis Ross did such an incredible job of hosting the American Music Awards in 2017 that they asked her back for the 2018 show. And this time around, she’s pulling out all the stops. On Tuesday evening, October 9. she opened the show at Los Angeles’ Microsoft Theater with a high-energy dance number to a medley of hits—and Twitter was immediately obsessed.

To kick off the medley, Ross rapped along to Cardi B’s “Bodak Yellow,” sporting a glamorous cape and baring her teeth to reveal a grill featuring diamonds spelling out her initials on her bottom teeth. When the music transitioned to Childish Gambino’s “This Is America,” however, she threw off the cape and was immediately flanked by a squad of backup dancers. That was followed by even more hits, including Beyoncé and Jay-Z’s “APESHIT,” Aretha Franklin’s “Respect,” Bruno Mars’ “Uptown Funk,” and Beyoncé’s “Run the World.”

PHOTO: Kevin Winter/Getty Images

Tracee Ellis Ross Opening Performance 2

PHOTO: Kevin Winter/Getty Images

After her performance, Marsai Martin and Miles Brown, who play Ross’s kids onscreen in Black-ish, gave her scores of seven and three out of 10, respectively. Twitter users, however, were much more impressed. Though some called her moves cheesy or momlike—if so, she’s definitely a cool mom—pretty much everyone agreed that it was an incredible opening number. If there’s an AMA for Best AMAs Host, we know exactly who‘s getting it at the 2019 show.

Related: Tracee Ellis Ross Is Living For Herself





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Tracee Ellis Ross Would Like You to Get Out of Her Uterus


Tracee Ellis Ross has just one thing to say to those curious about when she wants to start a family: “Get out of my uterus.”

In a new interview with Vanity Fair, the Black-ish actress got very real about the nonstop nagging she’s received about her reproductive plans. “Last year, I was pregnant all season,” she said. “That brought on a lot of comments and questions and pontifications from people with no invitation.”

Obviously, it’s invasive and inappropriate to ask anyone about their reproductive plans, and Ross came up with a poignant response to get people to back off. “I literally have said to people, for real, no joke, ‘Why don’t you just get out of my womb? Like, get out of my uterus. What are you doing in there? And why are you asking those questions? And what makes you think you can ask that?'” she told Vanity Fair.

This isn’t the first time Ross has opened up about the pressures she’s faced related to being a woman in her 40s without children. “It’s really interesting to be a woman, and to get to 45, and to not be married, and to not have kids. Especially when you’ve pushed out five kids on TV,” she said at the Glamour Women of the Year Awards in 2017. But despite what society or anyone else has to say about it, she’s perfectly fine with doing her own thing. “My life is mine. Those words stopped me in my tracks,” Ross continued in her speech. “Those words brought tears to my eyes because, yes, I’ve been living my life—but not to my own expectations. Not for me.”

Ross, who stars in and has directed episodes of Black-ish, was recently the first person of color to host the CFDA Awards. Anyone who casually has a group text chat with Kerry Washington, Eva Longoria, America Ferrera, and Rashida Jones (i.e: Ross) clearly has many, many more important things to talk about than when or if she’ll ever have kids.

Related Stories:

Tracee Ellis Ross Will Teach You How to Be Single, Love Your Life, and Own Your Sexuality



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Tracee Ellis Ross Sets the Record Straight on 'Black-ish' Pay Gap Rumors


Late last week The Hollywood Reporter published a story about actresses battling the pay gap in Hollywood. In it they claimed (via an unnamed source from a Time’s Up meeting) that current Glamour cover star Tracee Ellis Ross was unhappy with the negotiations for the fifth season of Black-ish and had issues with her pay in comparison to costar Anthony Anderson. “Sources say Ellis Ross feels that if she isn’t brought up to Anderson’s level, she may opt to appear in fewer episodes to make up the disparity by guesting on another show.” The article also quoted a network source who said that Ross’s compensations would be significantly increased but that her role and Anderson’s were not comparable since he has been an executive producer since the show began.

Here’s the thing, according to Ross, nobody from THR reached out to her on the matter, and she says the comments attributed to her in the original article are not hers. So she took to Twitter to address the “conversation and speculation.” She says that she was in a common renegotiation during the fourth season of a “successful show” and that she “wanted to be compensated in a way that matches my contribution to a show that I love for many reasons, including the opportunity it allows me to be a fully realized black woman on TV.” She says that there were never any threats made about her role on the show.

And, of course, being the amazing woman and voice in the movement that she is, Ross takes a moment to talk about the larger societal issue at hand. “Having had my renegotiation become a public conversation was awkward, but I’m grateful for the outpouring of support. I’m truly thankful that important conversations are taking place about fighting for women’s worth and equality, tightening the pay gap in every industry.”

You tell ’em, Tracee.





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