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How Netflix's Dead to Me Was Inspired by Creator Liz Feldman's Life


Liz Feldman created Dead to Me, Netflix’s new dark and twisty dramedy, during a tumultuous time: She was dealing with the sudden death of a cousin, a frustrating fertility journey, and turning 40. Here, she explains how all of that inspired a show about grief, loss, and friendship.

I’ve been trying to have a baby for six years. And I won’t save the worst for last: I haven’t been successful yet.

My fertility journey has felt more like an odyssey, or if I’m being really honest, a full-on Greek tragedy. There have been painful procedures, infections, and miscarriage. Just when I thought things might be looking up, a lab technician at my Fertility Clinic lost the one egg they were able to retrieve from me. Yes, you read that right. I made one egg and they lost it. And yes, you’re totally allowed to laugh. It was my eighth egg retrieval. I had to laugh too, because I was so tired of crying.

I have learned to look at the darkest moments in life and see the comic aura around them. It’s become more than a coping mechanism; it’s my ethos. And now it’s a TV show.

I created Dead To Me, a deep, dark, twisty dramedy, in the weeks following my fortieth birthday. Turning forty can be a real mind bender, especially if you’re on fertility hormones and trying to get pregnant for what feels like the 600th time. Staring down my own mortality while trying to create life put me in a pretty dark headspace.

And then, on the day of my fortieth birthday, my cousin David died unexpectedly of a heart attack. He was fifty. I absolutely adored David. He was the heart of our family, the life of every party, and a great dad to two sweet kids. And yes, you are totally allowed to cry. I am as I write this.

Christina Applegate, Liz Feldman, and Linda Cardellini at Netflix’s Dead To Me premiere.

Presley Ann/Getty Images

The day after David passed away, my best friend Sarah told me she was pregnant with her second child. I love Sarah madly, but I had to excuse myself to go cry in the bathroom. It’s not that I begrudged her luck, I was just so ready to have some of my own. That night, I flew to New York for David’s funeral.

The following day, I had lunch in Brooklyn with my other best friend, Kelly, who told me she was pregnant. This time I didn’t cry. Instead, I was filled with a weird kind of tingly hope. Maybe this is why it took so long for me to get pregnant—so Sarah, Kelly, and I could have our kids together! Of course! I was buoyed by this thought and reinvigorated. Life does have a way of working out, I thought, until the following day, when I got my period.

A week later, I pitched the beginnings of Dead To Me, a show about two women who meet in a grief support group. Jen (Christina Applegate) and Judy (Linda Cardellini) have suffered immense loss, but they gain strength and comfort from their newfound friendship. The story, though not autobiographical, is deeply personal. The facts are made up. The feelings are real.

With Dead To Me, I have definitely experienced some incredible luck. I got to birth an idea and grow it into a show that I now get to share with the world, via Netflix. Of course, my luck didn’t come in the form I had hoped for, but life is full of twists and turns. Just ask my best friend Kelly. Tragically, five months into her pregnancy, she lost her baby. It was a devastating time. None of it made sense. Here was my beautiful, kind, wonderful friend experiencing a level of pain and loss she did not deserve. It was impossible not to be furious at the cruelty and relentlessness of life.



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Riverdale Season 3 Spoilers: Creator Roberto Aguirre-Sacasa Reveals What's to Come


Last season, Riverdale ended with Archie Andrews wrongly accused of murdering Cassidy Brooke (remember him?) and faced with the harsh reality that he might end up in prison instead of high school. Meanwhile, Veronica basically emancipated herself from her father and came away with a new business endeavor in the process: Pop’s Chock’lit Shoppe. Bughead seemed to be in fine form—for once—but Betty’s sister, Polly, was a different story. The elder Cooper sibling joined a cult, and it looked like Alice is her next target. Cheryl became an honorary serpent and coupled up with Toni, while legally emancipating herself from her mother and taking control of Thistlehouse. Oh, and Hal Cooper went to jail, as one would expect if you’re the Black Hood.

Got it? Good, because Riverdale returns for season three today (Wednesday, October 10) with a whole bunch of loose ends to tie up and a brand new mystery to reveal. Damn, can’t these people get any rest?

Actually, that’s exactly how Riverdale creator Roberto Aguirre-Sacasa likes it. “Everyone is treating season three like it’s season one,” he tells Glamour.com. “We want this to be an edge-of-your-seat season, so we’re really excited. Unless you’re Archie, of course, who probably wouldn’t mind a little less drama.

“We’ll definitely know Archie’s fate by the end of the episode,” Aguirre-Sacasa promises. “One thing we’re doing a little bit different this year is jumping in time—three months to be exact—so when we meet [up with] Archie he’s mid-trial.” While Aguirre-Sacasa won’t reveal Archie’s odds of being set free, he will tell us plenty of other information, including some exciting news for Choni and Bughead fans. But with the news that Jughead’s mom and sister are coming on board (played by Gina Gershon and newcomer Trinity Likins), what does that mean for F.P. and Alice hopefuls? To our surprise, Aguirre-Sacasa is spilling the tea. Spoilers ahead!

PHOTO: Katie Yu/The CW

Fans have dissected the teaser trailer where the core four are at the lake, riding in the jalopy, etc. Is that all a dream sequence or, if it’s real, does that mean that Archie is exonerated?

Roberto Aguirre-Sacasa: Those scenes really happen, and we wanted to capture this idea of stealing one last moment of youth and innocence and, honestly, summer vacation. It’s like trying to get that last day of summer vacation to be the best day of summer vacation, and that’s what went into that episode. Those scenes really happened. I wasn’t there personally, but [I heard] the water was cold. It was a really hot day the scene was filmed, so even though the water was cold, I think everyone was really down for it.

Varchie fans will get some wish fulfillment in those scenes, but going forward, which pairing will have the happier season three? Varchie or Bughead?

RAS: I think right now Bughead [is going] to have the happier season three. I will say though to Varchie fans that Veronica and Archie are proving to be very much…they’re trying to hang on to each other through the troubles in a really visceral way. Even though they could be heading towards rocks, they’re really clinging to each other because they feel so deeply for each other.

Right. And Veronica has now severed ties with her father, owns Pop’s, and went through a major transition since we last saw her.

RAS: Veronica is not to be trifled with, and Hiram is the architect behind her unhappiness and Archie’s troubles. She’s not down with rolling over and just letting him steamroll over her happiness.

riverdale-kj-apa-camila-mendes-archie-veronica-season-3-2018.jpg

PHOTO: Katie Yu/The CW

Over the summer, Lochlyn Munro (Hal Cooper) told me he’ll be back this season. When can viewers expect to see Hal again?

RAS: Not in the first few episodes, but sooner than you might expect.

Should we expect him to be behind bars all season?

RAS: When we reconnect with him, he’s definitely behind bars, behind glass, behind barbed wire. He’s in maximum security, that’s for sure.

And what about Chic? His fate was left open-ended toward the end of season two.

RAS: That is buried a bit, I would say. But we haven’t seen the body. Even when you’ve seen the body, I say never say never.

Chapter Thirty-Four: Judgment Night

PHOTO: THE CW

That’s why I have a theory that Cheryl’s uncle Claudius is really her father. I think he’s been impersonating his brother, and it was the uncle who we saw die at the end of season one.

RAS: [Laughs] That’s a theory that has been floated by a few people. It’s definitely something that’s within the realm of possibility on our show, that’s for sure.

Let’s talk about F.P. and Alice. We know from last season that Polly was trying to help Alice by drawing her into this cult, so how will that impact—if at all—Alice’s potential relationship with F.P.?

RAS: In a weird way, the farm could open the door for Falice because the farm says to be alive in the moment. Do whatever you think, burn the past, there is no future, there’s only now. So in a weird way, the farm could be seen as giving permission to Alice to pursue F.P. The bigger threat to them will be the fact that Alice is married to Hal and F.P. is married to Gladys.

Speaking of, what’s the state of the marriage between F.P. and Gladys?

RAS: They’re strained and estranged from each other. [Laughs]

Gina Gershon doesn’t appear as Gladys until December 12, which means there are two months of episodes from now until then. What will Falice’s relationship status be by then? One would assume they’d be in a relationship just to make things more complicated when Gladys enters the picture.

RAS: Yeah, I think if this wasn’t Riverdale and it was just Falice exploring their relationship, they would be in pretty deep by the time Gladys gets there. We do see them quite together and quite intimate, but Falice is also dealing with their part in a crime that happened 25 years earlier, which is sort of rearing its ugly head this season as well. So Falice doesn’t exist on a blissed-out island apart from the day-to-day trials and tribulations of Riverdale. They’re very much caught up in the season mystery as well.

Let’s move on to Cheryl and Toni. They were together by the end of the season, and Cheryl has emancipated herself from her mother and has Thistlehouse all to herself. So will Choni be moving in together?

RAS: We’re really enjoying them being the reigning queens of Riverdale High, which we’re going to play them as. They’re still in the honeymoon phase. They are kind of getting in and out of trouble with the Serpents, without the Serpents. They too will be drawn into the season-long mysteries, and, yes, there will be a discussion about Choni living together.



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How the Creator of 'Vida' Found Her Own Love Story Through 'Outlander'


Tanya Saracho loves an epic love story. The creator, showrunner, and executive producer of the new STARZ series Vida, which premieres Sunday, May 6, loves to write them, loves to watch them, and loves to be inspired by them. She just didn’t expect to be the subject of one.

That’s not to say the 42-year-old from Los Mochis, Sinaloa, Mexico didn’t have happy relationships—but she knew romance rarely, if ever, plays out like the Hugh Grant rom coms she grew up on. As a queer woman of color, it was hard to find any love story that didn’t cater to the straight male gaze.

That’s why Saracho—who has also written for How to Get Away With Murder and Looking—was drawn to Outlander, the romantic drama about a woman, Claire, who travels back in time and meets the love of her life, a Highland warrior named Jamie. “It’s so female gaze, ” she says. “That sex scene where Claire takes Jamie’s virginity? It’s like, when have you seen it from that perspective?”

Saracho’s appreciation—OK, obsession—of Outlander grew as the series went on. “I was obsessed with everything about it—the stories, the way it looked,” she explains. “I followed each and every writer on Twitter. I followed the producers. I was like a freaking stalker…a fangirl, you know.” So in 2014, after Saracho’s father disowned her and wouldn’t let her attend her grandmother’s funeral, she relied on the show to take her mind off her family issues. “I was so sad,” she says. “At the time, I was thinking, ‘Where am I going to go for Christmas now?'”

The answer came easily: Scotland. “I thought, you know what, I’m going to go to Scotland, and I’m going to find my own Outlander,” she says. “I had become obsessed, so I booked a Christmas and New Year’s trip without knowing anyone [there]. I didn’t even know where I was going to stay.”

At the time, Saracho was working on Looking in San Francisco and had to answer to some skeptical colleagues. (“They were like, ‘You’re going to Scotland by yourself for Christmas? That’s the saddest thing ever!'”) One of those coworkers was Raul Castillo, who played Richie Donado on the show and was Saracho’s first high school boyfriend. He told her not to go to Scotland by herself, but she felt drawn to the country. “He said, ‘For a stupid TV show?'” Saracho remembers. “And I said, ‘It’s not stupid. It’s the best show ever.” Wanting to have a clean slate, she even broke up with the woman she was seeing before she left for the trip.

Saracho had no definite plans for Scotland—except for one: “I had actually met Sam Heughan [before I left for Scotland],” she says. “My friend called him in for a casting meeting, and I happened to be there. I tried with all my might not to say, ‘Oh my God, Outlander is my everything,’ so I was just like, ‘I really like your show.’ He was so kind and gave me his info. He said, ‘We’ll have a wee dram [a shot of Scottish whiskey] when you get there!’ I was thinking, Great! I’m going to have a true Outlander experience.”

But when she arrived in the country, she ended up blowing off Heughan completely. “It’s crazy,” she explains. “When I got to Scotland, I signed up on a site called Meetup.com. It’s like these group things you can do—a poetry reading, a hike, whatever. I signed up for it all and asked somebody in the group if they could help me with my train itinerary. I was feeling so lost that first day and thinking, ‘Am I going to have to eat every day by myself? What have I done?’ One person wrote back—his name was Scruffy Scot—and was really polite and helpful. He didn’t have a picture next to his name, and he was so formal in his writing that I just assumed he was this older man.”

Turns out, “Scruffy Scot” wasn’t an older man; she discovered he’s the same age, had a career in IT, and is named Colin Stubbs. “Without knowing anything, I said to him, ‘This is a weird thing to ask, but if you want to have coffee in a public place, let me know.’ He said yes, and I thought, ‘OK, great, one hour, a coffee with a Scottish person! This is fantastic because my wee dram with Sam was not until the following week in Glasgow. I had nothing else planned.”

But that one hour coffee with “Scruffy Scot”—or Jon Snow’s doppelgänger, as Saracho calls him—turned into six. “I didn’t let him talk,” she says, laughing. “I literally didn’t shut up. He has no game. He was shy, and I just felt really safe. I kept texting Raul [in the states] and was like, ‘Do you think I should go have dinner with him?’ and he said, ‘Are you crazy? You’re going to get raped and murdered in a castle dungeon!'”

But Saracho didn’t take her friend’s advice. When he offered to drive her to Glasgow, instead of taking the train, she took him up on the offer. He soon became the sounding board she had been searching for. “I started bawling in his car,” she says. “Everything around me was so beautiful—the trees looked like lavender cotton candy because of the snow, and I started thinking about how it was almost Christmas and I wasn’t with my family and my dad had just ousted me.” Stubbs reached over to grab Saracho’s hand and kept driving without saying a word. “That was the first time I was like, ‘Whoa,'” Saracho says. “It was so soothing and comfortable. He just let me cry.”

Saracho says she and Stubbs developed a deep connection, but it wasn’t sexual: In fact, throughout the entire car ride she kept referencing her past relationships with women. “I hadn’t had sex with a cisgender male in five years, so I was like, ‘I’m sorry, but I don’t want to go there. I don’t know what that is anymore,'” she says. “He was just so happy to be at the party, you know? He was like, ‘I didn’t even know this was going to happen.” Stubbs was patient with Saracho. “We took our time,” she says. “I got to know him, and he got to know me.”

What was supposed to be a two-week trip ended up turning into a six-week stay. Three weeks in, Saracho met Stubbs’ family. “I was like, ‘That’s really quick [to meet someone’s family].’ But he is so innocent! He was like, ‘I don’t understand, quick for what?’ They’re the loveliest humans and so polite and nurturing. I fell in love with them so deep.”

Eventually, Saracho returned to the U.S.—but Stubbs came to California for long visits. “He stayed one time for nine months—six months of that because I got a spinal infection and almost died,” she says. “This will tell you what a [good] soul he is: He literally bathed me [daily], wiped my ass, and quit his job to take care of me. He tells me loves me all the time, but he has shown me he loves me more than anything. I realized that no one had done those things for me before. His soul is amazing, and he’s so pure.”

Saracho still can’t believe this is her life. “I’m like, ‘What the f-ck is this?’ I mean, we’re just endgame,” she says. “This is it, you know what I mean? The fact that he quit his job to take care of me? There’s no going back from that. We’re bonded. He saved my life.”

In the three and a half years since their first meeting, Saracho and Stubbs talk or FaceTime every day and consistently make plans to see each other. They hope to eventually live together in the same city, same house. “I never wanted to be married,” Saracho says. “That was never a thing for me. But now it’s like, OK, we have to do it. When we do, he has to wear a kilt.”

As for Outlander, Stubbs had never heard of the show before he met Saracho. “I made him, poor guy—and his family—watch the first season,” she says. “He tells me he likes the show. I hope he’s just not telling me that. If he tells me he doesn’t like it, it might be over.”

Now, of course, when Saracho—and Stubbs—watch the show, the promos for Vida run next to it. “The fact that I have a show on STARZ, it’s crazy. It’s insane,” Saracho says. “When Vida got the green light, STARZ sent me this picnic basket of Jamie Fraser red wine and all these Outlander things that I’ll never open because it’s like my sacred thing.”

The same could be said of Saracho’s journey with Stubbs. Her friends think she should write her own love story next, but Saracho’s not sure. (“Everyone says I have to make a movie, but I’m so close to it that I don’t know.”) For the time being, she just wants to live in the present and enjoy working on Vida. “Everything’s been a dream. You can pinch me. It’s just exciting that we get to tell this story,” she says.

Of course, maybe one day she’ll also tell her story with Stubbs. “I feel like I was called to Scotland,” she says. “It was truly a gut feeling. The universe was being a puppeteer, like, ‘You and you will end up meeting.’ It’s just crazy that way.”



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The 'Riverdale' Creator on the Black Hood Reveal, Bughead's Future, and Cheryl's New Love Interest


Tonight’s Riverdale more or less confirmed what Lili Reinhart told us back in December: The Black Hood is still on the loose. But with Chic Cooper’s arrival and all the Southside High drama, who’s got time to worry about that creep? There are plenty of other pressing issues in Riverdale—namely, why in Jason Blossom’s name hasn’t Cheryl been front and center in every episode this season?

Fortunately, creator Roberto Aguirre-Sacasa says we won’t have to wait much longer, as huge developments are about to take place. (Look out for episode 14, specifically.) What’s more, several forgotten characters might be on their way back to town. With so many questions—seriously, what is Chic Cooper doing in Betty’s bedroom?—Aguirre-Sacasa hopped on the phone from the Vancouver set to fill us in.

First, can you confirm the Black Hood is still out there?

Roberto Aguirre-Sacasa: Well, at the very end of tonight’s episode Archie says to Agent Adams, “Listen, if you’ve been following me, you know that I was involved [in trying to solve the mystery of] the Black Hood, but I gotta tell you, there’s a part of me that doesn’t think we got the right guy.” That is a thread that we will follow in the second half of the season.

Will viewers feel that they know for sure who it is by the end of the season?

RAS: However the Black Hood’s story continues, I believe it will have a definitive ending by the end of the season.

So, basically, whether it’s Svenson or not, we’ll definitely feel confident knowing who it was.

RAS: Exactly. Correct.

In tonight’s episode, Chic enters the picture and he’s…creepy. What can you say about his impending stay in Riverdale?

RAS: We kind of joke in the writer’s room—whenever we introduce someone, they have to be a force of darkness and chaos. On Riverdale, you can’t ever just introduce someone and have it be fine. It always comes with problems. Chic is no exception. We’re pretty cryptic about our plots; the writers know [that] the actors don’t know everything. So two or three episodes in, the fine actor that plays Chic—Hart Denton—calls me and asks, “Now, am I a good guy or a bad guy?” I started laughing and was like, “I think even if you think you’re a bad guy, you never think of yourself as a bad guy.” So, I’ll say this: In some ways, Chic is very different than from his sister Betty. I think what we’ll discover in upcoming episodes is that there are more similarities than you might originally think.

PHOTO: Shane Harvey/The CW

Will the Coopers regret letting Chic into their lives?

RAS: That’s a very good question. Like anything in Riverdale, there are going to be good things and bad things. In the end, I’m not sure. But I will say that we’ll find out next week what Chic was doing in Betty’s room, and we’ll start exploring the darker similarities between the two siblings, which I’m excited about.

Speaking of siblings, we find out that Polly gave birth to twins, Juniper and Dagwood, but she leaves town again before we even meet them. This can’t be the last we’ve seen of them.

RAS: Right. She did give birth, and you haven’t seen the last of Polly. And we haven’t even met the twins!

And should we assume that Betty, Polly, and Chic, all have the same mother and father in Hal and Alice Cooper?

RAS: I think that’s the assumption, yes.

Is it fact or assumption?

RAS: I think it’s an assumption and stay tuned.

Interesting. Meanwhile, switching topics, a few episodes ago it seemed as if Cheryl was stalking Josie, especially after she became very possessive over her. Madelaine Petsch said Cheryl would be getting an unexpected love interest this season, so it seems like Josie would be that person. But we haven’t had any new developments since. What can you say?

RAS: I promise you that storyline comes back huge. Hugely. That’s not something we’re dropping. It’s something we’re attacking head on. I think you’ve got maybe three or four episodes [until we come back to that].

The Lodge’s butler, Smithers, also seemed to have disappeared early on this season, and it seemed Hiram was behind it.

RAS: I love Smithers, and I wouldn’t be surprised if we saw him again. I remember at first, the network and studio were like, “Really? Smithers?” But I love that guy. We may not have heard the last of Smithers.

Let’s talk about romance on the show, especially as Valentine’s Day approaches. What can you share in terms of what’s to come whether you’re team Bughead, Barchie or Varchie?

RAS: All of our characters went through a harrowing ordeal in the first half of the season. Even though Bughead broke up, their feelings for each other are very much there—but they’ve got to sort through a bunch of stuff between them. In a weird way, they have to become friends again to see if it’s even possible to reconnect. The Bughead saga is far from over.

Chapter Twenty-One: House of the Devil

PHOTO: The CW

Meanwhile, I like Archie and Betty together. Don’t kill me, Bughead fans!

RAS: Interesting! Well, get ready and wait until episode 14 [which airs next month]. That’s all I’m saying!

Fair enough. And finally, I love the way Archie is being written this season in relation to Betty, Veronica, and Cheryl. He’s very close to all of the women. In tonight’s episode, for example, he was honest with Veronica about kissing Betty while they were broken up, and he’s extremely protective of the women after learning of Nick St. Clair’s attack. In the wake of the #MeToo movement, are you consciously trying to write Archie as a more feminist character?

RAS: As we were writing these episodes—even the episode that aired tonight—they were written before [the Time’s Up movement] started. It’s a fine line to balance because on the one hand, you don’t want the girls to be rescued by a guy. You want the girls to be able to fend for themselves and be strong. On the other hand, when we talked about Archie finding out that Nick had [tried to sexually assault] Cheryl and Veronica, when we were talking about that scene when Archie confronts Nick, even though his legs were in casts, we were like, “He’s gotta kick the shit out of this guy.” There’s gotta be a visceral response to being in a room with this guy, who is a serial harasser and perhaps even worse. That just felt like the most truthful thing, you know what I mean? The girls had already rallied around Cheryl, and it felt like if Archie just went up there and didn’t do something in response to Nick’s behavior, it would have been false to the character and a bit deflating.

We push the envelope on Riverdale in terms of sexuality and violence and things that are innate to the genre and pulp and noir. Since the last couple of months, we do talk about it more in the room. We’re trying to be a little more careful with what situations we put our characters in. But we are usually pretty aware, and we have been talking about it more. I think a lot of writers rooms have.



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