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Killing Eve Season 4: Everything We Know So Far


Good news, Killing Eve fans: Season four of the hit BBC America series, starring Sandra Oh and Jodie Comer, has been renewed for a fourth season—months before the third season even premieres. Yes, you read that correctly: The third season of Killing Eve won’t debut until the spring, according to TV Line, but we already know a fourth installment is happening.

“How could we not have massive confidence in Killing Eve?” Sarah Barnett, president of AMC Networks Entertainment Group and AMC Studios, told The Hollywood Reporter. “It has won big in every major award show and is the highest growing show on U.S. television for six years.”

She continued, “The reason for this series’ emphatic embrace is the brilliant women who breathed it into being: Phoebe Waller-Bridge, Emerald Fennell, Sandra Oh, Jodie Comer, Fiona Shaw and its fairy godmother, executive producer Sally Woodward Gentle. Season three lead writer Suzanne Heathcote takes Eve, Villanelle and Carolyn to places more thrilling, twisted and surprising than ever. Our addicted fans will not be disappointed.”

Because season three hasn’t premiered yet, it’s difficult to say what season four will be about. But we’ll update this post with more information as it comes in. For now, here’s what we know:

The key players will most likely return. At least Sandra Oh and Jodie Comer. (This is based on Barnett’s above statement. After all, there really can’t be a show without them.)

BBC America

The premiere date. Every season of Killing Eve has debuted in the spring, so prepare for a spring 2021 release. Of course, it’s possible that will change.

The showrunner. A different woman has helmed each season of Killing Eve, so it’s highly likely that a new female will step in as showrunner for season four. Nothing’s been announced yet, though.

There’s going to be a lot more Eve and Villanelle in your future. Get ready.



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Killing Eve Season 2 Premiere Review: This Is Made for Women By Women, and It Shows


Women love spy stories—the faction of the Internet which demands Gillian Anderson be cast as the new James Bond is proof enough. Still, espionage dramas have long been monopolized by men both on-screen and off. Even the most famous female-fronted spy or assassin shows, like Nikita or Alias, have been created by men, written by men, directed by men. That effect is visible, from the lead characters’ wardrobes to their personalities, which range from stereotypes to traditionally masculine lodged in a female body.

But last year, Phoebe Waller-Bridge debuted her psychosexual spy drama Killing Eve, and it was audacious, Sapphic, and unmercifully female in its storytelling. Starring Sandra Oh as Eve Polastri, a manic MI6 agent, and Jodie Comer as Villanelle, a vicious assassin, Killing Eve oozes femininity in a way we’ve never seen on a TV spy show. Last night, the show returned for season two and cemented the Killing Eve legacy: This is a spy series made by and for women. Finally, something just for us.

The female influence on the show shines through every aspect in season two: the humor, the fashion, Eve and Villanelle’s relationship to each other and their work. Villanelle has emerged as a sort of fashion icon for her delicious tailored suits. She’s been hailed by queer women as one of the sexiest on TV—and we’ve never seen her chest or ass exposed on the show, nor have we seen her queerness exploited. Women can be sexy in skin-tight jumpsuits, yes, but also in turtlenecks, power suits, and blood spray. In the season two premiere, Villanelle wears a kid’s PJs, and I still wanted her to be my girlfriend.

Jodie Comer in the Killing Eve season two premiere.

Parisa Taghizadeh/BBCAmerica

The series’ humor is also infused with an aggressively female lexicon. In last night’s episode, Villanelle tells that same kid that her “girlfriend” stabbed her “to show me how much she cared about me”—a macabre comment on toxic and obsessive girl-on-girl relationships. Look out for a joke in episode two of season two, when Villanelle dials an emergency line and utters a coded phrase—what we can assume means “I need bailing out”—by saying, “It’s Cher Horowitz. I failed my driving test.”

The award-winning series was created by Waller-Bridge; she stepped aside in season two, staying on as an executive producer and adding her long-time friend Emerald Fennell as showrunner. On a Television Critics Association panel in February, Comer applauded Fennell for adding “complexity and versatility” to the lead characters. “It’s written by a woman who understands all of this, and it’s so visible in the writing. It’s so much fun to play. It’s a real gift,” she said.

Eve and Villanelle’s relationship is particularly nuanced and unique to the female experience, as are both their characters: Eve differs from most female spies in pop culture. She’s shrewd, but somewhat guileless and pure in her intentions. She approaches her work with fervor, but also with tenderness and emotion—all of which aid in her mission, and simultaneously disrupt and overhaul it—like Homeland‘s Carrie Mathison meets Gilmore Girls‘ Lorelai Gilmore. Unlike Elizabeth Jennings of The Americans, a stone-cold, emotionless spy whose character is almost traditionally masculine, Eve’s emotional attachment to her case is what makes her special and unique. It’s the reason her boss Carolyn (Fiona Bradshaw) brings her on board. There’s no male co-star, no Mulder to her Scully—it’s Eve and Carolyn versus Villanelle.

Sandra Oh and Fiona Shaw in Killing Eve

Sandra Oh and Fiona Shaw in the Killing Eve season two premiere.

Parisa Taghizadeh/BBCAmerica

But Villanelle is perhaps the most unique and complex female assassin character…ever? In season one, she stalks and pursues Eve, buying her fancy clothes and killing her best friend to get her attention. Without giving too much away, their dynamic takes a sharp 180-degree turn in the season two premiere; Villanelle is now vulnerable and powerless. Most male stalker or assassin characters are portrayed as animalistic. It’s about the chase, prey, bloodlust—they’re sociopathic and unemotional. But Villanelle isn’t a man. She’s desperate for love and human connection, and that manifests in truly psychotic but undeniably female ways. She’s the opposite of a sociopath—she feels with the fire of 1,000 suns. She’s totally unhinged, yes, but craves affection. Both can be true, and both make sense for a murderous woman.



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Killing Eve Season 2 Details: Jodie Comer Says It Will Have 'A Lot More' Deceptions


Before season one of Killing Eve started filming, creator Phoebe Waller-Bridge and star Jodie Comer met at a restaurant to work out a backstory for Comer’s character, Villanelle, a deadly (but stylish!) assassin. “We created a timeline and just threw ideas out there of what she could have gone through,” Comer tells Glamour. “Why she is the way she is, or what may have happened.” They decided she was in a home at some point, but got kicked out for her behavior. And then, “We were like, ‘Yeah, and she kills someone!'” Comer laughs at the memory. “We were throwing the craziest stuff at each other—I’m sure people were wondering [what was going on at our table].”

Now, those diners would be leaning in, hoping to hear more about what’s next for Villanelle. After the Emmy-nominated series debuted on BBC America last year, it became a hit with critics and fans alike. That’s thanks to a winning combo of witty, genre-pushing writing and next-level performances by Comer and her costar Sandra Oh. Based on Luke Jennings’s Codename Villanelle series, Oh plays Eve, a refreshingly normal M15 officer, who becomes obsessed with finding Comer’s Villanelle, a wildly confident, often petulant, probably psychopathic killer.

Their cat-and-mouse dynamic is what makes the show so unexpected and fun to watch. And as season two approaches, it feels like there’s still so much more to unpack about the women and their many complexities. Comer says that Waller-Bridge always had a clear vision, especially for Villanelle. “She was always going on about her naughtiness, her childishness, which I love—that mischief and fearlessness and lack of caring for what people think,” Comer says. “But then, she’s a woman and extremely talented and good at her job. There’s this side of her that’s like, ‘Do not fuck with her.'”

For Comer, the most important thing was to make Villanelle, a contract killer with a closet full of couture, relatable. “Assassins always seem, to me, to be portrayed as superheroes that you can’t really access,” she explains. “There’s a wall up, where you’re like, ‘I’d like to see what’s going on underneath all of this.’ There’s a lot of redeemable qualities about her, which I think enables the audience to be on her side sometimes. Strangely, sometimes you respect her.”

BBC AMERICA

“I think sometimes what is charming about these characters is their looks,” she continues. “Like, he’s a psychopath or a murderer, but he’s so…the only thing you like about him is that he’s really good-looking. Villanelle is so much more than that. Her charm is not just in the way she looks, but the way she acts and carries herself.”

This is true, though her insanely gorgeous fashion sense helps. Comer agrees. “She completely expresses herself through her clothes. You know she gets paid well for what she does, and that’s how she likes to spend her money,” she says. “She very much dresses based on where she is in the world, which is influenced by how she feels. I don’t think she has a set style. She would probably try to wear everything and anything, but because she wears it with confidence it works. That’s probably the key to her: her confidence.”

Comer says season two will keep unlocking more of Villanelle’s many contradictions, but you won’t be seeing a young actress play “baby Villanelle” in flashbacks: “What we really explore is these flickers of moments, where we feel like we’re getting in there of who she was and is. She is forced into situations where she has to try and be honest, and I think that’s really interesting for the audience to see.”



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Killing Eve Season 2: Here's Everything We Know So Far


From the third installment of Stranger Things to The Hills reboot, the universe is giving us a lot of reasons to put our DVRs in overdrive this year. And come spring, the broadcast gods will award us with another can’t-miss show: season two of Killing Eve.

The suspenseful cat-and-mouse series, which follows M15 agent Eve Polastri (Sandra Oh) as she attempts to track down unhinged assassin Villanelle (Jodie Comer), is so gripping that three days before it had even made its TV debut last year, BBC America announced that the show was being renewed for a second season.

So what can we expect from season two of the hit series? The season one finale wrapped with a pretty big cliffhanger that left audiences with a number of questions (and high blood pressure)—the largest of which was (spoilers ahead!): What happened to Villanelle?

Well, a newly-released trailer for BBC Drama’s 2019 shows appears to give a few clues. In it, you can see Villanelle is alive and well—but Eve seems to be back with her husband.

[embedded content]

In another teaser that’s not available to embed yet, Villanelle stares directly into the camera and says, “I hope you haven’t forgotten about me.” That seems to indicate that the antagonist will make a fiery return to the second season. (See that here.) In another, Eve is asked, “Why are you two so interested in each other? What really happened in Paris?”

Unfortunately, those teasers are short. So while most of what’s in store for season two is still largely a mystery, here’s what we do know about the return of the series so far:

The release date: According to trailers, the show is set to drop in 2019. Our guess is it’ll happen in the spring—similar to season one’s release in April of last year—though an exact date has yet to be announced. We do know, however, that the cast has already wrapped filming, thanks to an Instagram post from Jodie Comer early last month.

The cast: The show’s leads, Sandra Oh and Jodie Comer, will reprise their roles as Eve Polastri and Villanelle, respectively. Fiona Shaw will also rejoin the cast this season as mysterious operative Carolyn. Newcomers to the show include Nina Sosanya (Good Omens) and Edward Bluemel (The Commuter), according to Deadline.

Is it spring yet?

Related: We Can’t Wait to See These TV Shows in 2019





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Social Media Is Killing Mascara


Unable to find a mascara that she really loved Vivian Lee decided to stop buying it altogether. “I’ve tried all the different brands of mascara,” says Lee, who works in San Francisco’s tech industry. “I just haven’t found something I really liked—it’s kind of a pain.” It’s not that she doesn’t love makeup. In fact, since making the decision to give up on too-smudgy formulas and not-quite-right wands, she’s put her money toward other products like Glossier’s lip gloss and Marc Jacobs’ Highliner. Mascara honestly just wasn’t doing it for her anymore. “I’ve found that I get a better effect with simple eyeliner anyway,” she says.

It’s not just Lee, either. Along with a growing number of women who have stopped wearing mascara in lieu of other products, brands like Rihanna’s Fenty Beauty, Kylie Cosmetics, and Anastasia Beverly Hills aren’t even bothering with mascara anymore either. For example, Huda Beauty, a billion-dollar cosmetic empire currently sells 22 types of false eyelashes, both faux and mink, but not a single tube of mascara.

To be more precise, mascara’s slice of the $445 billion global beauty industry was worth more than $8 billion in sales last year, according to Euromonitor International, a market research firm. But the numbers are dwindling. Euromonitor expects sales to increase by only 1.9 percent between 2017 and 2018, compared with 3.8 percent between 2016 and 2017. That’s almost half the growth rate of previous years. Searches for “mascara,” meanwhile, declined by more than 18 percent between February 2018 and April 2018, and have remained flat, according to SEMrush marketing analytics.

While mascara most certainly isn’t disappearing overnight, there are several culprits leading to its lagging sales. The most notable being Instagram.

It’s no secret that the most successful of Millennial-minded brands are engineered with the app in mind. Take Fenty’s account, which is filled with artfully shot photos of models in blindingly bright highlighter and bold lipstick. Its packaging is so perfectly made for the ‘gram that the brand even fashioned a life-sized version for photo opps at Sephora’s beauty festival this fall.

Lee says she’s noticed that among her friends and colleagues, women are more interested in brands that focus on “beautiful, glowy skin,” and Korean beauty lines that “knock it out of the park” with eyeliners and brow products. These brands, she says, “don’t really make a big deal out of mascara.”

What many of them do play up, however, is skin care. Which is why it might not be surprising that the category outpaced color cosmetics over the past year, according to the NPD Group. In fact, sales of skin care in the U.S. grew 15 percent from the previous year, while cosmetics only grew 3 percent during the same time period.

Another category on the rise? Lash extensions. Heather Auger, a lash artist in Malibu, California, who works with celebrity clients and YouTube artists, says the demand for extensions has grown so much recently that’s she’s had to turn people away. She credits the majority of its popularity to how great they always look—both in real life and in photos. “[Mascara] won’t give you that same look in every shot like lash extensions will,” she says.

Again, the numbers back it up. The lash extension market is expected to generate nearly $1.5 million by 2022, according to Fact.MR, a market research firm.

“I don’t have a friend out here who doesn’t have them,” said Julia Nell, who lives in nearby Venice Beach, California. “In L.A., the more unnatural [your extensions look], the better.” Her Instagram is filled with photos of her lounging by a pool in Spain one day, then strolling through a park in New York City or a busy street in Hong Kong the next. Her crystal blue eyes pierce through her long lashes in each shot, but it’s clear she’s wearing hardly any makeup.

Nell travels around the globe for her day job in the tech industry. A few years ago she realized that Instagram was a great way to score free samples on her travels. But that means she needs both her beauty routine and her photos to deliver. She admits fake lashes can look “a little bit too much for real life,” but says they’re great for selfies and a better look for her 94,000-plus followers. Plus, “it’s pretty awesome to avoid that look of mascara falling down your face,” she says.

Lash extensions—or simply less makeup all together—are saving busy women like her something else as well: their time. “My clients wake up in the morning with a mascara look, and they’re ready to go,” said Juliet Saco, a lash artist in Troy, Michigan, who said she gets all of her business through Instagram and Facebook. “Their time is valuable, so it’s worth it.”

Another problem plaguing mascara is that in age of high-tech tools and gimmicky face masks, mascara can be kind of…boring. “There’s not a lot of new innovation in mascara, so sales have slowed,” says Kloe Angelopoulou, a research analyst at Euromonitor International.

Lashes, like any other trend, are always evolving. In the Middle Ages, women would remove their lashes to highlight their foreheads. Eyelash curlers first hit the market sometime in the 1920s or 1930s, but seem like a museum relic today with so many curl-enhancing formulas that don’t make lashes go limp. Then came different colors, waterproof options, vibrating wands, weird-looking brushes, and comically racy product names. It’s possible we’re just in the era in extensions for now.

It’s not entirely a death knell for mascara though.

In an attempt to reverse the trend, some brands are still putting time and money into creating never-before-seen innovations. Earlier this fall, Chanel released its much-anticipated 3D volumizing mascara, which features a brush made entirely from 3D-printing. After being patented over a decade ago, the brand worked for years to get nail the perfect “honeycomb structure” that “loads [the brush] with just the right amount of formula”—as the description reads on it website.

Meanwhile, Glossier’s Lash Slick—what many on the Internet have taken to calling a “non-mascara mascara” because of how natural it looks on—took 18 months to create and 248 tries perfect the formula.

Both companies have been tight-lipped about the cost of production and what sales stats look like, but there’s no denying that’s another issue: mascara isn’t cheap to make. Many smaller cosmetic brands and indie lines are reluctant to produce mascara at all because getting the technology behind the liquid, the lash wand, and the brush just right can become a wildly expensive endeavor. Which is likely why there still hasn’t been a Fenty ThicccLash or Kylie LitLash.

Still, brands that have cornered the market on the so-called “cult favorite” mascaras are doing just fine. Too Faced reportedly sells one tube of its famous Better Than Sex Mascara every 7.4 seconds, while Nars released its provocatively named Climax Mascara to much fanfare this fall.

And there is a glimmer of hope that more Insta-brands will jump aboard the mascara train: Kim Kardashian—who is famous for her often unrealistic-looking fake lashes—just dropped her KKW Beauty line’s first mascara. Albeit, it was quietly done on Black Friday, when shopping is guaranteed to be at an all-time high. But it is a good testing ground to gauge the reaction of finnicky Instagram audiences.

Unlike her sister’s lips, though, it remains to be seen if Kim’s eyes will be enough of a draw.





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Kim Cattrall Is Down With 'Sex and the City' Killing Off Samantha


PHOTO: ©New Line Cinema/Courtesy Everett Collection

Sarah Jessica Parker broke Sex and the City fans’ hearts around the world last week when she confirmed a third film isn’t happening. The reason why is still a mystery, but tabloids—and, let’s face it, Willie Garson’s tweets—are implying Kim Cattrall is the reason.

The actress flat-out denied these claims—first via Twitter, and then during a very lengthy chat with Piers Morgan for his ITV series, Life Stories. Cattrall contends she never expressed interest in the film and that her answer was always a “firm ‘no'” when producers approached her about it.

This doesn’t mean she has hard feelings about it, though. In fact, Cattrall told Morgan producers should go forth with a third movie if it’s what they want.

“It’s a great part,” she said. “I played it past the finish line and then some, and I loved it, and another actress should play it. Maybe they could make it an African American Samantha Jones or a Hispanic Samantha Jones?”

But this isn’t the only suggestion Cattrall has. Apparently, she’s also cool with Sex and the City just killing off Samantha Jones.

That’s what this Twitter interaction suggests, at least. Here’s what went down: In a tweet about the SATC drama, Perez Hilton wrote, “RT if you think #SexAndTheCity should make a third movie and just kill @KimCattrall’s character!” And Cattrall actually retweeted. Check it out for yourself, below:

Of course, it’s possible this retweet is an accident. Then again, that’s unlikely, because Cattrall probably would’ve deleted it by now. Either way, making a third movie without Samantha would be a big mistake. As Garson said in one of his less-shady tweets, their cast is “all for one and one for all.” The franchise simply can’t exist without Samantha.

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